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Working a little beyond my comfort level

Finished project: "Ribbons Over Albuquerque."
Finished project: “Ribbons Over Albuquerque.”

Between my arthritis and my newest rug, I’ve been spending some time hooking beyond my comfort level. The project for the Albuquerque Fiber Arts Council’s Colors of the Southwest exhibit – you know, the one I’ve been going on and on about – was due early this week, and late last week I hadn’t even finished the hooking! That meant that Thursday and Friday I hooked during the day, an unusual event for me. I generally work in the evening for two to three hours while I watch television. So far that’s not taxed my RA too much.

Friday I was able to start finishing the main body of “Ribbons Over Albuquerque” (more on that in another post) and preparing its little “outrigger” piece. This is precisely where we approached and then zoomed by the comfort level. First and foremost was the physical. The main part of the rug is approximately 13″x39″.

Time to sew on the binding!
Time to sew on the binding. Ouch!

 

Now I really don’t mind the hand-stitching involved: tacking down the monks’ cloth backing and then sewing up the twill tape nice and pretty like. It’s easy when I use wool strips and/or yarn. Needles flow into those fibers like a knife into butter. Not so t-shirts. It’s tough getting even an itty bitty needle to pierce tightly packed t-shirt loops. But I did it, finished it late Saturday afternoon. My knuckles are still recovering.

The little outrigger part of the rug constituted the weekend’s other challenge. When I initially designed the project, I intended for the bows, i.e., the “ribbons over Albuquerque,” to all be hooked into the one piece. Preparing the pattern, though, I realized that one of the bows, the very top one, needed to “sail off” into the air, as it were. How to do that?

Luckily for me, Lucy Richard of the Wooly Mason Jar sparked some conversation on Facebook by posting something about finishing rugs. This led to talk about the Doris Eaton Edge – her method of sewing binding tape to the rug before she hooks it (as I do) and reverse hooking the row immediately next to the tape which I have never done. Until now. Because the bow was to be hooked from a white, “crepey,” diaphonous fabric, I needed to beef it up, you know, make it bulky enough so that it would stand “up” and be visible next to the much bigger and much more colorful part of the project.

Various thoughts came to mind. I needed something with more body than twill tape to edge the little bow. And it couldn’t be black like the twill tape on the big piece because it would be visible. What to use??? I’d edged the other bows in the piece with a lightweight silver ribbon, but was afraid to use that as binding tape; figured stitches would rip right out of that sucker.

Sudden lightbulb moment!

Stitching the binding - wired ribbon - to the design.
Stitching the binding – wired ribbon – to the design.

I had a roll of wired silver ribbon in-house. I could easily stitch backing to a wire edge. It worked like a charm. I was able to boost the ribbon’s inherent bulk by using Doris’s reverse-hooked first row. Sure, it was a little wonky pulling those loops. In the end, I decided not to attach the two pieces, to hang them separately, but the exaggerated, almost 3-D effect of the white bow allows it to hold its own next to the big piece.

Binding all stitched on and first row of loops hoooked a la Doris Eaton.
“Binding” all stitched on and first row of loops hooked a la Doris Eaton. (I.e., you’re seeing the back of those loops.)

 

All hooked and trimmed. Ready to sew down "binding."
All hooked and trimmed. Ready to sew down “binding.”

 

 

 

 

 

 

 

 

Thank you to my Adobe Wool Arts Guild members, Mary Ramsey and Melinda Lamott, for their support Saturday while I was working on the little white bow. We participated in the Albuquerque Biopark‘s Winter Wool Festival giving demos and helping little kids pull loops. I love doing that stuff. sharing our passion. So what if I wasn’t using wool?

Is rug hooking easy for you, your safe, happy place? Or do you spice it up trying new techniques or use fibers other than wool? How’s it feel going beyond your comfort level? Share your experiences. 

 

For those interested, here is the YouTube link for the Doris Eaton Edge:
The Doris Eaton Edge

 

Melinda Lamott and a young rug hooking disciple. "Drink the Cool Aid, Padawan."
Melinda Lamott and a young rug hooking disciple. “Drink the Cool Aid, Padawan.”
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Finding the new normal

Christmas and New Year’s are over; it’s time to get back to normal. But what if you don’t have a normal anymore?

That’s me these days. We’ve been in the new house in the new city in the new state for over three months now. It’s winter in the high desert. And, uncharacteristically, it’s been cold as New England (usually is) and kind of…wet. Today it can’t decide. I hear the rain pouring down onto my flat Pueblo-ish roof and, out the window, see snow flaking down too. It’s not a pretty sight. Forget seeing the mountains; they’re a distant memory having been shrouded in clouds the past few days. Bring back the sun!

Building my new “normal.” (Photo by tome213 at rgbstock.com.)

But back to the point: The honeymoon’s over. It’s time to integrate into community, to stop comparing and contrasting New Mexico to what we left, and to find the new normal. With no family here, I need a new “posse” bad. That’s going to take joining various groups here. To that effect, I’ve already got the the Adobe Wool Arts Guild and a church. It’s a good start if you ask me. These groups have networked me to the Albuquerque Fiber Arts Council, the Old Pueblo Rug Hookers down in Tucson (I’m off to their hook-in later this month), Albuquerque’s BioPark, and a couple of church committees, including, hopefully, a new food pantry to work at. Registering with the SouthWest Writers is on my list for later today.

