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Yearlong Environmental Stitching Project

Celebrating Earth Month with the Yearlong Environmental Stitching Project!

Stitching - beginning the Yearlong Environmental Stitching Project
First day’s work on the Yearlong Environmental Stitching Project. January 1, 2023.

As many know, a main focus in my artwork, particularly hooking, is to bring attention to the state of our shared environment. Globally, locally too, it’s not in great shape. Between crazy-ass storms, drought, rising temperatures, air and water pollution, too much trash and waste, etc., etc., we’re suffocating ourselves and other forms of life here on earth. (Though I understand that cockroaches and kudzu are still doing quite well.)

If you’re reading this, I won’t bother preaching to the choir. You’re already aware of the problems. And you’ve probably heard me pontificate or at least share various posts on my social media. A note, my initial career was in environmental regulatory management for industry. I’ve had plenty of time to think about what we put in and on this planet of ours.

Honey bee - Yearlong Environmental Stitching Project
On January 14 I stitched about how the US Department of Agriculture approved the first ever vaccine to prevent the bacterial disease that destroys honey bee colonies. This is GOOD NEWS!

 

More than wool, I create hooked art using different types of old textiles that I find in Savers (my local thrift store) and am gifted. They can include old t-shirts and other clothing, curtains and bedsheets, and so on. It makes me feel good to tell people what the art they’re fondling is made of. Kids especially love to see and touch recycled t-shirt rugs.

 

In 2020, I spent the WHOLE YEAR hooking and stitching the Ribbon Rug Journal (RRJ). Not familiar with it? You can read about it HERE. Given the nature of 2020, I had plenty of time to sit down every single night to log in that day’s entry. Still I was psyched that I made it to December 31. And really ready to move on from the project given the time and energy it took. It’s since been the subject of an article I wrote for Rug Hooking Magazine and hung in two exhibits.

Fast forward to late 2022. Surprisingly, I was itching for another yearlong endeavor, preferably something with meaning from the get-go. (When I started the RRJ, I had no idea that 2020 would be the “special” year that it became.) I wasn’t looking to hook something every day; that’s what my regular projects are for. Besides, Tom begged me not to have to work on something every night. So, I pondered…

Brown widow spider - Yearlong Environmental Stitching Project
On March 13, I started the Brown Widow Spider after reading about how the aggressive Browns are “slaughtering” the more docile Blacks (spiders!) in the US Southwest and South. Then they eat them! Meanwhile the Black Widows are expanding their range northward, even into Ontario and Quebec.

Meanwhile, like most everyone else, during 2020 and 2021, I took online classes and became more interested specifically in hand-stitching. In fact, I incorporated stitching into the RRJ because some things, like letters, were easier to do on the burlap ribbon than hooking. I made a Kawandi quilt and was pretty proud of myself. I also did more sketching with the likes of Sketchbook Revival.

 

I’m not interested in fine drawing or fussy embroidery, but something more basic. To share a thought, make a memory, the stuff of journaling.

Last year too, while on a hunting trip to Savers, I came across a large, linen curtain panel from Ikea. It’s a beautiful, pale green. Come the end of the year, it was just sitting there, waiting for me to formulate an idea. Which I finally did. The color is a great earth color. And I kept seeing and reading more and more environmental stories. Ah ha! I decided on the Yearlong Environmental Stitching Project (YESP): I’d stitch using an environmental theme throughout 2023.

Safety was derailed along with the train in Palestine, Ohio, in February.
After the Norfolk Southern train derailed in Ohio in February, we learned more about how the last administration dismantled railroad safety rules. as the railroads requested. This accident and subsequent environmental and health disaster didn’t have to happen.

