Category: design

November 28, 2017

Cool new art!

How often do you find cool new art? In the case of Albuquerque’s Rio Grande Arts and Crafts Festivals, three times each year if you choose. I usually hit up two of them, but the show held annually on Thanksgiving weekend is by far the best. Last week was no exception. Not only did I “re-connect” with some of the art I discovered in 2015 and ’16, but I found new stuff! (Okay, new for me; just go with it.) I simply must share it with you. Of course.

One of the first “very cool new art” booths I came across, Copper Phoenix Studio, belonged to artist Scott Palmer. Make sure you check out his website which says:

“…a unique combination of solid copper, impressionistic painting style, natural patinas and flame painting to form hand – crafted one of a kind works of art… With Copper as his canvas; Palmer reignites his passion for impressionistic works of art. “Copper can simply be the background that provides luminescence to a painting or it can play a major role in the actual work.”

Cool new art at the Rio Grande Arts and Crafts Festival. — And like many artists who are looking to offer lower priced, introductory pieces to would-be customers — most of us rug hookers who sell have made rug mugs, right? — Palmer came up with these babies. I believe that he told me they are actually prints of his pieces under Plexi-glass. Very nice!

As I mosied away from Palmer’s booth, I came across…wire animals! Gary Chaffin of ArtWire Graphics sculpts his creatures with wire!

“The experimental use of negative space has been the focus of my sculptures. Each of my three-dimensional designs are spontaneous impressions. I begin with a loose image in my mind. Then as I develop the idea in wire, the finished design takes on its own personality. There are no patterns or drawings beforehand. Each complex design is created totally freehand, sometimes from a continuous wire. My only tools are a pair of pliers and cutters.”

I love how he begins with a “loose image” in his mind and that the designs take on their own personalities. Raise your hand, hookers, if you understand that perfectly. (I’m not sure if, in my case, that’s always for the good. 🙂 )

Cool new arts at the Rio Grande Arts and Crafts Festival — This being New Mexico, Chaffin’s roadrunner drew me into the booth first. So cool!

I don’t have too much info on the next artist, but I was overwhelmed with his work, especially on this chest. The graphics got me – love that kind of work. I mean, you could make a matching rug from his design easy-peasy. And then store any leftover wool or t-shirts or whatever in it.

So, I didn’t actually get to meet the next artist; her husband was manning the booth. And I warn you ahead of time, I an a tile-maniac. Love tiles! Have several in my house. Some in drawers because I don’t have enough room for all of them, and I do like to display other media. The artist is Debora Duran-Geiger of Tucan Tiles. If I eavesdropped correctly, she lives and works in both Santa Fe and Boquete, Panama. That latter bit really showed in her hummingbird art, not that I got a good pic of it. 🙁 But I got the ones you see here!

According to a card her husband gave me:

“…All designs are created by Debora Duran-Geiger using Cuerda Seca technique (wax resist linework). Each tile is individually hand painted using opaque and translucent glazes. Other techniques utilized…are: Slip trailing, Sgraffiato, and Majolica. Tiles are fired in an electric kiln to…1840 degrees. …They make fabulous trivets or may be inset directly into walls.”

Cool new art at Rio Grande Arts and Crafts Festival. — I am NOT putting a hot pot on these tiles!

Cool new art from the Rio Grande Arts and Crafts Festival. — You know I had to include this chick. Happy Day of the Dead!

In the spirit of reuse and recycling, I have to share this artist’s work. Came across her just before I left the show. Meg Harper‘s COLOR-FILLED animal portraits grabbed me. That she paints them on old signs, discarded cabinet doors, and tin roofs took me over the top. (Me who prefers to hook with old t-shirts and bed-sheets and such.)

Uh huh, another road runner. He’s just a little more filled-in than Gary Chaffin’s above!

Lastly, I present to you a gorgeous rug by Nancy Pierce of Artisan on the cul-de-sac. Like me, Nancy is a newish member of the Adobe Wool Arts Guild who moved to New Mexico within the last couple of years. I spied this rug in a promotional email from the Rio Grande Festival and asked her if I photograph and share it.

I suppose that you’ve indulged me enough. One of the big reasons I actually get dressed and leave my house the day after Thanksgiving for this show is that it leaves me with a desire to go home and to make my own art. INSPIRATION is the word. I hope that you’re feeling some after seeing the pics here.

