Category: raw materials

March 11, 2019

See this recycled-t-shirt artist’s work now!

Who would’ve thunk that a t-shirt artist would be featured in a nearby gallery? Thanks to friend and guild-mate Nancy, I ~~thunk~~ thought it and was able to see the exhibit before it closes come March 23. Thanks so much, Nancy!

If you’re interested in fiber art at all and are near Santa Fe before March 23, I urge you to take an hour or so and head to form & concept, a gallery you can easily find on South Guadalupe Street in the Railyard District. Warning: You’re gonna love the gallery and will need more time.

The t-shirt artist in question is Nika Feldman. BTW, she not only considers herself to be a fiber artist, but a rag picker as well. Bless her heart; I know where she’s coming from. (Have you seen my rugs hooked out of recycled t-shirts? Bed sheets?) I had a great time looking at the various pieces, which are made of recycled t-shirts, pop tabs, and embroidery (which she’s very good at).

T-shirt art by Nika Feldman showing at Form and Concept in Santa Fe, NM. — Here is an example of one of Feldman’s t-shirt pieces: “Hooded Cape.” (Photo courtesy of form & concept Gallery.) Yes, it’s comprised of nothing but old t-shirts, pull tabs, and stitchery!

While Feldman calls t-shirts the most ubiquitous – and cheapest – universal clothing made by Western culture, and that’s true, I’m not sure that I agree with her that the shirts are always recognizable even when cut up and taken apart. I know that I regularly have to tell folks that many of my rugs are hooked from old t-shirts. And the disbelief that they mouth. Granted, my strips are looped; some of hers hang free. Still, given what Feldman does with hers… The embellishments, especially when one sees her prowess with a needle and thread, are fantastic.

I fully concur with her message and only wish that I could state what I’m trying to do with my own art so succinctly:

The message…she said, has to do with modern North America’s mass production systems.

“It’s disposability, it’s like how we can make life more convenient, and more convenient, and more convenient?” she said of the narratives that this continent’s clothing conveys. “It comes at an unsustainable cost to the Earth.”

-excerpted from Megan Bennett’s article “The language of clothing” in the Albuquerque Journal North

If you weren’t aware, the fashion industry is one of the world’s larger polluters. Here’s an interesting article on that.

Fast fashion that often falls apart – have you ever wondered why that trendy tank top developed a hole after only one wash? – is a big part of the fashion industry’s unsustainability. That and our culture’s fickle fashion sense are why Feldman and I can both find so many t-shirts to use in our artwork. Savers, Goodwill, friends and relatives can supply us with all we need.

The pieces in the exhibit are “garment-like” rather than actual garments. This, according to Feldman, allows us to look deeper at them and to see them as art rather than just wearable fashion to be purchased and then put on. (For how long?) Indeed, she spent time in the fashion industry earlier in her career(s). I find that an interesting idea especially since my own goal when hooking a rug with t-shirts and other recycled materials is that it also be usable – as a rug, a table runner, or what-have-you. Regardless, I very much enjoyed looking at Feldman’s art, and I encourage you to make a run to Santa Fe before it disappears.

The exhibit by Nike Feldman is called Spirits in the Material World. It’s at form & concept on South Guadalupe in Santa Fe till March 23.

PS: Since Taos: Contraction of Mass, Concision of Thought, by Lisa Klakulak, another exhibit going on at the gallery till April 22, is also terrific. You just have to see the piece called “Transplant”! (Which you can do by following the above link.)

“I was so into fiber, because of its comforting and protective qualities, but at the same time it is a medium associated with struggle and women’s work,” she says. “Then I got into the whole concept of felt, because it’s incredibly strong but it presents in this soft, vulnerable way.” The artist’s mastery of the medium and her emotional language-building express the deeply personal in a way that holds broader relevance to humanity, voicing ideas about growth, human connection and personhood.

– from form & concept’s website.

March 20, 2018

Have we got news at High on Hooking!

