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Highlights of the Fabric of New Mexico show

 

If you’re in Albuquerque this summer and can get thee to the Fabric of New Mexico textile arts exhibit, get thee there for sure! It’s a très classy show. Below you’ll find some highlights from the opening night reception.

Postcard for the Fabric o New Mexico show

“This exhibit stretches the limits of fiber art to celebrate the full range of innovative creativity in fabric, including quilting, macramé, embroidery, rug hooking, and work with plastics, paper, metal, and wire. Curated by artist Martin Terry as part of the Two Moons exhibit series, the Fabric of New Mexico [includes] over 20 contemporary fiber artists working in New Mexico today.”

Martin Terry, curator (martinartstudios@gmail.com)

Find the full schedule of related events including fiber art workshops and demos at FUSIONnm.org. More info HERE.

My little corner of the Fabric of New Mexico show opening night
Three of my pieces are in the Fabric of New Mexico show: WHIMSY up above, HOLES, and a couple of segments from the RIBBON RUG JOURNAL.

 

aRT BY kATHRYN lAZIER AT THE fABRIC OF nEW mEXICO SHOW
Several mixed media pieces by Kathryn Lazier.
Art by Kathryn Lazier
Kathryn Lazier’s GREENMAN (felt; fabrics; yarn; dyed, moldable batting; machine and hand stitching; fabric stiffener)

 

 

 

 

 

 

 

 

 

 

 

 

Sally Moon's art in Fabric of New MExico show
BALLET FOLKLORICO OUTFIT / TRADITIONAL CHIAPAS TOP AND SKIRT provided by Sally Moon of W!ild Moon; handmade in Chiapas, Mexico.

 

Vivienne Riggio and her art in the Fabric of NewMexico show
LA CHURRITA with maker Vivienne Riggio. (Papier mache head and horns; raw churro sheep’s wool; upcycled textiles and necklace.)

 

Art by Carol Sullivan at Fabric of New MExico show
MISSING by Carol Sullivan (Wooden disc; milk carton with typing; wooden stick with smooth, multicolored cotton; twine; beige suede; red permanent marker; crystals; bone mutton; various findings; red suede; metal wolf; black permanent marker on white cotton; feathers; gold pin; red bandana; gold pin; acrylic batting.)

 

Art by Sara Miller
WEAVING THROUGH TIME by Sara Miller. (Acrylic paint; wool felt; cotton fabric; wool and silk roving; rayon thread.)

 

Art by Mika Maloney in the Fabric of New Mexico show
DAY by Mika Maloney. (Merino wool yarn (with cotton/poly cord); scrap leather; dried flowers on driftwood.)

 

Art by Terri Lagerway
AUTUMN LEAVES by Terri Lagerway. (Weaving on branch.)

 

Art by Patricia Halloran at Fabrics of New Mexico show
BEE PEACEFUL by Patricia Halloran. (Wire; wet and needle felted wool felt; embroidery floss; recycled cotton backing and stuffing.)

 

Art by Maria Jonsson
WAVES by Maria Jonsson. (Recycled metal; magnet wire.)

 

Art by Betty Busby
SIPHONOPHORE by Betty Busby. (Artit overpainted cotton batik; machine stitching; artist painted linen; cotton knit; EVA foam; paint marker; hand stitchin with perle cotton thread.)

 

Crochet by the New Mexico Crochet Guild
FANTASY GARDEN, freeform crochet, by members of the New Mexico Crochet Guild.
Art by Laurie McCann
ALCHEMY (part of a pair) by Laurie McCann. (Wire grid and wire mesh; Chinese pot lids; yarn; coins.)
Art by Laurie McCann
JELLIES (part of a pair) by Laurie McCann. (Wire grid and wire mesh; Chinese pot lids; yarn; coins.)

 

 

 

 

 

 

 

 

 

 

 

 

Art by Molly Mooney at Fabric of New Mexico show
And lastly, WHY NOT GO OUT ON A LIMB by Molly Mooney. Tom and I liked this one soooo much that we’re purchasing it. It’s going to look perfect in our living room, currently dominated by a large TV. (Found tree branch; hand-dyed wool fiber; found and repurposed bells; beads and ceramic pieces; sari fabrics; ribbons.)

GET THEE TO THE FABRIC OF NEW MEXICO SHOW!

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FABRIC OF NEW MEXICO EXHIBIT – July 1

Hooked art, Holes, to be in Fabric of New Mexico art show
“Holes” – mostly repurposed textiles hand-hooked on monk’s cloth; 68″x33″x0.75″

 

 

 

The Fabric of New Mexico exhibit opens Friday, July 1 at Fusion in downtown Albuquerque. All are cordially invited to the opening reception, 5:30-8:00 p.m.

