Dan Ostermiller is the artist who brought the wild things to Santa Fe’s Botanic Gardens.
Last Wednesday Tom and I took a little field trip. Several months ago he’d surprised me with tickets to Santa Fe’s Botanical Gardens, a place we’d never been to. He picked them up for a sweet price on Groupon; I was good with that. Unfortunately, Tynan and his canine ilk are verboten at the gardens, so he had to stay home. (Not that he minded; he managed to log a lot of air conditioned snooze time on the bed with us gone.)
So, we get to the garden. It’s up on Museum Hill in Santa Fe. Friends had warned me. It’s no BioPark. The BioPark here in Albuquerque comprises both our zooand botanic garden – don’t ask me why it’s called “botanic” and not “botanical” like I’ve always heard. But I’m used to the plain BIGNESS of our botanic gardens becaue I’m there regularly; the Adobe Wool Arts Guild does demos there the first and fourth Tuesdays of each month (except June and July when they kick us out for summer camp groups).
The Santa Fe gardens are far more modest. Really, it takes very little time to cruise through it. Nonetheless, it was a pleasant place to spend a warm (read: HOT) early summer hour or so. And one thing really stood out – or really twenty-three things: the animal sculpture exhibit of Dan Ostermiller called “Gardens Gone Wild.” If you’re thinking of seeing the garden, I recommend going while the critters are there; they made the place. According to the literature we picked up, the exhibit runs from May, 2018 – May 12, 2019. In the meantime, check out some of the pics I managed to get.
This is “Bullfrog.” There were actually two of them hanging, but I spied this one when we first started down the garden path. He charmed me especially as my maiden name is “Croke,” and for decades I collected froggies.“Melba” is a whopping 69x72x41 inches. I suggest that you don’t try to take one of her eggs for your breakfast. (Even if they’re bronze like the sculptures.)
Wouldn’t this ramadain the midst of the rose garden make a perfect place to get married or to renew your vows?Meet “R.B.” He’s quite the distinguished looking bunny rabbit, no? He stands 55×50.5×42. After I put him (or perhaps one of the other two rabbits in the exhibit) up on Instagram, there was a discussion regarding how much he looks like a chocolate rabbit. Yum!But before you eat the chocolate, you have to eat your veggies. Artichoke, anyone?Near the various herbs and the artichoke, of course, was the horno, an outdoor adobe oven that was used by Native Americans and early settlers. Drive around New Mexico and you’ll see them in backyards being used still. Good kitchen equipment never dies.
“Boys Will Be Boys” is just one of several bear sculptures in the exhibit. Together these two are 50x80x73.
This is a close-up of “Ursus.” He actually stands 98.5×46.5×39. He’s a BIG BOY.
This was the sculpture that really WOWED me. “American Gold” is huge! If I read correctly, 113 inches across the wings. Just seeing this one animal sculpture would’ve made the garden trip worth it.Meanwhile, my own wild animal clearly had a wild hair across his butt during his latest photo shoot. He decided it was face-scratching time rather than presenting “What’s on the frame.” Hm, maybe it’s a full moon… Or the almost 100 degrees today. Stay cool, people!
While the Guatemalan rug hookers catalyzed our visit to the International Market, the reality is they weren’t the only game in town. There were artisans from all over the world and LOTS of textiles which made Laura a very happy girl.
There was a decent amount of jewelry at the International Folk Art Market, but these bracelets made in Columbia really caught my eye. I know, it’s all that color. (Artesanias de Columbia)
Funny story and an important tidbit for anyone planning to visit the market next year:
I didn’t read too much about the International Folk Art Market before we headed off to Santa Fe that morning. Having been to the city’s big Indian Market and other events, we assumed it was on the Plaza. Driving into town, though, we saw signs for overflow market parking and the shuttle. “I’m guessing the lots near the Plaza are full and they’re shuttling people in,” I said to Tom. “Let’s park here.” We leave the car and board the bus. Sitting sideways and reading a program that someone had handed me, I
paid absolutely no attention to where the bus was going. Looking up after a few minutes, imagine my surprise when I realized we were NOWHERE NEAR THE PLAZA. We were, however, close to Museum Hill. Oh! I looked back at the program and for the first time noted as well that there was an entrance fee involved. A $20 entrance fee. Tom took it better than I thought he would. Thank God that the kid hadn’t come with us after all. And that it was too hot to bring the dog.
These gorgeous, diaphanous fabrics are from India. Mamta Varma represents a group of women artists who do traditional Chikan embroidery.
