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Fiber Crawl is this weekend!

 

Fiber Crawl post card

Fiber Crawl is happening this weekend. (We’ve mentioned it before.) If you’re in New Mexico anywhere from Albuquerque to points north and enjoy fibers – themselves, the animals they come from, and what you can do with them – get thee to the website and its map. High on Hooking and Cathy Kelly will be spending Saturday and Sunday at the Open Space Visitors’ Center on ABQ’s West Side (conveniently close to home!). Please stop by to see: 1) our wares and how we hook them and 2) the fiberific “Earth Threads” exhibit. The Visitors’ Center is no slouch itself; it’s a very cool place if you haven’t been there. We hope to see you!

 

 

 

Fiber Crawl postcard.
More info on this weekend’s Fiber Crawl. Note that website stuff. Here’s to the folks at the Española Valley Fiber Arts Center who puts the whole event on. You might want to sign up for their newsletter.

 

 

 

 

 

 

 

 

 

 

 

 

 

Hooked rug to be offered at Fiber Crawl this weekend.
Lastly, is there anything more New Mexican than our chile? (This is a rhetorical question. Of course there is.) Come see the finished chile “off the frame” at the Open Space Visitors’ Center on Coors Boulevard Saturday and Sunday! (BTW, this one’s hooked using recycled t-shirts.)
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Albuquerque fiber-phernalia and Donna Hrkman

Donna Hrkman, rug hooking teacher, and Indian Boy rug.
Donna Hrkman holding her rug “Indian Boy.”

 

I know, I know, I’ve been gone a few weeks, but with all the fiber-phernalia going on in the Albuquerque area, you can’t blame me.

 

  • All the guilds participating in our BIG FIBER ARTS FIESTA are busy preparing their booths and volunteers. And, of course, the hundreds of masterpieces that will be on display for those three days. Let me remind you:  Thursday-Saturday, May 30, 31 and June 1; hours are 10-5; at Expo New Mexico. There will also be: classes; over 50 vendors; Betty Busby as featured artist; five different special exhibits (including the Adobe Wool Arts Guild‘s friendship rugs!); demonstrations, and  a free craft – good for the kids…and you!

 

Rug hooking exhibit
High on Hooking’s and Catherine Kelly‘s display at last year’s Fiber Crawl. Location: Casa San Ysidro in Albuquerque.
  • Before we can even get to Expo and the Fiesta, we’ve got the New Mexico’s second annual fiber adventure: FIBER CRAWL!  High on Hooking will be participating again this year as a vendor/demonstrator; we’ll be at the Open Space Visitors’ Center (conveniently close to home!) for the three days. The whole thing is organized by the Española Valley Fiber Arts Center.  As pulled from the website:

 

The New Mexico Fiber Crawl is an opportunity to explore fiber studios and farms, experience fiber demonstrations, attend special gallery and museum events, win prizes, and visit fiber arts shops.

Whether you are a fiber enthusiast, a visitor, a friend or a collector, the 2019 New Mexico Fiber Crawl is a great way to discover and enjoy the world of fiber arts in Northern New Mexico. You’ll meet the weavers, knitters, spinners, felters, embroiderers and new media artists who are sharing their love of the fiber arts at this event. Plus, you’ll have a great time!

Donna Hrkman, rug hooking teacher, and class.
Members of the Adobe Wool Arts Guild surround Donna Hrkman to learn her technique for enlarging an image to be used as a pattern.

 

  • Lastly and most fun, a couple of weeks ago, the esteemed rug hooking teacher DONNA HRKMAN was here in Albuquerque sharing tips of the trade with and instilling self-confidence into members of the Adobe Wool Arts Guild (AWAG). We cannot gush enough about her class, the exquisite rugs she shared, the patterns she drew, the wool and other goodies she brought to us. Not only that, she was just plain fun to be with. Unfortunately, her plane came in almost a full day late, so sight-seeing was limited, but we all rolled with the punches. We got cozy with one another at a meet-and-greet supper here at High on Hooking’s crib with plenty of vittles left for Tuesday’s lunch. Dinner’s out included margaritas and New Mexican food along with excellent conversation. For any hooking group or guild looking for a teacher, we at AWAG can’t recommend Donna enough.
Donna Hrkman and Alheimer's hooked rug.
Donna Hrkman describes how she created the hooked words in her “Alzheimer’s Rug.”

And lastly, I wanted to show you what being a busy hooking bee finally did for me. Maybe you saw it on our Instagram post.

