Canadian Artist Alexandrya Eaton will headline In the Studio June 24.
Please join contemporary Canadian painter and rug hooker Alexandrya Eaton as she discusses the process and inspiration behind her work, and how these two very different mediums are both integral to her studio practice. Eaton’s work aims to explore phases of womanhood, combining traditional rug hooking techniques with contemporary imagery. Alexandrya has had over forty solo exhibitions of her work; her exhibition Becoming debuted at the Beaverbrook Art Gallery in 2018 and continues to travel to galleries into 2021. Eaton is interested in femininity and the representation of a powerful female image.
This is a live Zoom event and you will receive the link upon purchase of a ticket.
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Linda Towle was the founder of the Adobe Wools Arts Guild, New Mexico’s only rug hooking guild. We miss you, Linda!
This is perhaps the anthem of the Adobe Wool Arts Guild of New Mexicoof which I am the current president. You will hear it whenever any one of us is working a rug and asks the others for advice. That means you and anyone within hearing distance will hear these words:
at guild meetings and retreats;
at Albuquerque’s Botanic Garden in the BioPark where we demonstrate twice a month (in non-Covid 19 months, that is);
whenever and wherever any of us gather together to hook; and
whenever any of us teach – formally or informally.
The guidance can be in regard to most anything involved in rug making.
What color(s) would look best ?
Monk’s cloth, linen, or rug warp?
Wool strips or alternative fibers?
Which frame is best?
How high should my loops be?
Should I use quillies*?
Did I draw this right?
What do you think about _______?
If you’re a rug hooker, you know that the list is endless. Although our rugs are generally solo works of art, we often seek input from others, often those more experienced than ourselves.
We are a small and close-knit group. We are also not shy about expressing ourselves or our opinions. This means that when a hooker asks how he or she should finish their rug, they will often receive 10 or 15 differing opinions. Strident opinions. Discussion will ensue. The poor hooker might be overwhelmed. (We made someone cry once; it wasn’t our finest moment.) But, in the end, it all comes down to the same thing every time: “You are the boss of your rug.”
Being the boss of your rug – or your painting or your quilt or poem or whatever type of art you might make – means that you ultimately choose a design, colors, techniques, and so on. You make the piece with your own hands. And when you’re done with it, it is yours. Hopefully, you share it with the rest of us.
And we are proud of that person’s efforts.
Individually, I might think the rug needs improvement. Maybe blue would’ve worked better than black. Perhaps some of the loops fell out. Hell, maybe I hate the whole design. But it is NOT my rug. It is someone else’s rug, and I respect everything that he or she put into that rug. Or that short story or that piece of pottery.
We are proud that the person cared enough to make a rug. We are proud that he or she put themselves and their ego out there. That they felt safe enough to express themselves artistically in front of us. That they were able to say no to even the most vociferous of us and create their own rug.
Maybe you’re wondering why I bring this up.
March 1: “Costco shopping trip pre-coronavirus. This was extreme hooking even for me. The TP roll was hooked with actual toilet paper. Not the easiest to work with but better than anticipated. Maybe if I spun it… Also wool yarn and strips.
In March, I wrote about my yearlong #RibbonRugJournal project. Basically, every day I hook an entry on a 3-inch or so length of a burlap ribbon roll. The image – more like a sketch – has to do with something from my day. It’s not a Picasso by any means. Burlap ribbon, I’ve found, sucks to hook on. Strings often break. It’s also a small space, not good for a lot of design definition, but I’ve made it over five months so I’ll keep going.
Little did I know in January what kind of year 2020 would be. Holy crap, Batman! Hence, in March the Coronacootie started showing up in my journal. And then in the last few weeks, #blacklivesmatter has dominated the news. As it should. And as we all know, that movement’s collision with politics has been cataclysmic for the country. Naturally, this has also made it into the #RibbonRugJournal.
