Please Join Us For The Two Moons Exhibit Series Opening Reception
Friday, October 7, 5:30 pm to 8 pm
at FUSION 700-708 1st St., NW – Downtown ABQ
Part of the Two Moons exhibit series curated by artist Martin Terry, this contemporary exhibition – PROTEST, See Something, Say Something – will focus on a select group of artists whose works speak to a social consciousness. Included are fiber arts, sculpture, painting, graphite, mixed media, written word, video, song, and other new and innovative means of communicating social commentary. Work in a wide range of styles matches the breadth of subjects addressed, including racism, sexism, economic inequality, climate change, violence, political upheaval, war, disease, and hatred.
IN THE STUDIO TALKS ON HIATUS AFTER THIS EVENT! DON’T MISS VALERIE CAREW AND KAREN MILLER CHATTING!
Join Toronto artist Valerie Carew as she discusses how she animates household objects such as rugs using photography and performance and how she uses the craft of hand-hooking to express relationships with the natural world.
Engagement with land is a big motivation in Valerie’s artwork. She makes textile wearables and engages with natural environments using immersive role-play. Valerie is interested in exploring the “what ifs” in art making; she tries to use the language of rug fabrication and textile craft to communicate memories and human experience. Her family history and relationships with land are rooted in the settler cultures of Newfoundland and New Brunswick, Canada. Hand hooking rugs is part of the fabric of these cultures. Traditional aspects of rug making, such as material reuse, storytelling, and folklore are referenced and re-configured in her contemporary practice.
About Valerie Carew: Valerie Carew, she/her (Toronto, Ontario) is an interdisciplinary artist who explores human/land relationships through performance, body based sculpture, installation, painting, and fibre craft practice. Immersive role-play and biomimicry are combined with sculptural rug making to express experiences with land and identity. Valerie’s sculptural works are designed for interplay and physical contact with the human body. She incorporates nostalgia, myth-making, and material transformation to imagine new futures defined by a greater connection to the wild.
The Zoom link for this presentation will be emailed to you the day before the talk (or after you purchase your ticket, if you purchase on the day of the event). If you don’t receive it, you can contact the organizer at info@karendmillerstudio.com.
Tickets will be on sale until 10 am the day of the event. After that time you will no longer be able to purchase tickets.
Please note that the time of the talk is 1:00 pm EASTERN.
FAQ’s
* Will this talk be recorded for viewing later?
Unfortunately, no. Due to the logistics involved, we decided some time ago to keep these events live. Hopefully if you can’t make it to this talk, you’ll be able to make it to a future talk.
* It’s the day of the talk and I’m having trouble finding or using the link for the talk. How can I find help?
It is very advisable to LOG INTO THE EVENT A FEW MINUTES EARLY to be sure that you have no trouble with the link, and if you are having trouble the organizer can help you out. You can email or message the event organizer up until one hour before the talk on the day of the talk for help. ONCE THE EVENT STARTS, however, messages and emails are not able to be monitored.
* I’m finding it distracting during the talk seeing all of the other participants on my screen. What can I do?
During the event the organizer will put the screen setting on “spotlight view” so that the presenter is the focus on your screen. Depending on your device, you may still see audience members on your screen and changing your setting from “gallery view” to “speaker view” should help with that.
* What Time Zone is the time of the talk in?
The time indicated on all ‘In the Studio’ talks is the EASTERN (EST) time zone. If you live in a different time zone, be sure to check what time you should tune in to ensure you don’t miss the talk.
*I can no longer make it to the talk. Or, I missed the talk. Can I get a refund?
Unfortunately no- the price of the ticket is so low that it is not cost-effective to refund those amounts. If you are unable to make it to the talk and you already have a ticket, or you forget to attend, please do contact me at info@karendmillerstudio.com. I always offer a ticket to the next talk to make up for it. All of the artist speakers receive a portion of the ticket proceeds so we very much appreciate your contribution to supporting artists!
Susan Feller walks you through what you need to know about exhibiting your artwork.
IN THE STUDIO WITH SUSAN FELLER – JULY 22, 2020; 1-2 PM EASTERN (11-NOON MOUNTAIN)
West Virginian artist Susan Feller approaches exhibiting artwork from a variety of experiences: as a gallery owner, as a juror, as a curator of event collections and online exhibits, and as an artist. This presentation will help anyone in those categories to prepare and evaluate their art for exhibit. Not planning an exhibit? In the very least, you’ll come out with an appreciation for the preparation involved.
An artist’s journey is extensive: from building up a body of work and joining arts organizations to submitting entries to shows and proposals for solo exhibits, and then perhaps working with galleries and museum curators. In addition, artists must deal with acceptance AND rejection of their work. Making art is only a small part of an artists journey.
Using her own upcoming solo exhibit as an example, Susan will address what’s required from exhibit invitation to show opening. She’ll comment on writing an artist’s statement. She’ll touch on guidelines to follow for the various venues available: galleries, museums, events, and even virtual online presentations.
Bring your questions! Possible topics can include: selecting a theme for an exhibit; pricing your artwork; gallery promotion; what jurors look for when selecting work for shows, and choosing images of your work to submit to calls for entry. I bet you can come up with others.