Tynan will be back next week with “What’s on the frame.” Frankly, there’s absolutely nothing on it. I haven’t hooked a loop since the Santa Fe Fiber Festival the weekend before Thanksgiving. It’s unusual for me, but everyone needs to take a break even from the things they love to do. Besides it let me pick up my crochet hook again. For the first time since last winter. It takes so much more concentration to make sure that those rows are straight! You have no idea how many I pulled out last night as I tried to multitask to “Stranger Things.” (Tom hates it when I ask him to rewind because I missed something important doing needlework.) But Tomorrow the guild starts a three-day retreat. It’s back to the frame for me, to the piece I started in May when Cheryl Bollenbach was here teaching again. Bet it’ll look familiar when I finally show it off.

Have a great week. Get those Christmas trees up!

September 6, 2017

When someone buys and then alters your art…

…not only alters your art, but improves it! What to think? Me, I decided that it was great.

WHen someone alters your art and makes it a pillow. — Before: A close-up of the “altered art.”

I sold a small wall-hanging at the Sunflower Festival just over a week ago. Technically, it was of a poinsettia, though it didn’t scream Christmas. (I tend not to hook overtly holiday-ish items; they take so long to hook, I wouldn’t want to put them away after a month.) Indeed, the customer didn’t even recognize it as a poinsettia at first; to her it was an attractive, artsy rug that went well with the colors in her living room. Then she told me what she was going to do with it.

“It’ll make a great pillow to set on my fireplace.”

Very cool, I thought. “Would you send me a photo when you finish it?”

“Of course!”

Nonetheless, I was concerned that when she finally made the pillow, she’d either forget or have lost my card with the email address.

I needn’t have worried. That was Saturday. I think it was Tuesday afternoon when I saw an email with an unfamiliar address pop into my box. The message:

Hi Laura,

I bought your poinsettia at the sunflower festival on Saturday. I turned it into a pillow, stitching a backing from a green fabric remnant I had and stuffing it with poly filling. Here it is in front of our kiva. You can see it has a good home. It is nestled on an afghan my grandmother crocheted about 50 years ago. Thanks for your artistry.

Ada

Someone alters your art and makes it a pillow. — After: The Poinsettia’s become a Poinsettia pillow. Looks nice on the kiva, doesn’t it. Ada told me, too, that the afghan on the right was made by her grandmother 50 years ago. My rug’s in fine company.

Leonard Cohen once stated that “Artists’ intentions mean nothing.” And I agree. Especially if you’re selling your art. Sure, the poinsettia made a nifty wall-hanging or table-topper, but Ada saw it as a colorful pillow perfect for her living room. I’m happy that she was able to take a piece of my art and make it her own as well. And I’m grateful to her for sharing it with me.

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July 12, 2017

I forgot I hooked that rug!

I can’t believe that I forgot I hooked that rug! Yes, it went plumb out of my mind. Let me explain.

that rug, hooked — Unfinished and, therefore, unnamed rug being hooked with t-shirts sometime last fall.

Last night I was going through my laptop files looking for a particular rug photo. (I read a blog that encourages people to share their gardens and crafts and such. Of course, they want to see my rugs. 🙂 ) So, I’m combing through the blog file, the guild file, High on Hooking’s inventories, every file containing pics of rugs for whatever reason. And I come across this photo of an unfinished rug.

And I think, where the hell that rug? How come I haven’t been trying to sell that??? It was a pretty large, circular deal. About 28 inches in diameter.

Like many of you, I am not a woman who keeps things that bother me to myself. I less than casually mention it to Tom who responds with What rug? (Insert my eye roll here.) Once I show him the photo, oh, I remember that one! Thank God. I was starting to think senility might be creeping in. Then he asks about its whereabouts. Duh! Then he asks if I ever finished it. Of course, I finished it! I had to have done it before I started the big, blue floral rug around January 1.

I check the wicker trunk and the cedar chest. Nada. I take a cursory glance around the closet and laundry room, but they both hold my hooking raw materials, not finished rugs, most of which currently abide in my mobile store. It’s definitely not with them.

Again to the cedar chest. I do a better search, actually take things out. Nope. The rug seems to have vanished. I briefly consider that Melinda might’ve taken it. She really liked it when I was working on it. Nah, I would’ve seen it at her house. So, it has to be in mine!

Tom’s lost interest by now. I head back to the closet and the laundry room. Okay, I have not cleaned or sorted my laundry room counter in a very l-o-n-g time. Been too busy. This time I actually pick up some pile, move things around, and…lo and behold!…there, neatly folded, is that rug. I grab it, unfold it. Oh, the hooking is done – just like I remembered – but the finishing, not so much. Never bandy that word senility around so casually when you live in a glass house. It will come back to bite you in the ass.

that rug, unfinished — I definitely hooked that rug. I most definitely did NOT finish that rug.