 

I’m still not enthused by the title so that might change. And to avoid burnout – my own and the husband’s – I don’t work on it every day. In fact, throughout Sketchbook Revival 2023, the whole thing has sat on the dining room table. Really, it could also be a tablecloth; it’s big enough! As I scan the newspaper and news online each day, I collect stories. Some are pretty horrific, I’m not going to lie. Like the recent report from the UN about humanity’s closing window of opportunity to affect climate change, that our current investment and funding for adaptation to that change are completely insufficient, especially in and for developing countries. Never mind that the US electrical grid is heading for a total meltdown. But there’s good news too. Biden created two new national monuments here in the Southwest. Then there’s the woman in Britain who got so fed up with her town’s lack of recycling that she decoded to take care of it herself. And all kinds of folks joined her. I need those kinds of stories; otherwise the whole project would depress the crap out of me.

I keep all the stories in a file folder and pull one out when I’m ready for a new entry. Having learned from the RRJ, once I finish a stitching, I record it and pertinent info in a written journal. I photograph it too. That way, in January, I won’t wonder what the hell I stitched. Also, the only thing I can purchase for this project is embroidery floss. Everything else has to come from what I already have or am given.

While this won’t be quite as entertaining as the nightly RRJ postings were, I hope that you join me on this yearlong journey. Hey, it’s less than nine months now. Somehow busy-ness and my own winter inertia kept me from getting this all written up, though I have been posting on my Instagram and Facebook accounts all along. Sadly, it’s a constant fight against the cult of busy-ness in this culture. Even when your kids have left home and you don’t have a regular paying job. Also my ability to multitask isn’t as honed as it used to be. (Thank goodness!)

 

Toadzilla - Yearlong Environmental Stitching Project
Toadzilla, the fierce, burly Cane toad from Australia. He was 6 pounds, the biggest Cane toad ever found! I’ll let you Google him to see why he was in the news in mid-February. This is his outline. I still haven’t finished filling him in. It’s a good lesson to me to sketch more, color and detail less.

 

How do you cope with climate change and all that the environment’s throwing at us these days? Any good plans for Earth Day?

 

 

 

 

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First day of spring and the rest of 2023!

Welcome to the first day of spring! Not that it’s felt that way here in Albuquerque. It’s been in the 40s and raw the past few days. Very unusual, though we have had some warmer, blustery days for sure this month. And the rain (and snow last week) is always welcome given our drought situation.

You might’ve seen on the WELCOME page of my website, I’ve had a crazy, busy winter. My plan in January had been to extract myself from some of my “busy-ness” so that I could spend more time on my own art and explore the various ideas rolling around my head. I come up with so many plans in the shower (where I think best); then my day starts and the plans are lost. Now winter has come and gone. I refuse to lose the spring too.

Fortunately for me on this first day of spring, of renewal, I get a helping hand. Sketchbook Revival starts today. It’s a FREE, almost two-week long, online program of workshops designed to “help you feel inspired, energized, and revived.” Founder Karen Abend invites artists from all over the world to teach each workshop. Two are offered each day. You can do all of them or skip one here and there as you choose. If like me, you find life interrupts and you miss a class, you can access everything for a couple of weeks after the last workshops are published. That also means that you can join the program after it begins. And if you don’t have all the recommended supplies, no worries. You can wait a day or just use whatever you have on hand. If you’re interested, find info HERE.

By the way, I’ve written about Sketchbook Revival before. Find that post HERE. And it goes without saying, the more I play in my sketchbooks, the more likely I am to come up with interesting hooked art.

Two dogs with hooked art wish you happy spring
Tynan and Bowyn present WHAT’S ON THE FRAME this week. And they wish you HAPPY SPRING!

In that vein, I started a new piece the other day. It’s small, as I’m not sure how well it’ll look on the monk’s cloth. Hell, I don’t even have a good picture of it in my head! But it’s all about experimenting and process for me. Well, mostly. Like everyone, I like to like what I create. LOL. Tynan and Bowyn present it in the photo.

A word about Tynan. He’s really slowed down this past fall and winter. His deafness is profound, and he’s rather wobbly, but he’s still enthusiastic about his food, any food really. Thank goodness for doggie diapers, though in his presence they are “man wraps.” The good thing is that next week he celebrates his 15th birthday. Watch for him and his celebration on our social media.

