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IN THE STUDIO – May 26 with Courtney Turner

Courtney Turner’s art as a means of healing and coping

 

Poster advertising In the Studio with Courtney Turner

 

Join Canadian Artist Courtney Turner on In the Studio as she discusses her artistic journey thus far as an emerging artist. She’ll give the audience a glimpse into what her creative process looks like and will share how she uses her art practice as means of healing and coping while living with chronic illness.

Courtney Turner is an emerging contemporary artist currently residing in Canning, Nova Scotia. Her unique combination of abstract rug hooking and representational self-portraiture painting is a direct representation of the connections between her current self and her child self, her healing journey of living with chronic illness, and memories of significant familial textiles that have brought her comfort throughout her life. Courtney graduated from NSCAD University in 2020, majoring in Textiles & Fashion.

You can learn more about Courtney Turner and see her work at www.courtneyturnerart.ca and on Instagram @courtneyturnerart.

 

IMPORTANT PLEASE READ:

The Zoom link for this presentation will be emailed to you the day before the talk (or after you purchase your ticket, if you purchase on the day of the event).  If you don’t receive it, you can contact the organizer at info@karendmillerstudio.com.

Tickets will be on sale until 10:00 am Eastern the day of the event.  After that time you will no longer be able to purchase tickets.

Please note that the time of the talk is 1:00 pm EASTERN.

Find tickets for this event at Ticketscene.

 


FAQ’s

* Will this talk be recorded for viewing later?

Unfortunately, no. Due to the logistics involved, we decided some time ago to keep these events live. Hopefully if you can’t make it to this talk, you’ll be able to make it to a future talk.

* It’s the day of the talk and I’m having trouble finding or using the link for the talk. How can I find help?

It is very advisable to LOG INTO THE EVENT A FEW MINUTES EARLY to be sure that you have no trouble with the link, and if you are having trouble the organizer can help you out. You can email or message the event organizer up until one hour before the talk on the day of the talk for help. ONCE THE EVENT STARTS, however, messages and emails are not able to be monitored.

* I’m finding it distracting during the talk seeing all of the other participants on my screen. What can I do?

During the event the organizer will put the screen setting on “spotlight view” so that the presenter is the focus on your screen. Depending on your device, you may still see audience members on your screen and changing your setting from “gallery view” to “speaker view” should help with that.

* What Time Zone is the time of the talk in?

The time indicated on all ‘In the Studio’ talks is the EASTERN (EST) time zone.  If you live in a different time zone, be sure to check what time you should tune in to ensure you don’t miss the talk.

*I can no longer make it to the talk.  Or, I missed the talk.  Can I get a refund?

Unfortunately no- the price of the ticket is so low that it is not cost-effective to refund those amounts.  If you are unable to make it to the talk and you already have a ticket, or you forget to attend, please do contact me at info@karendmillerstudio.com.  I always offer a ticket to the next talk to make up for it.  All of the artist speakers receive a portion of the ticket proceeds so we very much appreciate your contribution to supporting artists!

 

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We’re going to shows – in-person!

In-person events. Can you imagine it after over a year of hiding out from each other? But it’s starting to happen!

High on Hooking and friend Catherine Kelly will be vending our first in-person show since November of 2019! We’ll be at the SPRING & FIBER FESTIVAL at EL RANCHO DE LAS GOLONDRINAS June 5/6. It’s an outdoor venue, so if you’re vaccinated, you probably won’t even need a mask! If you’re in the area then, please stop by to chat and fondle the rugs. Mention this blog post and get a 5% discount on anything you purchase from High on Hooking. (See our other events in the Calendar.)

Spring’s just busting out all over! It’s been a big week here in the HoH house. We entered the modern age when we traded our 2003 Honda Accord in for a much newer “old” car, a 2019 CR-V. All those freaking electronics! Fortunately, I still have my little Fit to tool about town in and keep my gas usage and emissions to a minimum.

Wednesday, Cathy (above) and I took the new vehicle for a spin up to Santa Fe’s Museum of International Folk Art. Other than the need for a mask, it was like pre-Covid times! An in-person museum visit! I was so excited early last year when the museum announced that they’d be having an exhibit of the Afghan War Rugs from summer through the fall. And then the Coronacootie struck! No fears – they were able to extend the exhibit through September of this year. Since I had my second Moderna vaccine last week, it was finally time. And the carpets did not disappoint. Unfortunately, I couldn’t take any pics, so I stole the one below from the museum’s website.

