Since I had to make my monthly Target trip yesterday, I decided to combine it with a fiber arts show I read about in the Albuquerque Journal. Palette Contemporary Art and Craft is currently hosting the exhibit which features “textile paintings” by Katie Pasquini Masopust. One of these pieces to the right ran in the paper inducing me to visit the gallery and see her other pieces.
Katie is based north of here in Santa Fe – for now. Apparently, she’s getting ready to move to California. Too bad. As you can see, her quilts – not the kind you’d be putting on your bed! – look like paintings until you get right on top of them.
The exhibit describes her work as “textile paintings.” I wouldn’t disagree. Painted pieces of canvas are stitched into the quilt with other fabrics.
Today’s errands about town involved a visit with my rheumatologist who’s based at UNM Hospital. Imagine my happy surprise when Tom and I entered the clinic and found these on the wall:
I’d known that there was a tapestry show at the hospital, but I thought that I’d missed it. Certainly, had no idea it was in the clinic I use. (And if Tom had known it was there, I’m sure he wouldn’t have accompanied me to my appointment. Ha!)
Do you go out of your way to see other types of fiber arts? Or maybe you DO other types of fiber arts? Either way, please share with us how textiles other than rug hooking influence your art. That’s a blog for another day.
It’s Tuesday, a perfect day for playing a little hooky. I know it’s also blog-duty day, but maybe we can fudge that a little in the name of unbelievably nice winter weather and creativity. Especially when I think of what I wrote last week vis à vis creativity and my re-burgeoning need to write.
This morning, while the kid was at work and the husband was out at some doctor’s appointment, I took up pen and paper and set forth to write fake stuff – fiction, that is – once more. I gave myself a prompt I’d collected (I keep them on my Pinterest page, if you’re interested) and wrote till I heard the garage chimes ringing that Tom was home. It was a good start. Tonight the journal comes out after the dinner dishes are cleared.
The afternoon hitting 60 degrees here in west Albuquerque (sorry to all those who might be finding their own climate a little chilly), after lunch Tom and the dog and I headed down to the Bosque (the forest along the Rio Grande) to check out the local wildlife. Got so warm, I had to take off my sweatshirt.
Tonight it’s back to pulling loops. My March 1 deadline to have this current piece done is quickly approaching, and there’s still some project infrastructure I haven’t figured out. Just trying to get the major hooking done first.
Tomorrow’s creative endeavor: Early this morning, before I sat down to write, I did my monthly-or-so coloring of the grays. I hate dying my hair. Hell, I haven’t even tackled dying the t-shirts I hook with. Tried a new shade. And changed to L’Oreal when I had been a Clairol kind of girl. Very bad idea. I’m a natural redhead. Or I used to be. Currently, I’m more Lucy meets a violet crayon; the box called the color it “Ruby Rush.” Yeah. Made a call back to Maurice in Rhode Island: “What do I do?!!!?” Then took a trip to Walgreens to pick up the old Clairol. Back to the dying board tomorrow.
Speaking about creativity – we were, yes? – lately I’ve been noticing a LOT of synchronicity going on. Two weeks ago, three AWAG (guild) members and I headed off to Tucson for the hook-in down that way. Last weekend, I participated in a hooking demo at Artful Threads with creative women in Belen, New Mexico. Various fiber arts were demonstrated in one of the cooler sites I’ve visited since moving here.
There was a ginormous rail yard next to the Harvey House Museum where we were. This week there’s a fiber sale happening as part of Artful Threads; I’m taking Tom with me if only so that he can see more of the state we now call home . He’ll love all the trains coming and going.
Meanwhile, I’m seeing all kinds of creativity memes and such on Facebook. Just today I saw this from writer Julia Cameron:
As artists, the creative dream we move toward is often visible to us– but invisible to those around us.
Go on, create, bring forth what’s in you no matter what the naysayers or your spouse or parents say. They’re too myopic or maybe just too busy doing their own thing to see the highway you’re traveling on.
And don’t be afraid you won’t be good at your art, whatever it might be. Jon Marro‘s I’MPERFECT reminds us not to get caught up in a quest for perfection. Salvador Dali does likewise.
