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Yearlong Environmental Stitching Project

Celebrating Earth Month with the Yearlong Environmental Stitching Project!

Stitching - beginning the Yearlong Environmental Stitching Project
First day’s work on the Yearlong Environmental Stitching Project. January 1, 2023.

As many know, a main focus in my artwork, particularly hooking, is to bring attention to the state of our shared environment. Globally, locally too, it’s not in great shape. Between crazy-ass storms, drought, rising temperatures, air and water pollution, too much trash and waste, etc., etc., we’re suffocating ourselves and other forms of life here on earth. (Though I understand that cockroaches and kudzu are still doing quite well.)

If you’re reading this, I won’t bother preaching to the choir. You’re already aware of the problems. And you’ve probably heard me pontificate or at least share various posts on my social media. A note, my initial career was in environmental regulatory management for industry. I’ve had plenty of time to think about what we put in and on this planet of ours.

Honey bee - Yearlong Environmental Stitching Project
On January 14 I stitched about how the US Department of Agriculture approved the first ever vaccine to prevent the bacterial disease that destroys honey bee colonies. This is GOOD NEWS!

 

More than wool, I create hooked art using different types of old textiles that I find in Savers (my local thrift store) and am gifted. They can include old t-shirts and other clothing, curtains and bedsheets, and so on. It makes me feel good to tell people what the art they’re fondling is made of. Kids especially love to see and touch recycled t-shirt rugs.

 

In 2020, I spent the WHOLE YEAR hooking and stitching the Ribbon Rug Journal (RRJ). Not familiar with it? You can read about it HERE. Given the nature of 2020, I had plenty of time to sit down every single night to log in that day’s entry. Still I was psyched that I made it to December 31. And really ready to move on from the project given the time and energy it took. It’s since been the subject of an article I wrote for Rug Hooking Magazine and hung in two exhibits.

Fast forward to late 2022. Surprisingly, I was itching for another yearlong endeavor, preferably something with meaning from the get-go. (When I started the RRJ, I had no idea that 2020 would be the “special” year that it became.) I wasn’t looking to hook something every day; that’s what my regular projects are for. Besides, Tom begged me not to have to work on something every night. So, I pondered…

Brown widow spider - Yearlong Environmental Stitching Project
On March 13, I started the Brown Widow Spider after reading about how the aggressive Browns are “slaughtering” the more docile Blacks (spiders!) in the US Southwest and South. Then they eat them! Meanwhile the Black Widows are expanding their range northward, even into Ontario and Quebec.

Meanwhile, like most everyone else, during 2020 and 2021, I took online classes and became more interested specifically in hand-stitching. In fact, I incorporated stitching into the RRJ because some things, like letters, were easier to do on the burlap ribbon than hooking. I made a Kawandi quilt and was pretty proud of myself. I also did more sketching with the likes of Sketchbook Revival.

 

I’m not interested in fine drawing or fussy embroidery, but something more basic. To share a thought, make a memory, the stuff of journaling.

Last year too, while on a hunting trip to Savers, I came across a large, linen curtain panel from Ikea. It’s a beautiful, pale green. Come the end of the year, it was just sitting there, waiting for me to formulate an idea. Which I finally did. The color is a great earth color. And I kept seeing and reading more and more environmental stories. Ah ha! I decided on the Yearlong Environmental Stitching Project (YESP): I’d stitch using an environmental theme throughout 2023.

Safety was derailed along with the train in Palestine, Ohio, in February.
After the Norfolk Southern train derailed in Ohio in February, we learned more about how the last administration dismantled railroad safety rules. as the railroads requested. This accident and subsequent environmental and health disaster didn’t have to happen.