The news from High on Hooking

I try not to do NEWS-based posts too often, you know, catching up with what’s been happening here at High on Hooking, but sometimes you just have to. Not only is the selling season coming on quickly, but there are a couple of shows right around the corner.

First up is the Spring Show put on every other year (even) by Albuquerque’s Fiber Arts Council. Many of you watched as I hooked and hooked my little fingers to the bone to have “Memory of Water” ready for the April 7 and 8 (Saturday and Sunday) exhibition. As I’m on one of the committees, I’ll be busy from Friday through the weekend. If you’re a local, please try to make it down and support the fiber artists of the greater Albuquerque area. It’s free; hours are 9-5 both days with an artists’ reception Saturday evening, 5-7.
And let the selling begin! A couple of weeks ago I received official word that I’d again been juried into Albuquerque’s Recycled Art Fair. This year it’s a little earlier: the weekend of April 14 and 15, 10-4, and it’s at the Open Space Visitors’ Center on Coors. If you remember my experience last year at the end of April, you might also recall the snow, rain, wind, and all-round cold temperatures we had. Not the usual weather here in Albuquerque at that time of year (except for the wind, of course), but not completely out of the ballpark. So, PLEASE PRAY that this year we get the nice weather I moved out here for, that we’ve enjoyed all winter! This is a fun festival: food, music, family activities, and good art – treasures that came from other folks’ trash. Hope we see you there too.
Just this weekend I received notice that “Memory of Water” had been accepted into
“Memory of Water.” Framed, she’s about 22.5″x18.5″ and plastic bag on monks’ cloth.

another show. Woohoo! This one’s also being held at the Open Space Visitors’ Center on Coors here in town, and it’s a fiber arts exhibit with the theme of WATER. It opens April 28 and runs through May 27. For New Mexican fiber buffs, it’s being put on in conjunction with the New Mexico Fiber Crawl happening May 18-20. Call me if you’re interested in this one. By chance it’s right down the street from my house; we can go together.
As many of you know, for the past two years, I’ve vended at the Albuquerque Rail Yards Market that takes place May – October, from 10:00 a.m. to 2:00 p.m. I love it there; it’s a people-watchers delight plus you can pick up good food, produce, and well-priced art and listen to different music each weekend. It’s just an all-round fun place to spend a few hours, and booths are more than reasonable at $20/any given Sunday. Unfortunately, last year I didn’t do as well as I had the previous year. Other artists said the same thing. So, this year, I’ve decided to cut my days at the market to once per month. I’ll still get the exposure and have a chance to sell, but I won’t worry that I could’ve been somewhere else.Or force Tom to help me set up and break down for nothing. Dates I’ll be at the Rail Yards are: May 27; June 10; July 8; August 12; September 9; and October 14. Maybe we’ll see you there…

I think that’s it for all the big, official news. Keep checking back to our home page; we add events as they come up. Now for the weekly “What’s on the frame” segment. Actually, this week we’ve got two frames and two rugs! Check out the pics for the scoop.

Hooked rug. — The **“BIG Boucherouite”** begins! It’ll be slow progress, something I can work on between projects and to breakup any hooking monotony. I’ve been cutting strips like crazy and still have more to go. A lot of the color-planning will be made up as I go. (Upcycled bedsheet strips on monks’ cloth, **Anderson frame**.)

Tynan the dog and hooked rug. — As usual Tynan brings you “What’s on the **Puritan frame**” news. The sunflower table runner (or wall-hanging) continues. Should be done this week sometime. (Up-cycled t-shirt strips on monks’ cloth.)

For your sake, I hope that’s spring’s either arrived in your neck of the woods or is right around the corner. My sympathies yet again for New England and the fourth nor’easter in as many weeks or less. But spring will come; it always does.

What’s the news where you hail from? Plans for when it finally warms up?