Have no fear of perfection, you’ll never reach it.
So keep working, reaching for your own particular star in your own particular medium be it hooking or painting or writing or dancing or bowling or… Forget the fear of not being as good as someone else, even if that person appears perfect. I mean, should we all stop hooking just because our mats and rugs don’t look like Deanne Fitzpatrick‘s or Susan Feller‘s or Lynn Stein‘s or any other artist’s work we see in Rug Hooking Magazine? Of course not! Use them as inspiration for your own pieces.
The New York Times even has a terrific article about raising creative children. Read it here.
But what’s really brought all this creativity talk home to me is Elizabeth Gilbert‘s book,
Much of what Gilbert says in the book is the butt-in-the-chair, labor of love shit that I would call preaching to the choir of creative folks who would typically buy this book. BUT, I’m in a place in my life where I’m actually able to appreciate what she has to say. The bit about combinatory play especially resounded. Combinatory play, Gilbert writes, is “the act of opening up one mental channel by dabbling in another.”
I used to write fiction a lot more than I hooked. Then life became vastly more complicated, particularly with a child having anxiety, emotional, behavioral, and academic issues. Preparing for a move across country didn’t make it any less so. Our emotions in the house were up and down, fighting and flighting. During those years, I moved more into hooking. Even though I design my own rugs, it was a hell of a lot easier in the evening (because that is when I would have time for such personal endeavors) to hook than to contemplate plots and character to write an actual story. I have continued as an assistant editor at Fifth Wednesday, a kick-ass lit journal out of Chicago – I read the slush pile – but it’s always more stress-free to read someone else’s work than to write my own stuff. Plus, I consider it my way of giving back to literature, another labor of love.
Since we’ve moved, though, I’ve been feeling the tug of writing again. I’ve even had some fits of starting and stopping. But I hear the call, and it’s only getting stronger. Maybe it’s because the kid’s graduated from high school (thank you, God!) and has started working (bless you, Target!), and we’ve mostly settled into the new house. Meanwhile, there’s a small but active hooking community out here in in Albuquerque that’s been incredibly welcoming. They’re very open to my less-than-traditional way of hooking. Between them, the scenery, and all the art out here, my own creativity idea well is starting to really fill up again. Or maybe that well is just more accessible now. I’m 51 and I get to re-invent myself to some degree, dump some of my own insecurities, and just explore what I am at this moment: a writer and a hooker.
A friend recently looked at some of my hooking on Facebook and asked a question that gave the writer in me goose bumps.
Sadly, the Tuscon hook-in, 2016, has now come and gone. But what a great event the Old Pueblo Rug Hookers (OPRH) put on! The location, their hospitality, the silent auction… All guaranteed a fun time to be had by all.
Tucson. It’s a damned good thing that when we were scoping out southwest cities to move to, we visited during the worst weather time of year possible – July. We spent a week there way back in, maybe, 2000. The kid was pretty young. After spending most mornings doing some geographical and touristy investigations, we’d hang around the pool drinking Tom’s homemade margaritas (if you come visit us
here in NM, he’ll make you one or five), the temperature climbing to at least 115. Occasionally, monsoon storms rained down just to inject a little humidity into the mix. Winter in Tucson is a different animal. We ate lunch outside at the hook-in. I got a sunburn and my freckles came out! It wasn’t quite like Jamaica in January; days started in the 40s. But they warmed up right quick.
Location. La Paloma Country Club was a lovely venue for the event. Round tables for six to eight ensured conversation between all of us ladies and our gentleman, Russ. Vendor tables were centrally located for maximum exposure to wool, yarn, hooks, and other paraphernalia. As usual, coffee, tea, and pastries were provided during the morning. For lunch, we made our way down a sumptuous salad buffet that more than satisfied even those of us who were gluten free and/or vegan. A+ for the food.
Show-and-tell. Tables lining one wall provided a perfect place to set out our mats for ogling. I’ve included some here for your pleasure. Later in the afternoon, our OPRH hosts had some of us stand up and talk about what we were working on. Yours truly, being the only one working, not with wool, but with old t-shirts, was one of the presenters. Folks were fascinated by the colors I can use and how heavy the cotton rugs tend to be. (I tend to pack them pretty tightly.)
