Happy 2024! I hope that everyone toasted to love and life at midnight a week ago. Tom and I did, albeit at about 6:00 PM. Drinking late at night doesn’t work well any more. LOL Besides, even after more than eight years out here in New Mexico, we still celebrate the New Year on East Coast time.
My 2024 will be a big teaching year.
Classes are scheduled for the Española Valley/New Mexico Fiber Arts Center up in Española, New Mexico, this month (1/27, hooking) and in February (2/24, punching). The hooking class is full, but they’re opening a second session that should be on March 9. It hasn’t been posted yet, though, and probably won’t be for another week or so.
In Aril, we’ll be up in Loveland, Colorado, for the Maker Festivals Colorado/Yarn Fest Again, I’ll be holding workshops in both hooking (4/13) and punching (4/12). I love Colorado, so I’m pretty pumped for this trip.
And in July, we’re off to Wichita, Kansas, for HGA’s Convergence. Hooking’s up (7/13). I remember the marketplace when Convergence was in Providence 10 or so years back. Read about that HERE.
And while I’m not teaching at In the Studio Online’s Workshop Week 2024, I am the Administrator, so very much in the middle of things. If you’re looking to work with teachers you see on social media but couldn’t travel to, check out our offerings right this minute. Prices are right, and no travel is needed! Classes are filling. We’ve got some great bonus events too like a talk by Liv Aanrud sponsored by Sauder Village. And if you’re interested in attending Rug Hooking Week at Sauder Village in 2024, Deb Ridgway will be giving a free talk on that and more. (BTW, some of the SV teachers this year are teaching at WW2024! Again!)
Fortunately, all of these events are at least a few weeks away, as I’m still recovering from a much too busy December. And the kid arrives tomorrow from Seattle to have her holidays. Sadly, in the hospitality industry, one does not often have Christmas off. So, I will be busy with family this week but still available if you have any questions.
My wish for you all is a 2024 filled with kindness and creativity. Learn something new; risk a bit and maybe you’ll surprise yourself!
The gifts are wrapped; it’s Christmas for real now. I look forward to taking a week off from things I HAVE to do so I can accomplish some things I WANT to do. Like working on a new hooking project and planning some new ones for 2023. (More on those in a few weeks.)
If you’re still looking to fill a creative’s stocking or or even gifting yourself, HoH has a few ideas. Our winter teaching schedule is filling – for both in person and online events. Yay! After the holidays, I’ll give more info, but find the salient info below.
IN THE STUDIO ONLINE WORKSHOP WEEK 6 – Various Fiber Arts
February 16-26, 2023
Nationally known teachers! 9 workshops and 5 lectures plus 2 bonus events!
More info HERE.
FULLER LODGE ART CENTER / LOS ALAMOS ARTS COUNCIL Introduction to Rug Hooking – Saturday, February 25, 2023 Introduction to Punch Needle Rug Hooking – Saturday, March 4, 2023
Fuller Lodge Art Center, Los Alamos, NM
More info HERE.
We here at High on Hooking thank you for all your support this past year – students, festival organizers, schools, and customers. We wish you the best of Hanukkah, Christmas, Kwanzaa, whatever winter holidays you might celebrate. Here’s hoping for a joyful and peaceful 2023.
This is an FYI for all who have been a part of In the Studio Online’s Work Shop Weeks in the past:
Registration for Workshop Week 5 is upon us!
If you’re a past student, you should’ve received the catalog this past Friday evening via email. If you didn’t, then contact me at Laura@highonhooking.com ASAP! If you haven’t had the pleasure of taking a class with us YET, then also send me an email requesting the catalog. It will go out to all interested on Monday, August 15.
Please note that In the Studio Online Workshop Weeks are not just about rug hooking. We look to provide contemporary rug hooking artist/teachers as well as:
“…additional instructors who can offer something – not necessarily rug hooking or even a textile art – beyond the expertise of the original In the Studio artists. We look for complimentary/ancillary/supporting arts and skills.”