We had to give credit to the organization that put on the market, the International Folk Art Alliance. There were several large tents spread on different levels between the various museums housing the artists’ booths. Colorful decorations blew in the breeze contributing to a nice, festive atmosphere. It was a pleasant way to spend a few hours. And entrance to the museums was included in the 20 bucks. Tom and I made use of the restrooms in the Museum of International Folk Art, then stayed a bit to enjoy its AC and some of the exhibits. I see another field trip in our future…
Uzbekistan was really well represented at the International Folk Art Market. These pieces of Rishtan pottery were created by Rustam and Damir Usmanov. How intricate is that design?
How could I have not photographed this??? It was in Ruraq Maki‘s booth. The organization represents women incarcerated in Peru. They make mantas, a handwoven shawl or carrying-cloth featuring a large embroidered stripe down the center and including floral, animal, and bird motifs. Ruraq Maki provides the women a sustainable income for this exquisite work.More on Ruraq Maki and the good they do for women at ruraqmaki.org.
My only complaints about the International Folk Art Market have to do with why I bought nothing, not even a small trinket or two. And there were some affordable items there, really. To allow artisans time to speak to market-goers and to deal with language and tech barriers, no money was exchanged at the booths. Instead there were a couple of central locations where one paid after giving info to a volunteer stationed at a table next to each booth. Unfortunately, all these extra tables and volunteers made for more congestion in the already heavily trafficked aisles. Worse, there were some pretty long lines at the payment stations. They weren’t shaded, and it was over 90 degrees that day, full sun. I,m fair-skinned with red hair and freckles. Add it up; mpulse purchasing wasn’t happening for me. And that was a serious shame.
So cool! These are examples of bark cloth painting from Malaysia. Matthew Ngau Jau decorates the bark cloth (yes, from trees!) with paint, shells, beads, and embroidery.A bark cloth painting close-up.
Enjoy some of the pics I took with my NEW phone. While its camera lens isn’t all scratched up like the old one, and it takes lovely shots, I hate the thing. It overheats on a regular basis. It’s quirky, doesn’t always do what it says it will and is difficult to answer calls on. Worse, the chick at the Cricket store told me how great the camera is – that was my most critical parameter in buying a new phone. Silly me to assume that a “great” camera would
Another instance when colors jumped up and dragged me into a booth. This appliqued wall hanging was hand-stitched by Tarek Abouelenin and Hosam Mamoud of the Tent Makers of Cairo. The designs they create are inspired by those found on mosque tiles and tents from the Ottoman Empire. They were the only Egyptians represented at the market.
necessarily include a “great” zoom feature (like the prior phone had). My bad! It has virtually no zoom. When I need close shots, I have to hope that Tom’s there with his phone (identical to my old phone with its very, very “zoom-y” lens). Now I’m stuck with the damn phone for who knows how long.
Isn’t this beautiful? It’s a Caucasian silk embroidery wall hanging done by one of the artists of the Mehmet Cetinkaya Gallery of Turkey. This traditional art dates back 300 years. I would’ve liked to bring a piece home. Silk items are believed to bring good fortune to families, not to mention status. I.m not greedy; just give me the luck.
I hope everyone’s having a great summer. I’m enjoying all the rugs being posted on Facebook these days, especially as so many are attending rug camps and/or sitting outside on the porch with friends hooking. Me, I’m busy making rugs to sell at the Railyards Market. Mug rugs, it seems, are in. This week, Tom, the child, the dog, and I are off to Taos for a day trip. Looking forward to it. Hopefully, they won’t mind a few fiber stops on the way.
I may take a week or two off from posting here. Will still post to Facebook, though, so see us there. And feel free to post photos of your rugs or paintings or quilts or whatever you’re making these days. I love this time of year!
“Resting at the Spring,” a bronze sculpture by Allen Houser in front of the Museum Cafe. Guess I did have some luck; I’d seen a television piece on Houser a few weeks before I saw this piece.Rather Humpty-Dumpty like, no? He’s from France. Francois Fresnais makes the ceramics and his wife Sylvie decorates them.
The artists of LANDYFIA in Madagascar weave raw silk and cotton scarves and home accessories. I’m always drawn to the silk…What woman wouldn’t want a pair of these flats? They’re made by Gulnora Odilova of Uzbekistan. She embroiders clothing, bags, and home accessories in the Shakhrisabz tradition and has established a school to ensure that the techniques live on. …And that’s it from the Santa Fe International Folk Art Market, folks. Happy summer!