How are you celebrating spring?

 

 

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The Angel of 2023

The ANGEL OF 2023: SHE PRAYS FOR RAIN

Every year – usually in the late fall – I create an angel for the coming year. See 2022, 2021, but not 2020; not sure where she went.) This year I was a little tardy and finished her up on January 1. Given everything HOLIDAY going on and the passing of another year, I’m thinking that I’ll keep this schedule from now on. It gives me a break after festivals, sales, and late fall teaching.

Fiber art, ANGEL OF 2023, SHE PRAYS FOR RAIN
THE ANGEL OF 2023, SHE PRAYS FOR RAIN
Hooked (various fibers) and embroidered (bamboo yarn and cotton embroidery floss) on 4×4 monk’s cloth; mounted on a black canvas.

In my fiber art practice, I focus on reuse and repurposing, especially of textiles of all kinds. Better to use something than let it fall into landfills. Sadly, this is particularly the case in this time of fast fashion and its concomitant waste. I will never run out of raw materials for my work.

At the same time, I live in the American Southwest, a land still wildly beautiful but suffering from a megadrought. You’ve all seen the pics of Lakes Mead and Powell. No need to repeat it here. Our uncompromising thirst for water and other resources has brought us here. Truthfully, I don’t think that much will change, but if it’s going to, WE better get to it right quickly to help with water and all of our other environmental crises.

In the meantime…SHE PRAYS FOR RAIN.

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Here’s to a maker’s 2023!

2023 is right around the corner!

Hooked art: FIRE WORKS
Happy 2023! FIREWORKS (repurposed t-shirts and sparkly ribbon on monk’s cloth)

My plan for this week between Christmas and the New Year has been to do the things I WANT to do rather than HAVE to do. (The last couple of months planning Workshop Week 6 and handling some other things – like LIFE – were exhausting.) Things I wanted to do include the usual end of the year review and, more importantly, making plans for the coming 2023.

Gotta say I’ve been a little lazy on all accounts. Also, the final holiday rush took its toll physically. I’ve been mostly lying low the past few days: started a novel, doing Sudokus, and working on a new hooking project. Going through my piles and drawers and closets to organize and dispossess hasn’t happened. Yet. I still have a couple of days, especially given that it’s a long weekend. Watch for that ANGEL OF 2023! She’s a little late this year, but she’ll make an appearance by January 1.

I didn’t feel up to a detailed post mortem on 2022. Sadly, the end of the year brought with it a flurry of deaths in my little part of the universe. Nonetheless, like everyone, my 2022 brought some downers and some nice pluses. Teaching in Tennessee at the Shakerag Workshops was right up there. If you have a chance to participate – as a teacher or a student – I highly recommend the experience. A couple of articles I wrote were published in Rug Hooking Magazine. There were art shows and festivals here in Albuquerque and in Other Places, New Mexico. In the fall I made it out to Seattle to visit the kid. With a little luck, Tom and Bowyn, and I will make a road trip there in 2023.

What about the coming year? In 2023, I’d really like more time to myself, time to explore my making. Certainly, I look forward to teaching and sharing how others can get in on this calling of rug hooking and other fiber arts, but I need to carve out time for myself to sit in one place and ponder and experiment without distraction. I find it really easy to administer, to volunteer, to vacuum (ew!), to do anything but make the things I’ve seen in my imagination. Busy-ness, a need to feel needed, and the concomitant exhaustion – they can kill an art practice. I see it in others, and all it leads to is regret.

Hooked art/rug
What I’m losing myself in tonight. NO NAME as of yet (repurposed t-shirts on monk’s cloth)

So, my big goal in 2023 is: SOLITUDE. Not that I plan on blowing anyone off. I’m a très social being who has a hard time saying NO. But it’s time for a little me-time. (Being Catholic and Irish, I know I’ll apologize for that all year.)

My New Year’s wish is that you too carve out some solitude for yourself and your art, your gaming, your reading, whatever it is that you can lose yourself in. Happy 2023!