Still, it’s not enough. Plus, I’m feeling rather cooped up in the house. Oh, and the bills aren’t going to pay themselves. Sure, Tom’s retired, but I’m only 51, too young for that sh%$!!! Its time to find some meaningful work. Or at least something that’ll pay for the groceries (and that pool we intend to build this spring!). So, it’s hi-ho, hi-ho, off on a job search I go. Unfortunately, Albuquerque’s got some unemployment issues. Not sure what I’ll find, but at least it’ll let me meet more people.

I was spoiled by my last job, running the food pantry back in Massachusetts. I loved the job, its flexibility, and especially the people. But, like I said, I’m looking for the NEW normal. Although I recently re-did my resume, I haven’t looked for a job in years. Guess it’ll be another adventure.

Anyone else jumping back into the workforce? Have any tips to share? Contacts here in Albuquerque? I’ve got an eclectic background, and I can use all the help I can get.

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This moving thing’s a bitch and a busy one at that

Balloons are dropping in all over the city this week.
Balloons are dropping in all over the city this week.

First of all, let me apologize for the lack of hooking news and fun these past few weeks, but this moving thing is truly a pain in the patootie. There are still unpacked boxes not so stylishly decorating the house. We can’t find all our stuff…because it’s probably hiding in the aforementioned boxes. Lamps! I’d kill for more of my lamps. And don’t even start me on the need to get bookshelves. Then there’s the busy-work: finding doctors that we need asap; running to Lowes to buy a new dishwasher (the one that came with the house pools alarmingly when not in use); locating the local grocery stores; and our personal favorite, teaching the kid to drive. Today was my turn. She did okay, though we do apologize to the honking car next to us at that one light; she did swing r-e-a-l-ly wide to the right to make a left turn. She’ll do better next time; I promise. Not!

 

Damn little camera on my phone. You probably can't see the hundreds of balloons at different levels participating in mass ascension. (Better photos after we head to the Fiesta field.) In the meantime, see the Rio Grande there - okay, not looking all that grand - some balloons swoop down from the sky and do a "splash and dash." Very cool. I learned more from one of the hookers in my guild; she and her husband work a balloon's chase crew.
Damn little camera on my phone. You probably can’t see the hundreds of balloons at different levels participating in mass ascension. (Better photos after we head to the Fiesta field.) In the meantime, see the Rio Grande there – okay, not looking all that grand – some balloons swoop down from the sky and do a “splash and dash.” Very cool. I learned that term from one of the hookers in my guild; she and her husband work a balloon’s chase crew.

Not that there haven’t been the fun moments. Our hopes were great after that pre-fiesta balloon landed behind our house last week. Now we’re deep in Albuquerque’s famed Balloon Fiesta. We humped up the hill to the neighboring Catholic high school – which happens to have a great view – and watched the first “mass ascension.” (Okay, fellow Catholic peeps, the ballooning term “mass ascension” is nothing but a coincidence. Ironic though. Maybe they could’ve gone with “the Rapture,” but I digress.) Tom and I will head to the fiesta tomorrow in the early, early 50-degree morning. We’ll be right on the field, phones/cameras in hand. How I wish I had a really good camera…

And I have been hooking; most evenings, in fact. I finished hooking, though not blocking and such, my rug-sized New Mexico mat that will eventually grace the floor somewhere in the new house. Now I’m working on a table runner: t-shirts and some gossamer, chiffonny fabrics. Going for a different texture. I got to work on it at a hooking demonstration with my new Adobe Wool Arts guild just yesterday at the BioPark Botanic Gardens. I’d love to share some photos of this (insert long face here) – I even brought my phone.camera and planned on it – but we were so busy chatting with one another and visitors, that I plumb forgot…till we were packing up. Next time, I promise!

Georgia O'Keefe's Petunia No. 2, 1924.
Georgia O’Keefe’s “Petunia No. 2,” 1924.

Another highlight this week: a visit to the Georgia O’Keefe Museum in Santa Fe. It’s taken me two vacations to the area and a final move to make it there, but Friday was the perfect time. Tom’s niece – an artsy type, too, with good taste – was in town and also wanted to see it. There was an American Modernist exhibit going on with O’Keefe’s and others’ work represented. Excellent! Oh, and the street food on Santa Fe’s plaza was fabulous.

Alexander Archipenko's Woman with a Fan, 1958.
Alexander Archipenko‘s “Woman with a Fan,” 1958.

 

 

 

 

 

 

So, while this moving thing’s a bitch, we managed to tame her for a bit and just enjoy the area. Hey, it’s why we moved here. So far, no regrets, and that’s all that matters.

PS – How do you other bloggers remind yourselves to take pics when you’re all agog listening to stories and looking at beautiful things? Tell me the secret!

My favorite piece, I think. (I reserve the right to change my mind, of course.) O'Keefe's Pond in the Woods, 1922.
My favorite piece, I think. (I reserve the right to change my mind, of course.) O’Keefe’s “Pond in the Woods,” 1922.

 

 

 

 

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