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Punch at the Mountain & Valley Wool Festival!

Punch Needle Rug Hooking Workshop
Mountain and Valley Wool Festival
October, 2023

Logo for the Mountain and Valley Wool Festival. Learn Punch Needle Rug Hooking at the Festival.
Logo for the Mountain and Valley Wool Festival

If you’ve had a yen to experience Santa Fe and all she has to offer – especially in regard to wool and fiber arts – then plan on being here the first week of October when New Mexico is at her most beautiful. And if you’ve been wanting or maybe putting off learning punch needle rug hooking, then start making your arrangements now!

High on Hooking will be offering a PUNCH NEEDLE RUG HOOKING WORKSHOP in conjunction with the festival, which, BTW, is the new incarnation of the Taos Wool Festival. Sadly, the festival outgrew its digs in Taos, but that is a HUGE PLUS for those of us south of Taos. Plus parking and just getting to the fairgrounds are soooo much easier.

Things going on at the festival:

  • An Outstanding regional wool market featuring Juried Artists, Crafters and Vendors offering their wool, fiber, yarns,fiber arts-related tools and equipment as well as finished items and other artistic, fiber creations.
  • Fiber Critter Corner that includes live sheep, alpacas, goats, angora rabbits, and more.
  • Demonstrations of spinning, dyeing, shearing sheep and many other fiber related skills.
  • Competitions for handspun yarnhand dyeingfleeces (wool and alpaca) and finished garments and home accessories.
  • Silent Auction, featuring many unique donated items.
  • Hands-On Activities for kids of all ages.
  • Workshops before the festival weekend.
  • Food vendors offering a variety of beverages, snacks and lunch items.
  • With the added ambience of live music, the festival is unique and fun for the whole family.

The workshop schedule isn’t out yet, but keep an eye out on the MAVWA site HERE. And feel free to contact me directly about the punch needle rug hooking class. In the meantime, enjoy your summer!

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Santa Fe Spring Festival, June 3 & 4

18th Annual Santa Fe Spring Festival: Featuring Lavender and Fiber Art!

Marketing poster for Santa Fe Spring Festival at El Rancho de las Golondrinas, NM.Celebrate Spring with our Spring Festival: Featuring Herb & Lavender, and the opening of our 2023 season! Learn about New Mexico’s rich cultural heritage through an array of fun activities and demonstrations. Experience traditional New Mexican ranch activities like sheep shearing, spinning and weaving, plus a fiber arts marketplace featuring local artisans and craftsmen, horno bread baking, crafts for children, and more!
-https://golondrinas.org/

We here at High on Hooking hope that you can make it up to El Rancho de las Golondrinas (just sounth of Santa Fe) to celebrate the start of summer here on New Mexico’s high desert. I’ll be sharing a booth with Barbara Knupper, weaver and jewelry maker extraordinaire. You can find her art at the Artful Artisan.

We invite you to peruse our wares and enjoy the atmosphere of the Spring Festival on the ranch! Bring the whole family!

PS – To those, like me, who might be from New England, Las Golondrinas is kind of like a more primitive Sturbridge Village, southwest style:

El Rancho de las Golondrinas is a living history museum located on 200 acres in a rural farming valley just south of Santa Fe, New Mexico. The Museum, dedicated to the history, heritage and culture of 18th and 19th century New Mexico, opened in 1972. Original colonial buildings on the site date from the early 1700s. In addition, historic buildings from other parts of northern New Mexico have been reconstructed at Las Golondrinas. Villagers clothed in the styles of the times show how life was lived on the frontier in early New Mexico. Special festivals and weekend events offer visitors an in-depth look into the celebrations, music, dance and many other aspects of life in the Spanish, Mexican and Territorial periods of the Southwest.
-https://golondrinas.org/

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The artists are angry; they’re PROTESTING!

Of course, they’re angry; they’re protesting!

That’s what I told a friend last Friday night at the opening reception for PROTEST: SEE Something, Say Something at Fusion in downtown Albuquerque. (More info HERE.) It’s a good, meaningful show, filled with all kinds of media and messages. Rightly so, with protesting as a theme, they aren’t always pretty.

Sheela Na Gig, hooked art piece
Sheela Na Gig is a Celtic symbol. I’ll let you read about her and how she was and now is used for protests HERE. (Hooked on cotton monk’s cloth with mostly old t-shirts and a bit of silk sari ribbon; embellished with glass beads.)

 

As I mentioned on social media after posting pics of my two pieces, I was sorry not to get more and better photographs, but I had to leave early. All Friday I’d battled a migraine; finally, the nausea and fatigue got the best of me. I didn’t feel better till Monday/Tuesday. Nonetheless, I encourage all the local readers to make their way to Fusion one afternoon or evening to see what the (protesting) artwork really looks like and to see it all.

 

Hooked art, THE MIGHTY ONE, THE ANGEL OF @)@@
Later every year, I create an angel for the following year. This was THE MIGHTY ONE, THE ANGEL OF 2022. (Hooked with old t-shirts, repurposed gold lamé, and plastic bags.)

 

 

Felted artwork for PROTEST show
TURTLE ISLAND SIEGE by Patricia Halloran  (Patricia had some cool things in the FABRIC OF NEW MEXICO SHOW.)

