New Mexico peeps! Is stretching creatively one of your New Year’s resolutions? Looking to learn a new technique? Whatever your reasons, the time is now! Or at least on January 21. New Mexico Fiber Arts Center (aka NMFAC/EVFAC) is hosting moi so that YOU can start punch needle rug hooking. The funny thing is that I taught this class for NMFAC/EVFAC just before Covid sent us all home for our extended “vacation.” Who knew it would take soooo long to get back?
Find all pertinent info copied below, but register HERE.
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Introduction to Punch Needle Rug Hookingwith Laura Salamy
January 21st: 10:30am-1:30pm
Members: $70
Non Members: $80
Students (Ages 14-18): $40
Ages 14+
Limit: 10 participants.
All skill levels welcome!
Materials fee (Paid upon arrival directly to instructor): $20
You can learn to punch projects like this at NMFAC!
Students will learn how to use the punch needle to make a small project that can be hung on a wall or used as a “mug rug.” The basic skill set gained will allow students to move on to larger projects like table runners, pillows, and rugs with confidence. During the class, students will: • transfer a simple pattern onto a cotton, monk’s cloth backing • prepare materials • begin punching a mug rug or wall-hanging.
We’ll also discuss various ways you might want to finish your rug after all the punching is done. No experience is necessary; just come prepared to play with all the colors!
Materials Instructor will provide: Handouts, rug yarn and monk’s cloth. An Oxford punch needle and frame will be provided and can be purchased after class, if desired.
Please bring a pair of scissors!
About Laura Salamy: Laura Salamy is the experienced, albeit “not-so-traditional” fiber artist behind High on Hooking (www.highonhooking.com). She serves as President of the Adobe Wool Arts Guild, New Mexico’s only rug hooking guild. Laura teaches locally and on Zoom. Her work can be seen online, in various books, in Rug Hooking Magazine, and in the Association of Traditional Hooking Artists Magazine.
Class cancellation policy: Students will receive a full refund if cancelling up to 7 days prior to the class. If cancelling within one week of the class, students will receive a 50% refund to be used for NMFAC class credit only.
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Finished punch needle rug hooking project.
FYI – If you can’t make this workshop, I’ll be in Los Alamos teaching at Fuller Lodge Art Center in late February and early March. Find info about those classes HERE.
See HoH’s entire calendar of events and classes HERE.
What a great experience it was teaching at the Shakerag Workshops this month! For those of you not familiar with them or my class there, please find info HERE.
Because anyone who might test positive with Covid during the week and even before we got on the shuttle at the airport would earn a number or nights in a hotel till they could be put on a return flight, I was pretty stressed out before I left and even after I got there. Too many mask-less folks in airports and on planes. And too many friends have come down with the Coronacootie during air travel in the last month or two. Fortunately, I never tested positive – deep relief. Though I wasn’t able to extend my trip to stay, as planned, with a nearby friend after her son came down with it. We’ll try to rectify that next year when she and her husband make a first trip to New Mexico. Fingers crossed!
The Res at Shakerag, inviting even in the early morning light.
Coming from the drought-full New Mexican high desert, Tennessee was a “wetter” place to visit, especially if you count humidity. But I really enjoyed my morning walks even if Bowyn couldn’t be with me. I saw the “Res” where swimming happens most every afternoon. And I loved the bike path. History was present all over too.
History – a sign marking the Trail of Tears.
But the best thing – other than ALL THE FOOD which was just as delicious as promised – was my class. Titled HOOK A RUG, SAVE THE ENVIRONMENT, it was one of the younger classes I’ve held; mostly because several staff members opted to learn hooking and punching. Spreading the gospel of a traditional art to new folks excites me, but I do fret about our ever aging population of devotées (and a few devotés too). We just can’t lose this 160-year old or so practice.
The ladies are working, working, working.
I needn’t have worried. While some folks were concerned about breaking rules, others plowed on doing exactly what they wanted with hooking and punching. Fabulous. I also love to share with any students of mine the Adobe Wool Arts Guild creed: I AM THE BOSS OF MY RUG. After I repeated it a number of times and wrote it out on the white board (to remain for the week), they all took it to heart.
Like anyone learning a new skill, several folks wanted to run away after the first few introductory hours, but all were busily hooking away by Monday afternoon. Tuesday was devoted to punching, and one or two folks managed to get a piece done later that day. Woohoo! By clean-up on Friday afternoon, several had two or three pieces fully done, including hemming. It doesn’t get better than that.
The week’s first success story was Tori’s!
Joyce and Stacey were my first mother and daughter team.
As a teacher I knew I was successful when I came into the studio Wednesday and found Holly on the floor already planning a BIG rugAre these not the best punched figs? Kate is a potter who has a fun food specialty.
Interestingly and relatedly, back home this week, I attended an online meeting with other fiber folks as well as a lesson featuring quilter Heidi Parkes – not at all a quilter in the fussy, traditional way. Which is exactly why I like her work. During both events there was talk about difficulties that the traditional populations of our various arts present when one wants to cross boundaries and try new things. Unfortunately, that kind of work is often disparaged by the textile “establishment.” And yet, isn’t that exactly how all art evolves? Early on in my own hooking career, I had faced challenges; my work with so called “alternative materials” wasn’t at all appreciated by most. Could pieces hooked with old t-shirts really be considered on par with those hooked using beautiful, hand-dyed wool? Fortunately, times have changed and more and more of us are jumping on that bandwagon which is 1) often more sustainable and 2) to the liking of younger people who don’t want to be told how to do their own art. Hurray!
Susan and her fabulous book on stitching.
My week at Shakerag was memorable for other reasons. Teaching STITCHING AS DRAWING across the hall from me was none other than Susan Brandeis, author of The Intentional Thread: A Guide to Drawing, Gesture, and Color in Stitch. The past year or two, I’ve been looking at the book, wanting to purchase it, but being distracted by my own workshop and how I might make it a success for all involved, even when I met her – Susan and her husband stayed in the same house that I did – I didn’t put two and two together. Not until I saw the book in the Shakerag store. AH! Needless to say, I quickly bought it, and Susan graciously autographed it for me book is beautiful, but you should see her work in person. Mamma mia!
Isn’t this a fine looking class of new hookers and punchers? BTW – all that humidity! My hair hasn’t been that wavy since I moved to the Southwest.
So, my week in Sewanee at Shakerag was a most definite success. Essentially, it’s an adult summer camp devoted to art – learning and making it. I really hope they invite me back again one year. If you’re interested in perhaps attending next year, Liz Alpert Fay will be teaching next year, specifically how nature can inform and influence hooking. I believe that registration opens up in August of this year.
Claire Nolan, studio assistant extraordinaire.
Special thanks to Claire Nolan who acted as my studio assistant and helped facilitate the class. Also, to Christi Teasley, a Shakerag founder and the textile/painting/drawing coordinator and computer specialist. Christi generously put my name forth as a possible teacher. Yeah, she’s a remarkable hooker as well. In fact, she was able to work with local hookers in the area like Cass Gannaway, enabling us to borrow enough frames and hooks for the workshop. It takes a village, and you all made it happen.
IF CLASS TOOK AWAY ONE THING, I HOPE THAT IT’S: THE ARTS ARE EVER EVOLVING, NEVER DYING!
