What a great experience it was teaching at the Shakerag Workshops this month! For those of you not familiar with them or my class there, please find info HERE.
Because anyone who might test positive with Covid during the week and even before we got on the shuttle at the airport would earn a number or nights in a hotel till they could be put on a return flight, I was pretty stressed out before I left and even after I got there. Too many mask-less folks in airports and on planes. And too many friends have come down with the Coronacootie during air travel in the last month or two. Fortunately, I never tested positive – deep relief. Though I wasn’t able to extend my trip to stay, as planned, with a nearby friend after her son came down with it. We’ll try to rectify that next year when she and her husband make a first trip to New Mexico. Fingers crossed!
Coming from the drought-full New Mexican high desert, Tennessee was a “wetter” place to visit, especially if you count humidity. But I really enjoyed my morning walks even if Bowyn couldn’t be with me. I saw the “Res” where swimming happens most every afternoon. And I loved the bike path. History was present all over too.
But the best thing – other than ALL THE FOOD which was just as delicious as promised – was my class. Titled HOOK A RUG, SAVE THE ENVIRONMENT, it was one of the younger classes I’ve held; mostly because several staff members opted to learn hooking and punching. Spreading the gospel of a traditional art to new folks excites me, but I do fret about our ever aging population of devotées (and a few devotés too). We just can’t lose this 160-year old or so practice.
I needn’t have worried. While some folks were concerned about breaking rules, others plowed on doing exactly what they wanted with hooking and punching. Fabulous. I also love to share with any students of mine the Adobe Wool Arts Guild creed: I AM THE BOSS OF MY RUG. After I repeated it a number of times and wrote it out on the white board (to remain for the week), they all took it to heart.
Like anyone learning a new skill, several folks wanted to run away after the first few introductory hours, but all were busily hooking away by Monday afternoon. Tuesday was devoted to punching, and one or two folks managed to get a piece done later that day. Woohoo! By clean-up on Friday afternoon, several had two or three pieces fully done, including hemming. It doesn’t get better than that.
Interestingly and relatedly, back home this week, I attended an online meeting with other fiber folks as well as a lesson featuring quilter Heidi Parkes – not at all a quilter in the fussy, traditional way. Which is exactly why I like her work. During both events there was talk about difficulties that the traditional populations of our various arts present when one wants to cross boundaries and try new things. Unfortunately, that kind of work is often disparaged by the textile “establishment.” And yet, isn’t that exactly how all art evolves? Early on in my own hooking career, I had faced challenges; my work with so called “alternative materials” wasn’t at all appreciated by most. Could pieces hooked with old t-shirts really be considered on par with those hooked using beautiful, hand-dyed wool? Fortunately, times have changed and more and more of us are jumping on that bandwagon which is 1) often more sustainable and 2) to the liking of younger people who don’t want to be told how to do their own art. Hurray!
My week at Shakerag was memorable for other reasons. Teaching STITCHING AS DRAWING across the hall from me was none other than Susan Brandeis, author of The Intentional Thread: A Guide to Drawing, Gesture, and Color in Stitch. The past year or two, I’ve been looking at the book, wanting to purchase it, but being distracted by my own workshop and how I might make it a success for all involved, even when I met her – Susan and her husband stayed in the same house that I did – I didn’t put two and two together. Not until I saw the book in the Shakerag store. AH! Needless to say, I quickly bought it, and Susan graciously autographed it for me book is beautiful, but you should see her work in person. Mamma mia!
So, my week in Sewanee at Shakerag was a most definite success. Essentially, it’s an adult summer camp devoted to art – learning and making it. I really hope they invite me back again one year. If you’re interested in perhaps attending next year, Liz Alpert Fay will be teaching next year, specifically how nature can inform and influence hooking. I believe that registration opens up in August of this year.
Special thanks to Claire Nolan who acted as my studio assistant and helped facilitate the class. Also, to Christi Teasley, a Shakerag founder and the textile/painting/drawing coordinator and computer specialist. Christi generously put my name forth as a possible teacher. Yeah, she’s a remarkable hooker as well. In fact, she was able to work with local hookers in the area like Cass Gannaway, enabling us to borrow enough frames and hooks for the workshop. It takes a village, and you all made it happen.
IF CLASS TOOK AWAY ONE THING, I HOPE THAT IT’S:
THE ARTS ARE EVER EVOLVING, NEVER DYING!
The original teachers of In the Studio (Online) include: 
