Workshop Week 3 classes announced; registration is open!
Thanks to Covid, a new type of “camp” was born last year, one that lets folks from all over come together without worrying about the high costs (in money and germs!) of travel and hotels. Those of us involved in In the Studio – brought together by Karen Miller – had such success and fun, that we did it all over again in Februaryand even invited a couple of other artists to join us. We’ve come full circle and are now planning WW3 for the last week of October, 2021. But this time we’ve got FOUR NEW TEACHERS!
Again, all Workshop Week 3 classes will be conducted on Zoom. I know, I know, it’s not the same as being there in person, but how else could you be part of this fabulous line-up? And we’ll have the two bonus sessions again during the week – an evening gathering and a panel discussion.
There’s a wide array of workshops available; some having to do with just rug hooking, others not so much. Scroll through the document below to find your favorite(s). Feel free to take more than one. Email individual instructors for registration and more info. Don’t tarry, as classes filled up pretty quickly last time.
BTW: If you see a workshop that you’d love to take with your guild or other social group, most of us are happy to run our classes again.
WORKSHOP WEEK 3 – Enlarge image by clicking on bottom right symbol.
Welcome the whirlwind that is June. So much is going on! But it will be of a limited extent for the most part. In July, we’ll pack up the CR-V and head back east for a couple of weeks. Till then, though…
Unfortunately, Cathy Kelly and I won’t be heading to our first show to vend as expected this coming weekend. When Covid numbers weren’t quite as low as they are now, the Spring & Fiber Festival at El Rancho de las Golondrinas near Santa Fe was canceled for 2021. Bummer, I know. But we subsequently applied for the Harvest Festival in October (during the big Balloon Fiesta here in Albuquerque); hopefully, that will pan out. The weather will be cooler then too!
CREATE DIY Thursday, June 11, will find me back on Zoom to lead a Introduction to Rug Hooking – Not so Traditional. This workshop is part of CREATE DIY, an online textile festival from Quiltfest. Would-be students have until June 3 to register! More info can be found by following either of the links above.
Ah, the good. olde days when AWAG could hold our retreats and workshops 3 or 4 times per year. In this pic you’ll find, Liz, myself, Melinda, and Mary R. with our works in progress a few years back.
ADOBE WOOL ARTS GUILD AWAG, New Mexico’s only rug hooking guild, will hold its first meeting since March of last year this month on June 16! One of our members has graciously offered her lovely backyard (complete with shade and breezes). If you’re a hooker or puncher in the Albuquerque area who’s been looking for company, please contact me at Laura@highonhooking.com. As the President of the group, I can get you in. Really. Plus, we’re a fun group.
GHOST RANCH June 27-July 2, I’ll be up at Ghost Ranch north of Santa Fe to teach Hook a Rug, Save the Planet. I especially can’t wait because it appears that cell and Internet coverage are lacking up that way. Bummer…NOT! This promises to be a real get-away! We’ll be hooking and punching during this multi day workshop. And, no worries, there will be plenty of time to explore the ranch. My hiking shoes and camera are ready! There are several art-type classes running in June; find them here. (BTW, if you even think about heading to Ghost Ranch, I have one word: SUNSCREEN.)
Clearly, I’ve got a lot of workshop prepping to do! Meanwhile, for those who follow In the Studio and our Workshop Weeks, very soon we’ll be opening up registration for all workshops running during October’s Workshop Week 3. (Make sure you pen – not pencil – October 24-30 into your calendars!) We have more classes this time around -10! – and four new teachers. And, no, not every class is about rug hooking. Keep an eye out for more information! If you’re wondering what the hell I’m talking about, email me. We’ll chat. You’re definitely missing something good.
“Abundance” (aka the “automatic hooked rug“) freshly steamed. Yes, she’s upside down. She’s the latest in my HAPPY RUG series. “Whimsy,” there on the wall, was one of the first happy rugs. 2021 can’t get enough HAPPY
The boys and I would love to show you “What’s on the frame” this first week of June, but it’s a surprise till it’s pretty much finished. Saturday, though, I steamed “Abundance,” and am hoping to get to finishing her off today. Or at least starting to. She’s pretty big, and she’s got three holes! Summertime and the sewing will NOT be easy. My arthritic hands ache just thinking about it. But she’s well worth it.
SUMMERTIME AND COVID’S ON THE WANE. What are you planning this June that you couldn’t do last June? Tell us in the comments. And stay safe!
Courtney Turner’s art as a means of healing and coping
Join Canadian Artist Courtney Turner on In the Studio as she discusses her artistic journey thus far as an emerging artist. She’ll give the audience a glimpse into what her creative process looks like and will share how she uses her art practice as means of healing and coping while living with chronic illness.
