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Scoping out Albuquerque’s “other” fiber arts

 

 

Ostinato 1 and 2 by Katie Pasquini Masopust
“Ostinato 1 and 2” by Katie Pasquini Masopust

Since I had to make my monthly Target trip yesterday, I decided to combine it with a fiber arts show I read about in the Albuquerque Journal. Palette Contemporary Art and Craft is currently hosting the exhibit which features “textile paintings” by Katie Pasquini Masopust. One of these pieces to the right ran in the paper inducing me to visit the gallery and see her other pieces.

 

Katie is based north of here in Santa Fe – for now. Apparently, she’s getting ready to move to California. Too bad. As you can see, her quilts – not the kind you’d be putting on your bed! – look like paintings until you get right on top of them.

In this close-up, you can see the stitching that makes this piece a "quilt."
In this close-up, you can see the stitching that makes this piece a “quilt.”

The exhibit describes her work as “textile paintings.” I wouldn’t disagree. Painted pieces of canvas are stitched into the quilt with other fabrics.

"Mercato (Play with Emphasis)" by Katie Pasquini Masopust.
“Mercato (Play with Emphasis)” by Katie Pasquini Masopust.
mmmm
“Big Getty” by Katie Pasquini Masopust.

 

 

 

 

 

 

 

There were other items in the gallery. This is a painting I loved by Daniel North. It's called "Enso and the Modernist."
There were other items in the gallery. This is a large painting I loved by Daniel North. It’s called “Enso and the Modernist.”

 

 

 

 

 

 

 

 

 

 

 

Today’s errands about town involved a visit with my rheumatologist who’s based at UNM Hospital. Imagine my happy surprise when Tom and I entered the clinic and found these on the wall:

Tapestries by Linda Geisen.
Tapestries by Heather Gallegos-Rex.

 

I’d known that there was a tapestry show at the hospital, but I thought that I’d missed it. Certainly, had no idea it was in the clinic I use. (And if Tom had known it was there, I’m sure he wouldn’t have accompanied me to my appointment. Ha!)

Works represented several weavers.

 

Katherine Perkins's tapestry "Sirocco Sky Provence" was stunning.
Katherine Perkins‘s tapestry “Sirocco Sky Provence” was stunning.
"Iris III" by Letitia Roller was incredibly lifelike.
“Iris III” by Letitia Roller was incredibly lifelike and had a sparkly, gold background.

 

 

 

 

 

 

 

Series of night scenes from White Sands National Monument by Linda Giesen.
Series of night scenes from White Sands National Monument by Linda Giesen.

 

 

 

 

 

I have to say that Albuquerque’s more than met my expectations regarding textiles and fiber arts. They’re all over the city, and their exposure’s only growing. Saturday afternoon I’m hoping to attend a talk by tapestry weaver Donna Loraine Contractor at a gallery in the city’s Old Town. If you follow my Facebook page, you’ll often see her work. Before that, on Friday, I attend my first meeting of Albuquerque’s Fiber Arts Council as my guild’s representative. Bring on the fiber art fiber art!

Do you go out of your way to see other types of fiber arts? Or maybe you DO other types of fiber arts? Either way, please share with us how textiles other than rug hooking influence your art. That’s a blog for another day.

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The wide, wonderful world of a Navajo rug auction

There was a myriad, a cornucopia even, of Navajo rugs to be auctioned off that day.
There was a myriad, a cornucopia even, of Navajo rugs to be auctioned off that day.

As promised, this week I’ve got pics and comments on the Navajo rug auction Tom and I attended a couple of weeks ago.

The University of New Mexico’s Maxwell Museum of Anthropology sponsored the seventh annual auction on Saturday, November 21, in Bernalillo. Being on Santa Ana tribal land, that meant that anyone purchasing a rug got it tax-free. Always a bonus and an incentive when you’re talking expensive items, handmade or not. Proceeds from sales benefited the museum and the Navajo weavers.

 

 

 

Without doubt, the most spectacular rug we saw. It would've looked perfect under my dining room table. Unfortunately for us, the starting bid was $7500. No one bid on it, but all rugs not auctioned off were available for purchase after the auction at the starting bid prices. Maybe someone picked it up then.
Without doubt, the most spectacular rug we saw (by artist RG Sherman). It would’ve looked perfect under my dining room table. Unfortunately for us, the starting bid was $7500. No one bid on it, but all rugs not auctioned off were available for purchase after the auction at the starting bid prices. Maybe someone picked it up then.

 

Tom and I  got there at 11:00 on the dot that morning, just as the restaurant hosting the event opened to the public. There were two hours for browsing and inspection of rugs before the auction was to start. Museum volunteers were busy hanging rugs on primitive ladders. Seeing that and the piles still on the floor, we were amazed at the sheer volume of rugs offered – approximately 250!