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The Art of Motherhood

We’re all affected in some way by motherhood…

Book cover: The Art of Motherhood: Our Lives in Colour and Shadow

I know I’m late to the party congratulating Karen Miller of Ontario on the release of her new book The  Art of Mothering: Our Lives in Colour and Shadow, but I will NOT be the last, I guarantee you.

Karen’s book, published by Rug Hooking Magazine, came out in October. I think I received my copy in early November. Unfortunately, I’ve been très busy the past month, so I’ve only been able to scan through it thus far, but with the holidays almost here, I’m hoping to sit down soon and pore over it – no interruptions!

It’s a beautiful book, certainly, filled with all kinds of art. It’s vivid and colorful as it shines a light on how female artists have dealt with not just the topic of motherhood, but its actuality.

From the back cover:

Motherhood has been the richest experience of Karen Miller’s life. It has also inescapably changed her life trajectory: her career path, her energy levels, her commitments, her time, her marriage. It has affected everything. Join Karen as she and 21 contributing artists lift the lid on motherhood and peer inside to examine the reality of their lives through textile arts.

The Art of Motherhood: Our Lives in Colour and Shadow illuminates the feelings that so few of us talk about – but so many of us feel – as we navigate the journey that is motherhood.

Hooked art
“Rejection,” 14′ x 17.5″, hooked on monk’s cloth with wool strips and yarn, is one of my pieces in Karen’s book.

Karen’s known for a long time that being a mother hasn’t always been the best of experiences for me, so when she asked me to contribute to the book, I jumped at the chance. It’s always stuck up my craw sideways that women rarely feel comfortable being honest about motherhood and what it does to us.  Even in a group of just women! How dare we speak up about not feeling quite like the Madonna and her perfect Child. News flash: I’m no Madonna and it took a lot of alcohol to get through my only kid’s high school years. (Those years made the previous 14 look like an f-ing picnic.) But after fertility problems and two miscarriages over two years, no one wanted a kid as much as I did. And I have no regrets. (Most of the time.)

Hooked art
“Holes,” 68″ x 33″, hooked on monk’s cloth with recycled textiles and silk sari ribbon. I’ve talked about this piece before.

That’s the kind of candid crap you’ll find in this book though in a much more eloquent form, LOL. And LOTS OF FIBER ART, hooked and otherwise. If you’re a mom or know a mom or ever had a mom, get thee online to order this book. It’d make a kick-ass and thoughtful Christmas or other type of gift. I promise. You can order from RHM HERE. If you’re in Canada, contact Karen through her website.

PS- Not all moms are biologic. And mother figures count as moms.

FYI-
Below is a list of the Instagram handles of all the artists who, in some way affected by motherhood, contributed work to Karen’s truly excellent book. Check out their work.

Karen Miller:  @karendmillerstudio
Nadine Flagel:  @pretextstudio
Meryl Cook:  @merylcook
Laura Salamy:  @highonhooking
Emily van Lidth de Jeude:  @emilyvanartist
Jane Smith:  @blogginthebay
April Deconick:  @aprildeconickart
Linda Friedman Schmidt:  @lindafriedmanschmidt
Rachelle Leblanc:  @rachelle_leblanc_art
Trish Johnson:  @trshjhnsn
Patti Colen:  @woollycronedesigns
Alexandrya Eaton:  @alexandryaeaton
Michelle Kingdom:  @michelle.kingdom
Carmen Bohn:  @carmenbohn_art
Elizabeth Miller:  @northatlanticfiberarts
Ellen Skea Marshall:  @twocatsanddoghooking
Amy Meissner:  @amymeissnerartist
Michele Micarelli:  @michelepmicarelli
Linda Rae Coughlin:  @lindarae_coughlin
Sayward Johnson:  @saywardjohnson
Lori Laberge:  @lorilabergeart
Karen Larsen:  I don’t believe Karen is on Ig but she is on fb

And to everyone in the US, mother or not,

HAPPY THANKSGIVING!

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