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PROTEST show opens October 7

 

PROTEST: See Something, Say Something

Please Join Us For The Two Moons Exhibit Series Opening Reception

Art show poster for Protest

 

Friday, October 7, 5:30 pm to 8 pm
at FUSION 700-708 1st St., NW – Downtown ABQ

Part of the Two Moons exhibit series curated by artist Martin Terry, this contemporary exhibition – PROTEST, See Something, Say Something – will focus on a select group of artists whose works speak to a social consciousness. Included are fiber arts, sculpture, painting, graphite, mixed media, written word, video, song, and other new and innovative means of communicating social commentary. Work in a wide range of styles matches the breadth of subjects addressed, including racism, sexism, economic inequality, climate change, violence, political upheaval, war, disease, and hatred.

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Why aren’t we all wearing an orange shirt today?

 

Logo for Orange Shirt DayI’m wearing an orange shirt today, but only because I have so many Canadian friends on social media. If I didn’t, I’d be clueless to the fact that September 30 is Orange Shirt Day up north. Its other name is the National Day for Truth and Reconciliation, but again, it’s only “celebrated” in Canada. My question is why don’t we have that or something similar here in the US?

For those of you who don’t have a plethora of Canadian fiber arts friends, you can read about the day and its origins HERE.

Each year, September 30 marks the National Day for Truth and Reconciliation.

The day honours the children who never returned home and Survivors of residential schools, as well as their families and communities. Public commemoration of the tragic and painful history and ongoing impacts of residential schools is a vital component of the reconciliation process.
-From the website canada.ca

I get that I live somewhere – New Mexico – that allows me the chance to be aware of our indigenous populations pretty much every day. That “s” making “populations” plural is not an error. Not much more than a mile from my house in Albuquerque, across the Rio Grande, is the Indian Pueblo Cultural Center (IPCC). There visitors can take in the museum, buy jewelry and pottery, watch Native dances, eat really kick-ass food, and do a host of other things that help to educate those of us who grew up without learning much of America’s early history. You know, before the British, French, Spanish, and other European nations came on the scene and decided the land was ripe for the taking and “clearly” not owned by anyone. At least anyone “civilized.”

The IPCC is run and owned by nineteen New Mexico Pueblo communities. Nineteen. And they’re all sovereign nations. And they don’t include the likes of the Apache and Navajo and others who also abide, at least in part, in New Mexico. My point today is that all nineteen came together to create the IPCC on this particular piece of land:

It is located at the heart of nearly 80 acres of land owned by the 19 Pueblos and governed by the 19 Pueblos District (a sovereign government formed by the Tribal Councils of the 19 New Mexico Pueblo Communities) at the former location of the Albuquerque Indian School (1881-1982)
-From the IPPC website

Again, I ask, why aren’t we here in the US wearing orange today in a spirit of solidarity and reconciliation? The same atrocities that happened up in Canda’s schools happened here. And we had more schools!

Last year I wrote about a rug hooking project that was a collaboration between myself, friend and guildmate Ruth Simpson, and Acoma Pueblo artist Patricia Lowden. You can read about it HERE. You can also read about the cushion and our collaboration with Patricia in the current issue of Rug Hooking Magazine (RHM). Unfortunately, I was prompted to write the article after I read another RHM article in which an artist/author indicated that indigenous art is ripe (word used on purpose) for using in rug hooking patterns because: The images of art from indigenous peoples are always ancient, copyright free, and so beautiful. Yes, that is a direct quote, and it went right up my ass sideways. (Pardon my French.)

And people think cultural appropriation isn’t a real thing. How can you if you think all the Natives are dead?

Again, I ask, why aren’t we here in the US wearing orange today along with the Canadians?

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Workshop Week 5

WORKSHOP WEEK 5 Registration

Sunday, October 23 – Sunday, October 30, 2022

Announcing that Workshop Week 5 is open

 

This is an FYI for all who have been a part of In the Studio Online’s Work Shop Weeks in the past:

Registration for Workshop Week 5 is upon us!

If you’re a past student, you should’ve received the catalog this past Friday evening via email. If you didn’t, then contact me at Laura@highonhooking.com ASAP! If you haven’t had the pleasure of taking a class with us YET, then also send me an email requesting the catalog. It will go out to all interested on Monday, August 15.

Please note that In the Studio Online Workshop Weeks are not just about rug hooking. We look to provide contemporary rug hooking artist/teachers as well as:

“…additional instructors who can offer something – not necessarily rug hooking or even a textile art – beyond the expertise of the original In the Studio artists. We look for complimentary/ancillary/supporting arts and skills.”

Teachers this time around are a mix of prior and new. They and the classes they’re offering during Workshop Week 5 are:

Anastasia Tiller
LANDSCAPE IMAGERY FOR A TEXTILE PATTERN USING IMPRESSIONISTIC TECHNIQUE

Susan Feller
FINISHING IS AN ELEMENT OF YOUR DESIGN – CHOOSE THE RIGHT ONE

Domenica Queen
PLASTIC IS AN HEIRLOOM

Nadine Flagel
THE RUG DOCTOR

Meryl Cook
CHAKRA COLOURS BY DESIGN – 101

Karen D. Miller
POINTILLISM AND PAINT: EXPLORING NEW TECHNIQUES IN TEXTILE ART

Elizabeth Miller
DESIGN YOUR OWN MISSION RUG: INSPIRATION FROM OUR COLLECTIVE PAST

Rebecca Martin
EXPLORING YOUR CREATIVE SIDE WITH ALTERNATIVE PUNCH NEEDLE RUG HOOKING TECHNIQUES

Yours truly won’t be teaching this WW, but I’ll be handling all the admin, so if you have a general question or one about our two bonus sessions, please give a yell. If you’re wondering about specific classes, you’ll do best to contact the specific teacher. All contact info can be found in the catalog.

