Category: Instagram

July 5, 2024

Convergence, here we come!

Convergence poster

Are you going to be at Convergence* next week? I hope so, and I also hope that you drop by my classroom to say hi. No, at this moment, I have no idea where my classroom might be. As a Convergence newbie, I’m taking it one day at a time.

While I’m clueless about my class location on Saturday (July 13), I do know that Friday I’ll be at the Marketplace entrance volunteering from 1:30-3:30. (After that, I’ll most likely be IN the Marketplace. Don’t tell Tom. Hopefully, he’ll be napping in our room then.)

At some point we’ll both head to the exhibits (and probably the Marketplace again). I’ve got a piece in the Leaders Exhibit. Very exciting!

Hand-hooked purse — “Seasons Change” can be found in the Leaders Exhibit at Convergence. (Instructors are referred to as “leaders.”) She’s hooked with wools and repurposed textiles.

Beyond that, there are no plans. Of course, I’ll be taking notes and lots of photos. Keep an eye on my Instagram; I’ll post if I get the chance. A full report will follow here. 🙂

If you’re into fiber arts at all, I hope to see you in Wichita next week!

*More on Convergence. HERE and HERE.

November 23, 2022

The Art of Motherhood

We’re all affected in some way by motherhood…

Book cover: The Art of Motherhood: Our Lives in Colour and Shadow

I know I’m late to the party congratulating Karen Miller of Ontario on the release of her new book The Art of Mothering: Our Lives in Colour and Shadow, but I will NOT be the last, I guarantee you.

Karen’s book, published by Rug Hooking Magazine, came out in October. I think I received my copy in early November. Unfortunately, I’ve been très busy the past month, so I’ve only been able to scan through it thus far, but with the holidays almost here, I’m hoping to sit down soon and pore over it – no interruptions!

It’s a beautiful book, certainly, filled with all kinds of art. It’s vivid and colorful as it shines a light on how female artists have dealt with not just the topic of motherhood, but its actuality.

From the back cover:

Motherhood has been the richest experience of Karen Miller’s life. It has also inescapably changed her life trajectory: her career path, her energy levels, her commitments, her time, her marriage. It has affected everything. Join Karen as she and 21 contributing artists lift the lid on motherhood and peer inside to examine the reality of their lives through textile arts.

The Art of Motherhood: Our Lives in Colour and Shadow illuminates the feelings that so few of us talk about – but so many of us feel – as we navigate the journey that is motherhood.

Hooked art — “Rejection,” 14′ x 17.5″, hooked on monk’s cloth with wool strips and yarn, is one of my pieces in Karen’s book.

Karen’s known for a long time that being a mother hasn’t always been the best of experiences for me, so when she asked me to contribute to the book, I jumped at the chance. It’s always stuck up my craw sideways that women rarely feel comfortable being honest about motherhood and what it does to us. Even in a group of just women! How dare we speak up about not feeling quite like the Madonna and her perfect Child. News flash: I’m no Madonna and it took a lot of alcohol to get through my only kid’s high school years. (Those years made the previous 14 look like an f-ing picnic.) But after fertility problems and two miscarriages over two years, no one wanted a kid as much as I did. And I have no regrets. (Most of the time.)

That’s the kind of candid crap you’ll find in this book though in a much more eloquent form, LOL. And LOTS OF FIBER ART, hooked and otherwise. If you’re a mom or know a mom or ever had a mom, get thee online to order this book. It’d make a kick-ass and thoughtful Christmas or other type of gift. I promise. You can order from RHM HERE. If you’re in Canada, contact Karen through her website.

PS- Not all moms are biologic. And mother figures count as moms.

FYI-
Below is a list of the Instagram handles of all the artists who, in some way affected by motherhood, contributed work to Karen’s truly excellent book. Check out their work.

Karen Miller: @karendmillerstudio
Nadine Flagel: @pretextstudio
Meryl Cook: @merylcook
Laura Salamy: @highonhooking
Emily van Lidth de Jeude: @emilyvanartist
Jane Smith: @blogginthebay
April Deconick: @aprildeconickart
Linda Friedman Schmidt: @lindafriedmanschmidt
Rachelle Leblanc: @rachelle_leblanc_art
Trish Johnson: @trshjhnsn
Patti Colen: @woollycronedesigns
Alexandrya Eaton: @alexandryaeaton
Michelle Kingdom: @michelle.kingdom
Carmen Bohn: @carmenbohn_art
Elizabeth Miller: @northatlanticfiberarts
Ellen Skea Marshall: @twocatsanddoghooking
Amy Meissner: @amymeissnerartist
Michele Micarelli: @michelepmicarelli
Linda Rae Coughlin: @lindarae_coughlin
Sayward Johnson: @saywardjohnson
Lori Laberge: @lorilabergeart
Karen Larsen: I don’t believe Karen is on Ig but she is on fb

And to everyone in the US, mother or not,

HAPPY THANKSGIVING!