Now I have another job to do so that I can get this baby out to the Rail Yards and the other places I’m selling at this season. (That would include, I recently found out, the Sunflower Festival in Mountainair, here in New Mexico on August 26.) Since tonight I’ll finish hooking another rug (see photo below) and have yet to design something new, I guess that I’ll be sewing binding on the “Tree of Life” when I meet with some guild members tomorrow for a mini hook-in. Like you, I’d rather hook.

Last week brought some interesting news. Along with 59 other hookers who feel a need to share the hooking gospel via social media, specifically via a blog, High on Hooking’s blog was named one of the best 60 rug hooking blogs. (It didn’t specify where, so I’ll go with in the entire world.) I admit that when I saw the email that morning, I scoffed to Tom that it was some kind of scam, false news, as it were. But, no, when I got on Facebook later in the day, congratulations were flying. Thank you, Rug Hooking Magazine and Feedspot for a lovely and unexpected boost.

Lastly, Tynan is back with “The Rug on the Frame.” Though he did mention that it felt like a demotion after being allowed to write the blog last week. I told him that if he’s good, he’ll get another chance. And if he stops calling us idiots. This rug is a favorite of his, though he’d make me take out the “WOOF” and put in his name. Then I couldn’t sell it, I explained. Exactly, he said.

hooked rug and dog — Tynan says, that rug should be mine. “Woof” is hooked all in t-shirt. Much cooler than wool this time of year.

August 17, 2016

If I hook it, they will come. Really?

"Welcome to New Mexico", 29.5"x20", $225, Recycled t-shirts — “Welcome to New Mexico”

The rug that generates the most talk when folks come into my booth at the Rail Yards Market is the one I call “Welcome to New Mexico.” Many of you already know its story; that I started it right before I left Massachusetts late last July to move to Albuquerque. In my mind I’d work on it while the child and I crossed the country on our new adventure. I pictured myself contentedly hooking in motels each night as I decompressed after a day of driving. That didn’t happen once, not even when the kid spontaneously combusted in Scranton, Pennsylvania, when she thought her cell phone died. (I swear that I left at least a year of my life on the side of the highway there…)

No, I didn’t hook at all on the road. First of all, it was difficult just getting our things in and out of my Honda Fit each day. If you haven’t seen one, it’s a tiny car, and I’d packed it to the gills. Truthfully, it was enough every evening to find some dinner, catch up with important emails, call Tom (who was still back in Mass waiting for the movers), and brush my teeth before I fell asleep over my magazines.

The sanity-saving, hit-or-miss rug. Wonder where the inspiration for the color scheme came from? Hoping to put it on the floor in the new house. — The sanity-saving, hit-or-miss rug.

Hence, I started the rug in earnest when the kid and I arrived at the house we were renting till we found our New Mexican castle. (Therapy!) It was designed to be a rug of convenience in that I was using t-shirts in the colors of the high desert and no set design. Old t-shirts in reds, browns, greens, and such are pretty ubiquitous; better, I’d found that Albuquerque had Savers stores. Savers has for years been my thrift shop of choice for used clothing to deconstruct and then hook with.

The hooking was done right quick – by the beginning of September. The finishing would have to wait until we moved (again) and I had more table room. To me it was an alright rug; it served its purpose, certainly, but I didn’t love it. Imagine my surprise when I put it up for sale at the Rail Yards this June. It was the mat that everyone pointed to when they perused my stuff. “Love that!” “Look, it’s got a Zia!” Even, “Hey, Sue, you should buy this one for your office.”

New Mexican flag courtesy of flags-to-print.com.

An aside: For those who don’t know about the Zia sun symbol, here is a description from Pueblo of Zia:

The Zia logo is used by the state of New Mexico on both the flag and license plates.

The symbol originated with the Indians of Zia Pueblo in ancient times. It’s design reflects their tribal philosophy, with its wealth of pantheistic spiritualism teaching the basic harmony of all things in the universe. (http://zia.com/home/zia_info.html)

Maybe I shouldn’t have been surprised by its popularity. Zia suns are all over the place here: on our license plates, on t-shirts, worked into company logos, and so on. Silly me for thinking it would be seen as touristy or, at best, kind of kitschy. I mean, I’m from New England, but I didn’t have photos of sailboats or lobster statues throughout my colonial home.

A few weeks back a woman came through my booth; she had a marketing background and did a lot of work with arts and/or craft shows. The first thing she told me (after saying that she loved my work, that is) was that I needed to have more Zias. that people would eat them up. And that my mug rug concept should be “expanded,” that I should hook a larger rug, big enough to hold four mugs. That “if I hook it, they will come.” (And, concomitantly, they will pay more.)

