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It’s been a long seven weeks

It’s been a long seven weeks…

 

Dog looking up, leg in a cast
Bowyn was velcroed to me right from when I got home from having surgery. It’s been a long seven weeks for him too.

If you follow along on Instagram, you know that way back on March 11, I had ankle surgery. They cleaned out the detritus from bone-on-bone arthritis and tightened up my slacker ligaments. Sure, I’ve never broken or even sprained the ankle; I spent a lifetime walking all those turns off. I just didn’t realize how my ankle was being destroyed from inside.

Hence, there was a forced convalescence of sorts during those weeks. Initially, I had a big honker of a plaster cast on the left leg. A few days after feeling like I was going to bust that sucker open – swelling – they took it off and replaced it with a slightly smaller fiberglass cast. A week after that, the doc checked the wound and okayed another slightly smaller and bright purple cast. Crutches quickly gave way to Blue, my sweet, little knee scooter, and I became a bit more mobile.

Knees scooter
Blue, my faithful steed through the seven week ordeal. Yes, I had to boost her pad with duct tape; it was deteriorating finally.

But while I wasn’t so mobile and had to keep the leg up pretty much all the time, I needed something to do. My ass was glued to the couch. Sadly, I’d finished a hooked piece right before I went under the knife, so I didn’t have that. But that hooking was an experiment. I was looking to create a kind of “vessel” with it. Before I had a chance to really think it all through, I picked up

Stitched vessel
Second of the stitches vessel. Wool and cotton fabrics, DMC flosses, baubles and buttons.

some tiny bits of “waste” wool and cotton, watched a little YouTube, then looked to make a kind of vessel out of them. It worked! So well, I went right on to stitch another one. Eventually, yadda yadda yadda, I got around to the hooked vessel and finished it. Now I’ve started stitching a new cotton one.

Sadly, during this time, we lost the original High on Hooking dog Tynan. He’d been slowly losing ground the past year and a half but was still very much a presence and always on the lookout for something to eat. We haven’t moved his bed out of the living room yet, and Bowyn studiously avoids it. But a bright spot arrived in the mail a week or two later. If you haven’t seen Kay LeFevre’s work, head over to her Facebook page. Within days of Tynan’s passing, Kay had created this incredible pillow in his likeness. Tom and I are incredibly touched by her kindness. You can read more about it in my Instagram post.

Pillow with dog on it
Such a wonderful tribute to Tynan, pillow by Kay LeFevre. It looks just like him! We miss you so much! (Hooking, embroidery, sequins, and so much more!)

Last year, long before I discovered I’d need surgery, I’d contracted with Interweave to teach a couple of classes up at YarnFest in Loveland, Colorado, in April. Fortunately, I was able to schedule the ankle work between that and other classes here in New Mexico. So, Tom and I traveled up to Colorado a couple of weeks ago. Having a CRV-full of

Casted leg on dashboard
On the road again. We were so lucky driving up to Loveland. Gorgeous weather. Snow on the mountains of New Mexico and Colorado. Great drive. Except for the fact that I have a cast on my leg.

frames and fibers and all the crap necessary to teaching both hooking and punch needle workshops, I definitely needed a sherpa. Sure, I could drive, but getting the STUFF from the house to the car to the hotel room to the classroom was more than I could handle with only one good leg. THANKS TO TOM, both classes were successes, and there are now fourteen more people in the world who can hook and/or punch. It’s all about spreading the fiber arts gospel!

Hooked rug project
New hooking student’s chicken project.
Punch needle rug hooking project
Punch needle rug hooking project.

 

 

 

 

 

 

 

 

 

 

Hooked rug projects
Working, working, working…

Meanwhile, I learned during the winter that I’d been accepted into an arts fellowship here in Albuquerque. Surprise and…YAY! ABQ peeps, this is what the Arts Hub is all about:

Arts Hub’s purpose is to unleash the power of the arts as a tool to engage the community, create solutions to urgent issues, and drive the creative economy.

The arts are a thriving part of Albuquerque’s culture and community, but artists continue to face barriers to work in this city. Besides a thriving arts community, sustainable artistic creation has an added benefit: it also sustains a class of creative problem solvers. Art is a powerful tool to engage community members and catalyze positive social change.

