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Teaching at CREATE DIY in June

CREATE DIYHigh on Hooking will be teaching at CREATE DIY in June.

I really do miss – and prefer – teaching in person, but one of the Coronacootie’s most pernicious side effects is how it’s kept us all from one another. From family members, from friends, from students and teachers, you get the idea. But humans do adapt, and makers still gotta make, so Zoom entered all our lives. Truthfully, I think that we all understand that that hasn’t necessarily been a bad thing. Many more folks were able to “get together” through Zoom talks and workshops than would’ve been possible pre-Corona. And Zoom will continue well into our futures even when we’re all vaccinated up and, hopefully, have achieved herd immunity and get back to meeting each other in real life. But till then…

If you or someone you know would like to learn how to rug hook, in June I’ll be teaching a class through the online textile arts festival CREATE DIY. In fact, there will be several workshops and a couple of lectures going on during the event.  General info can be found HERE. Topics include:

Quiltfest presents … Create DIY, a comprehensive journey into the magical world of the textile arts. Indulge yourself with Create DIY! This online festival includes educational workshops, studio tours, live presentations, and more. 

Quilting  ■   Needle Felting  ■   Stampwork  ■   Crochet  ■   Wearable Art Japanese Boro Stitching  ■   Jewelry  ■   Paper Weaving  ■   Dollmaking   ■   Dyeing  ■
Thread Painting  ■   Dorset Buttons  ■   Embroidery  ■   Rug Hooking■   Macrame  ■   Knitting  ■
Modern Weaving  ■  and more!

Join us online:
Thursday through Saturday, June 10-12, 2021

 

Introduction to Rug Hooking – Not So Traditional
Friday, June 11
Half-Day Workshop
12 pm – 3 pm EDT, Friday, June 11

Learn the basics of traditional rug hooking with a bit of a twist. Not only will we use the usual wool fabric strips (more about that in class), but we’ll also try old t-shirts, yarn, ribbon, and anything else you might have in your house that you can pull a loop with. We will:

  • Discuss the history of rug hooking and where it is today, including its various forms;
  • Learn how to prep our materials;
  • Begin hooking a “mug rug,” a small table mat, or wall hanging; and
  • Discuss the ways we can finish the piece when the hooking is done.
Welsh Springer spaniel on hooked rug
While big brother Tynan snoozes, Bowyn brings you “What’s on the frame.” “Abundance,” part of the #happyrugseries, is an adventure in mark-making with all kinds of fibers. And she has three holes!

There’s more info online HERE. Kits are optional, but participants need to contact me to make sure they have everything. Contact me at Laura@highonhooking.com if you have any questions.

 

Hoping to have a new and very special venue announcement in the next week or so. Stay tuned!

So, after a year, what’s your stance on Zoom workshops?

 

 

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IN THE STUDIO – April 14 with Sayward Johnson

Join Sayward Johnson on In the Studio as she talks about her work and her artistic process!

 

Poster of Sayward Johnson

 

Sayward Johnson is a copper and textile artist whose work explores her fascination with fabrics and sculptures that adhere to the laws of metal-smithing as well as those of textiles and, furthermore, present traditional textile patterns in unexpected contexts. She finds beauty and meaning in natural processes that cannot be controlled, such as decay and the transformation of surfaces through erosion and new growth. In her studio practice, she focuses on weaving, knitting and embroidery.

Originally from Danvers, Massachusetts, Sayward is a graduate of the Nova Scotia College of Art and Design. She currently lives in Chelsea, Quebec, with her husband and young daughter. She is an active member of the Enriched Bread Artists and 44.4 Mothers/Artists collectives in Ottawa. Sayward has exhibited across Canada and sold her work to private collectors in the US, Canada, and Europe. She has received grants from the Ontario Arts Council, the City of Ottawa, Craft Ontario, Arts Ottawa East, and the Canada Council for the Arts.

You can learn more about Sayward and see her work at www.saywardjohnson.com and on Instagram @saywardjohnson.


