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IN THE STUDIO – April 14 with Sayward Johnson

Join Sayward Johnson on In the Studio as she talks about her work and her artistic process!

 

Poster of Sayward Johnson

 

Sayward Johnson is a copper and textile artist whose work explores her fascination with fabrics and sculptures that adhere to the laws of metal-smithing as well as those of textiles and, furthermore, present traditional textile patterns in unexpected contexts. She finds beauty and meaning in natural processes that cannot be controlled, such as decay and the transformation of surfaces through erosion and new growth. In her studio practice, she focuses on weaving, knitting and embroidery.

Originally from Danvers, Massachusetts, Sayward is a graduate of the Nova Scotia College of Art and Design. She currently lives in Chelsea, Quebec, with her husband and young daughter. She is an active member of the Enriched Bread Artists and 44.4 Mothers/Artists collectives in Ottawa. Sayward has exhibited across Canada and sold her work to private collectors in the US, Canada, and Europe. She has received grants from the Ontario Arts Council, the City of Ottawa, Craft Ontario, Arts Ottawa East, and the Canada Council for the Arts.

You can learn more about Sayward and see her work at www.saywardjohnson.com and on Instagram @saywardjohnson.


IMPORTANT – PLEASE READ:

The Zoom link for this presentation will be emailed to you the day before the talk (or after you purchase your ticket, if you purchase on the day of the event).  If you don’t receive it, you can contact the organizer at info@karendmillerstudio.com.

Tickets will be on sale until 10:00 am the day of the event.  After that time you will no longer be able to purchase tickets.

Please note that, unlike other In the Studio presentations, the time of the talk is 7:00 pm EASTERN.

Find tickets for this event at Ticketscene.


FAQ’s

* Will this talk be recorded for viewing later?

Unfortunately, no. Due to the logistics involved, we decided some time ago to keep these events live. Hopefully if you can’t make it to this talk, you’ll be able to make it to a future talk.

* It’s the day of the talk and I’m having trouble finding or using the link for the talk. How can I find help?

It is very advisable to LOG INTO THE EVENT A FEW MINUTES EARLY to be sure that you have no trouble with the link, and if you are having trouble the organizer can help you out. You can email or message the event organizer up until 12:30pm Eastern on the day of the talk for help. ONCE THE EVENT STARTS, however, messages and emails are not able to be monitored.

* I’m finding it distracting during the talk seeing all of the other participants on my screen. What can I do?

During the event the organizer will put the screen setting on “spotlight view” so that the presenter is the focus on your screen. Depending on your device, you may still see audience members on your screen and changing your setting from “gallery view” to “speaker view” should help with that.

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Public Service Announcements

Public service announcements, odd from an art blog, I know. But still genuine.

Public service announcement 1: Don't let blepharitis happen to you.
PSA 1: Blepharitis, don’t let it happen to you.

PSA 1

You know when they say that you should throw out old makeup? Eye makeup, in particular? Yeah, it’s true. You go almost a whole year NOT going out, NOT needing to wear the usual make up (because God was cruel to redheads and caused our eyes and eyelashes to recede as we age). Who cared? No one was going to see you. And then you finally get a date early-bird-special evening/afternoon with your husband. You put on some mascara to go with your best yoga pants to have truly excellent gluten-free pizza at Farina Alto (in Albuquerque). You plan on, even try sitting on the patio, but the freaking wind is too strong. It’s 4:00 pm; there’s barely anyone in the restaurant, so you chance it and move inside. The pizza, the wine, they’re all great! And then a day later, your eye starts to twinge, then redden, then swell. Where’s an pyrate’s eye patch when you need it? By early Tuesday morning you’re in the urgent care located conveniently up the street. BLEPHARITIS, they say. WTF? Swelling of the eyelid. Who knew? The people who say to change out your old mascara knew. Stupid blepharitis, stupid coronacootie.
Public service announcement 1: Chuck all makeup from 2020 and before; buy new shit even if you rarely wear it (and it looks practically new)!