What do I do with the journal? Every evening after I hook an entry, I take a picture and load it onto High on Hooking’s Instagram. This keeps me honest, plus some folks are following it. (Love you guys!) All of my Instagram posts are automatically loaded onto High on Hooking’s Facebook page. From there I share it on my personal Facebook page.
#ribbonrugjournal June 2: “ELBIB Abuse.” Did he hold that book, respecting it as the sacred item it is? Or did he heft it up as Exhibit A, “proof” of his love of God and his fellow men? I mean after peaceful protesters and clergy were driven from the church with tear gas. For his photo op. The Bible and the world turned upside down.
Tuesday, June 2, I posted a simple image. It was indeed politically motivated. I am not a fan of Mr. Trump and was fairly incensed to see him silently hold a Bible aloft in front of a Church he does not attend after his minions forcibly removed from the church area peaceful protesters and the clergy of that church. You can see that I also made textual comments which you can read.
Later in the evening, I saw that folks had commented on my social media. I’m good with that. But one woman had posted:
Is this the right place for politics? I come here for a break from reality for a bit.
I was taken aback. High on Hooking is my company; it’s Facebook page is my page. While I leave overtly political posts and memes and such for my personal page, this was just an element of another hooked rug project. And I’d posted other occasional political entries before. I explained much of this to the writer. A bit of a dust-up ensued as others came to the defense of my self-expression. I thought that was the end till I turned on my phone Wednesday morning to another comment:
No politics please!
Note the exclamation point. Although I didn’t agree with the first woman, I could understand where she was coming from. But this chick was telling me to not post political content on my own f-ing page! Really! Guess she doesn’t like her rug hooking or her art making her uncomfortable. Or she can’t handle people having a difference of opinion.
My response:
______, this is my page. I don’t compartmentalize my life, especially not my art. Rug hooking allows me to process all of life, not just the easy and good things. Please read responses below.
Lady, and anyone else who didn’t like my #RibbonRugJournal Tuesday night, feel free to pass over my “political” posts or to stop following me if it bothered you that much. You have no right to tell me or to even intimate that I shouldn’t integrate my opinions into my art that I show on my social media. I am the boss of my rugs and my pages!
I liked this eight-point star superimposed on the blue sky and angles of the building. It’s found in Germany’s Black Forest.
I bet a whole bunch of you spend a fair amount of time looking around, see things, and wonder, “That looks cool; can I make a rug out of it?” I do. Even Tom has started asking me if I can use a particular design that he spies in nature, in the store, in the clouds…
My vacation is long gone now that summer is churning forward and August is just around the corner. Sigh… Sure, it’s freaking hot here in New Mexico, but I love the vibe of summer. So, I thought that I’d try go back to Germany in June – it was chilly – and share some of the “artistic elements” that I discovered there.
Okay, less an artistic element than a piece of art itself. I really liked these metal yard birds. Also in the Black Forest .These roof shingles were on many of the houses of Breisach, Germany, a little town on the Rhine. As old as the town looked, it was almost completely rebuild after WW2. Besides the scalloped shape, I like the variation in color.
Just check out the lines and the reflections of these homes in Strasbourg, France.
If only my own flower pots has this kind of artistry! Found this at Heidelberg Castle in Germany.
I loved the individual artistic elements incorporated into this sign, I think for a cafe. It was in Rüdesheim, Germany. The sun, the grapes, and the tea- or coffee pot caught up in the leafy grapevine.
Never mind the steepness of the hill that these grapevines have been planted upon (though workers do have to tie up to a bar at the top and repel down to tend to the vines). Note the rows and rows of straight lines. The ones that go off at a bit of an angle are owned by a different farmer.Kitchens – even in castles – are full of artistic elements. Here we have circular plates, cylindrical cups and vessels, and the horizontals of the shelving. Saw this in Marskburg Castle near Koblenz, Germany.
Spoons on a rack provide us with more circles and lines. They look like pewter lollipops!