Teachers this time around are a mix of prior and new. They and the classes they’re offering during Workshop Week 5 are:
Anastasia Tiller LANDSCAPE IMAGERY FOR A TEXTILE PATTERN USING IMPRESSIONISTIC TECHNIQUE
Susan Feller FINISHING IS AN ELEMENT OF YOUR DESIGN – CHOOSE THE RIGHT ONE
Karen D. Miller POINTILLISM AND PAINT: EXPLORING NEW TECHNIQUES IN TEXTILE ART
Elizabeth Miller DESIGN YOUR OWN MISSION RUG: INSPIRATION FROM OUR COLLECTIVE PAST
Rebecca Martin EXPLORING YOUR CREATIVE SIDE WITH ALTERNATIVE PUNCH NEEDLE RUG HOOKING TECHNIQUES
Yours truly won’t be teaching this WW, but I’ll be handling all the admin, so if you have a general question or one about our two bonus sessions, please give a yell. If you’re wondering about specific classes, you’ll do best to contact the specific teacher. All contact info can be found in the catalog.
Information regarding some of our previous Workshop Weeks can be found HERE and HERE.
We hope you can join us at Workshop Week 5 in October.
IN THE STUDIO TALKS ON HIATUS AFTER THIS EVENT! DON’T MISS VALERIE CAREW AND KAREN MILLER CHATTING!
Join Toronto artist Valerie Carew as she discusses how she animates household objects such as rugs using photography and performance and how she uses the craft of hand-hooking to express relationships with the natural world.
Engagement with land is a big motivation in Valerie’s artwork. She makes textile wearables and engages with natural environments using immersive role-play. Valerie is interested in exploring the “what ifs” in art making; she tries to use the language of rug fabrication and textile craft to communicate memories and human experience. Her family history and relationships with land are rooted in the settler cultures of Newfoundland and New Brunswick, Canada. Hand hooking rugs is part of the fabric of these cultures. Traditional aspects of rug making, such as material reuse, storytelling, and folklore are referenced and re-configured in her contemporary practice.
About Valerie Carew: Valerie Carew, she/her (Toronto, Ontario) is an interdisciplinary artist who explores human/land relationships through performance, body based sculpture, installation, painting, and fibre craft practice. Immersive role-play and biomimicry are combined with sculptural rug making to express experiences with land and identity. Valerie’s sculptural works are designed for interplay and physical contact with the human body. She incorporates nostalgia, myth-making, and material transformation to imagine new futures defined by a greater connection to the wild.
The Zoom link for this presentation will be emailed to you the day before the talk (or after you purchase your ticket, if you purchase on the day of the event). If you don’t receive it, you can contact the organizer at info@karendmillerstudio.com.
Tickets will be on sale until 10 am the day of the event. After that time you will no longer be able to purchase tickets.
Please note that the time of the talk is 1:00 pm EASTERN.
FAQ’s
* Will this talk be recorded for viewing later?
Unfortunately, no. Due to the logistics involved, we decided some time ago to keep these events live. Hopefully if you can’t make it to this talk, you’ll be able to make it to a future talk.
* It’s the day of the talk and I’m having trouble finding or using the link for the talk. How can I find help?
It is very advisable to LOG INTO THE EVENT A FEW MINUTES EARLY to be sure that you have no trouble with the link, and if you are having trouble the organizer can help you out. You can email or message the event organizer up until one hour before the talk on the day of the talk for help. ONCE THE EVENT STARTS, however, messages and emails are not able to be monitored.
* I’m finding it distracting during the talk seeing all of the other participants on my screen. What can I do?
During the event the organizer will put the screen setting on “spotlight view” so that the presenter is the focus on your screen. Depending on your device, you may still see audience members on your screen and changing your setting from “gallery view” to “speaker view” should help with that.
* What Time Zone is the time of the talk in?
The time indicated on all ‘In the Studio’ talks is the EASTERN (EST) time zone. If you live in a different time zone, be sure to check what time you should tune in to ensure you don’t miss the talk.
*I can no longer make it to the talk. Or, I missed the talk. Can I get a refund?
Unfortunately no- the price of the ticket is so low that it is not cost-effective to refund those amounts. If you are unable to make it to the talk and you already have a ticket, or you forget to attend, please do contact me at info@karendmillerstudio.com. I always offer a ticket to the next talk to make up for it. All of the artist speakers receive a portion of the ticket proceeds so we very much appreciate your contribution to supporting artists!
If you’re a fiber arts teacher of any kind, you’re in luck. In the Studio (Online) has just put out an Instructor Call for Entry for our next two online Workshop Weeks (WW). The dates are:
Workshop Week 5 October 23-30, 2022
Workshop Week 6 February 18-23, 2023
The original teachers of In the Studio (Online) include: Susan Feller, Karen Miller, Meryl Cook, Beth Miller, and myself. In order to keep our class offerings fresh, before WW2 we began looking for others to join us. We’ve had workshops in: rug hooking with alternative fibers; braiding; finishing your art; combining paints and hooking; design; felting wool sachets; weaving; Chakra color play; pet portraits; needle punch rug hooking; abstract work; landscapes; watercolors;and so on. We are NOT looking for all hooking classes; rather we’d like to see most any type of fiber art and creativity workshops (that work well online) in addition to subject matter and skills that can inform our hooking and other art practices.