March 14, 2018

Mystery rug unveiled

So, the framer called that the mystery rug was ready to be picked up. Woohoo! And just in time, I might add, to get a couple of photographs of it to submit to Espanola Valley Fiber Arts Center. They’re co-sponsoring “Recall-Recapture-Remember,” a fiber show on memory with Tansey Contemporary in Santa Fe. The show will open at Tansey’s gallery May 18th in conjunction with the New Mexico Fiber Crawl weekend. It’ll run four weeks then move to their Denver gallery for a July opening. Here’s hoping I get in.

I’m happy with the framing. It seems that I go in there with something simple (you know, and elegant AND NOT EXPENSIVE) in mind, but the lady with the German accent, she has great ideas. She gets me to trying new things I never would’ve thought on my own. This time we finally narrowed it down to a black frame with blue running through it. Perfect! I also have to hand it to another customer, an older woman, a painter there that same morning as me; her input was very good too. I especially like that she told me the boldly colored frame was best even though she prefers pastels. To “prove” that bit of info, she swore to me that she wore “fairy wings” for three years. Real freaking wings. Like some kind of New Mexican retiree angel. You can’t make that shit up, but, man, she was a hoot.

A close-up of the mystery rug “Memory of Water.”

The piece is called “Memory of Water.” The initial idea for it came to me one morning when I was walking in the Bosque with Tynan. The ground was parched and cracked as we hadn’t had any precipitation since the last of September’s monsoon rains. I knew I needed to hook something that fell under the theme of “Earth, Wind, and Fiber” for the Albuquerque Fiber Arts Council Garden Show April 7 and 8. Hey, rain, water – or the lack thereof – fit the bill. I decided to kick the environmental thing up a notch and use plastic bags. It’s horrible how our oceans and sea-life are being so messed up given the vast amounts of pollution caused by our prodigious use of plastics. So, I tried to make something beautiful – or at least interesting – out of plastic bags.

If you’ve been following the mystery rug’s hooking, you’ll know that it was easy enough to pull the loops, but not as satisfying as hooking with fibers like wool or t-shirt or bedsheet. Plus, there was the pain-in-the-assedness of the static electricity that reaches a zenith in the winter in an already humidity-free desert. I’m not sure what would’ve happened if I hadn’t had that can of Static Guard. And I’m still finding strips of plastic bags in my living room, never mind the clippings.Not sure I’ll run out and do another plastic rug, but it was a good experiment. And since I finished the rug I’ve purchased not just stainless steel straws and their very important straw cleaners. (I could never really clean my re-usable plastic straws; they were contributing to my recurring sinus infections, I realized.) I’ve also ordered washable produce bags that I can use at Sprouts and other grocery stores. It was really starting to go up my craw sideways that we were using a good 20 bags each week when we shopped. I kept thinking that I’d have to find hooking projects for all those bags. No!!!

Any-so-who, I’m back to working with my usual fibers, specifically t-shirt this week. Feeling a need to do something a little larger than the double mug rugs I recently finished (hooking only), I decided to make a table runner. The sunflowers are a trademark, if you will. I’ve made several similar rugs from them, but smaller. I’m really loving the bigger sunflowers. Hmmm, like the “Big Boucherouite,” I may have to go really BIG with the sunflowers on another rug. We’ll see…

Sunflower hooked rug and dog. — Not to be forgotten, Tynan brings you this week’s “what’s on the frame.” Aren’t those cheery yellows? I’m having such fun with this one. I may even use it to make a new business card.

In the meantime, you peeps back east have my sincerest sympathy. All those nor’easters in a row. I’m having flashbacks to 2015 when the snow in New England just wouldn’t stop, and we were trying to get our house ready for sale so we could move out here to New Mexico. Ice dams like we’d never seen. Snow piles alongside the driveway wayyyyy over our heads. The poor crocuses that never really saw light. Yeah, winter in Albuquerque is NOTHING like that. And we like it that way.

How’s your winter been? What’s it done for your rug hooking or any other art you might practice? Let’s all hold our glasses high to toast spring when it (officially) arrives next week.