Photograph of Afghan War Rug; we were able to go to the museum in person.
Photograph from Museum of International Folk Art

For those who aren’t familiar with the Afghan War Rugs, at first glance some of them look like typical, traditional rugs woven in Afghan and other areas of the Middle East, but when you take a second look, you realize that the Cypress tree motif is a…missile. A “boteh” (paisley) is really a helicopter. Look a little harder and you’ll find pistols, machine guns and grenades. In some of the rugs, though, the artisans went full on war-rug. You can’t miss the tanks.

Afghanistan is known for its rugs, though many of these rugs were created by Afghan refugees in Pakistan and Iran after Russia and then the US waged war in the country. They offer, certainly, an artistic commentary on what’s happened in (primarily) the last 40 or so years. (Russia invaded in 1979.) But they also demonstrate a commercial response to war in Afghanistan and the effect on its people. The carpets have proven popular with journalists, military personnel, foreign aid workers, and such.

The emergence of war-related imagery in Afghan rug design has clearly aided the economic survival of area weavers and displaced craftspeople through years of armed conflict and cultural disruption. What war rugs mean to individual weavers is less understood. Are war rugs a celebration of modernity or a rejection of war? Are they a witness to shared trauma or a commercialization of violence? Are they testaments to ingenuity and a spirit of survival? Perhaps they are all of these things at once.
(Museum of International Folk Art)

Over 40 rugs hang in the exhibit. Some look brand new; others have clearly been used as…rugs. All are fascinating to view. And, of course, being textiles, we desperately wanted to touch them. To turn them over and examine them. Yeah, that would’ve gotten us booted out. Unfortunately, too, there’s no real info about individual rugs or artists. Though this isn’t surprising.

If you ever get a chance to see this exhibit, make sure that you do. If you’d like to read more about the War Rugs, there’s a great article here.  The Museum of International Folk Art has a virtual exhibit available here.

Dogs on hooked rug
This is what happens when you try to take the WHAT’S ON THE FRAME pic too close to the boys’ dinner hour. Just getting them both in the frame was tough enough, then they kept looking over their shoulders as if Daddy was about to make and eat their meals. Still working on the newest in the happy rug series. Her name will be “Abundance.”

 

 

What events are you excited to get back to in-person this year?

 

 

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“Automatic” hooking

 

Example of automatic drawing.
Example of automatic drawing done by moi during Sketchbook Revival.

 

 

Automatic hooking – it sounds like a machine is involved. Or worse! Wink, wink! But when I typed automatic hooking, I was actually referencing the art technique developed by the Surrealists. For a quick idea of what I’m talking about, the following comes from Wikipedia:

 

Automatic drawing was developed by the surrealists, as a means of expressing the subconscious. In automatic drawing, the hand is allowed to move “randomly” across the paper… Hence the drawing produced may be attributed in part to the subconscious and may reveal something of the psyche, which would otherwise be repressed…

Most of the surrealists’ automatic drawings were illusionistic, or more precisely, they developed into such drawings when representational forms seemed to suggest themselves. In the 1940s and 1950s the French-Canadian group called Les Automatistes pursued creative work (chiefly painting) based on surrealist principles. They abandoned any trace of representation in their use of automatic drawing. This is perhaps a more pure form of automatic drawing since it can be almost entirely involuntary – to develop a representational form requires the conscious mind to take over the process of drawing…

You’re probably wondering why I might be providing this art history lesson when I am in no possible way an authority on art or art techniques (except, perhaps rug hooking, of course, and then only certain aspects of rug hooking). It’s because, as I mentioned a few weeks ago, I’ve been participating in Sketchbook Revival 2021, and one of the workshops was about automatic drawing.

Example of automatic drawing.
My first attempt at automatic drawing.