 

I’m still not enthused by the title so that might change. And to avoid burnout – my own and the husband’s – I don’t work on it every day. In fact, throughout Sketchbook Revival 2023, the whole thing has sat on the dining room table. Really, it could also be a tablecloth; it’s big enough! As I scan the newspaper and news online each day, I collect stories. Some are pretty horrific, I’m not going to lie. Like the recent report from the UN about humanity’s closing window of opportunity to affect climate change, that our current investment and funding for adaptation to that change are completely insufficient, especially in and for developing countries. Never mind that the US electrical grid is heading for a total meltdown. But there’s good news too. Biden created two new national monuments here in the Southwest. Then there’s the woman in Britain who got so fed up with her town’s lack of recycling that she decoded to take care of it herself. And all kinds of folks joined her. I need those kinds of stories; otherwise the whole project would depress the crap out of me.

I keep all the stories in a file folder and pull one out when I’m ready for a new entry. Having learned from the RRJ, once I finish a stitching, I record it and pertinent info in a written journal. I photograph it too. That way, in January, I won’t wonder what the hell I stitched. Also, the only thing I can purchase for this project is embroidery floss. Everything else has to come from what I already have or am given.

While this won’t be quite as entertaining as the nightly RRJ postings were, I hope that you join me on this yearlong journey. Hey, it’s less than nine months now. Somehow busy-ness and my own winter inertia kept me from getting this all written up, though I have been posting on my Instagram and Facebook accounts all along. Sadly, it’s a constant fight against the cult of busy-ness in this culture. Even when your kids have left home and you don’t have a regular paying job. Also my ability to multitask isn’t as honed as it used to be. (Thank goodness!)

 

Toadzilla - Yearlong Environmental Stitching Project
Toadzilla, the fierce, burly Cane toad from Australia. He was 6 pounds, the biggest Cane toad ever found! I’ll let you Google him to see why he was in the news in mid-February. This is his outline. I still haven’t finished filling him in. It’s a good lesson to me to sketch more, color and detail less.

 

How do you cope with climate change and all that the environment’s throwing at us these days? Any good plans for Earth Day?

 

 

 

 

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Workshop, workshop, workshop! And more…

We’re in workshop heaven here at High on Hooking. Let me explain.

 

Boucherouite inspired hooked rug
Your Boucherouite will be your own pattern. It can be small just to try it all out in the workshop or as large as you’d like. (Original design.)

MARCH 12: BUILD A BABY BOUCHEROUITE

Because of interest during Workshop Week 4, we added another session for those who couldn’t make it in January. (The class was getting a little large too.) If you’re interested and available on Saturday, March 12, at 1:00 p.m. Eastern, give me a yell. We’re at six right now, so there’s a little more room. For info about the class, see HERE. (Also, watch for coming announcements regarding Workshop Weeks 5 and 6!)

 

APRIL 15: INTRODUCTION TO PUNCH NEEDLE RUG HOOKING

Punch needle rug hooking
For the workshop – punch needle by Amy Oxford. Original design.

Albuquerque’s BIG, BIENNIAL FIBER ARTS FIESTA, postponed from last year, will be open for business Thursday – Saturday, April 14-15. There’s a superb line-up of classes including my own punch needle workshop on Friday at 10:00 a.m. It is in person, and you’ll need to be vaccinated, but masks will be optional at this point. Yay! You can contact me here or see WORKSHOPS LISTING.

 

 

 

JUNE 19-25: HOOK RUGS, SAVE THE PLANET

This is a week-long residency workshop in Sewanee, Tennessee, as part of the SHAKERAG WORKSHOPS. We’ll be doing

Rug hooked with reclaimed textiles (old tshirts and bedsheets).
Table runner/wall hanging hooked with recycled textiles (old tshirts and bedsheets). (Original design.)

both rug hooking and punch needle rug hooking. In addition, though we’ll still have wool to work with, we’ll strive to look beyond the wool to materials that otherwise might end up in landfills. You know, old textiles you probably have in your house this very moment: ripped t-shirts, stained tablecloths, clothing and scarves that have seen better days… If you’re looking to pair vacation and fiber art therapy, this one’s for you. More workshop information can be found HERE and below.