What the hell, I thought, Let’s try it. Tom and I ran to Savers a couple of days later (if I go on Tuesdays, he gets me a senior discount of 30%!). There weren’t four matching mugs that would fit the New Mexican bill, but I did find two colored turquoise. Fine, we’d start small-ish. Below is what I came up with (minus one mug for the pic).

"Coffee for Two, NM Style" really came with two mugs. Sold! — “Coffee for Two, NM Style” really came with two mugs. Sold!

Fast-forward to this past Sunday. Everyone loves the “Welcome to New Mexico” rug, but, of course, no one wants to pay for it. (I know the owner-to-be is out there…) Lady comes in, is looking for a gift for her mother. Takes her a while to decide on one with the “perfect” colors that will match her mom’s home. I realize suddenly that I don’t have my Square, that I left it in the car. Tom makes a run for it. Lady walks around the market with her husband while we wait. Tom and she arrive back at the same time. I start to input the info into Square. “Wait!” she says excitedly. “Can I have this one instead? I think she’ll really love this one.” The Zia rug with its matching mugs is $10 more. Of course, you can!

So, I’m about to start making a lot more New Mexican-themed rugs and mats. That’s okay. I find it an interesting challenge to come up with different designs that don’t bore me, that have some panache beyond the typical tourist crap you find in Old Town Albuquerque. But I’m not one to design according to others’ preferences – unless they’re paying for a custom rug, of course. Fortunately, these will tend to be smaller rugs. For myself and my own “artistic sense,” I usually have another rug running, something that’s less work and more…therapy. Right now that’s a bedsheet rug. Pictures will soon be available.

"Desert Gone Wild"; 23"x9.5"; $90; Recycled t-shirts, SOLD — “Desert Gone Wild” is a rug that sold two weeks ago. Color, for me it’s all about the colors.

What about you? What do you like to hook? Landscapes? Geometrics? Portraits? Florals? Realistic versus stylized renderings? I know many love to do seasonal pieces. Me, I love pumpkins and other things fall, but I’m not a lover of Christmas rugs. It takes so long to make one, how can I put it out for six weeks at the most? Weigh in below!

July 18, 2016

Santa Fe’s International Folk Art Market

A close-up of a rug made by the Yangma-Olangchung Women's Cooperative in Nepal. — A close-up of a rug made by the Yangma-Olangchung Women’s Cooperative in Nepal.

As promised, more on Santa Fe’s International Folk Art Market…

While the Guatemalan rug hookers catalyzed our visit to the International Market, the reality is they weren’t the only game in town. There were artisans from all over the world and LOTS of textiles which made Laura a very happy girl.

There was a decent amount of jewelry at the International Folk Art Market, but these bracelets made in Columbia really caught my eye. I know, it's all that color. (Artesanias de Columbia) — There was a decent amount of jewelry at the International Folk Art Market, but these bracelets made in Columbia really caught my eye. I know, it’s all that color. (Artesanias de Columbia)

Funny story and an important tidbit for anyone planning to visit the market next year:

I didn’t read too much about the International Folk Art Market before we headed off to Santa Fe that morning. Having been to the city’s big Indian Market and other events, we assumed it was on the Plaza. Driving into town, though, we saw signs for overflow market parking and the shuttle. “I’m guessing the lots near the Plaza are full and they’re shuttling people in,” I said to Tom. “Let’s park here.” We leave the car and board the bus. Sitting sideways and reading a program that someone had handed me, I

"Tree of Life" by Mariano Valadez. It's a huichol yarn painting, incredibly vibrant. — “Tree of Life” by Mariano Valadez. It’s a huichol yarn painting, incredibly vibrant.

paid absolutely no attention to where the bus was going. Looking up after a few minutes, imagine my surprise when I realized we were NOWHERE NEAR THE PLAZA. We were, however, close to Museum Hill. Oh! I looked back at the program and for the first time noted as well that there was an entrance fee involved. A $20 entrance fee. Tom took it better than I thought he would. Thank God that the kid hadn’t come with us after all. And that it was too hot to bring the dog.

These gorgeous, diaphanous fabrics are from India. Mamta Varma represents a group of women artists who make traditional Chikan embroidery. — These gorgeous, diaphanous fabrics are from India. Mamta Varma represents a group of women artists who do traditional Chikan embroidery.

