It starts next Thursday, April 14, and runs through Saturday. Make sure you stop by the Adobe Wool Arts Guild booth to say hello and check out the hooked art made by our members.
If you’re a fiber arts teacher of any kind, you’re in luck. In the Studio (Online) has just put out an Instructor Call for Entry for our next two online Workshop Weeks (WW). The dates are:
Workshop Week 5 October 23-30, 2022
Workshop Week 6 February 18-23, 2023
The original teachers of In the Studio (Online) include: Susan Feller, Karen Miller, Meryl Cook, Beth Miller, and myself. In order to keep our class offerings fresh, before WW2 we began looking for others to join us. We’ve had workshops in: rug hooking with alternative fibers; braiding; finishing your art; combining paints and hooking; design; felting wool sachets; weaving; Chakra color play; pet portraits; needle punch rug hooking; abstract work; landscapes; watercolors;and so on. We are NOT looking for all hooking classes; rather we’d like to see most any type of fiber art and creativity workshops (that work well online) in addition to subject matter and skills that can inform our hooking and other art practices.
While we began WW to fill a need during Covid lock-downs, we’ve found that they remain popular and that our students want us to continue. Workshops Weeks have allowed students to take classes without the expenses of travel. As well, students get the chance to work with teachers and artists who might otherwise be unavailable to them. Workshop Week 4 happened in mid-winter. There were nine classes. Eighty students participated with many taking more than one workshop.
(If you search using the words “Workshop Week” here on site, you can see what classes we’ve provided in the past.)
Our first In the Studio Workshop Week poster.
If you think you might be interested in joining our group of teachers for WW 5 and/or 6, we invite you to submit a proposal. If you have any questions about the coming or past events, please email me at Laura@highonhooking.com. We’ll be accepting proposals until May 15. You can find the prospectus below. We look forward to hearing from you.
Teacher Proposals for In the Studio
Workshop Weeks 5 and 6
Deadline: May 15, 2022
In the Studio (Online) announces that its next two workshop weeks will be held:
Workshop Week 5 October 23-30, 2022
Workshop Week 6 February 18-23, 2023
As the last two years have shown, affordable, online instruction is here to stay. In the Studio’s online Workshop Weeks (WWs) have allowed students the chance to take classes without the expense of travel. The students are also able to work with teachers and artists who might otherwise be unavailable to them.
Starting with 2021’s WW2, we began to bring in additional instructors who could offer something – not necessarily rug hooking or even a textile art – beyond the expertise of the original In the Studio artists. We look for complimentary/ancillary/supporting arts and skills.
We are now planning WW5 and 6 and again looking to diversify our workshop offerings. We are specifically looking for teachers who conform to our overarching tenet:
Art by artists responding to contemporary events in the world. We invite you to reflect on these responses and consider creating your own art that reacts to our current times.
FYI WW1 attracted 36 students in five classes. Eighty participated in WW4’s nine workshops. Many took advantage of our non-overlapping schedule to take multiple classes. They “come from” the US, Canada, and even Europe.
PLEASE READ BEFORE APPLYING
Workshop sessions typically last 2-4 hours but are set by individual instructors.
Workshops are standardized to begin at 1:00 PM or 6:00 PM Eastern.
Fees for all classes are: $50 US for one-session classes and $75 US for two-session classes. Teachers may set additional costs for kits, other materials, etc.
Teachers are responsible for collecting payment from their students and keeping in contact with them regarding classes and other WW information.
Teachers are required to submit their class lists to the WW administrator.
All teachers are required to promote all WW classes in their social media, newsletters, etc. Promotion by every teacher is what makes the week successful. Each teacher will also be required to take over In the Studio’s Instagram account for a day in the weeks leading up to WW5 and/or 6.
There are two additional bonus events (a social gathering midweek evening and a panel discussion) that teachers are expected to attend (dates to be determined).
Teachers must have their own Zoom account to use to hold their class.
New for WW5 and 6! An administrative fee of $50 US will be collected once a teacher agrees to teach with In the Studio (Online). We’ve realized that there’s a need for one person to coordinate social media announcements and calendars, send out group emails, maintain the mailing list, etc.
Participation in one WW does not guarantee that one will teach in subsequent WWs.
WHAT YOU WILL RECEIVE
The benefit of promotion amongst a collection of well-known teachers. Instructors will receive a “brochure” detailing the WW and all classes that should be shared to their networks.
Support from the other teachers in how to run an online class particularly if this is your first time.
The Workshop Week administrator will send out links to all students for bonus events.
TO APPLY
Applicants should indicate if they prefer to teach during WW5 or WW6. If you don’t, we will assume that you are available for either. (We will plan classes for each WW depending on both subject matter and teacher availability.) Because we schedule WW classes so that they don’t overlap, also indicate if you are unavailable on certain days of the week or dates. Let us know too if you have a preference regarding a 1:00 or 6:00 start time. We strive to schedule everyone to their liking.
Provide a detailed class description of the online class you propose to teach. Please include the following: title; length of class; minimum and maximum numbers of students; materials that students will need (will they have to purchase from you?); what will be covered in the class, experience level of students required; and anything else pertinent to the class. Will it require more than one session?
Include a short bio that includes your experience teaching (if any) and any references.