Silent auction. Little did I know this would be my favorite part of the whole day. The guild had put out a nice spread of items. Bids started at a dollar. I identified a number of things I wouldn’t have minded taking home. Then I saw them: not one, but two Anderson “Puncher” frames! Since trying one out at a punching workshop with Amy Oxford years ago, I’d had it on my mind. In fact, I was supposed to get one for my 50th birthday a year and a half ago; but by the time I finally got around to ordering one, I found that Mr. Anderson was no longer taking orders. That’s made me very sad. Not anymore! After an intense bidding war with “Claudia,” I scored the larger one. We packed that puppy into the car, and it’s now happily ensconced next to my fireplace.
Friends. Four of us from the Adobe Wool Arts guild attended the hook-in. Three of us road-tripped and stayed together. Of course, we all sat together Saturday. Nonetheless, I met
and chatted with plenty of new friends. And plenty of northeastern transplants. It was fun talking Connecticut (where I’m originally from), Massachusetts (where I lived the last 23 years), Rhode Island (where I went to school and then worked for many of those 23 years), and Maine, well, just because there are so many hookers there.
If you’re out this way next year at this time, I urge you to visit Tucson and the Old Pueblo Rug Hookers. They’re a class act and they host a great hook-in.
Share your hook-in news. I know Eliot, Maine, is coming up. I was supposed to attend last year, but illness and snow thwarted me. There are events in Milford and North Attleboro, MA, coming up too. If only I was still living in Franklin…
New Mexico is a great place for nature. It was a big reason for moving to Albuquerque; that is, we wanted a more outdoor lifestyle than New England’s winters afforded us. (And I hated being cold for six to eight months straight.) Make no mistake, there is winter here. We’ve had snow a couple of times now, and morning temperatures are usually in the high teens to lower twenties. Makes for cold walks with the dog in the Bosque, the forest along the Rio Grande.
Monday was a big, bodacious day in Albuquerque with lots of sunshine filling the sky. Tom and I packed the dog and some gear in the car and headed around to the other side of the Sandia Mountains. Winter abides more forcefully there. They even have a ski area. One of the last big storms dumped about 21 inches of the white stuff on the slopes. And on the trail we decided to hike.
I had considered bringing my snowshoes, but Tom needs new ones, so they stayed home. No worries. The trail is a popular one. Other “snowshoers” and hikers had blazed the way creating a nice hard-pack. Boots were fine. Of course, if you stepped off the trail, you dropped way down to at least your knees. And your boots filled with snow.
I always take my camera (i.e., phone) with me when we go, hoping to find something nature-ific that might inspire a rug or four. We weren’t disappointed yesterday. Clearly, there’s been a fair amount of evergreen dieback in the forest in the Sandias which is actually part of the Cibola National Forest. But as the trees decay, they make for the most interesting subjects to study, if only aesthetically. I was quite taken with the one in the photos. It might have a future in fiber.
After our most pleasant of snowy, winter hikes (it was about 45 with the slightest breeze), we wound our way up to the Crest of the mountains. By car. Much colder with a wicked wind, from there we could look out over Albuquerque metro area and to other snow-covered mountains to the north, south, and west. Very impressive.
Then it was goodbye to the snow and the cold. A quick 40- or so minute ride down the mountain and through the pass and we were home, on the city’s warmer west side. Tired, we opened a bottle of red wine and toasted our good fortune. Next week we’re off to the west (by only a couple of miles) to further explore Petroglyph National Monument.
I know that nature inspires many of you when you hook, paint, write, and make other forms of art. Please share some of those marvelous creations.
PS – I’m off this weekend to Tucson to attend the hook-in put on by the Old Pueblo Rug Hookers there. I’m told it’s an eight-hour drive. Four of us from the Adobe Wool Arts guild are going. Hope to have lots of pics for you next week. In the meantime I’m off to the liquor store for a bottle or two of chardonnay to share with the ladies.