Consider applying for a fellowship next time around. It’s been truly edifying and a great way to make new connections, particularly outside of the fiber arts world. We’ve got two more meetings. Business plans are up next week!

Hooked vessel
First of the hooked vessels. All kinds of fibers on monk’s cloth.

So, while I’ve been mostly lying low, there have been bursts of activity the last seven weeks. But the best is tomorrow! Tomorrow morning at 10:40, the cast comes off! Yes, I’ve definitely been counting down. Seven weeks of dragging a cast around when you’re almost 60 is definitely a different animal than when you do it in your 20s. (Then it was a broken wrist.) My whole body is out of alignment despite doing yoga since after the first week (okay, with a butt-load of modifications).

After tomorrow comes the rebuilding. There will be physical therapy, for sure. Bowyn and I are both bursting to get back to our regular miles-long walks in the Bosque. But I know I can’t push it for a while. If the surgery didn’t work or I mess it up in the coming months due to unnecessary roughness (sorry, Tom’s watching the NFL draft behind me, and I do have my Patriots cap on), I’m looking at an ankle replacement. Collective shudder!

But enough about that, tomorrow is all about the giddiness of losing a couple of pounds of fiberglass and walking on two legs, albeit in a boot. And getting a pedicure! I’m planning on the giddiness freedom can bring me. Oh, and Tom taking me out to celebrate after I make my toes human pretty again.

Stitching project
Current stitched vessel project. This one is cottons rather than wools.

Yes, it’s been a long seven weeks, but now I can start looking to the future. The Patriots will draft an excellent quarterback, and, along with a new coach, we have a new lease on life… I digress. Nah, really, I’m looking forward to getting back to my walking and hiking with Bowyn, especially now that he’s an only dog… I’m having fun with this vessel phase I find  myself in… I’m loving where teaching has been taking me. Colorado this month, Convergence in Wichita in July. (FYI – class is almost full!) And more to come! Keep an eye on our calendar and social media.

Going along, collaborations are on my mind. I love the hooking community, but there’s an even bigger fiber arts and mixed media arts community(s) out there. Given all the issues challenging our shared world these days, I think it’ll take everyone jumping in together to get messages out and find solutions. It’s time to mix it up and work out of the box.

Also taking up my time – planning for In the Studio Online’s Workshop Week 2025. You’re hearing it here first; we’ve decided on the dates: February 6-16. So, mark it in your calendars and keep an eye out here and on our shared social media for details. For info about WW2024, see HERE.

Rug hooking project
Finally, got a piece drawn and started to hook, so we do have a WHAT’S ON THE FRAME. Wool fabrics and yarns, repurposed textiles on monk’s cloth.

I give my sincere and profound THANKS to all of you who have kept my spirits up these seven weeks. To those who expressed their dismay and sympathy when we lost Tynan, especially Kay. To my students who had to deal with my wheeling about the classroom rather than easily moving back and forth to help. THANK YOU! And I’ll toast everyone of you tomorrow while I’m out celebrating. You all have a great weekend too!

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MAVWA UPDATE – Punch needle class info (and more!)

Updated information

Logo for the Mountain and Valley Wool Festival, updated MAVWA
Logo for the Mountain and Valley Wool Festival

Mountain and Valley Wool Festival
Santa Fe in October

If you read the previous post from way back in June – hey, it’s summer and I’m enjoying a break! – you saw that I’ll be teaching an all-day workshop on punch needle rug hooking. At that point, I didn’t have the info on when the class would happen. I do now!

The class will be on Thursday, October 5. It starts at 9:00 and ends at 5:00 or whenever you decide you’ve punched plenty. Because MAVWA’s workshops happen on Thursday and Friday, students won’t miss any of the festival events that weekend. In fact, because my workshop is Thursday, you can still take a class on Friday too! See both days’ offerings HERE.

Punch needle rug hooking
Punch needle by Amy Oxford. Original design.