Susan L. Feller is an award winning fibre artist, author, and teacher. She is a frequent contributor to Rug Hooking Magazine and has had her work featured in, and been a judge for, their Celebration of Hand-Hooked Rugs annual publications. Susan frequently exhibits her work across North America. You can learn more about Susan and see her work at www.artwools.com, or follow her on Facebook at Susan L. Feller Artwools and on Instagram @artwools
Looking forward to seeing you there!
IMPORTANT: This talk will be held on July 22, at 1:00-2:00 pm EASTERN. This is a ticketed event ($6 Canadian) and you must purchase your ticket before the event using the link in this event. Find tickets on the Eventbrite page. After purchase, Eventbrite will send you an email with the link. If you do not receive this after purchasing, look in your spam filter as it may be there. On the day and the time of the talk, you will use the link in the Eventbrite email to access the talk. You may be asked to log into Eventbrite so keep a note of the email address that you used and your password. It is advisable to log into the talk a few minutes early so that if you have any trouble with the link you will have time to fix it before the talk begins. Also, if you are not familiar with Zoom and how it works you may want to go to the Zoom website where there are free online tutorials of the Zoom features.
EVERYONE HAS A STORY: LET THEM TELL IT. Circle by Sandy Coleman.
On Monday last I participated in a workshop* presented by Nasco Art Education featuring artist Sandy Coleman, creator of the The Community Circle Project. The Project and the class are all about connecting community in a way that allows for self expression. I’m sure you agree that these days we need both.
Sandy and I go back a number of years to when I was still living and hooking in Massachusetts. Members of a local artists’ group, we talked about collaborating on something. Later is better than never, yes?
By day, Sandy is the director of communications and the magazine editor at Wheaton College (Massachusetts). But she’s also an art teacher at the Attleboro Art Museum. Back in January, her Community Circle Project featured prominently in the Martin Luther King Jr. Memorial Committee of Greater Attleboro’s MLK Jr. holiday programming. At an interfaith service entitled “Breaking through Bias: Accepting Our Differences,” guests were invited to create circles that eventually (when our Covid-19 crisis allows) will become part of a large-scale public display illustrating community and unity.
Artist and Community Circle Project creator Sandy Coleman.
In Sandy’s own words:
I believe that art reminds us of our common humanity. Art invites us to tap into our innate creativity, to experience the process of bringing forth what is imagined into reality and to see what is good within ourselves so that we also can see what is good within others. This all, ideally, not only opens us up to hoping for the best for everyone and for the world, but also moves us to act to bring about good.
I believe that imagining what you want is the first step toward making it happen. All of this is at the heart of the founding of The Community Circle Project, which I created and launched in 2019.
The circle is a symbol of unity, wholeness, connection and inclusion. The Community Circle Project is an ongoing art collaboration and engagement that employs the symbol and the themes evoked as a creative focal point. I facilitate virtual and in-person workshops in which participants are invited to engage in artmaking as well as meaningful conversation. The goal is for us to see our commonalities, our shared humanity and desire for good in our lives, which, ideally, leads to wishing for good in the lives of others, our communities and the world.
Change happens in big and small ways. Each of us can play a role in that, including calling upon the power of creativity for relaxation, reflection and reaching out.
WE ARE POWERFUL TOGETHER. Another one of Sandy’s circles.
During the class, Sandy mentioned that she creates a circle each day, usually in the morning, based on a prompt which can be a statement or perhaps a question à la “what have you learned during the world lockdown? During the recent protests? What dreams do you hold for yourself? Your family? The world?” This journaling both relaxes and energizes her, grounding her for the day ahead.
Monday’s online workshop was primarily directed towards art educators for grades 4 and up. Hey, I teach rug hooking! Actually, I was there because, after Sandy invited my to join the Community Circle Project on Facebook, I saw a post that she was going to be presenting HOW the circles worked, how I could learn to draw them and participate in the project. Remember, Sandy came up with this Community Circle concept last year, well before the nation sat up and really took notice of our systemic racism, before some of us truly woke up and realized that our silence has been complicit. Although, as Sandy generously allowed, “Silence is complicated, not just complicit.” She herself has taken care and time to reflect on how she can add to the conversation. She is doing that through art.
KEEP THE DOOR OPEN. Another one of Sandy’s circles.
But this is art that’s meant to be shared. Art that can and should spark meaningful discussion. And we sure as hell have a discussion now. One we need to ensure keeps going thoughtfully. The Community Circle Project is a way to do just that. Through classrooms of kids, through community workshops, even through individual “circling.”
How many times do we have to be reminded that we have more in common than we don’t? That we are our brothers’ and sisters’ keepers?
Art gives us a way to reflect on and process the things going on in the world at large and in our own little part of it. How many people miss out on that because they say, “I’m not an artist!”? Everyone can trace a circle or even freehand it. (Another Sandy-ism: “Wonky is wonderful!”) I wish I’d been at the MLK Day service in Attleboro in January to see all the diverse circles that probably we’re actually pretty similar in spirit. Imagine the discussions that came up between parents and kids, between neighbors.
I CAN DO MORE TO BE UNIVERSAL. WHAT MATTERS MOST IS KINDNESS. Surprise! This is the circle I did during the workshop. Clearly, I don’t have the brevity thing down yet.
Let’s keep the conversation going!
Rug hookers and other artists, how about an old-fashioned challenge? Your circles don’t have to be hooked. We all know what it’s like to do letters. Feel free to draw them, if you prefer. Get your kids and grandkids involved.