Special thanks to all those who saved their plastic bags for me, especially you, Mary Ramsey. Without your pinks and turquoises and oranges and purples, the drought would’ve been far worse. 🙂

February 27, 2018

Hooking variations on a theme

Boucherouite theme in rug hooking. — “The First Boucherouite” hooked from old bed sheets and a little t-shirt added in. I loved this rug, even considered keeping it for my own house.

How many of you have fallen in love with a style of rug or a theme or design or what-have-you, enough that you feel a pressing need to hook more and more of them? I find myself feeling like that with the whole Boucherouite thing. For those not familiar with the Moroccan rugs, check out this fabulous article dealing with the history of the rugs and the Berber peoples who make them. I warn you, you’ll start seeing these types of rugs in every home magazine and website you frequent.

In essence the Boucherouite is a simple rag rug. Strips or unraveled fibers of older textiles, such as clothing or worn out rugs, are recycled and woven together to create something new. Yet the humble origins of these rugs serve only to accentuate the remarkable nature of the finished products which take full advantage, not only of the weaving skills of their makers, but of the benefits of their patchwork components.
— AphroChic

Certainly, I’ve written about the Boucherouites before, when I hooked my first one last year. Yes, mine are hooked; I don’t weave them. I fell in love with these rag rugs with their seemingly haphazard designs and color schemes when they started showing up in my Pinterest feed. The pics made it difficult initially to discern whether they were hooked, woven, or made in some other way. The fact that the weavers create them out of old textiles – like I hook my rugs! – made it impossible for me not to try my hand at one. Again, hooking, not weaving.

Colorful bedsheet strips for Boucherouite theme rug — And so it begins. A pile of bedsheet strips. Color, it’s all about the color. And using what’s available – even if I have to head off to **Savers** to get it.

I found that my own sense of design, despite my best efforts, didn’t allow me to create a rug as “irregular” as the true Boucherouites. That’s okay; it’s how inspiration works. It’s not about copying. After I hooked (and sold!) the first one, I knew that I was going to do another sooner than later. And that it would be BIG.

Fast forward to this winter. The BIG Boucherouite’s time has come. I drew it up on a piece of monks’ cloth and sewed on the rug binding. Prior posts have shown that. Currently, I’m in the midst of cutting sheets into strips. I’d recycled old bedsheets for the “First Boucherouite” and loved the effect. That plus the high we get here at High on Hooking when we up-cycle made it a winner. I’m not completely sure how the colors will work on this new rug, it’s a fluid thing, but I’ll need to have strips at the ready. It’s a LOT of hand-cutting for me and the scissors.

So, you see the theme running here. It gets better. Last week, the Mystery Rug finally finished and off to the framers, I needed to start hooking pieces for this year’s selling season. Specifically, I have Albuquerque’s Recycled Art Fair coming up in April. I decided to start with a double mug rug because…they tend to sell pretty quickly. I took out a couple of OD green mugs I’d found at Savers and stared at them, waiting for them to channel an idea into my brain. And I waited. And I waited. In the meantime, I was sewing up the BIG Boucherouite. Ooh! Got it! Thus the “Baby Boucherouite” was born. I know, I know, I risk becoming boring. But they’re fun!

Boucherouite theme rug. — Keeping true to the theme, now we have the “Baby Boucherouite.” Also hooked from old sheets with some t-shirt thrown in. It’s about 7″x14″. Wouldn’t it make a great magic carpet for Barbie?

In the meantime, before I can finally hook the BIG rug, this is what’s on the frame today. No, it’s not part of the Boucherouite theme, but it is another double mug rug. T-shirt, bathing suit, nightie, and an old blouse ensure that I can use it at the Recycling Fair which requires 70 or 75% of items offered for sale be constructed of recycled materials. I can do that, no prob.

What about you? Have you ever found yourself obsessed by a particular theme or design or even a color when you’ve been hooking? Tell us about it.

February 20, 2018

I got a cutter just like the big girls!