IMPORTANT – PLEASE READ:

The Zoom link for this presentation will be emailed to you the day before the talk (or after you purchase your ticket, if you purchase on the day of the event).  If you don’t receive it, you can contact the organizer at info@karendmillerstudio.com.

Tickets will be on sale until 10:00 am the day of the event.  After that time you will no longer be able to purchase tickets.

Please note that, unlike other In the Studio presentations, the time of the talk is 7:00 pm EASTERN.

Find tickets for this event at Ticketscene.


FAQ’s

* Will this talk be recorded for viewing later?

Unfortunately, no. Due to the logistics involved, we decided some time ago to keep these events live. Hopefully if you can’t make it to this talk, you’ll be able to make it to a future talk.

* It’s the day of the talk and I’m having trouble finding or using the link for the talk. How can I find help?

It is very advisable to LOG INTO THE EVENT A FEW MINUTES EARLY to be sure that you have no trouble with the link, and if you are having trouble the organizer can help you out. You can email or message the event organizer up until 12:30pm Eastern on the day of the talk for help. ONCE THE EVENT STARTS, however, messages and emails are not able to be monitored.

* I’m finding it distracting during the talk seeing all of the other participants on my screen. What can I do?

During the event the organizer will put the screen setting on “spotlight view” so that the presenter is the focus on your screen. Depending on your device, you may still see audience members on your screen and changing your setting from “gallery view” to “speaker view” should help with that.

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IN THE STUDIO – March 3 with Anastasia Tiller

Join Textile Artist Anastasia Tiller as she discusses

her work and process on ‘In the Studio’!

Poster for Anastasia Tiller event

 

Anastasia Tiller is a multidisciplinary artist based in Lethbridge, Newfoundland and Labrador.  Her work ranges from monochromatic figurative referencing photographic imagery, gestural flat acrylic works on paper, and colourful landscapes.  Her textile works move in a different direction altogether.  Anastasia is actively involved in the provincial visual arts community as an art teacher, as well as a member of the Visual Artists Newfoundland and Labrador Board of Directors.

You can learn more about Anastasia and see her work at anastasiatiller.wixsite.com/anastasiatiller and on Instagram @frozenpartridgeberry.

Anastasia also has an upcoming exhibit, “Room for Happiness” or “Welcome to my Bubble” at the Craft Council of Newfoundland and Labrador in St. John’s Newfoundland from March-April, 2021.


IMPORTANT – PLEASE READ:

The Zoom link for this presentation will be emailed to you the day before the talk (or after you purchase your ticket, if you purchase on the day of the event).  If you don’t receive it, you can contact the organizer at info@karendmillerstudio.com.

Tickets will be on sale until 10:00 am the day of the event.  After that time you will no longer be able to purchase tickets.

Please note that the time of the talk is 1:00 pm EASTERN.

Find tickets for this event at Ticketscene.


FAQ’s

* Will this talk be recorded for viewing later?

Unfortunately, no. Due to the logistics involved, we decided some time ago to keep these events live. Hopefully if you can’t make it to this talk, you’ll be able to make it to a future talk.

* It’s the day of the talk and I’m having trouble finding or using the link for the talk. How can I find help?

It is very advisable to LOG INTO THE EVENT A FEW MINUTES EARLY to be sure that you have no trouble with the link, and if you are having trouble the organizer can help you out. You can email or message the event organizer up until 12:30pm Eastern on the day of the talk for help. ONCE THE EVENT STARTS, however, messages and emails are not able to be monitored.

* I’m finding it distracting during the talk seeing all of the other participants on my screen. What can I do?

During the event the organizer will put the screen setting on “spotlight view” so that the presenter is the focus on your screen. Depending on your device, you may still see audience members on your screen and changing your setting from “gallery view” to “speaker view” should help with that.

 

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Hooking With and Beyond the Wool Workshop – March 20

Hooking With and Beyond the Wool Workshop running again.