While we began WW to fill a need during Covid lock-downs, we’ve found that they remain popular and that our students want us to continue. Workshops Weeks have allowed students to take classes without the expenses of travel. As well, students get the chance to work with teachers and artists who might otherwise be unavailable to them. Workshop Week 4 happened in mid-winter. There were nine classes. Eighty students participated with many taking more than one workshop.
(If you search using the words “Workshop Week” here on site, you can see what classes we’ve provided in the past.)
If you think you might be interested in joining our group of teachers for WW 5 and/or 6, we invite you to submit a proposal. If you have any questions about the coming or past events, please email me at Laura@highonhooking.com. We’ll be accepting proposals until May 15. You can find the prospectus below. We look forward to hearing from you.
Teacher Proposals for In the Studio
Workshop Weeks 5 and 6
Deadline: May 15, 2022
In the Studio (Online) announces that its next two workshop weeks will be held:
Workshop Week 5 October 23-30, 2022
Workshop Week 6 February 18-23, 2023
As the last two years have shown, affordable, online instruction is here to stay. In the Studio’s online Workshop Weeks (WWs) have allowed students the chance to take classes without the expense of travel. The students are also able to work with teachers and artists who might otherwise be unavailable to them.
Starting with 2021’s WW2, we began to bring in additional instructors who could offer something – not necessarily rug hooking or even a textile art – beyond the expertise of the original In the Studio artists. We look for complimentary/ancillary/supporting arts and skills.
We are now planning WW5 and 6 and again looking to diversify our workshop offerings. We are specifically looking for teachers who conform to our overarching tenet:
Art by artists responding to contemporary events in the world. We invite you to reflect on these responses and consider creating your own art that reacts to our current times.
FYI WW1 attracted 36 students in five classes. Eighty participated in WW4’s nine workshops. Many took advantage of our non-overlapping schedule to take multiple classes. They “come from” the US, Canada, and even Europe.
PLEASE READ BEFORE APPLYING
Workshop sessions typically last 2-4 hours but are set by individual instructors.
Workshops are standardized to begin at 1:00 PM or 6:00 PM Eastern.
Fees for all classes are: $50 US for one-session classes and $75 US for two-session classes. Teachers may set additional costs for kits, other materials, etc.
Teachers are responsible for collecting payment from their students and keeping in contact with them regarding classes and other WW information.
Teachers are required to submit their class lists to the WW administrator.
All teachers are required to promote all WW classes in their social media, newsletters, etc. Promotion by every teacher is what makes the week successful. Each teacher will also be required to take over In the Studio’s Instagram account for a day in the weeks leading up to WW5 and/or 6.
There are two additional bonus events (a social gathering midweek evening and a panel discussion) that teachers are expected to attend (dates to be determined).
Teachers must have their own Zoom account to use to hold their class.
New for WW5 and 6! An administrative fee of $50 US will be collected once a teacher agrees to teach with In the Studio (Online). We’ve realized that there’s a need for one person to coordinate social media announcements and calendars, send out group emails, maintain the mailing list, etc.
Participation in one WW does not guarantee that one will teach in subsequent WWs.
WHAT YOU WILL RECEIVE
The benefit of promotion amongst a collection of well-known teachers. Instructors will receive a “brochure” detailing the WW and all classes that should be shared to their networks.
Support from the other teachers in how to run an online class particularly if this is your first time.
The Workshop Week administrator will send out links to all students for bonus events.
TO APPLY
Applicants should indicate if they prefer to teach during WW5 or WW6. If you don’t, we will assume that you are available for either. (We will plan classes for each WW depending on both subject matter and teacher availability.) Because we schedule WW classes so that they don’t overlap, also indicate if you are unavailable on certain days of the week or dates. Let us know too if you have a preference regarding a 1:00 or 6:00 start time. We strive to schedule everyone to their liking.
Provide a detailed class description of the online class you propose to teach. Please include the following: title; length of class; minimum and maximum numbers of students; materials that students will need (will they have to purchase from you?); what will be covered in the class, experience level of students required; and anything else pertinent to the class. Will it require more than one session?
Include a short bio that includes your experience teaching (if any) and any references.