We had to give credit to the organization that put on the market, the International Folk Art Alliance. There were several large tents spread on different levels between the various museums housing the artists’ booths. Colorful decorations blew in the breeze contributing to a nice, festive atmosphere. It was a pleasant way to spend a few hours. And entrance to the museums was included in the 20 bucks. Tom and I made use of the restrooms in the Museum of International Folk Art, then stayed a bit to enjoy its AC and some of the exhibits. I see another field trip in our future…

Uzbekistan was really well represented at the International Folk Art Market. These pieces of Rishatn pottery were created by Rustam and Damir Usmanov. — Uzbekistan was really well represented at the International Folk Art Market. These pieces of Rishtan pottery were created by Rustam and Damir Usmanov. How intricate is that design?

How could I have not photographed this??? It was in Ruraq Maki's booth. The organization represents women incarcerated in Peru. They make mantas, a handwoven shawl or carrying-cloth featuring a large embroidered stripe down the center and including floral, animal, and bird motifs. Ruraq Maki provides the women a sustainable income for this exquisite work. — How could I have not photographed this??? It was in Ruraq Maki‘s booth. The organization represents women incarcerated in Peru. They make mantas, a handwoven shawl or carrying-cloth featuring a large embroidered stripe down the center and including floral, animal, and bird motifs. Ruraq Maki provides the women a sustainable income for this exquisite work.

More on Ruraq Maki and the good they do for women at ruraqmaki.com. ruraqmaki.com — More on Ruraq Maki and the good they do for women at ruraqmaki.org.

My only complaints about the International Folk Art Market have to do with why I bought nothing, not even a small trinket or two. And there were some affordable items there, really. To allow artisans time to speak to market-goers and to deal with language and tech barriers, no money was exchanged at the booths. Instead there were a couple of central locations where one paid after giving info to a volunteer stationed at a table next to each booth. Unfortunately, all these extra tables and volunteers made for more congestion in the already heavily trafficked aisles. Worse, there were some pretty long lines at the payment stations. They weren’t shaded, and it was over 90 degrees that day, full sun. I,m fair-skinned with red hair and freckles. Add it up; mpulse purchasing wasn’t happening for me. And that was a serious shame.

So cool! These are examples of bark cloth painting from Malasia. Matthew Ngau Jau decorates the bark cloth (yes, from trees!) with paint, shells, beads, and embroidery. — So cool! These are examples of bark cloth painting from Malaysia. Matthew Ngau Jau decorates the bark cloth (yes, from trees!) with paint, shells, beads, and embroidery.

Enjoy some of the pics I took with my NEW phone. While its camera lens isn’t all scratched up like the old one, and it takes lovely shots, I hate the thing. It overheats on a regular basis. It’s quirky, doesn’t always do what it says it will and is difficult to answer calls on. Worse, the chick at the Cricket store told me how great the camera is – that was my most critical parameter in buying a new phone. Silly me to assume that a “great” camera would

Another instance when colors jumped up and dragged me into a booth. This appliqued wall hanging was hand-stitched by Tarek Abouelenin and Hosam Mamoud of the Tent Makers of Cairo. The designs they create are inspired by those found on mosque tiles and tents from the Ottoman Empire. They were the only Egyptians represented at the market.

necessarily include a “great” zoom feature (like the prior phone had). My bad! It has virtually no zoom. When I need close shots, I have to hope that Tom’s there with his phone (identical to my old phone with its very, very “zoom-y” lens). Now I’m stuck with the damn phone for who knows how long.

Isn't this beautiful? It's a Caucasian silk embroidery wall hanging done by one of the artists of the Mehmet Cetinkaya Gallery of Turkey. This traditional art dates back 300 years. I would've liked on. Silk items are believed to bring good fortune to families, not to mention status. I just need the good luck,. — Isn’t this beautiful? It’s a Caucasian silk embroidery wall hanging done by one of the artists of the Mehmet Cetinkaya Gallery of Turkey. This traditional art dates back 300 years. I would’ve liked to bring a piece home. Silk items are believed to bring good fortune to families, not to mention status. I.m not greedy; just give me the luck.

I hope everyone’s having a great summer. I’m enjoying all the rugs being posted on Facebook these days, especially as so many are attending rug camps and/or sitting outside on the porch with friends hooking. Me, I’m busy making rugs to sell at the Railyards Market. Mug rugs, it seems, are in. This week, Tom, the child, the dog, and I are off to Taos for a day trip. Looking forward to it. Hopefully, they won’t mind a few fiber stops on the way.

I may take a week or two off from posting here. Will still post to Facebook, though, so see us there. And feel free to post photos of your rugs or paintings or quilts or whatever you’re making these days. I love this time of year!