Courtney Turner is an emerging contemporary artist currently residing in Canning, Nova Scotia. Her unique combination of abstract rug hooking and representational self-portraiture painting is a direct representation of the connections between her current self and her child self, her healing journey of living with chronic illness, and memories of significant familial textiles that have brought her comfort throughout her life. Courtney graduated from NSCAD University in 2020, majoring in Textiles & Fashion.
The Zoom link for this presentation will be emailed to you the day before the talk (or after you purchase your ticket, if you purchase on the day of the event). If you don’t receive it, you can contact the organizer at info@karendmillerstudio.com.
Tickets will be on sale until 10:00 am Eastern the day of the event. After that time you will no longer be able to purchase tickets.
Please note that the time of the talk is 1:00 pm EASTERN.
Unfortunately, no. Due to the logistics involved, we decided some time ago to keep these events live. Hopefully if you can’t make it to this talk, you’ll be able to make it to a future talk.
* It’s the day of the talk and I’m having trouble finding or using the link for the talk. How can I find help?
It is very advisable to LOG INTO THE EVENT A FEW MINUTES EARLY to be sure that you have no trouble with the link, and if you are having trouble the organizer can help you out. You can email or message the event organizer up until one hour before the talk on the day of the talk for help. ONCE THE EVENT STARTS, however, messages and emails are not able to be monitored.
* I’m finding it distracting during the talk seeing all of the other participants on my screen. What can I do?
During the event the organizer will put the screen setting on “spotlight view” so that the presenter is the focus on your screen. Depending on your device, you may still see audience members on your screen and changing your setting from “gallery view” to “speaker view” should help with that.
* What Time Zone is the time of the talk in?
The time indicated on all ‘In the Studio’ talks is the EASTERN (EST) time zone. If you live in a different time zone, be sure to check what time you should tune in to ensure you don’t miss the talk.
*I can no longer make it to the talk. Or, I missed the talk. Can I get a refund?
Unfortunately no- the price of the ticket is so low that it is not cost-effective to refund those amounts. If you are unable to make it to the talk and you already have a ticket, or you forget to attend, please do contact me at info@karendmillerstudio.com. I always offer a ticket to the next talk to make up for it. All of the artist speakers receive a portion of the ticket proceeds so we very much appreciate your contribution to supporting artists!
Example of automatic drawing done by moi during Sketchbook Revival.
Automatic hooking – it sounds like a machine is involved. Or worse! Wink, wink! But when I typed automatic hooking, I was actually referencing the art technique developed by the Surrealists. For a quick idea of what I’m talking about, the following comes from Wikipedia:
Automatic drawing was developed by the surrealists, as a means of expressing the subconscious. In automatic drawing, the hand is allowed to move “randomly” across the paper… Hence the drawing produced may be attributed in part to the subconscious and may reveal something of the psyche, which would otherwise be repressed…
Most of the surrealists’ automatic drawings were illusionistic, or more precisely, they developed into such drawings when representational forms seemed to suggest themselves. In the 1940s and 1950s the French-Canadian group called Les Automatistes pursued creative work (chiefly painting) based on surrealist principles. They abandoned any trace of representation in their use of automatic drawing. This is perhaps a more pure form of automatic drawing since it can be almost entirely involuntary – to develop a representational form requires the conscious mind to take over the process of drawing…
You’re probably wondering why I might be providing this art history lesson when I am in no possible way an authority on art or art techniques (except, perhaps rug hooking, of course, and then only certain aspects of rug hooking). It’s because, as I mentioned a few weeks ago, I’ve been participating in Sketchbook Revival 2021, and one of the workshops was about automatic drawing.
Shelley Klammer is an online therapist who supports creative women to heal “unfinished emotional business” from the past. She is also an educator with the International Expressive Arts Therapy Association. Shelley supports women to authentically self-express through spontaneous art and writing practices as a way to anchor self-safety, self-confidence and self-love. -Karen Abend of Sketchbook Revival
To be honest, I wondered how much my drawings were really made without conscious thought. Wikipedia mentioned that too when I was exploring more about automatism..
…surrealist artists often found that their use of “automatic drawing” was not entirely automatic, rather it involved some form of conscious intervention to make the image or painting visually acceptable or comprehensible…”
This is an automatic drawing by a “professional.” It’s “Untitled” by Morton Schamberg (American, Philadelphia, Pennsylvania 1881–1918 Philadelphia, Pennsylvania) circa 1916. Graphite on paper; 5 3/8 x 4 1/2 in. (13.7 x 11.4 cm). (Info from the Metropolitan Museum of Art; in the public domain.)