That workshop was presented by Shelley Klammer of Expressive Art Workshops:

Shelley Klammer is an online therapist who supports creative women to heal “unfinished emotional business” from the past. She is also an educator with the International Expressive Arts Therapy Association. Shelley supports women to authentically self-express through spontaneous art and writing practices as a way to anchor self-safety, self-confidence and self-love.
-Karen Abend of Sketchbook Revival

To be honest, I wondered how much my drawings were really made without conscious thought. Wikipedia mentioned that too when I was exploring more about automatism..

…surrealist artists often found that their use of “automatic drawing” was not entirely automatic, rather it involved some form of conscious intervention to make the image or painting visually acceptable or comprehensible…”

Example of automatic drawing
This is an automatic drawing by a “professional.” It’s “Untitled” by Morton Schamberg (American, Philadelphia, Pennsylvania 1881–1918 Philadelphia, Pennsylvania) circa 1916. Graphite on paper; 5 3/8 x 4 1/2 in. (13.7 x 11.4 cm). (Info from the Metropolitan Museum of Art; in the public domain.)

 

Artist Stephen Berry was also a bit skeptical, but he could appreciate it regardless:

It was very liberating and thoughtful. It was also an interesting way to explore different shapes, to watch myself as an artist from “the outside” and see what shapes I’m predisposed to, where I’m reverting to certain habits that are lazy, what was exciting and interesting to explore that surprised me, etc.

He had more interesting stuff to say about the technique. Click on his name above.

Hooked rug; example of automatic hooking
Close-up of my current happy rug, “Abundance.” Lots of recycled textiles. I think I like my automatic hooking better than my automatic drawing.

Scintillating as all this is, you’re undoubtedly wondering how it relates to hooking. In that aforementioned post of mine, which I wrote before I started Sketchbook Revival, I mentioned my night-hooking project, the one the boys are pictured with. It’s part of my “happy rug” series in which I’m trying to focus on the brighter aspects of life after such a crappy last year. And I wrote:

For this one, I’m trying to really just go with the flow; there’s little advance planning in it. Other than the holes, which the rug dictated to me as I sewed on his tape.

See the SYNCHRONICITY that’s happened?!!? I was already kind of doing automatic hooking before I even learned about the drawing technique. Each evening I sit down and hook whatever comes to mind at that moment with whatever I have in the two big bag and one laundry baskets of fibers I have next to me. (Yes, there’s a LOT of hooking stuff in my family room at the moment.)

Both the automatic hooking and drawing efforts are fun to try if you’re so inclined to experiment. For the latter, just Google “automatic drawing,” and a slew of options will come up in your feed. As far as rug hooking goes, just throw some hooking materials into a bag and go to town. I’m using all kinds of fibers: wool strips, wool yarns, novelty yarns, a plethora of fabrics, ribbons, and so on. There’s lots of textile recycling going on!

Dogs on example of automatic hooking
Tynan and Bowyn bring you another view of “What’s on the frame.” Obviously, someone is not completely clear on the concept of his job. It should’ve been an overview of the newest happy rug, “Abundance,” an example of automatic hooking. (Let’s imagine Tynan’s thoughts for a moment…)

What have you done lately to spice up your regular practices be it hooking, painting, writing, or even working out?

 

 

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Teaching at CREATE DIY in June

CREATE DIYHigh on Hooking will be teaching at CREATE DIY in June.

I really do miss – and prefer – teaching in person, but one of the Coronacootie’s most pernicious side effects is how it’s kept us all from one another. From family members, from friends, from students and teachers, you get the idea. But humans do adapt, and makers still gotta make, so Zoom entered all our lives. Truthfully, I think that we all understand that that hasn’t necessarily been a bad thing. Many more folks were able to “get together” through Zoom talks and workshops than would’ve been possible pre-Corona. And Zoom will continue well into our futures even when we’re all vaccinated up and, hopefully, have achieved herd immunity and get back to meeting each other in real life. But till then…

If you or someone you know would like to learn how to rug hook, in June I’ll be teaching a class through the online textile arts festival CREATE DIY. In fact, there will be several workshops and a couple of lectures going on during the event.  General info can be found HERE. Topics include:

Quiltfest presents … Create DIY, a comprehensive journey into the magical world of the textile arts. Indulge yourself with Create DIY! This online festival includes educational workshops, studio tours, live presentations, and more. 