 

Shakerag Workshops is a group of arts classes for adults held in June each year on the St. Andrew’s-Sewanee campus, in Sewanee, Tennessee. Instructors from around the world offer classes in a variety of media – knitting, basketry, book arts, clay, digital arts, felting, fiber, mixed media, jewelry, wood working, sculpture, and painting. Most participants, faculty, and staff stay on the campus, eating and working together for the week. After classes, participants enjoy hiking on the campus trails, swimming in the stream-fed mountain lake, and relaxing in yoga classes. Meals feature locally grown and organic foods served in historic Robinson Dining Hall. In the evenings, faculty members show slides and talk about their work. The studios are open throughout the night. The week culminates with a Tennessee meal on Friday evening for faculty and participants.
-from Shakerag’s website


As you can see, we’re busy these days here in the New Mexican desert. Covid’s waning, and folks are slowly getting back into the swing of things. More good news came in the mail yesterday in the form of Rug Hooking Magazine. If you recall that, during 2020, I spent much time on a yearlong project, the RIBBON RUG JOURNAL. If you turn to page 50 in RHM, you can read all about it! I also urge you to peruse Pretext Studio Rug Hooking’s Nadine Flagel‘s article on page 40. We share attitudes about the growing textile waste crisis. Her website slogan is Making Art out of Making Do: Reclaimed Text & Textiles. “Boucherouite” is a Moroccan-Arabic word for “torn” or “reused clothing.”

Dog with hooked rug
The High on Hooking Dogs, Bowyn and Tynan, bring you WOOLLEY MAT HORSE by Woolley Fox.

Bowyn actually calmed down enough to be in this week’s WHAT’S ON THE FRAME. This is a pattern I inherited when a member of the Adobe Wool Arts Guild passed away a few years ago. As a guild, we’ll be highlighting Pat’s rugs in a special exhibit at Fiber Arts Fiesta in April. The pattern, as I received it, was not identified.

You might remember, I hooked it a couple years back after receiving it. Because it sold, I needed to make another for the exhibit. Patti on Instagram was able to identify the pattern this week; she hooked it herself awhile back. LOL It’s from Woolley Fox and is called Woolley Mat Horse. As before, I’m hooking it with old t-shirts. Because we believed it to be Pat’s design, not a purchased pattern (also based on an antique rugs by Magdalena Briner Eby), I won’t hook the design again after I finish this iteration.

LASTLY, PLEASE KEEP THE PEOPLE OF UKRAINE IN YOUR THOUGHTS AND PRAYERS. IF YOU’RE LOOKING TO HELP OUT IN A SMALL WAY, SEE THIS DIGITAL DOWNLOAD ON ETSY, BY A UKRAINIAN ARTIST. (THERE ARE OTHER ARTISTS AND PRODUCTS AVAILABLE; JUST USE THE SHOP LOCATION FILTER UNDER SEARCH.) IT PUTS $5 IN HER POCKET, AND GOD KNOWS SHE AND ALL OF UKRAINE NEED IT.


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Retreat week

Supplies for being on retreat.
Retreat supplies: journal; pen; colored pencils; String Felt Thread by Elissa Auther; watercolor brush pens; iced tea; and great weather.

I’m officially on retreat.

As mentioned last week, my workshop up north at Ghost Ranch was postponed which was a pretty big bummer for me. But then I realized I had a whole week of days I’d kept unscheduled, thinking I’d be away. What to do with that time??? Given how distracted I’ve found myself these last few months (okay, really the last year+), I find that I need to step back and redefine what it is I want and need out of life. Sure, I’m hooking and teaching, but my attention has…wandered. My daily routine isn’t working, and productivity has been affected.

It’s not at all helped by so many local, national, and even global crises. The collapsed Maimi condo, race and gender issues, folks refusing to get vaccinated thereby prolonging the whole Covid thing, some family health difficulties, climate change which really hits home here in the desert Southwest… I seem to be catching my kid’s anxieties. That we spent over a week with temps in the 100s certainly didn’t enhance my mood. But you – I – can’t live like that, in dread all the time.

Last week after deciding on a couple of new projects – not hooking!!! – I grabbed my coupons and started out for Jo-Ann Fabrics to get supplies. It occurred again to me that it’s summer. A time for lighter things, as I also said last week. But this time I really heard myself. Remember how we used to feel in summer? Even when bad things were happening around the world? (The reality is that good and bad things are always happening.) I put some Jimmy Buffett on the Fit’s stereo and off we went.