Artist Stephen Berry was also a bit skeptical, but he could appreciate it regardless:
It was very liberating and thoughtful. It was also an interesting way to explore different shapes, to watch myself as an artist from “the outside” and see what shapes I’m predisposed to, where I’m reverting to certain habits that are lazy, what was exciting and interesting to explore that surprised me, etc.
He had more interesting stuff to say about the technique. Click on his name above.
Close-up of my current happy rug, “Abundance.” Lots of recycled textiles. I think I like my automatic hooking better than my automatic drawing.
Scintillating as all this is, you’re undoubtedly wondering how it relates to hooking. In that aforementioned post of mine, which I wrote before I started Sketchbook Revival, I mentioned my night-hooking project, the one the boys are pictured with. It’s part of my “happy rug” series in which I’m trying to focus on the brighter aspects of life after such a crappy last year. And I wrote:
For this one, I’m trying to really just go with the flow; there’s little advance planning in it. Other than the holes, which the rug dictated to me as I sewed on his tape.
See the SYNCHRONICITYthat’s happened?!!? I was already kind of doing automatic hooking before I even learned about the drawing technique. Each evening I sit down and hook whatever comes to mind at that moment with whatever I have in the two big bag and one laundry baskets of fibers I have next to me. (Yes, there’s a LOT of hooking stuff in my family room at the moment.)
Both the automatic hooking and drawing efforts are fun to try if you’re so inclined to experiment. For the latter, just Google “automatic drawing,” and a slew of options will come up in your feed. As far as rug hooking goes, just throw some hooking materials into a bag and go to town. I’m using all kinds of fibers: wool strips, wool yarns, novelty yarns, a plethora of fabrics, ribbons, and so on. There’s lots of textile recycling going on!
Tynan and Bowyn bring you another view of “What’s on the frame.” Obviously, someone is not completely clear on the concept of his job. It should’ve been an overview of the newest happy rug, “Abundance,” an example of automatic hooking. (Let’s imagine Tynan’s thoughts for a moment…)
What have you done lately to spice up your regular practices be it hooking, painting, writing, or even working out?
I really do miss – and prefer – teaching in person, but one of the Coronacootie’s most pernicious side effects is how it’s kept us all from one another. From family members, from friends, from students and teachers, you get the idea. But humans do adapt, and makers still gotta make, so Zoom entered all our lives. Truthfully, I think that we all understand that that hasn’t necessarily been a bad thing. Many more folks were able to “get together” through Zoom talks and workshops than would’ve been possible pre-Corona. And Zoom will continue well into our futures even when we’re all vaccinated up and, hopefully, have achieved herd immunity and get back to meeting each other in real life. But till then…
If you or someone you know would like to learn how to rug hook, in June I’ll be teaching a class through the online textile arts festival CREATE DIY. In fact, there will be several workshops and a couple of lectures going on during the event. General info can be found HERE. Topics include:
Quiltfest presents … Create DIY, a comprehensive journey into the magical world of the textile arts. Indulge yourself with Create DIY! This online festival includes educational workshops, studio tours, live presentations, and more.
Quilting ■ Needle Felting ■ Stampwork ■ Crochet ■ Wearable Art Japanese Boro Stitching ■ Jewelry ■ Paper Weaving ■ Dollmaking ■ Dyeing ■
Thread Painting ■ Dorset Buttons ■ Embroidery ■ Rug Hooking■ Macrame ■ Knitting ■
Modern Weaving ■ and more!
Join us online: Thursday through Saturday, June 10-12, 2021
Introduction to Rug Hooking – Not So Traditional
Friday, June 11
Half-Day Workshop
12 pm – 3 pm EDT, Friday, June 11
Learn the basics of traditional rug hooking with a bit of a twist. Not only will we use the usual wool fabric strips (more about that in class), but we’ll also try old t-shirts, yarn, ribbon, and anything else you might have in your house that you can pull a loop with. We will:
Discuss the history of rug hooking and where it is today, including its various forms;
Learn how to prep our materials;
Begin hooking a “mug rug,” a small table mat, or wall hanging; and
Discuss the ways we can finish the piece when the hooking is done.
While big brother Tynan snoozes, Bowyn brings you “What’s on the frame.” “Abundance,” part of the #happyrugseries, is an adventure in mark-making with all kinds of fibers. And she has three holes!
There’s more info online HERE. Kits are optional, but participants need to contact me to make sure they have everything. Contact me at Laura@highonhooking.com if you have any questions.
Hoping to have a new and very special venue announcement in the next week or so. Stay tuned!
So, after a year, what’s your stance on Zoom workshops?
Again, all Workshop Week 3 classes will be conducted on Zoom. I know, I know, it’s not the same as being there in person, but how else could you be part of this fabulous line-up? And we’ll have the two bonus sessions again during the week – an evening gathering and a panel discussion.
GHOST RANCH