December 10, 2021

Shakerag Workshops in June!

Finally I can let the world know that I’m teaching at the Shakerag Workshops in Sewanee, Tennessee in 2022. They asked me about it awhile ago, but between our schedules and some electronic issues, there was a bit of a delay on the website. I’m happy to say that my class listing is now up and complete. You can find info about it HERE. I have to admit that there are some other very inviting art classes during the two week-long sessions. Take a look. And it all kicks off with a four-day knitting retreat with the folks from Modern Daily Knitting. (While I get their newsletters, I’m a crocheter; I’ve never been able to grasp the whole purl thing. A girl has to know her limits, and this girl is sticking with hooks.)

About Shakerag Workshops
Shakerag Workshops is an adult studio art workshop program. For 2022 we will begin with a Knitting Getaway retreat in Session I (June 8-11) and then move to week-long classes offered in various media in Sessions II and III (June 12-18 and June 19-25). Participants may register for one or more sessions. Classes in Sessions II and III meet from 9:00-12:00 and 1:00-4:00 daily. Participants and faculty members often work together in the studios during late afternoons and evenings, occasionally taking time away from their artistic endeavors for sitting and talking, hiking, practicing yoga, or swimming in our mountain lake.
–from the Shakerag website

Traveling to teach in Tennessee, specifically in Sewanee, is exciting for a couple of reasons. First it’s the biggest “stage” that I’ll have taught on, certainly in person. I’m honored to have been asked. Second, there’s a LOT of synchronicity going on. Other than the song learned by watching Looney Tunes long ago that starts “Way down upon the Sewanee River far, far away…,” I really knew nothing about Sewanee or even that it’s a town! Then, a number of years ago, a good friend from college and her husband were both hired to teach at Sewanee: The University of the South. Unfortunately, Kelly and I haven’t seen each other since they moved from Boston. Then I moved from Massachusetts to Albuquerque. Not a lot of geographical overlap between the two. LOL But a few years after Tom and I arrived here, I made an online connection with a hooker from Tennessee, Cass Gannaway. Her son lives here; she even met some of the Adobe Wool Arts Guild while some of us were demonstrating at the BioPark. Cass is pretty much a guild member at this point and has taken classes with us online during Covid. We hope to see her for real soon. Did I mention that she happens to be Kel’s neighbor? Oh, and that the director of Shakerag is also friends with Kelly and her husband.

It gets better. Cass and some of her Tennessee hookers have taken my and other In the Studio Workshop Week classes during the past year and a half. And now, thanks to all these convoluted relationships, Cass’s son-in-law, Charlie Dalton – you might know him as The Hooking Colonel on Instagram – is teaching a second time with In the Studio come February! (I actually had the pleasure of meeting Charlie last year during the holidays when he was visiting his Albuquerque in laws.) And that, my friends, is what SYNCHRONICITY is all about. This New Mexico-Sewanee connection was meant to be.

HOOK RUGS: SAVE THE PLANET, June 19-25, will provide instruction on hooking and punching. It’s perfect for beginners and those familiar with the art forms. But we won’t be focusing on wool (not that there won’t be wool), rather we’ll look at how we can use materials that are often discarded and fill up our landfills. We’ll do our own little part to slow that process. See the links above or email me at if you’re interested in joining us.

REMINDER:
In the Studio (Online)’s Workshop Week 3 (WW3) was a resounding success in October. January 30 – February 6 will find us in WW4. Classes are filling rapidly. See the workshops and other information by following the link above. I’ll be offering last winter’s popular Baby Boucherouite class. Follow In the Studio’s Instagram as each of the nine teachers take over for a day during the next few weeks. Our Facebook page also provides plenty of fiberific findings.

Dog on hooked rug in front of holiday decorations — Tynan brings you what might be the last WHAT’S ON THE FRAME of 2021. Bowyn wanted to be there but couldn’t control his wild and crazy nature. The ANGEL OF 2022 should be finished next week. Tynan wishes that your holidays are filled with too many treats to count. Oh, wait! That’s what he wishes for himself.