My new Fraser wool cutter. — I love how I can clamp the Fraser cutter – Brad – to almost any table I’m working near. So much better than the way those little rubber cups under the Bliss dehydrate out here in the Southwest and then slip all over my granite counter tops. Just like my pencil sharpener.

It finally happened. After hooking for maybe 14 years, I finally got me a cutter! No more cutting wool by hand with the old scissors unless I wish to (for some dumb reason). Check him out; my husband named him Brad after the insurance commercial. You know, the one where the girl goes on about her long relationship with her car Brad. Until she totaled him. We will NOT be totaling Brad in this house!

He’s an old Harry M. Fraser 500-1 that had been donated to the guild. And he works much better than the old and very sad Bliss I’d tried. Brad was accompanied by a #4 cutter head. What am I going to do with a #4 cutter head – me who spends most of my time cutting up old sheets and t-shirts to hook with? That’s like hooking with crazy thin sock yarn or something. But, but…

Wool for rug cut with Fraser cutter. — My penguin addition to Mary S’s tesselation rug. You can barely see those #4 strips, they’re so narrow! I love how his feet came out. Okay, like his white front, they’re hooked from yarn too. The little button eye could be an issue if the rug’s going down on the floor. That’ll be Mary’s problem. 🙂

Remember how the Adobe Wool Arts Guild (AWAG) is doing our friendship rug project? Well, after finishing the Mystery Rug last week (currently at the framer’s), I could finally work on the friendship rug that’s been sitting in my house for over a month. Mary S drew a tessellation – very cool. Mary S, along with many of the gals in AWAG, often hooks with #4s. Laura does not. But, when all you pretty much have is a #4 cutter head… So, I threw on the big girl panties and cut #4 strips. And then, to the blue light of the television’s Olympic coverage – mostly figure skating, I hooked my part of Mary’s rug. On the linen it came on, not monks’ cloth. Okay, I used a little cream rug yarn for texture, but I THINK IT CAME OUT SO COOL! I am not so bad at this hooking thing after all.

Sewing hooked rug — Sewing the binding onto the “Big Boucherite.” Took three sewing sessions. Thank God for all the freaking figure skating.

So, now I’m hooking with the big girls – wispy, little strips of wool. Is this my new medium? Hell, no! Sure, I’ll definitely use the cutter. In fact, I ordered a #6 head because I’m in the midst of a rug that I started using Mary R’s Townsend cutter. Then I found a #8 that was with the junky Bliss cutter. So, I’ll have a nice little stable of three heads to use WHEN I’M NOT CUTTING BY HAND/HOOKING/UP-CYCLING T-SHIRTS, BEDSHEETS, AND OTHER UNLOVED TEXTILES. (The plastic bag mystery rug was a good experiment, but not one going into the permanent repertoire.) In fact, just last night I finished sewing the rug binding onto my new project. (Remember, I’m one of those who was taught to do that first, makes it easier to finish later, and NO WHIPPING!) It’s BIG, the biggest I’ve tackled thus far, but I can’t wait. It’ll be the “Big Boucherouite,” done up mainly in bedsheets because of how much I loved that in the “First Boucherouite.”

Hooked rug and dog. — While it’s not on the frame yet, here’s the “BIG Boucherouite” with Tynan posing to show the size. It’s about 55″x49″. It’ll take a bit of time and not be particularly portable. Cue the “Baby Boucherouite”!

Nonetheless, like I said, I’ll definitely use the cutter. It’s kind of funny, though. Last week, there was a post on one of the hooking Facebook sites. Someone made mention of how disappointed she was in her old Fraser, that she could only cut two strips at a time. Very slow going, and what cutter did others use and recommend? Life’s relative, I guess. Here I was – same evening – pleased as punch that I was getting three (!) nice and even #4 strips cut at once. So much easier and quicker than using my scissors. But, like I said, it’s all relative. I’m sure that if I was hooking exclusively in wool, I’d be salivating over a Bolivar or the absurdly efficient Sizzix.

What about you? How do you cut your wool?