This exhibit stretches the limits of fiber art to celebrate the full range of innovative creativity in fabric, including quilting, macramé, embroidery, rug hooking, and work with plastics, paper, metal, and wire. Curated by artist Martin Terry, the show includes work by twenty New Mexico artists including Sara Miller, Larry Schulte, Betty Busby and Judith Roderick.

More information about Fusion can be found HERE. Also, the gallery will be open for the Summer Sundays Markets, Last Fridays (of each month), theater events, and concerts. See EVENTS. If you can’t make it to the gallery any of those days, please contact High on Hooking, and we can have the gallery opened up for a private viewing.

Note: Parking is available just across the street in the city parking lot.

aFabric of New Mexico Opening Reception Invitation
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IN THE STUDIO – Valerie Carew on May 13

IN THE STUDIO TALKS ON HIATUS AFTER THIS EVENT! DON’T MISS VALERIE CAREW AND KAREN MILLER CHATTING!

PPoster for Valerie Carew on In the Studio

Join Toronto artist Valerie Carew as she discusses how she animates household objects such as rugs using photography and performance and how she uses the craft of hand-hooking to express relationships with the natural world.

Engagement with land is a big motivation in Valerie’s artwork. She makes textile wearables and engages with natural environments using immersive role-play. Valerie is interested in exploring the “what ifs” in art making; she tries to use the language of rug fabrication and textile craft to communicate memories and human experience. Her family history and relationships with land are rooted in the settler cultures of Newfoundland and New Brunswick, Canada. Hand hooking rugs is part of the fabric of these cultures. Traditional aspects of rug making, such as material reuse, storytelling, and folklore are referenced and re-configured in her contemporary practice.

You can find tickets for this talk HERE.

About Valerie Carew:
Valerie Carew, she/her (Toronto, Ontario) is an interdisciplinary artist who explores human/land relationships through performance, body based sculpture, installation, painting, and fibre craft practice. Immersive role-play and biomimicry are combined with sculptural rug making to express experiences with land and identity. Valerie’s sculptural works are designed for interplay and physical contact with the human body. She incorporates nostalgia, myth-making, and material transformation to imagine new futures defined by a greater connection to the wild.

You can learn more about Valerie and see her work at www.valeriecarew.com or on Instagram @valerie_carew.


IMPORTANT PLEASE READ:

The Zoom link for this presentation will be emailed to you the day before the talk (or after you purchase your ticket, if you purchase on the day of the event).  If you don’t receive it, you can contact the organizer at info@karendmillerstudio.com.  

Tickets will be on sale until 10 am the day of the event.  After that time you will no longer be able to purchase tickets.

Please note that the time of the talk is 1:00 pm EASTERN.

FAQ’s

* Will this talk be recorded for viewing later?

Unfortunately, no. Due to the logistics involved, we decided some time ago to keep these events live. Hopefully if you can’t make it to this talk, you’ll be able to make it to a future talk.

* It’s the day of the talk and I’m having trouble finding or using the link for the talk. How can I find help?

It is very advisable to LOG INTO THE EVENT A FEW MINUTES EARLY to be sure that you have no trouble with the link, and if you are having trouble the organizer can help you out. You can email or message the event organizer up until one hour before the talk on the day of the talk for help. ONCE THE EVENT STARTS, however, messages and emails are not able to be monitored.

* I’m finding it distracting during the talk seeing all of the other participants on my screen. What can I do?

During the event the organizer will put the screen setting on “spotlight view” so that the presenter is the focus on your screen. Depending on your device, you may still see audience members on your screen and changing your setting from “gallery view” to “speaker view” should help with that.

* What Time Zone is the time of the talk in?

The time indicated on all ‘In the Studio’ talks is the EASTERN (EST) time zone.  If you live in a different time zone, be sure to check what time you should tune in to ensure you don’t miss the talk.

*I can no longer make it to the talk.  Or, I missed the talk.  Can I get a refund?

Unfortunately no- the price of the ticket is so low that it is not cost-effective to refund those amounts.  If you are unable to make it to the talk and you already have a ticket, or you forget to attend, please do contact me at info@karendmillerstudio.com.  I always offer a ticket to the next talk to make up for it.  All of the artist speakers receive a portion of the ticket proceeds so we very much appreciate your contribution to supporting artists!

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Cinco de Mayo at La Parada

Come for the art, stay for the music and the margaritas!

Cinco de Mayo Folk Art Fest

information HERE and HERE.

