Category: rug hooking

November 23, 2022

The Art of Motherhood

We’re all affected in some way by motherhood…

Book cover: The Art of Motherhood: Our Lives in Colour and Shadow

I know I’m late to the party congratulating Karen Miller of Ontario on the release of her new book The Art of Mothering: Our Lives in Colour and Shadow, but I will NOT be the last, I guarantee you.

Karen’s book, published by Rug Hooking Magazine, came out in October. I think I received my copy in early November. Unfortunately, I’ve been très busy the past month, so I’ve only been able to scan through it thus far, but with the holidays almost here, I’m hoping to sit down soon and pore over it – no interruptions!

It’s a beautiful book, certainly, filled with all kinds of art. It’s vivid and colorful as it shines a light on how female artists have dealt with not just the topic of motherhood, but its actuality.

From the back cover:

Motherhood has been the richest experience of Karen Miller’s life. It has also inescapably changed her life trajectory: her career path, her energy levels, her commitments, her time, her marriage. It has affected everything. Join Karen as she and 21 contributing artists lift the lid on motherhood and peer inside to examine the reality of their lives through textile arts.

The Art of Motherhood: Our Lives in Colour and Shadow illuminates the feelings that so few of us talk about – but so many of us feel – as we navigate the journey that is motherhood.

Hooked art — “Rejection,” 14′ x 17.5″, hooked on monk’s cloth with wool strips and yarn, is one of my pieces in Karen’s book.

Karen’s known for a long time that being a mother hasn’t always been the best of experiences for me, so when she asked me to contribute to the book, I jumped at the chance. It’s always stuck up my craw sideways that women rarely feel comfortable being honest about motherhood and what it does to us. Even in a group of just women! How dare we speak up about not feeling quite like the Madonna and her perfect Child. News flash: I’m no Madonna and it took a lot of alcohol to get through my only kid’s high school years. (Those years made the previous 14 look like an f-ing picnic.) But after fertility problems and two miscarriages over two years, no one wanted a kid as much as I did. And I have no regrets. (Most of the time.)

That’s the kind of candid crap you’ll find in this book though in a much more eloquent form, LOL. And LOTS OF FIBER ART, hooked and otherwise. If you’re a mom or know a mom or ever had a mom, get thee online to order this book. It’d make a kick-ass and thoughtful Christmas or other type of gift. I promise. You can order from RHM HERE. If you’re in Canada, contact Karen through her website.

PS- Not all moms are biologic. And mother figures count as moms.

FYI-
Below is a list of the Instagram handles of all the artists who, in some way affected by motherhood, contributed work to Karen’s truly excellent book. Check out their work.

Karen Miller: @karendmillerstudio
Nadine Flagel: @pretextstudio
Meryl Cook: @merylcook
Laura Salamy: @highonhooking
Emily van Lidth de Jeude: @emilyvanartist
Jane Smith: @blogginthebay
April Deconick: @aprildeconickart
Linda Friedman Schmidt: @lindafriedmanschmidt
Rachelle Leblanc: @rachelle_leblanc_art
Trish Johnson: @trshjhnsn
Patti Colen: @woollycronedesigns
Alexandrya Eaton: @alexandryaeaton
Michelle Kingdom: @michelle.kingdom
Carmen Bohn: @carmenbohn_art
Elizabeth Miller: @northatlanticfiberarts
Ellen Skea Marshall: @twocatsanddoghooking
Amy Meissner: @amymeissnerartist
Michele Micarelli: @michelepmicarelli
Linda Rae Coughlin: @lindarae_coughlin
Sayward Johnson: @saywardjohnson
Lori Laberge: @lorilabergeart
Karen Larsen: I don’t believe Karen is on Ig but she is on fb

And to everyone in the US, mother or not,

HAPPY THANKSGIVING!

November 3, 2022

Annual High Desert Studio Tour

Poster for High Desert Studio Tour

…and just in case you can’t make the New Mexico Arts & Crafts Festival on November 19, High on Hooking will also be participating in the 12th Annual High Desert Studio Tour. Of course, you can come to both. In fact, you should.