Initially, our plan was to just hang a bit, take photos (to make you drool), and then head home. After about 15 minutes we knew that wasn’t happening. Too many rugs, too much curiosity about how the auction itself was going to work. The people-watching was good too, and there was free food! Despite Tom’s misgivings, I got myself a paddle and registered for the auction. If attendance was low, I figured I might actually manage to pick up a rug to join the one we bought in Arizona years ago. (When we both had good jobs; when Tom wasn’t retired; before I started working for cash-starved non-profits…)

A two-faced weave with surprisingly soft colors.
A two-faced weave with surprisingly soft colors.

 

The folks running the auction graciously provided a program that listed all the rugs to be bid on, including the artists. Even better, it was a great primer on Navajo rugs in general: how to buy one; how they’re made; descriptions of the various weave patterns; how to care for the rugs; and auction tips. The auctioneers provided even more information during the auction itself, so Tom and I were able to chalk the whole thing up as an educational experience too.

There were plenty of bright colors too.
There were plenty of bright colors too.

Interesting factoids:

  • Just like rug hooking, weaving takes a LOT of time and work. “It can take up to 140 hours to complete a 30×60 inch saddle blanket, and a 3×5 foot rug can take 238 hours to complete. However, if the weaver had shorn the sheep, washed, carded, spun, and dyed the wool on their own, it is estimated to take an additional 200 hours to complete one rug.” (From Navajo Rug Auction Program.)
  • There are nine different weave patterns: plain; diagonal twill; five types of diamond twill; two-faced (a pattern with vertical ribs similar to plain weave, but including stitches of irregular width so that the two sides have different patterns); and double cloth (another type of reversible weave).
  • Even bright, unexpected colors.
    Even bright, unexpected colors.

     

  • If you don’t flip your rug regularly, the exposed side will fade. An evenly faded rug can be worth more than one with one “bright” side.
  • Unlike a hooked rug, you’re encouraged to vacuum a Navajo rug. If only to reduce the chances of insect infestation. More than moths. Ew.
  • One should never drink wine or any other aqueous liquid when you’re anywhere near the rug (as far as I’m concerned). Any rugs woven after 1875, use aniline dyes for red, orange, and other brights, thus they run when wet. I have to admit that this would make me really nervous if I had a party at my house. Or children. Or even dogs. Not that my dog drinks alcohol. At least not out of a glass.
    And another.
    And another.

    Here's one "tree of life.
    Here’s one “tree of life.

 

 

 

 

 

 

 

 

 

 

Museum volunteers held up items for auction.
Museum volunteers held up items for auction.

 

Hank, the boisterous auctioneer, started the auction just after 1:00 p.m. As he said, it wasn’t quite like being at a livestock auction, but Tom made for damn sure that I didn’t even scratch my nose – just to assure that I didn’t accidentally bid for a $1200 rug or even a $300 one.

Needless to say, given that the room was full (maybe 300 people), I did NOT go home with a Navajo rug that day. According to Mary Beth Hermans of the Maxwell Museum, “The average price for a 24-by-30-inch rug is about $350. …many of the rugs sell for the opening bid [specified by the auction].” (From an Albuquerque Journal article by Kathaleen Roberts on November 20, 2015.)

Rugs, rugs, and more rugs!
Rugs, rugs, and more rugs!

 

While my shopping basket remained empty that day, all was not lost. We learned plenty about Navajo rugs and the auction process. Even better, the woman seated a row ahead of us clued me in to a monthly rug auction going on about two and a half hours west of Albuquerque. Somewhere in the middle of nowhere on some reservation. Crownpoint‘s got lower prices, I hear – some sell for less than $50! The auction doesn’t start till 6:00 p.m. on a Friday, so we’ll have to find a place to stay. Not in that town; there’s no lodging there. But that’s why we moved out here to New Mexico. It’ll be yet another adventure.

I fell in love with this diamond twill.
I fell in love with this diamond twill.

Anyone out there have experience at a Navajo rug auction? Other auctions? I saw how easily I could’ve lost control. (Not that Tom would’ve let that happen.)

 

Who knew you could get a round rug perfect for a table top?
Who knew you could get a round rug perfect for a table top?

 

 

 

 

 

 

Some big collector told was offering this one for auction. He was ill and divesting of his collection.
Some big collector was offering this one for auction. He told me that he was ill and divesting of his collection.

 

 

 

 

They were all so hard to resist. Next time one will become mine!
They were all so hard to resist. Next time one will become mine!

 

 

 

 

 

 

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