 

PSA 2

If you’re working on a particularly difficult rug or painting or short story or other piece of artwork, always have something else requiring less concentration that you can work on in the evening.

Rug needing less concentration
PSA2 : Always have a rug that needs less concentration.

I typically work at night while I watch television or Netflix or whatever. Otherwise I’ll fall asleep. (I know you get this.) A couple of weeks ago, I started a piece, a wall hanging, that requires good light and my full attention. That means day-hooking. Not that I’m against day-hooking; actually, I love it. In fact, I really miss the Adobe Wool Arts Guild‘s three annual retreats, one of which usually happens at this time of year. I can hook all day long for three days in a row and get assistance when I need it from all my AWAG peeps. Sadly, our last retreat was in February of last year. Again, stupid Covid. Now I have to deal with this rug on my own. I miss you guys…
Public service announcement 2: Work on your more difficult pieces during the day; save the fun, easier stuff for evening.

 

Whimsy, a rug needing a forever home
PSA 3: All rugs need a good forever home, including “Whimsy” (approximately 15″x36″).

 

PSA 3

Some rugs need a home. Yeah, this is completely self-serving. “Whimsy” is finished and looking for her forever home. And yes, in the pre-pictures on Instagram and Facebook, I did hide that she has a hole built into her. But that’s just part of her charm. Consider giving “Whimsy” a home.
Public service announcement 3: All rugs need a home. Don’t let them suffer.

 

 

 

That brings us to the end of the PSAs. Though don’t forget that on March 20, High on Hooking is holding another online workshop: Hooking With and Beyond the Wool. If you’re interested in playing with fibers other than wool (much like those original rug hookers), contact me at Laura@highonhooking.com. It’ll be fun; I promise. Now keep hooking, or otherwise playing, and stay safe! We’re so close to being able to achieve herd immunity. Vaccinate!

 

An extra public service announcement, crazy dog
Instead of “What’s on the frame,” we have a public service announcements corollary. Never ask Bowyn to be serious in the evening. His concentration, like my own, is shot. Tynan, meanwhile, is properly aghast.

 

 

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IN THE STUDIO – February 17 with Monika Kinner

Monika Kinner leads us through her art journey.

Monika Kinner event poster

 

Monika Kinner is a professional artist specializing in freestyle embroidery (since 2009) and soft pastel paintings (since 2018).  More recently, she has started experimenting with saori weaving.  Her creations are expressions of love for the prairie where she lives and originate from her own personal photographs of and experiences in Saskatchewan, Canada.  She is constantly amazed at the texture and intricate beauty that can be achieved by working with threads and other fibres.

About Monika Kinner:

Monika is a juried member of the Saskatchewan Craft Council and a former member of the Embroiderers’ Association of Canada.  Her award winning work is cherished in private collections around the world including Canada, the UK, USA, Australia, New Zealand, Western and Eastern Europe and South America.

You can learn more about Monika and see her work at www.mysweetprairie.ca and on Instagram @monika_kinner (her textile work) or @monika_kinner_painting_pastel_ (her pastel work).

 

IMPORTANT – PLEASE READ:

The Zoom link for this presentation will be emailed to you the day before the talk (or after you purchase your ticket, if you purchase on the day of the event).  If you don’t receive it, you can contact the organizer at info@karendmillerstudio.com.

Tickets will be on sale until 10:00 a.m. the day of the event.  After that time you will no longer be able to purchase tickets.

Find tickets for this event at Ticketscene.


FAQ’s

* Will this talk be recorded for viewing later?

Unfortunately, no. Due to the logistics involved, we decided some time ago to keep these events live. Hopefully if you can’t make it to this talk, you’ll be able to make it to a future talk.

* It’s the day of the talk and I’m having trouble finding or using the link for the talk. How can I find help?

It is very advisable to LOG INTO THE EVENT A FEW MINUTES EARLY to be sure that you have no trouble with the link, and if you are having trouble the organizer can help you out. You can email or message the event organizer up until 12:30pm Eastern on the day of the talk for help. ONCE THE EVENT STARTS, however, messages and emails are not able to be monitored.