Interested in hooking with things you can find in your home? Want to try fibers other than or in addition to wool? Maybe help the environment a little? Then join High on Hooking for an online workshop in March. Information is below. Note that the class is limited to 10.

 

HOOKING WITH AND BEYOND THE WOOL – Online Workshop

hooked rug like will hook in Hooking With and Beyond the Wool Workshop
“Journey” (hooked with old bed sheets and t-shirts)

Get ready to experiment with new and different fibers in your rug hooking. Working on a “sampler” pattern, we’ll explore how different types of fibers hook up and how they “play” with wool and each other.

Early rug hooking was a make-do affair using feed bags, old clothes, and other “used” fabrics. Those pioneering hookers were practical to a fault and threw nothing away; they couldn’t afford to. Today that’s less of a problem for most rug hookers using both virgin and recycled wools. But why limit ourselves to just wool strips?

Hooking with materials other than wool allows us:

  • The chance to create new and different effects in our rug hooking;
  • To work with what we may already have in our homes;
  • To go back to the thrift store to source some of our fiber (now that quality wool’s often scarce there); and
  • To potentially do some good for the environment.

This class is designed for a student proficient at rug hooking basics, particularly the mechanics of pulling loops through a backing.

Because this is an online workshop, students will supply their own materials. You may draw up your own sampler pattern or enlarge one electronically supplied by teacher.

 

DETAILS

Class will run Saturday, March 20, 1:00 PM Eastern.

This class will be held online through Zoom. Upon registration and payment, the Zoom link and password will be sent via email (after March 1).

Class will be limited to 10 people.

The class is ONE SESSION, approximately 2.5-3 HOURS in length.

The COST of this class is $45 US.

Student will supply:

  • Hooks;
  • Backing, preferably linen or monk’s cloth rather than rug warp;
  • A frame;
  • A variety of “alternative fibers,” list to be supplied upon registration; and
  • A mind and spirit open to experimenting.

For more information or to register, please email me at Laura@highonhooking.com.


Laura Salamy is the hooker behind High on Hooking.

I’ve never been a “traditional” hooker, preferring to color outside of hooking’s more “typical lines.” Instead of limiting myself to wool, I prefer to use most any material I can get my hands on. Often that means cutting strips from old t-shirts and bed sheets. Up-cycling throw-aways to art is a priority for me. Our landfills are filling up. Or they’re already full. While certain projects benefit from virgin wools or other fibers, I like to do my little part to slow that process and make something lovely at the same time.

Laura’s work has been seen in various exhibits as well as Rug Hooking Magazine; ATHA Art of Rug Hooking magazine; Karen Miller’s book Eyes Open to the World: Memories of Travel in Wool; and Judy Taylor’s T-Shirt Treasures: Creating Heirloom Hooked Rugs from the Humble T-Shirt. She currently serves as President of the Adobe Wool Art’s Guild, New Mexico’s only rug hooking guild.

Learn more about her work at https://highonhooking.com.

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A rug influenced by another artist

Hooked art influenced by another artist
I’m calling it “Pat’s Rug” for now. It was influenced by another artist, my aunt.

I’ve finally finished the rug that my aunt, another artist, last year asked me to hook for her. She gave me no guidelines other than that she likes reds, blues, and gold. What to do? Pat works in paint, pens, and pencils and such. More abstract stuff. Fortunately, I’ve got a few of her pieces, so I thought, why not go to a source, her own work.

 

Work by another artist
Artwork by Pat Croke, my aunt.

Will she be able to tell that I used her drawing to inform my hooked art? Hell, if I know. I’ll tell her though. (And about the African bark cloth influence as well.) Lines and colors. Being a textile piece, though, I get the benefit of texture too: loops of old t-shirts and the sparkly sharpness of the two gold ribbon types that I used.

Close-up of the rug that currently has no name. Hand-hooked with old t-shirts and ribbon.

 

 

 

I just hope she likes it.

 

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