For the past several years, New Mexican hand-dyer and knitter extraordinaire, Dagmar Beinenz-Byrd of ZiaWoolz has generously invited me to join her at her home and studio for the High Desert Studio Tour (click to download the brochure). We won’t talk about the past couple of years that Covid screwed us out of such things. It’s an intimate venue rather than one filled with all kinds of vendors and activities, allowing one the chance to get in some good conversations with makers, letting you learn more about my work as well as Dagmar’s. In addition, Sarah Lovell of Southwest Sunflower Pottery will have all kinds of things that you didn’t even realize you need. (I know. I have some, LOL.)

To be sure, there are other arts and artists on the tour. They include painters, sculptors, jewelers and more spread out over seven different studios. More info is available in the brochure. And, certainly, if you have any questions, please email me at Laura@highonhooking.com.

Mugs by Sarah Lovell — Her Rio Grande mugs provide just a taste of Sarah’s pottery.

If you’re looking to find holiday gifts for family and friends (and yourself!), please come see us at the New Mexico Arts & Crafts Festival in November AND at the High Desert Studio Tour in December.

November 2, 2022

New Mexico Arts & Crafts Festival – Nov. 19

The New Mexico Arts & Crafts Festival:

It’s a brand new holiday market, and High on Hooking is participating. The festival is local – here in Albuquerque, and it’s free! The parking too!

The Art of Gifting: New MExico Arts & Crafts Festival

WHAT’S INCLUDED:

More than 80 unique artists and vendors from the area – perfect for buying holiday gifts for friends and family (and yourself, of course).
Live entertainment.
Food trucks!
Workshops and demos like knitting and crocheting, belly dancing, and free-motion quilting. Kids can make their own crafty gifts too.

WHAT YOU’LL FIND IN HIGH ON HOOKING’S BOOTH:

Fabulous hand-hooked art in the form of rugs, bench covers, table runners, wall hangings, and so on.
Tynan bids you all a WONDERFUL FALL and we hope to see you at the New Mexico Arts & Crafts Festival November 19. This hooked art would look marvelous in your house on Thanksgiving!

Hand-dyed yarn.
Oxford punch needles.
info regarding hooking/pinching classes and the Adobe Wool Arts Guild, NM’s only hooking guild.

More information HERE.

So get thee to the UNM Continuing Education Conference Center at 1634 University Blvd. NE, on Saturday, November 19. Mention High on Hooking’s blog or other social media and get 10% off anything we’re offering.

PS – See our CALENDAR page to keep up to date on where you’ll find High on Hooking.

Hope to see you in a couple of weeks at the New Mexico Arts & Crafts Festival!

October 13, 2022

The artists are angry; they’re PROTESTING!

Of course, they’re angry; they’re protesting!

That’s what I told a friend last Friday night at the opening reception for PROTEST: SEE Something, Say Something at Fusion in downtown Albuquerque. (More info HER E.) It’s a good, meaningful show, filled with all kinds of media and messages. Rightly so, with protesting as a theme, they aren’t always pretty.

Sheela Na Gig, hooked art piece — Sheela Na Gig is a Celtic symbol. I’ll let you read about her and how she was and now is used for protests **HERE**. (Hooked on cotton monk’s cloth with mostly old t-shirts and a bit of silk sari ribbon; embellished with glass beads.)

As I mentioned on social media after posting pics of my two pieces, I was sorry not to get more and better photographs, but I had to leave early. All Friday I’d battled a migraine; finally, the nausea and fatigue got the best of me. I didn’t feel better till Monday/Tuesday. Nonetheless, I encourage all the local readers to make their way to Fusion one afternoon or evening to see what the (protesting) artwork really looks like and to see it all.

Hooked art, THE MIGHTY ONE, THE ANGEL OF @)@@ — Later every year, I create an angel for the following year. This was THE MIGHTY ONE, THE ANGEL OF 2022. (Hooked with old t-shirts, repurposed gold lamé, and plastic bags.)

Felted artwork for PROTEST show — TURTLE ISLAND SIEGE by Patricia Halloran (Patricia had some cool things in the **FABRIC OF NEW MEXICO SHOW**.)