If interested, please note:
To allow folks from places afar to plan, festival organizers make decisions about workshops running in early September. If they don’t think they have enough students by around Labor Day, they will cancel a class. It happened to me last year. If you think you want to take a class, forget late registration. Do it now! Or plan on a private lesson here in Albuquerque. That also happened last year. LOL

In addition to this MAVWA update, take a peek at our CALENDAR page. There are some new listings just today. Most exciting is that I’ll be teaching a INTRO TO RUG HOOKING at Convergence in Wichita next July. I am sooooo thrilled. HGA (Handweavers Guild of America) hasn’t yet put up the info for Convergence, but keep an eye out for it. Back in 2014, before I moved out here, I attended the exhibits and vendors’ market at Convergence when it was held in Providence. Little did I know that I’d be a part of such a BIG EVENT so many years later. Or such a great organization. HGA promotes all fiber arts here in the US and abroad.

Sauder Village logo

Lastly, I’m finally going to make it to Sauder Village’s Rug Hooking Week this year. WOOHOO! As a judge for this year’s Celebration contest, I was invited. I even get to put a rug in the Celebrations exhibit. How cool is that? Also very exciting: Because I hooked New Mexico’s cushion for the USA50 project, I have a piece in that exhibit too! I only wish that Ruth Simpson could attend with me. I did the easy part – hooking – while she had to put the whole thing together! Read about it HERE. So if you’re going to be there, I hope we can meet up. I’ve no plans other than soaking it all up and taking lots of pics. Let me know!

 

So, it’s been a busy summer so far. If you’re going to be in the New Mexico area, okay, a really BIG area, give a yell. High on Hooking will be at at Las Golondrinas in Santa Fe again the first weekend of August for the Beer and Food Festival. Stop by to say hello and pick up a gift for family, friends, or yourself. In the meantime, stay cool!

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The artists are angry; they’re PROTESTING!

Of course, they’re angry; they’re protesting!

That’s what I told a friend last Friday night at the opening reception for PROTEST: SEE Something, Say Something at Fusion in downtown Albuquerque. (More info HERE.) It’s a good, meaningful show, filled with all kinds of media and messages. Rightly so, with protesting as a theme, they aren’t always pretty.

Sheela Na Gig, hooked art piece
Sheela Na Gig is a Celtic symbol. I’ll let you read about her and how she was and now is used for protests HERE. (Hooked on cotton monk’s cloth with mostly old t-shirts and a bit of silk sari ribbon; embellished with glass beads.)

 

As I mentioned on social media after posting pics of my two pieces, I was sorry not to get more and better photographs, but I had to leave early. All Friday I’d battled a migraine; finally, the nausea and fatigue got the best of me. I didn’t feel better till Monday/Tuesday. Nonetheless, I encourage all the local readers to make their way to Fusion one afternoon or evening to see what the (protesting) artwork really looks like and to see it all.

 

Hooked art, THE MIGHTY ONE, THE ANGEL OF @)@@
Later every year, I create an angel for the following year. This was THE MIGHTY ONE, THE ANGEL OF 2022. (Hooked with old t-shirts, repurposed gold lamé, and plastic bags.)

 

 

Felted artwork for PROTEST show
TURTLE ISLAND SIEGE by Patricia Halloran  (Patricia had some cool things in the FABRIC OF NEW MEXICO SHOW.)

 

 

 

TORN BUT STILL WAVING by Elizabeth Potter (paper art)

 

 

 

 

 

 

 

 

 

 

 

WHOSE BODY IS THIS? artwork for Protest show
WHOSE BODY IS THIS? by Maria Jonsson (vintage dress form and acrylic paint)

 

BIG PHARMA SERIES #4, 5, 6
BIG PHARMA SERIES #4,5,6 by Martin Terry. Martin is also the curator of this show.

 

 

From BIG PHARM SERIES #1, 2, 3 #
Close-up of part of BIG PHARMA SERIES #1, 2, 3 by Martin Terry

 

 

 

 

 

 

 

 

 

 

 

GET WOKE artwork in PROTEST show
GET WOKE by Paula Steinberg (upcycled chair, acrylic/oil on wood and vinyl)

 

 

SHE PERSISTED
SHE PERSISTED by Betty Busby (Dunicel, felt)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

THE HISTORY OF BEARING CHILDREN
THE HISTORY OF BEARING CHILDREN, text by Jacqueline Murray Long, visual art by Martin Terry

 

 

 

 

Poem in PROTEST show
This is a more easily read photo of the text by Jacqueline Murray Loring. Another piece by a different artist accompanied this artwork. Visit the show to see it. (My photo didn’t come out.)