Marksburg Castle had some interesting slate roof tiles.
And incredible woodwork!
Both Tom and I looked at this and the other wall panels and thought RUG!Dog? Sheep? You be the judge.Maybe snakes are more your thing… Seen in Koblenz.This window in the Cathedral in Cologne was made of colorful, glass squares. Being that I love to hook geometrics, I was quite taken by it. Wish the pic was clearer, but the camera on my phone bit it soon after this.
What have you recently seen during your travels that might make it into a rug?
“The First Boucherouite” hooked from old bed sheets and a little t-shirt added in. I loved this rug, even considered keeping it for my own house.
How many of you have fallen in love with a style of rug or a theme or design or what-have-you, enough that you feel a pressing need to hook more and more of them? I find myself feeling like that with the whole Boucherouite thing. For those not familiar with the Moroccan rugs, check out this fabulous article dealing with the history of the rugs and the Berber peoples who make them. I warn you, you’ll start seeing these types of rugs in every home magazine and website you frequent.
Certainly, I’ve written about the Boucherouites before, when I hooked my first one last year. Yes, mine are hooked; I don’t weave them. I fell in love with these rag rugs with their seemingly haphazard designs and color schemes when they started showing up in my Pinterest feed. The pics made it difficult initially to discern whether they were hooked, woven, or made in some other way. The fact that the weavers create them out of old textiles – like I hook my rugs! – made it impossible for me not to try my hand at one. Again, hooking, not weaving.
And so it begins. A pile of bedsheet strips. Color, it’s all about the color. And using what’s available – even if I have to head off to Saversto get it.
I found that my own sense of design, despite my best efforts, didn’t allow me to create a rug as “irregular” as the true Boucherouites. That’s okay; it’s how inspiration works. It’s not about copying. After I hooked (and sold!) the first one, I knew that I was going to do another sooner than later. And that it would be BIG.
Fast forward to this winter. The BIG Boucherouite’s time has come. I drew it up on a piece of monks’ cloth and sewed on the rug binding. Prior posts have shown that. Currently, I’m in the midst of cutting sheets into strips. I’d recycled old bedsheets for the “First Boucherouite” and loved the effect. That plus the high we get here at High on Hooking when we up-cycle made it a winner. I’m not completely sure how the colors will work on this new rug, it’s a fluid thing, but I’ll need to have strips at the ready. It’s a LOT of hand-cutting for me and the scissors.
So, you see the theme running here. It gets better. Last week, the Mystery Rug finally finished and off to the framers, I needed to start hooking pieces for this year’s selling season. Specifically, I have Albuquerque’s Recycled Art Fair coming up in April. I decided to start with a double mug rug because…they tend to sell pretty quickly. I took out a couple of OD green mugs I’d found at Savers and stared at them, waiting for them to channel an idea into my brain. And I waited. And I waited. In the meantime, I was sewing up the BIG Boucherouite. Ooh! Got it! Thus the “Baby Boucherouite” was born. I know, I know, I risk becoming boring. But they’re fun!
Keeping true to the theme, now we have the “Baby Boucherouite.” Also hooked from old sheets with some t-shirt thrown in. It’s about 7″x14″. Wouldn’t it make a great magic carpet for Barbie?
Okay, it’s not much to look at right now, but it’ll be pretty as a posy later this week. BTW, if you’re looking for Tynan, he’ll be back next week. Tom took him out for a walk. And left the house all to me!
In the meantime, before I can finally hook the BIG rug, this is what’s on the frame today. No, it’s not part of the Boucherouite theme, but it is another double mug rug. T-shirt, bathing suit, nightie, and an old blouse ensure that I can use it at the Recycling Fair which requires 70 or 75% of items offered for sale be constructed of recycled materials. I can do that, no prob.
What about you? Have you ever found yourself obsessed by a particular theme or design or even a color when you’ve been hooking? Tell us about it.