Hooked rug
ABUNDANCE (15″ x 48″) is finished! As part of my retreat efforts to shake things up, I sewed yesterday morning rather than during the evening, my usual MO. She’s the newest in 2021’s #happyrugseries and was hooked with all kinds of fibers. And, yes, those are holes in her. Life takes from us, but we still have so much to share.

 

Friday evening Tom and I had a lovely time sipping wine at a local winery, Casa Rodeña here in Albuquerque. They have a pond. It was cool and calming. I realized that I could take the next week to change up my routine, get some things done that I’ve been planning but been too paralyzed to do. In short, get myself out of this funk.

I started yesterday by learning a new “trick.” Okay, a new fiber art medium. I’m very excited and will share down the road. I even used YouTube to learn how to do it. Generally, I prefer to learn in person, not via a video. Again, it’s about getting out of the comfort zone, something I used to do without thinking too much about it.

An article about the Ribbon Rug Journal is on the retreat’s to-do list. Planning my next rug for when I’ll be on the road in a couple of weeks. More sketching and journaling. Reading for pleasure and “work.” Getting back to morning yoga for my arthritis. Not on the list: vacuuming, cleaning the kitchen, meetings, a lot of social media, worrying…

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But life does still go on. To that effect – note that In the Studio’s Workshop Week 3 classes are filling.  Sure, it’s not till October, and we have more events and teachers than ever, but folks want in. Also, my own workshop, Hooking with T-Shirts, on October 30, had enough interest that I opened a second session for Saturday, October 23, also at 1:00 PM Eastern. Email me if you’re interested.

 

Dogs, hooked rug
Both boys bring you WHAT’S ON THE FRAME today. No title for it yet, but it’s the #ecohooking rug in recycled plastic bags. I should’ve added Static Guard to my list of retreat supplies!

Is it just me or do I sense many stepping back a bit to reevaluate as we move back into a post-pandemic world?

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Of sketching and day-hooking

Thursday makes it a year that “regular” life came to an end here in New Mexico. Not knowing what I know now, I rather welcomed it. No meetings for the foreseeable future! Remember – we never thought the crisis would go on for sooooo long, and Zoom wasn’t a BIAd for Sketchbook Revival 2021; sketchingG THING yet. I figured I’d have time to work on my own projects and actually get a chance to explore other ideas percolating in the back of my brain, maybe even move them to the front.

Some of that happened. I certainly had ample time to “play” with the Ribbon Rug Journal. In fact, without Covid, I’m not sure how I would’ve been able to log each day’s entry. (Now if I can only get to writing the magazine article on the damn thing!) I managed, too, to finish “Holes,” a rug about the effects of motherhood on women. But then Karen Miller came up with the idea for In the Studio with its presentations and two! online Workshop Weeks (keep watch; the third will be coming), my own class offerings, and, of course, rugs to make (I do have an Etsy shop). The forced time at home was not quite so restful. Such is our new reality.

Sketching
A one-line, mirror sketching from 2019. Sadly, a self-portrait.

But some things didn’t change. This March, as I did in 2019 and 2020, I will participate in Sketchbook Revival presented by artist Karen Abend. It’s a free, online event whereby each day for a couple of weeks a different instructor presents a a different approach to filling up your sketchbook or journal. As much as I used to be good at that, I’m not anymore. Sketchbook Revival gives me a do-over each year and a way to learn new techniques. As Karen says:

Sketching
Some sketches are colorful. A “creature” rug perhaps?

“Imagine waking up each day brimming with ideas, excitement, and confidence to open up your sketchbook and start creating, no matter what.”

As far as I’m concerned, sketching can be relaxing and enjoyable on its own, but more importantly, better sketching leads to more  and better better hooked pieces. Click on the link above to join. While there are social media pages to share your work and to see that of others’, I generally prefer to keep to myself. And you don’t have to attend every session. I pick and choose. One comes out every day, but the videos stay up for a few weeks.