* I’m finding it distracting during the talk seeing all of the other participants on my screen. What can I do?

During the event the organizer will put the screen setting on “spotlight view” so that the presenter is the focus on your screen. Depending on your device, you may still see audience members on your screen and changing your setting from “gallery view” to “speaker view” should help with that.

Share

The Violet Protest – Will you help?

A few folks who follow High on Hooking’s Instagram account, got a peek at my offering to The Violet Protest last week. Today I packaged my 8″ x 8″ square up and mailed it off to Phoenix where it will be part of an exhibit and then sent on to lawmakers in Washington.

For those in the dark who have never heard of the Violet Protest, it’s a project that was conceived of by Ann Morton, a textile artist, educator, and “social practitioner” in Phoenix, Arizona.

“Driven by a desire to make right, the work she does reflects her own handwork, but also orchestrates handwork of interested community members through public interventions that seek to socially engage the hands of many to harness the power of making for social purpose.”

Textile artists across the country have been asked to make these 8″x8″ squares using whatever techniques they wish. My M.O., of course, is hooking. I might have used crochet or embroidery as well, but I opted to commit to only one square (knowing the project and teaching backlog that I’m already juggling). The squares are to be made using pretty much equal parts blue and red. As you know, BLUE + RED = VIOLET/PURPLE. The point is to create an “overall presentation of violet in the final display” of all the squares made.

 

Small hooked rug for the Violet Protest
My hooked square of wool strips and yarn and recycled silk blouse strips.

“The Violet Protest is a public effort to send 50 hand-made textile squares to each and every member of Congress
​in support of these core American values:

•Respect for the other   Citizenship   Compromise   •Country over party and corporate influence
Courage     Candor    Compassion   Creativity

Whether we weave, knit, crochet, quilt, or embroider all 26,750 of these squares — through this social action, and from every corner of America; we as makers of all political persuasions, believe we can employ our willing spirit and our talents to contribute to healing divisions that threaten our country. ​This collection of textile squares will be first displayed at Phoenix Art Museum, in the Spring of 2021, before they are sent to the new
​117th Congress by late 2021.

Focused on the values we hold dear as Americans, rather ​than any political beliefs, the color violet symbolizes the literal combination of red and blue, long held as symbols of our nation’s differing ideologies. Our common goal is to send a physical message of friendly protest through this colossal visual expression to demonstrate that if we as citizens are ​willing ​to come together, so then must our elected officials.”

There’s still plenty of time for you to get involved with this project. In fact, Ann could use a lot more squares, all total 26,750! Maybe your rug queue isn’t as long as mine is, and you’re looking for away to resist the winter doldrums. These squares hardly take any time to hook…or crochet…or sew…or whatever. While there is a February 1 deadline for squares to be exhibited in the Phoenix Art Museum, you’ve got plenty of time – till August 1! – to get some to Ann to be sent to members of Congress later in 2021. I’m hoping that I might be able to do some more once High on Hooking’s rug obligations are fulfilled.

 

The tag attached to my square.

Getting involved in the Violet Protest is easy, really. Ann mails out a tag to you. You attach it to your square(s) and mail it all back. Done! For more info click HERE. You can see examples of squares on the Violet Protest Instagram page.

In other news, we had another fine Zoom gathering last Saturday for the Build a Baby Boucherouite workshop. There were five of us. If you’re interested in the class, please contact me. I will say that this is one that works better and is more fun with the energy of a small group of folks working together and bringing all kinds of ideas. If you think your guild or a klatch of friends might want to get together to explore hooking some BBs, give a yell.

A reminder, that there are a few more spaces left in In the Studio’s WORKSHOP WEEK 2. I believe that Karen Miller, Beth Miller, and Meryl Cook have a couple of “seats.” Contact them directly. (To do that follow the WW2 link above) I have some more room in my second Intro to Punch Needle Rug Hooking session on February 20. Let me know if you’d like to be join us.