Cinco de Mayo Folk Art Fest poster

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Earth Day 2022

Earth Day exhortation - recycled art

At High on Hooking we try to remember the Earth every day, not just on Earth Day. It’s not difficult, really. Since we moved to New Mexico almost seven years ago (my mind is blown every time I think of that!), the summer temperatures and number of days above 100 degrees F have steadily increased. Hell, when we made our plans to relocate to the high desert from Massachusetts, average summer temperatures here were less than 95! And while we were aware of the drought, no one thought that it would go on this long. Now it’s considered a megadrought, the worst in 1200 years! On my walks in the Bosque, I’ve witnessed the Rio Grande dribble itself into a Rio “Pequeño.” If I didn’t worry about the mud and the potentially toxic crap in the mud, I might venture to walk across it.

Between smog and wild weather and drought and fires, I understand why young folks have anxiety about their future. My own kid is pretty cynical and depressed about it all. Yesterday’s headline in the Boston Globe certainly didn’t help my own mood: As Earth’s temperature rises, Massachusetts residents’ sense of urgency on climate change declines.” We’re all tired of the doom and gloom, but I think the most terrible thing is that we seem to have lost hope. The past couple of months have demonstrated Americans’ inability to give up our gas-guzzling ways. A couple of weeks ago, city councilors in Albuquerque rolled back a single use plastic bag ban that had barely been in play since the mayor had put it on hold during much of the pandemic. They couldn’t even wait till June for the study to determine if it was effective was completed. Now, in addition to dirty, used masks, I’ve started seeing plastic bags again on roadsides and caught up in trees. Shit, if we can’t even get the mostly surface level stuff right, if we’re so short-sighted about garbage in our streets, how can we ever be serious about righting our sinking Earth, our only home?

Clearly, the adults of the world don’t care much about what we’re leaving for our kids. Just look at how so many treat Greta Thurnberg of Sweden.

Others diminish Greta Thunberg’s work because of her age. Ever since Greta first made headlines a few years ago and she delivered her now-famous “How dare you” speech, her age has been leveraged against her words. As Thunberg points out in her speech, her detractors are right in a sense. Thunberg shouldn’t have to stand before world leaders, telling them the obvious, which is that we’re being led directly into the jaws of the greatest threat to humanity we have ever known. Climate change.

It’s shameful that Thunberg has to do what she does, but the adults of the world are failing to ensure a future for the next generation. So it’s up to people like Thunberg to try to do something to save the world that the youth will inherit.

https://www.yourtango.com/news/why-do-people-hate-greta-thunberg

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Part of the reason she inspires such rage, of course, is blindingly obvious. Climate change is terrifying. The Amazon is burning. So too is the Savannah. Parts of the Arctic are on fire. Sea levels are rising. There are more vicious storms and wildfires and droughts and floods. Denial is easier than confronting the terrifying truth.

https://www.irishtimes.com/life-and-style/people/why-is-greta-thunberg-so-triggering-for-certain-men-1.4002264

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Laura Ingraham, the Fox News host, called Ms. Thunberg’s United Nations speech “chilling” on her Monday night show, and ran a segment about how climate change “hysteria” is changing American youth.

https://www.nytimes.com/2019/09/24/climate/greta-thunberg-un.html

Climate change has been caused by human activity. And no one likes being told that their actions have contributed to a freaking calamity, but at some point, we have to own up to it and make it so that human and other life can go on. So that the lives of our kids and their kids can go on. That’s what being an adult is about, isn’t it?

Thunberg has already had a demonstrated impact on how her generation views the climate crisis, with one recent survey showing that nearly 70 percent of people under the age of 18 believe that climate change is a global emergency compared with 58 percent of people over the age of 60. …Thunberg isn’t daunted by her status. The way she sees it, the demonization is a diversion from clmate science, to which skeptics have few answers.

https://www.theatlantic.com/international/archive/2021/08/greta-thunberg-far-right-climate/619748/

Much of High on Hooking's art is recycled art
We try to use mostly recycled or reclaimed materials in the art at High on Hooking every day, not just on Earth Day. But we can’t always resist virgin wool yarns like in that sunflower.

At High on Hooking, I know that I need to do more to care for my and our environment: take shorter showers; buy way less crap; mend more; drive my little Honda Fit rather than the CRV when I’m cruising around Albuquerque; and really be more aware of how my actions affect it all. We can’t buy our way out of this problem. We have to change. In my art, I already already work hard to hook with materials that others might just discard. But it’s not enough. If I can’t adjust what I do, how can I expect others to do anything?

Earth Day 2022 is Friday. Will you mark the day as crucial for our home?

 

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