Sketching
This was perhaps my favorite sketching session from last year. Who knew? Architectural drawing.

Day-hooking. I mentioned it last post. It’s not necessarily what you think. But it is another benefit of being stuck at home. I generally hook in the evening. Like many of you, if I don’t work with my hands after 8:00 p.m. or so, I’ll fall asleep. That’s when I catch up on TV and movies. But sometimes – like right now – I’m hooking a piece that needs: 1) good light, specifically, the light of day and 2) concentration. Like I said before, in another world in other years, my guild , AWAG, held three retreats and had a teacher visit us, usually for an open workshop. Each event gave me three whole days to work on more challenging rugs. And a multitude of folks to ask for advice when it was needed. Or even when it wasn’t. LOL

While I tend to do other tasks during the day, lately I’ve been trying to carve out some time for day hooking to get through this one difficult project. I feel guilty sitting on my ass, but the work happens, and I can even get some of those year-old NOVAs out of my DVR queue. So, day-hooking, yeah, it’s a thing.

Meanwhile, the night-hooking continues. Which is exactly what the boys bring to you today in the pic. I’ve started on the fourth of what I’m calling my #happyrugseries. I realized that after such a negative year, I’d prefer to mostly focus on the brighter aspects of life. For this one, I’m trying to really just go with the flow; there’s little advance planning in it. Other than the holes, which the rug dictated to me as I sewed on his tape.

Dogs with hooked rug
“What’s on the Frame.” Bowyn takes being a High on Hooking dog very seriously while Tynan is quite blasé about it these days.

 

Nancy Hart of AWAG created a rug a couple of years ago that I really loved. I miss you, Nancy, but you’re here with me in spirit, and your rug is my inspiration for this project. Tom’s going to kill me as parked in the living room is a large shopping bag AND a laundry basket filled with all kinds of fiber to pick and choose from as I go. (Plus the day-hooking paraphernalia.) But I’m enjoying working on it all!

 

 

What’s got you’re attention these days as we head into the final stretch of the Coronacootie’s reign?

 

Workshop reminder:  Hooking With and Beyond the Wool happens this Saturday. Contact me if you’re interested.

 

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I AM THE BOSS OF MY RUG

 

“You are the boss of your rug.”

Linda Towle was the founder of the Adobe Wools Arts Guild, New Mexico’s only rug hooking guild. We miss you, Linda!

This is perhaps the anthem of the Adobe Wool Arts Guild of New Mexico of which I am the current president. You will hear it whenever any one of us is working a rug and asks the others for advice. That means you and anyone within hearing distance will hear these words:

  • at guild meetings and retreats;
  • at Albuquerque’s Botanic Garden in the BioPark where we demonstrate twice a month (in non-Covid 19 months, that is);
  • whenever and wherever any of us gather together to hook; and
  • whenever any of us teach – formally or informally.

The guidance can be in regard to most anything involved in rug making.

  • What color(s) would look best ?
  • Monk’s cloth, linen, or rug warp?
  • Wool strips or alternative fibers?
  • Which frame is best?
  • How high should my loops be?
  • Should I use quillies*?
  • Did I draw this right?
  • What do you think about _______?

If you’re a rug hooker, you know that the list is endless. Although our rugs are generally solo works of art, we often seek input from others, often those more experienced than ourselves.

We are a small and close-knit group. We are also not shy about expressing ourselves or our opinions. This means that when a hooker asks how he or she should finish their rug, they will often receive 10 or 15 differing opinions. Strident opinions. Discussion will ensue. The poor hooker might be overwhelmed. (We made someone cry once; it wasn’t our finest moment.) But, in the end, it all comes down to the same thing every time: “You are the boss of your rug.”

Being the boss of your rug  – or your painting or your quilt or poem or whatever type of art you might make – means that you ultimately choose a design, colors, techniques, and so on. You make the piece with your own hands. And when you’re done with it, it is yours. Hopefully, you share it with the rest of us.

And we are proud of that person’s efforts.