 

 

 

TORN BUT STILL WAVING by Elizabeth Potter (paper art)

 

 

 

 

 

 

 

 

 

 

 

WHOSE BODY IS THIS? artwork for Protest show
WHOSE BODY IS THIS? by Maria Jonsson (vintage dress form and acrylic paint)

 

BIG PHARMA SERIES #4, 5, 6
BIG PHARMA SERIES #4,5,6 by Martin Terry. Martin is also the curator of this show.

 

 

From BIG PHARM SERIES #1, 2, 3 #
Close-up of part of BIG PHARMA SERIES #1, 2, 3 by Martin Terry

 

 

 

 

 

 

 

 

 

 

 

GET WOKE artwork in PROTEST show
GET WOKE by Paula Steinberg (upcycled chair, acrylic/oil on wood and vinyl)

 

 

SHE PERSISTED
SHE PERSISTED by Betty Busby (Dunicel, felt)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

THE HISTORY OF BEARING CHILDREN
THE HISTORY OF BEARING CHILDREN, text by Jacqueline Murray Long, visual art by Martin Terry

 

 

 

 

Poem in PROTEST show
This is a more easily read photo of the text by Jacqueline Murray Loring. Another piece by a different artist accompanied this artwork. Visit the show to see it. (My photo didn’t come out.)

 

 

 

 

 

 

 

 

 

 

 

 

 

If you’re looking for a thought-provoking show, one that will let you see the outrage, the anger about so many things going on in our world today, come see the work by artists who are protesting at Fusion in Albuquerque.  Maybe we all need to start protesting.

 

Protest Art show poster

 

 

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PROTEST show opens October 7

 

PROTEST: See Something, Say Something

Please Join Us For The Two Moons Exhibit Series Opening Reception

Art show poster for Protest

 

Friday, October 7, 5:30 pm to 8 pm
at FUSION 700-708 1st St., NW – Downtown ABQ

Part of the Two Moons exhibit series curated by artist Martin Terry, this contemporary exhibition – PROTEST, See Something, Say Something – will focus on a select group of artists whose works speak to a social consciousness. Included are fiber arts, sculpture, painting, graphite, mixed media, written word, video, song, and other new and innovative means of communicating social commentary. Work in a wide range of styles matches the breadth of subjects addressed, including racism, sexism, economic inequality, climate change, violence, political upheaval, war, disease, and hatred.

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Why aren’t we all wearing an orange shirt today?

 

Logo for Orange Shirt DayI’m wearing an orange shirt today, but only because I have so many Canadian friends on social media. If I didn’t, I’d be clueless to the fact that September 30 is Orange Shirt Day up north. Its other name is the National Day for Truth and Reconciliation, but again, it’s only “celebrated” in Canada. My question is why don’t we have that or something similar here in the US?

For those of you who don’t have a plethora of Canadian fiber arts friends, you can read about the day and its origins HERE.

Each year, September 30 marks the National Day for Truth and Reconciliation.

The day honours the children who never returned home and Survivors of residential schools, as well as their families and communities. Public commemoration of the tragic and painful history and ongoing impacts of residential schools is a vital component of the reconciliation process.
-From the website canada.ca

I get that I live somewhere – New Mexico – that allows me the chance to be aware of our indigenous populations pretty much every day. That “s” making “populations” plural is not an error. Not much more than a mile from my house in Albuquerque, across the Rio Grande, is the Indian Pueblo Cultural Center (IPCC). There visitors can take in the museum, buy jewelry and pottery, watch Native dances, eat really kick-ass food, and do a host of other things that help to educate those of us who grew up without learning much of America’s early history. You know, before the British, French, Spanish, and other European nations came on the scene and decided the land was ripe for the taking and “clearly” not owned by anyone. At least anyone “civilized.”

The IPCC is run and owned by nineteen New Mexico Pueblo communities. Nineteen. And they’re all sovereign nations. And they don’t include the likes of the Apache and Navajo and others who also abide, at least in part, in New Mexico. My point today is that all nineteen came together to create the IPCC on this particular piece of land:

It is located at the heart of nearly 80 acres of land owned by the 19 Pueblos and governed by the 19 Pueblos District (a sovereign government formed by the Tribal Councils of the 19 New Mexico Pueblo Communities) at the former location of the Albuquerque Indian School (1881-1982)
-From the IPPC website

Again, I ask, why aren’t we here in the US wearing orange today in a spirit of solidarity and reconciliation? The same atrocities that happened up in Canda’s schools happened here. And we had more schools!

Last year I wrote about a rug hooking project that was a collaboration between myself, friend and guildmate Ruth Simpson, and Acoma Pueblo artist Patricia Lowden. You can read about it HERE. You can also read about the cushion and our collaboration with Patricia in the current issue of Rug Hooking Magazine (RHM). Unfortunately, I was prompted to write the article after I read another RHM article in which an artist/author indicated that indigenous art is ripe (word used on purpose) for using in rug hooking patterns because: The images of art from indigenous peoples are always ancient, copyright free, and so beautiful. Yes, that is a direct quote, and it went right up my ass sideways. (Pardon my French.)

And people think cultural appropriation isn’t a real thing. How can you if you think all the Natives are dead?

Again, I ask, why aren’t we here in the US wearing orange today along with the Canadians?

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