Quilting  ■   Needle Felting  ■   Stampwork  ■   Crochet  ■   Wearable Art Japanese Boro Stitching  ■   Jewelry  ■   Paper Weaving  ■   Dollmaking   ■   Dyeing  ■
Thread Painting  ■   Dorset Buttons  ■   Embroidery  ■   Rug Hooking■   Macrame  ■   Knitting  ■
Modern Weaving  ■  and more!

Join us online:
Thursday through Saturday, June 10-12, 2021

 

Introduction to Rug Hooking – Not So Traditional
Friday, June 11
Half-Day Workshop
12 pm – 3 pm EDT, Friday, June 11

Learn the basics of traditional rug hooking with a bit of a twist. Not only will we use the usual wool fabric strips (more about that in class), but we’ll also try old t-shirts, yarn, ribbon, and anything else you might have in your house that you can pull a loop with. We will:

  • Discuss the history of rug hooking and where it is today, including its various forms;
  • Learn how to prep our materials;
  • Begin hooking a “mug rug,” a small table mat, or wall hanging; and
  • Discuss the ways we can finish the piece when the hooking is done.
Welsh Springer spaniel on hooked rug
While big brother Tynan snoozes, Bowyn brings you “What’s on the frame.” “Abundance,” part of the #happyrugseries, is an adventure in mark-making with all kinds of fibers. And she has three holes!

There’s more info online HERE. Kits are optional, but participants need to contact me to make sure they have everything. Contact me at Laura@highonhooking.com if you have any questions.

 

Hoping to have a new and very special venue announcement in the next week or so. Stay tuned!

So, after a year, what’s your stance on Zoom workshops?

 

 

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IN THE STUDIO – April 14 with Sayward Johnson

Join Sayward Johnson on In the Studio as she talks about her work and her artistic process!

 

Poster of Sayward Johnson

 

Sayward Johnson is a copper and textile artist whose work explores her fascination with fabrics and sculptures that adhere to the laws of metal-smithing as well as those of textiles and, furthermore, present traditional textile patterns in unexpected contexts. She finds beauty and meaning in natural processes that cannot be controlled, such as decay and the transformation of surfaces through erosion and new growth. In her studio practice, she focuses on weaving, knitting and embroidery.

Originally from Danvers, Massachusetts, Sayward is a graduate of the Nova Scotia College of Art and Design. She currently lives in Chelsea, Quebec, with her husband and young daughter. She is an active member of the Enriched Bread Artists and 44.4 Mothers/Artists collectives in Ottawa. Sayward has exhibited across Canada and sold her work to private collectors in the US, Canada, and Europe. She has received grants from the Ontario Arts Council, the City of Ottawa, Craft Ontario, Arts Ottawa East, and the Canada Council for the Arts.

You can learn more about Sayward and see her work at www.saywardjohnson.com and on Instagram @saywardjohnson.


IMPORTANT – PLEASE READ:

The Zoom link for this presentation will be emailed to you the day before the talk (or after you purchase your ticket, if you purchase on the day of the event).  If you don’t receive it, you can contact the organizer at info@karendmillerstudio.com.

Tickets will be on sale until 10:00 am the day of the event.  After that time you will no longer be able to purchase tickets.

Please note that, unlike other In the Studio presentations, the time of the talk is 7:00 pm EASTERN.

Find tickets for this event at Ticketscene.


FAQ’s

* Will this talk be recorded for viewing later?

Unfortunately, no. Due to the logistics involved, we decided some time ago to keep these events live. Hopefully if you can’t make it to this talk, you’ll be able to make it to a future talk.

* It’s the day of the talk and I’m having trouble finding or using the link for the talk. How can I find help?

It is very advisable to LOG INTO THE EVENT A FEW MINUTES EARLY to be sure that you have no trouble with the link, and if you are having trouble the organizer can help you out. You can email or message the event organizer up until 12:30pm Eastern on the day of the talk for help. ONCE THE EVENT STARTS, however, messages and emails are not able to be monitored.

* I’m finding it distracting during the talk seeing all of the other participants on my screen. What can I do?

During the event the organizer will put the screen setting on “spotlight view” so that the presenter is the focus on your screen. Depending on your device, you may still see audience members on your screen and changing your setting from “gallery view” to “speaker view” should help with that.

Share