Dogs with hooked rug.
Tynan and Bowyn bring you this week’s “What’s on the frame.” (Mostly because they want the Beggin’ Strips BAD.)

And lastly, Tynan and Bowyn bring you “What’s on the frame” this week. If you remember, they showed what this rug looked like when I started hooking it back in December. It’s almost done. Hope my aunt likes it. It was inspired by her color choices and a drawing she made. More on that when I finish it. Till then, be warm and stay safe. May our Covid vaccine shot(s) happen soon!

Might you be able to make a square for THE VIOLET PROTEST?

 

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IN THE STUDIO – January 13 with Tracy Jamar

Tracy Jamar gives a peek at several pieces of her most recent works.

 

Poster for In the Studio with Tracy Jamar

 

Join Tracy Jamar as she shares what brought her to rug hooking and the trajectory that brought her to the work she’s doing now. She will give a peek at several pieces of her most recent works conceived by current events in her life:  from the requirement to stay in place due to Covid to downsizing after the sale of her home.

About Tracy:

Tracy Jamar is familiar with traditional forms of needlework as she has been a restorer specializing in antique textiles, especially quilts and hooked rugs, for over 30 years. She started in 1979, at America Hurrah Antiques in NYC and, in 1985, opened Jamar Textile Restoration Studio, also in NYC.

In 2006, she returned to school to complete an undergraduate degree, an independent/individualized study of American history through women’s handmade textiles at Goddard College in Plainfield, VT. Soon after graduation, Tracy set her restoration business aside to make contemporary fiber works using traditional textile techniques.

Her works have been in juried and invitational exhibits: at the Farnsworth Art Museum; in a traveling exhibit to Japan; in exhibits in South Korea; and in a national tour with the Textile Study Group of NY among other places.

Tracy’s book, Coils, Folds, Twists and Turns: Contemporary Techniques in Fiber (2017) explores many of her techniques. She also contributed to American Sewn Rugs: Their History with Exceptional Examples with Jan Whitlock in 2012. They exhibited some of those rugs at Sauder Village in 2013. She appeared twice on the Martha Stewart Living television program and in Mary Sheppard Burton’s A Passion for the Creative Live: Textiles to Lift the Spirit and other publications.

Tracy was the keynote speaker at the Association of Traditional Hooking Artists (ATHA) Biennial in Denver, 2019. Her most recent award was for Best Sculpture at the Guild Hall Members Art Exhibit 2020 in East Hampton, NY.

You can learn more about Tracy Jamar and see her work at www.tracyjamar.com, and on FB and IG @tracyjamarfiberworks.

 

Find tickets for this event at Ticketscene.


IMPORTANT PLEASE READ:

The Zoom link for this presentation will be emailed to you the day before the talk (or after you purchase your ticket, if you purchase on the day of the event).  If you don’t receive it, you can contact the organizer at info@karendmillerstudio.com.  

Tickets will be on sale until 10am the day of the event.  After that time you will no longer be able to purchase tickets.

FAQ’s

* Will this talk be recorded for viewing later?

Unfortunately, no. Due to the logistics involved, we decided some time ago to keep these events live. Hopefully if you can’t make it to this talk, you’ll be able to make it to a future talk.

* It’s the day of the talk and I’m having trouble finding or using the link for the talk. How can I find help?

It is very advisable to LOG INTO THE EVENT A FEW MINUTES EARLY to be sure that you have no trouble with the link, and if you are having trouble the organizer can help you out. You can email or message the event organizer up until 12:30pm Eastern on the day of the talk for help. ONCE THE EVENT STARTS, however, messages and emails are not able to be monitored.

* I’m finding it distracting during the talk seeing all of the other participants on my screen. What can I do?

During the event the organizer will put the screen setting on “spotlight view” so that the presenter is the focus on your screen. Depending on your device, you may still see audience members on your screen and changing your setting from “gallery view” to “speaker view” should help with that.

 

Share