Individually, I might think the rug needs improvement. Maybe blue would’ve worked better than black. Perhaps some of the loops fell out. Hell, maybe I hate the whole design. But it is NOT my rug. It is someone else’s rug, and I respect everything that he or she put into that rug. Or that short story or that piece of pottery.

We are proud that the person cared enough to make a rug. We are proud that he or she put themselves and their ego out there. That they felt safe enough to express themselves artistically in front of us. That they were able to say no to even the most vociferous of us and create their own rug.

Maybe you’re wondering why I bring this up.

Hooked rug
March 1: “Costco shopping trip pre-coronavirus. This was extreme hooking even for me. The TP roll was hooked with actual toilet paper. Not the easiest to work with but better than anticipated. Maybe if I spun it… Also wool yarn and strips.

In March, I wrote about my yearlong #RibbonRugJournal project. Basically, every day I hook an entry on a 3-inch or so length of a burlap ribbon roll. The image – more like a sketch – has to do with something from my day. It’s not a Picasso by any means. Burlap ribbon, I’ve found, sucks to hook on. Strings often break. It’s also a small space, not good for a lot of design definition, but I’ve made it over five months so I’ll keep going.

Little did I know in January what kind of year 2020 would be. Holy crap, Batman! Hence, in March the Coronacootie started showing up in my journal. And then in the last few weeks, #blacklivesmatter has dominated the news. As it should. And as we all know, that movement’s collision with politics has been cataclysmic for the country. Naturally, this has also made it into the #RibbonRugJournal.

What do I do with the journal? Every evening after I hook an entry, I take a picture and load it onto High on Hooking’s Instagram. This keeps me honest, plus some folks are following it. (Love you guys!) All of my Instagram posts are automatically loaded onto High on Hooking’s Facebook page. From there I  share it on my personal Facebook page.

Embroidered wool on burlap ribbon
#ribbonrugjournal June 2: “ELBIB Abuse.” Did he hold that book, respecting it as the sacred item it is? Or did he heft it up as Exhibit A, “proof” of his love of God and his fellow men? I mean after peaceful protesters and clergy were driven from the church with tear gas. For his photo op. The Bible and the world turned upside down.

Tuesday, June 2, I posted a simple image. It was indeed politically motivated. I am not a fan of Mr. Trump and was fairly incensed to see him silently hold a Bible aloft in front of a Church he does not attend after his minions forcibly removed from the church area peaceful protesters and the clergy of that church. You can see that I also made textual comments which you can read.

Later in the evening, I saw that folks had commented on my social media. I’m good with that. But one woman had posted:

Is this the right place for politics? I come here for a break from reality for a bit.

I was taken aback. High on Hooking is my company; it’s Facebook page is my page. While I leave overtly political posts and memes and such for my personal page, this was just an element of another hooked rug project. And I’d posted other occasional political entries before. I explained much of this to the writer. A bit of a dust-up ensued as others came to the defense of my self-expression. I thought that was the end till I turned on my phone Wednesday morning to another comment:

No politics please!

Note the exclamation point. Although I didn’t agree with the first woman, I could understand where she was coming from. But this chick was telling me to not post political content on my own f-ing page! Really! Guess she doesn’t like her rug hooking or her art making her uncomfortable. Or she can’t handle people having a difference of opinion.

My response:

______, this is my page. I don’t compartmentalize my life, especially not my art. Rug hooking allows me to process all of life, not just the easy and good things. Please read responses below.

Lady, and anyone else who didn’t like my #RibbonRugJournal Tuesday night, feel free to pass over my “political” posts or to stop following me if it bothered you that much. You have no right to tell me or to even intimate that I shouldn’t integrate my opinions into my art that I show on my social media. I am the boss of my rugs and my pages!

Beth Miller of Parris House Wool Works wrote a great blog post back in 2017, called “Shut Up and Sing” – A Guide to Why Those in the Humanities Will Not Be Silent. I encourage you to read it if you worry about our rights and needs to self-express.

Whether you paint or hook or write or sing, remember that

YOU ARE THE BOSS OF YOUR ARTWORK.

 

 

 

*I defy anyone to show me when a quillie is a good idea. Just saying.

Wonderful

 

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