Lastly, I hope that everyone’s taking the time to enjoy the holidays. Certainly, we’ll all have more friends and family with us than we could last year. Tom and I will actually have folks here to see our Christmas tree for the first time in years. The kid and my brother both manage to arrive on or before Christmas Eve.

I’m hoping to slow down in the next week or so to write cards and bake. And I’m almost done with my annual angel project; the Angel of 2022 will be finished shortly. It’s time to start planning the project that will take me into the New Year. What about you? Working on anything special these last days of the 2021?

October 5, 2021

IN THE STUDIO – October is our month!

In the Studio is having quite the month! Make sure you’re caught up with all that’s going on so that you don’t miss anything.

#showingupinthestudio2021

Search Instagram using this hashtag. We at In the Studio are urging folks to jump into our new daily “challenge” that’s not so much a challenge as it is a gift to yourself. As Meryl Cook put it: “Just do something to stretch yourself creatively for the rest of 2021.” And, hey, if you can only do it every other day or weekly, do that. Just do it for yourself. Because I had a show this past weekend to prep for, I only got to join in the fun yesterday. I started an improv stitching mini-project that I’ll work on a little each evening because I haven’t been good at starting a stitching PROJECT earlier in the year like I wanted to. This will put me on a path of exploration so that I can really get into something come 2022. There are almost two months to see where this takes me. Find more examples at @artwools and @karenmillerstudio .

View this post on Instagram

A post shared by MerylCook Engagement by Design (@merylcook)

Workshop Weeks 3 and 4 In the Studio Workshop Week logo

Last year the In the Studio artists began Workshop Week (WW) to fill a hole that Covid dug. Sure, we couldn’t attend workshops and classes in person, but we put our heads together and technology to work and managed to come together anyway. It stuck! We’ve realized that getting together via Zoom allows students and teachers (most of us have played both roles) to meet one another and learn new techniques for a fraction of the cost of traditional schools. (Not that we’re giving up on those, but WW is a nice complement and the only thing available to many of us.) We don’t limit ourselves to rug hooking, but encourage the presentation of other arts and complementary techniques and subject matter. If you haven’t perused the WW3 options, check them now as classes have been filling. Personally, I have room in my October 23 session of Hooking with T-Shirts. Contact me at Laura@highonhooking.com if interested. We are currently soliciting proposals for this winter’s WW4. Teachers, find more info here.

In the Studio Online with JESS STEPONAITIS – October 22

Join Nova Scotia textile artist, Jess Steponaitis, as she discusses how she uses bold colours and unique designs to approach the traditional craft of rug hooking with a fresh perspective! You can find tickets for this online talk HERE.

About Jessica Steponaitis:

Born and raised in Nova Scotia, Jessica has been designing and crafting hooked rugs since 2002. Her work is best described as “contemporary folk art” or “folk art meets pop art,” and she frequently creates work inspired by her proximity to the ocean and all of its creatures. All of Jessica’s work is created using linen foundation cloth. She cuts all of her wool by hand and frequently dyes wool to create custom colors. The edges of each rug are carefully finished using locally sourced wool yarn.

Jessica’s work was featured in Rug Hooking Magazine in 2020 and she has been invited to participate in the Nova Scotia Folk Art Festival. She is also a member of the Rug Hooking Guild of Nova Scotia.

To learn more about Jessica and to see her work, you can find her on Facebook and on Instagram @rughookerjess.

IMPORTANT PLEASE READ FOR ALL IN THE STUDIO TALKS:
The Zoom link for this presentation will be emailed to you the day before the talk (or after you purchase your ticket, if you purchase on the day of the event). If you don’t receive it, you can contact the organizer at info@karendmillerstudio.com.
Tickets will be on sale until 10 am the day of the event. After that time you will no longer be able to purchase tickets.
Please note that the time of the talk is 1:00 pm EASTERN (EST).
FAQ’s
* Will this talk be recorded for viewing later?
Unfortunately, no. Due to the logistics involved, we decided some time ago to keep these events live. Hopefully if you can’t make it to this talk, you’ll be able to make it to a future talk.
* It’s the day of the talk and I’m having trouble finding or using the link for the talk. How can I find help?
It is very advisable to LOG INTO THE EVENT A FEW MINUTES EARLY to be sure that you have no trouble with the link, and if you are having trouble the organizer can help you out. You can email or message the event organizer up until one hour before the talk on the day of the talk for help. ONCE THE EVENT STARTS, however, messages and emails are not able to be monitored.
* I’m finding it distracting during the talk seeing all of the other participants on my screen. What can I do?
During the event the organizer will put the screen setting on “spotlight view” so that the presenter is the focus on your screen. Depending on your device, you may still see audience members on your screen and changing your setting from “gallery view” to “speaker view” should help with that.
* What Time Zone is the time of the talk in?
The time indicated on all ‘In the Studio’ talks is the EASTERN (EST) time zone. If you live in a different time zone, be sure to check what time you should tune in to ensure you don’t miss the talk.
*I can no longer make it to the talk. Or, I missed the talk. Can I get a refund?
Unfortunately no- the price of the ticket is so low that it is not cost-effective to refund those amounts. If you are unable to make it to the talk and you already have a ticket, or you forget to attend, please do contact me at info@karendmillerstudio.com. I always offer a ticket to the next talk to make up for it. All of the artist speakers receive a portion of the ticket proceeds so we very much appreciate your contribution to supporting artists!