Dog and writer celebrate finish of a hooked rug.
“Big Boucherouite” is finally done! Tynan and I celebrate. Tom’s margarita completed our little party.

I started this rug over a year ago, worked on it sporadically till late November of 2018. (Because I’m not involved in enough stuff as it is.) After my vending year was over, I started hooking in earnest, finally finishing the hooking maybe a month or so ago. After giving my arthritic hands a break, I started the finish work. Everything was done and the High on Hooking tag sewn on this Sunday afternoon. Did you hear my sigh on relief?

Please share your spring fiber-phernalia here

and on our Facebook page.

High on Hooking tag on hooked rug

 

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Change is…GOOD!

Tynan on hooked rug.
Tynan presents this week’s “What’s on the frame.” This would be a teaser for Albuquerque’s Fiber Arts Fiesta (May 30 and 31, June 1). The Adobe Wool Arts Guild will have a special exhibit, “9 on 9,” comprised of friendship rugs. Tynan has managed to sit on at least two of them thus far.

 

 

 

Change requires a new way of looking at old things. Looking at anything differently is good; it gets you out of your old head and makes you see with new eyes. Less “same old, same old.” And so High on Hooking has to do some changing. Nothing that drastic, just something to shake us up a little, get the juices flowing again.

  1. Over the last year Instagram has proven to be a real mover and a shaker. Even more than Pinterest these days, I love to see the beautiful items that everyone’s making and showing on Instagram. And so few words are needed. The photographs alone drive traffic to an artist’s website and Etsy shop. Because of this development and because, frankly, I’m tired of coming up with scintillating topics week after week, I plan on reducing the number of blog posts here at High on Hooking. Don’t worry, I promised Tynan that he could still post now and again. And you know you can find him on our Instagram and Facebook accounts.

    Hooked rug.
    Thought you might like this close-up of the friendship rug’s background. Yes, as a matter of fact, I do know how to hook wool strips. Guild member Cathy Kelly dyed it for me. (Okay, I was there doing some poking and prodding and dropping in some dye…)
  2. Relatedly, it’s time to simplify some and pare down…the website itself. Again, change is good, and I’d like a new look. Also, I prefer to sell via my Etsy shop or directly. Directly as in, if you see something you like here on the website, just shoot me an email or a call. (No middlemen making money that way. 🙂 ) So, as I find time in the next couple of months (not an easy feat), the site will be changing. Because I’m doing it myself, we could also get lost in the Internet ether now and again. In that case, find me on the Facebook or Instagram pages. And know that the gallery page is currently hopelessly out of date!
  3. If you follow my Instagram feed, maybe you noticed the new rug I’m working on. In between finishing “Big Boucherouite” and a couple of others. Maybe you looked closely and realized that it’s not actually hooked; rather it’s punched. Yep, I’m adding to the repertoire.  But punching for me didn’t come out of nowhere. I used to do quite a bit of it, even spent four days with Amy Oxford one summer at the Fletcher Farm School for the Arts and Crafts before she moved into her own digs. And, like wool strips which I really don’t care to punch, you can punch t-shirt strips. I’ve done it. Haven’t tried bedsheets. Will have to think that one out. Not!

    Punched rug (hooked rug)
    Why Amy Oxford’s had a run on her punch needles, besides Instagram that is. Because everyone loves how cool it looks from the back! BTW, this is being punched with wool yarns.

 

I think that’s enough change for one day, don’t you?

How are you mixing things up this spring? What change are you making?

 

 

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And just like that, “Big Boucherouite” is hooked

Big Boucherouite hooked rug
This is what “Big Boucherouite” looked like yesterday afternoon when I sat down to hook. Some of you may have seen it on Instagram. Clearly, the race was on. Actually, the race had been on since Sunday when I hooked for a good seven hours.

 

Okay, maybe not “just like that,” but the “Big Boucherouite” is hooked. Finally. After about three and a half months of hooking approximately three hours per day. My arthritic hands are not particularly pleased with me at the moment, and I haven’t even told them about the next part: hemming. Putting needle and thread into hooked bed sheets and t-shirts isn’t the most fun thing one can do. I’ll give the hands a week or two off before we start to sew.

“Big Boucherouite” is hooked completely from old bed sheets and t-shirts. This is recycled (fiber) art at its best. 🙂

 

“Big Boucherouite” all hooked up. There’s a LOT of hemming to be done there. Don’t anyone expect to see this bad boy in the Etsy shop for a while.