TORN BUT STILL WAVING by **Elizabeth Potter** (paper art)

WHOSE BODY IS THIS? artwork for Protest show — WHOSE BODY IS THIS? by **Maria Jonsson** (vintage dress form and acrylic paint)

BIG PHARMA SERIES #4, 5, 6 — BIG PHARMA SERIES #4,5,6 by **Martin Terry**. Martin is also the curator of this show.

From BIG PHARM SERIES #1, 2, 3 # — Close-up of part of BIG PHARMA SERIES #1, 2, 3 by Martin Terry

GET WOKE artwork in PROTEST show — GET WOKE by Paula Steinberg (upcycled chair, acrylic/oil on wood and vinyl)

SHE PERSISTED by **Betty Busby** (Dunicel, felt)

THE HISTORY OF BEARING CHILDREN, text by **Jacqueline Murray Long**, visual art by Martin Terry

Poem in PROTEST show — This is a more easily read photo of the text by Jacqueline Murray Loring. Another piece by a different artist accompanied this artwork. Visit the show to see it. (My photo didn’t come out.)

If you’re looking for a thought-provoking show, one that will let you see the outrage, the anger about so many things going on in our world today, come see the work by artists who are protesting at Fusion in Albuquerque. Maybe we all need to start protesting.

Protest Art show poster

September 30, 2022

Why aren’t we all wearing an orange shirt today?

Logo for Orange Shirt Day I’m wearing an orange shirt today, but only because I have so many Canadian friends on social media. If I didn’t, I’d be clueless to the fact that September 30 is Orange Shirt Day up north. Its other name is the National Day for Truth and Reconciliation, but again, it’s only “celebrated” in Canada. My question is why don’t we have that or something similar here in the US?

For those of you who don’t have a plethora of Canadian fiber arts friends, you can read about the day and its origins HERE.

Each year, September 30 marks the National Day for Truth and Reconciliation.

The day honours the children who never returned home and Survivors of residential schools, as well as their families and communities. Public commemoration of the tragic and painful history and ongoing impacts of residential schools is a vital component of the reconciliation process.
-From the website canada.ca

I get that I live somewhere – New Mexico – that allows me the chance to be aware of our indigenous populations pretty much every day. That “s” making “populations” plural is not an error. Not much more than a mile from my house in Albuquerque, across the Rio Grande, is the Indian Pueblo Cultural Center (IPCC). There visitors can take in the museum, buy jewelry and pottery, watch Native dances, eat really kick-ass food, and do a host of other things that help to educate those of us who grew up without learning much of America’s early history. You know, before the British, French, Spanish, and other European nations came on the scene and decided the land was ripe for the taking and “clearly” not owned by anyone. At least anyone “civilized.”

The IPCC is run and owned by nineteen New Mexico Pueblo communities. Nineteen. And they’re all sovereign nations. And they don’t include the likes of the Apache and Navajo and others who also abide, at least in part, in New Mexico. My point today is that all nineteen came together to create the IPCC on this particular piece of land:

It is located at the heart of nearly 80 acres of land owned by the 19 Pueblos and governed by the 19 Pueblos District (a sovereign government formed by the Tribal Councils of the 19 New Mexico Pueblo Communities) at the former location of the Albuquerque Indian School (1881-1982).
-From the IPPC website

Again, I ask, why aren’t we here in the US wearing orange today in a spirit of solidarity and reconciliation? The same atrocities that happened up in Canda’s schools happened here. And we had more schools!

Last year I wrote about a rug hooking project that was a collaboration between myself, friend and guildmate Ruth Simpson, and Acoma Pueblo artist Patricia Lowden. You can read about it HERE. You can also read about the cushion and our collaboration with Patricia in the current issue of Rug Hooking Magazine (RHM). Unfortunately, I was prompted to write the article after I read another RHM article in which an artist/author indicated that indigenous art is ripe (word used on purpose) for using in rug hooking patterns because: The images of art from indigenous peoples are always ancient, copyright free, and so beautiful. Yes, that is a direct quote, and it went right up my ass sideways. (Pardon my French.)

And people think cultural appropriation isn’t a real thing. How can you if you think all the Natives are dead?

Again, I ask, why aren’t we here in the US wearing orange today along with the Canadians?