The artists of In the Studio – Karen Miller, Susan Feller, Beth Miller, Meryl Cook, and myself – hope that you’ll join us for at least one of these events in October!

September 15, 2021

Happy New Year – celebrate at the Harvest Festival!

Happy New Year! Shanah Tovah!

New Year's lithograph — You know that’s how we feel about 2020 and now 2021. Trade cards from the “New Years 1890 Cards” series (N227), a set of 50 cards issued in 1889-90 to promote Kinney Tobacco Company. (Metropolitan Museum of Art; in the public domain)

Happy New Year to all of our Jewish friends! And to everyone else as well – more about that below.

High on Hooking is headed up to Santa Fe again the first weekend of October. Because it’s more fun to play with others, Cathy and I will again share a booth up at the Harvest Festival at Las Golondrinas. Amazingly, I’ve never been there, but everyone says it’s a wonderful place the visit. Being from New England, I figure it’s kind of like Sturbridge Village or Plimouth. (Never ever fall for that Plymouth Rock thing!) Perhaps you’d like to check the Harvest Festival and the hooked art out too…on October 2 and 3, of course.

El Rancho de las Golondrinas is a living history museum located on 200 acres in a rural farming valley just south of Santa Fe, New Mexico. The Museum, dedicated to the history, heritage and culture of 18th and 19th century New Mexico, opened in 1972. Original colonial buildings on the site date from the early 1700s. In addition, historic buildings from other parts of northern New Mexico have been reconstructed at Las Golondrinas. Villagers clothed in the styles of the times show how life was lived on the frontier in early New Mexico. Special festivals and weekend events offer visitors an in-depth look into the celebrations, music, dance and many other aspects of life in the Spanish, Mexican and Territorial periods of the Southwest.

I’m not gonna lie, the last two vendings weren’t particularly lucrative. Between Covid and logistics and Covid… Someday maybe we’ll get back to some kind of normal. Someday…

In the meantime, there’s plenty to keep us busy. For instance, there are always a rug or three to hook and projects to crochet. There are classes to prep. (Remember that I’ve added a session to WW3 on October 23!) And I need to get ready for an improv hand-quilting workshop with Heidi Parkes. Unfortunately, I’m in another class the exact same time Heidi’s runs, but she’s taping it, so I’ll use the video. Not quite the same, but for 50 bucks, I’m not complaining, especially for one of her classes. More on that later.

In other news, next week we’ll be looking at four new walls. Keep your eyes on the Instagram and Facebook feeds for that. Hoping it’s good for my journaling/sketching practice which need a jump start. And hiking and just getting away from…people.

There’s a LOT going on these days. So much so that I’ve really got to post more. And I will when I get the chance. A hint: Next June, look for HoH in Tennessee! (More on that later too.)

Lastly – besides the pic of the boys and WHAT’S ON THE FRAME – for me, while I’m not Jewish, September’s always been about the NEW YEAR as much as January 1. If you have kids or you were a kid, you understand. But now that Tom and I are on our own and summer in the desert isn’t even close to ending come August 31, the school year isn’t really a thing for us. And yet, September, maybe because it’s such a time of change (or at least potential change), marks a passage for me much as New Year’s does. It’s time to think about winter and being indoors more and how we’ll pass that time. It’s about taking stock and considering how we’ll face the future. But it’s definitely forward-thinking, not sad. It’s about potential.

Bowyn and Tynan bid you all a HAPPY NEW YEAR! Make the best of it. We intend to. This rug is hooked with all reclaimed t-shirts on monk’s cloth. If you want to try hooking with old t-shirts, check out my WW3 class.)

How about you? Do you see September as a “new year” or is it just bittersweet as we say goodbye to sun and warm weather? (Which one starts to really look at differently living in the desert, let me tell you!)