Information regarding some of our previous Workshop Weeks can be found HERE and HERE.

We hope you can join us at Workshop Week 5 in October.

 

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Highlights of the Fabric of New Mexico show

 

If you’re in Albuquerque this summer and can get thee to the Fabric of New Mexico textile arts exhibit, get thee there for sure! It’s a très classy show. Below you’ll find some highlights from the opening night reception.

Postcard for the Fabric o New Mexico show

“This exhibit stretches the limits of fiber art to celebrate the full range of innovative creativity in fabric, including quilting, macramé, embroidery, rug hooking, and work with plastics, paper, metal, and wire. Curated by artist Martin Terry as part of the Two Moons exhibit series, the Fabric of New Mexico [includes] over 20 contemporary fiber artists working in New Mexico today.”

Martin Terry, curator (martinartstudios@gmail.com)

Find the full schedule of related events including fiber art workshops and demos at FUSIONnm.org. More info HERE.

My little corner of the Fabric of New Mexico show opening night
Three of my pieces are in the Fabric of New Mexico show: WHIMSY up above, HOLES, and a couple of segments from the RIBBON RUG JOURNAL.

 

aRT BY kATHRYN lAZIER AT THE fABRIC OF nEW mEXICO SHOW
Several mixed media pieces by Kathryn Lazier.
Art by Kathryn Lazier
Kathryn Lazier’s GREENMAN (felt; fabrics; yarn; dyed, moldable batting; machine and hand stitching; fabric stiffener)

 

 

 

 

 

 

 

 

 

 

 

 

Sally Moon's art in Fabric of New MExico show
BALLET FOLKLORICO OUTFIT / TRADITIONAL CHIAPAS TOP AND SKIRT provided by Sally Moon of W!ild Moon; handmade in Chiapas, Mexico.

 

Vivienne Riggio and her art in the Fabric of NewMexico show
LA CHURRITA with maker Vivienne Riggio. (Papier mache head and horns; raw churro sheep’s wool; upcycled textiles and necklace.)

 

Art by Carol Sullivan at Fabric of New MExico show
MISSING by Carol Sullivan (Wooden disc; milk carton with typing; wooden stick with smooth, multicolored cotton; twine; beige suede; red permanent marker; crystals; bone mutton; various findings; red suede; metal wolf; black permanent marker on white cotton; feathers; gold pin; red bandana; gold pin; acrylic batting.)

 

Art by Sara Miller
WEAVING THROUGH TIME by Sara Miller. (Acrylic paint; wool felt; cotton fabric; wool and silk roving; rayon thread.)

 

Art by Mika Maloney in the Fabric of New Mexico show
DAY by Mika Maloney. (Merino wool yarn (with cotton/poly cord); scrap leather; dried flowers on driftwood.)

 

Art by Terri Lagerway
AUTUMN LEAVES by Terri Lagerway. (Weaving on branch.)

 

Art by Patricia Halloran at Fabrics of New Mexico show
BEE PEACEFUL by Patricia Halloran. (Wire; wet and needle felted wool felt; embroidery floss; recycled cotton backing and stuffing.)

 

Art by Maria Jonsson
WAVES by Maria Jonsson. (Recycled metal; magnet wire.)

 

Art by Betty Busby
SIPHONOPHORE by Betty Busby. (Artit overpainted cotton batik; machine stitching; artist painted linen; cotton knit; EVA foam; paint marker; hand stitchin with perle cotton thread.)

 

Crochet by the New Mexico Crochet Guild
FANTASY GARDEN, freeform crochet, by members of the New Mexico Crochet Guild.
Art by Laurie McCann
ALCHEMY (part of a pair) by Laurie McCann. (Wire grid and wire mesh; Chinese pot lids; yarn; coins.)
Art by Laurie McCann
JELLIES (part of a pair) by Laurie McCann. (Wire grid and wire mesh; Chinese pot lids; yarn; coins.)

 

 

 

 

 

 

 

 

 

 

 

 

Art by Molly Mooney at Fabric of New Mexico show
And lastly, WHY NOT GO OUT ON A LIMB by Molly Mooney. Tom and I liked this one soooo much that we’re purchasing it. It’s going to look perfect in our living room, currently dominated by a large TV. (Found tree branch; hand-dyed wool fiber; found and repurposed bells; beads and ceramic pieces; sari fabrics; ribbons.)

GET THEE TO THE FABRIC OF NEW MEXICO SHOW!

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FABRIC OF NEW MEXICO EXHIBIT – July 1

Hooked art, Holes, to be in Fabric of New Mexico art show
“Holes” – mostly repurposed textiles hand-hooked on monk’s cloth; 68″x33″x0.75″

 

 

 

The Fabric of New Mexico exhibit opens Friday, July 1 at Fusion in downtown Albuquerque. All are cordially invited to the opening reception, 5:30-8:00 p.m.

This exhibit stretches the limits of fiber art to celebrate the full range of innovative creativity in fabric, including quilting, macramé, embroidery, rug hooking, and work with plastics, paper, metal, and wire. Curated by artist Martin Terry, the show includes work by twenty New Mexico artists including Sara Miller, Larry Schulte, Betty Busby and Judith Roderick.

More information about Fusion can be found HERE. Also, the gallery will be open for the Summer Sundays Markets, Last Fridays (of each month), theater events, and concerts. See EVENTS. If you can’t make it to the gallery any of those days, please contact High on Hooking, and we can have the gallery opened up for a private viewing.

Note: Parking is available just across the street in the city parking lot.

aFabric of New Mexico Opening Reception Invitation
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