 

 

 

 

 

 

 

 

 

 

 

 

 

If you’re looking for a thought-provoking show, one that will let you see the outrage, the anger about so many things going on in our world today, come see the work by artists who are protesting at Fusion in Albuquerque.  Maybe we all need to start protesting.

 

Protest Art show poster

 

 

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PROTEST show opens October 7

 

PROTEST: See Something, Say Something

Please Join Us For The Two Moons Exhibit Series Opening Reception

Art show poster for Protest

 

Friday, October 7, 5:30 pm to 8 pm
at FUSION 700-708 1st St., NW – Downtown ABQ

Part of the Two Moons exhibit series curated by artist Martin Terry, this contemporary exhibition – PROTEST, See Something, Say Something – will focus on a select group of artists whose works speak to a social consciousness. Included are fiber arts, sculpture, painting, graphite, mixed media, written word, video, song, and other new and innovative means of communicating social commentary. Work in a wide range of styles matches the breadth of subjects addressed, including racism, sexism, economic inequality, climate change, violence, political upheaval, war, disease, and hatred.

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Why aren’t we all wearing an orange shirt today?

 

Logo for Orange Shirt DayI’m wearing an orange shirt today, but only because I have so many Canadian friends on social media. If I didn’t, I’d be clueless to the fact that September 30 is Orange Shirt Day up north. Its other name is the National Day for Truth and Reconciliation, but again, it’s only “celebrated” in Canada. My question is why don’t we have that or something similar here in the US?

For those of you who don’t have a plethora of Canadian fiber arts friends, you can read about the day and its origins HERE.

Each year, September 30 marks the National Day for Truth and Reconciliation.

The day honours the children who never returned home and Survivors of residential schools, as well as their families and communities. Public commemoration of the tragic and painful history and ongoing impacts of residential schools is a vital component of the reconciliation process.
-From the website canada.ca

I get that I live somewhere – New Mexico – that allows me the chance to be aware of our indigenous populations pretty much every day. That “s” making “populations” plural is not an error. Not much more than a mile from my house in Albuquerque, across the Rio Grande, is the Indian Pueblo Cultural Center (IPCC). There visitors can take in the museum, buy jewelry and pottery, watch Native dances, eat really kick-ass food, and do a host of other things that help to educate those of us who grew up without learning much of America’s early history. You know, before the British, French, Spanish, and other European nations came on the scene and decided the land was ripe for the taking and “clearly” not owned by anyone. At least anyone “civilized.”

The IPCC is run and owned by nineteen New Mexico Pueblo communities. Nineteen. And they’re all sovereign nations. And they don’t include the likes of the Apache and Navajo and others who also abide, at least in part, in New Mexico. My point today is that all nineteen came together to create the IPCC on this particular piece of land:

It is located at the heart of nearly 80 acres of land owned by the 19 Pueblos and governed by the 19 Pueblos District (a sovereign government formed by the Tribal Councils of the 19 New Mexico Pueblo Communities) at the former location of the Albuquerque Indian School (1881-1982)
-From the IPPC website

Again, I ask, why aren’t we here in the US wearing orange today in a spirit of solidarity and reconciliation? The same atrocities that happened up in Canda’s schools happened here. And we had more schools!

Last year I wrote about a rug hooking project that was a collaboration between myself, friend and guildmate Ruth Simpson, and Acoma Pueblo artist Patricia Lowden. You can read about it HERE. You can also read about the cushion and our collaboration with Patricia in the current issue of Rug Hooking Magazine (RHM). Unfortunately, I was prompted to write the article after I read another RHM article in which an artist/author indicated that indigenous art is ripe (word used on purpose) for using in rug hooking patterns because: The images of art from indigenous peoples are always ancient, copyright free, and so beautiful. Yes, that is a direct quote, and it went right up my ass sideways. (Pardon my French.)

And people think cultural appropriation isn’t a real thing. How can you if you think all the Natives are dead?

Again, I ask, why aren’t we here in the US wearing orange today along with the Canadians?

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