In the meantime I have to finish my friendship rug – the entire background which does include words (I know, I know!). At least hooking wool is more gentle on the paws than hooking cotton. The friendship rug has to be completed by Albuquerque’s Fiber Arts Fiesta just like “Big Boucherouite.” In fact, all nine of the guild‘s friendship rugs constitute a special exhibit. If you can make it, Fiesta is May 30, 31 and June 1 at Expo here in Albuquerque.

 

Dog on Big Boucherouite hooked rug
Tynan was not to be denied. He feels it’s his job to present the rugs. And pick up a treat for his troubles…

 

 

Fellow hookers, I’ve spent an incredible amount of time hooking the background of one BIG rug; the friendship rug isn’t as large, but it ain’t small either. I’ve been dreaming of other rugs I want/need to start. Ideas to get me through this next background before I can start something new?

 

 

 

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See this recycled-t-shirt artist’s work now!

 

Who would’ve thunk that a t-shirt artist would be featured in a nearby gallery? Thanks to friend and guild-mate Nancy, I thunk thought it and was able to see the exhibit before it closes come March 23. Thanks so much, Nancy!

If you’re interested in fiber art at all and are near Santa Fe before March 23, I urge you to take an hour or so and head to form & concept, a gallery you can easily find on South Guadalupe Street in the Railyard District. Warning: You’re gonna love the gallery and will need more time.

The t-shirt artist in question is Nika Feldman. BTW, she not only considers herself to be a fiber artist, but a rag picker as well. Bless her heart; I know where she’s coming from. (Have you seen my rugs hooked out of recycled t-shirts? Bed sheets?) I had a great time looking at the various pieces, which are made of recycled t-shirts, pop tabs, and embroidery (which she’s very good at).

T-shirt art by Nika Feldman showing at Form and Concept in Santa Fe, NM.
Here is an example of one of Feldman’s t-shirt pieces: “Hooded Cape.” (Photo courtesy of form & concept Gallery.) Yes, it’s comprised of nothing but old t-shirts, pull tabs, and stitchery!

While Feldman calls t-shirts the most ubiquitous – and cheapest – universal clothing made by Western culture, and that’s true, I’m not sure that I agree with her that the shirts are always recognizable even when cut up and taken apart. I know that I regularly have to tell folks that many of my rugs are hooked from old t-shirts. And the disbelief that they mouth. Granted, my strips are looped; some of hers hang free. Still, given what Feldman does with hers… The embellishments, especially when one sees her prowess with a needle and thread, are fantastic.

I fully concur with her message and only wish that I could state what I’m trying to do with my own art so succinctly:

The message…she said, has to do with modern North America’s mass production systems.

“It’s disposability, it’s like how we can make life more convenient, and more convenient, and more convenient?” she said of the narratives that this continent’s clothing conveys. “It comes at an unsustainable cost to the Earth.”

-excerpted from Megan Bennett’s article “The language of clothing” in the Albuquerque Journal North

If you weren’t aware, the fashion industry is one of the world’s larger polluters. Here’s an interesting article on that.

Fast fashion that often falls apart – have you ever wondered why that trendy tank top developed a hole after only one wash? – is a big part of the fashion industry’s unsustainability. That and our culture’s fickle fashion sense are why Feldman and I can both  find so many t-shirts to use in our artwork. Savers, Goodwill, friends and relatives can supply us with all we need.

The pieces in the exhibit are “garment-like” rather than actual garments. This, according to Feldman, allows us to look deeper at them and to see them as art rather than just wearable fashion to be purchased and then put on. (For how long?) Indeed, she spent time in the fashion industry earlier in her career(s). I find that an interesting idea especially since my own goal when hooking a rug with t-shirts and other recycled materials is that it also be usable – as a rug, a table runner, or what-have-you. Regardless, I very much enjoyed looking at Feldman’s art, and I encourage you to make a run to Santa Fe before it disappears.

The exhibit by Nike Feldman is called Spirits in the Material World. It’s at form & concept on South Guadalupe in Santa Fe till March 23.

PS: Since Taos: Contraction of Mass, Concision of Thought, by Lisa Klakulak, another exhibit going on at the gallery till April 22, is also terrific. You just have to see the piece called “Transplant”! (Which you can do by following the above link.)

“I was so into fiber, because of its comforting and protective qualities, but at the same time it is a medium associated with struggle and women’s work,” she says. “Then I got into the whole concept of felt, because it’s incredibly strong but it presents in this soft, vulnerable way.” The artist’s mastery of the medium and her emotional language-building express the deeply personal in a way that holds broader relevance to humanity, voicing ideas about growth, human connection and personhood.

from form & concept’s website.

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