Take a colourful journey with textile artist Kirsten Chursinoff as she shares the inspiration, creativity, and design, behind her art quilts that have appeared in galleries and magazines. Celebrating the beauty of the world through stitching, the quilts combine embroidery, felting, beadwork, and quilting.
Kirsten Chursinoff is a textile artist working in Vancouver, BC, Canada. Her main focus is creating art by combining embroidery and quilting techniques. Some of her recent themes include marine life and colourful garden embroideries.
Kirsten holds a Diploma in Textile Art from Capilano University. She has written articles for magazines such as Quilting Arts and Art Quilting Studio. She receives invitations to lecture at quilting and embroidery guilds, and has exhibited in solo and group shows. In 2006 she received the Visual Arts Development Award (VADA) presented by the Contemporary Art Gallery and the Vancouver Foundation. She is a member of the Craft Council of British Columbia.
The Zoom link for this presentation will be emailed to you the day before the talk (or after you purchase your ticket, if you purchase on the day of the event). If you don’t receive it, you can contact the organizer at info@karendmillerstudio.com.
Tickets will be on sale until 10 am the day of the event. After that time you will no longer be able to purchase tickets.
Please note that the time of the talk is 1:00 pm EASTERN.
FAQ’s
* Will this talk be recorded for viewing later?
Unfortunately, no. Due to the logistics involved, we decided some time ago to keep these events live. Hopefully if you can’t make it to this talk, you’ll be able to make it to a future talk.
* It’s the day of the talk and I’m having trouble finding or using the link for the talk. How can I find help?
It is very advisable to LOG INTO THE EVENT A FEW MINUTES EARLY to be sure that you have no trouble with the link, and if you are having trouble the organizer can help you out. You can email or message the event organizer up until one hour before the talk on the day of the talk for help. ONCE THE EVENT STARTS, however, messages and emails are not able to be monitored.
* I’m finding it distracting during the talk seeing all of the other participants on my screen. What can I do?
During the event the organizer will put the screen setting on “spotlight view” so that the presenter is the focus on your screen. Depending on your device, you may still see audience members on your screen and changing your setting from “gallery view” to “speaker view” should help with that.
* What Time Zone is the time of the talk in?
The time indicated on all ‘In the Studio’ talks is the EASTERN (EST) time zone. If you live in a different time zone, be sure to check what time you should tune in to ensure you don’t miss the talk.
*I can no longer make it to the talk. Or, I missed the talk. Can I get a refund?
Unfortunately no- the price of the ticket is so low that it is not cost-effective to refund those amounts. If you are unable to make it to the talk and you already have a ticket, or you forget to attend, please do contact me at info@karendmillerstudio.com. I always offer a ticket to the next talk to make up for it. All of the artist speakers receive a portion of the ticket proceeds so we very much appreciate your contribution to supporting artists!
So, because Cinco de Mayo is on a Thursday this year (and my neighborhood Bunco night to boot), here at High on Hooking we’ll be celebrating the Sunday before, May 1. Not only will Tom make some of his FAMOUS MARGARITAS for our gustatory pleasure, pal Catherine Kelly and I will first break out the tent and mark our first show of 2022: the CINCO DE MAYO FOLK ART FEST at La Parada and Farm&Table in Albuquerque’s North Valley. Think artisans, food, beverages, music, pinatas that you decorate yourself – in other words, a party! Or a fiesta, as we call it here. We hope that local peeps can come celebrate* with us!
NOVA will be at the Cinco de Mayo Folk Art Fest. Will you? (10″x9″; hooked with wool strips, recycled silk sari yarns, old t-shirts, wool yarn, and old ribbons.
*As usual, if you mention High on Hooking’s blog post, take 10% off HoH’s prices.
We’re in workshop heaven here at High on Hooking. Let me explain.
Your Boucherouite will be your own pattern. It can be small just to try it all out in the workshop or as large as you’d like. (Original design.)
MARCH 12: BUILD A BABY BOUCHEROUITE
Because of interest during Workshop Week 4, we added another session for those who couldn’t make it in January. (The class was getting a little large too.) If you’re interested and available on Saturday, March 12, at 1:00 p.m. Eastern, give me a yell. We’re at six right now, so there’s a little more room. For info about the class, see HERE. (Also, watch for coming announcements regarding Workshop Weeks 5 and 6!)
APRIL 15: INTRODUCTION TO PUNCH NEEDLE RUG HOOKING
For the workshop – punch needle by Amy Oxford. Original design.
Albuquerque’s BIG, BIENNIAL FIBER ARTS FIESTA, postponed from last year, will be open for business Thursday – Saturday, April 14-15. There’s a superb line-up of classes including my own punch needle workshop on Friday at 10:00 a.m. It is in person, and you’ll need to be vaccinated, but masks will be optional at this point. Yay! You can contact me here or see WORKSHOPS LISTING.
JUNE 19-25: HOOK RUGS, SAVE THE PLANET
This is a week-long residency workshop in Sewanee, Tennessee, as part of the SHAKERAG WORKSHOPS. We’ll be doing
Table runner/wall hanging hooked with recycled textiles (old tshirts and bedsheets). (Original design.)
both rug hooking and punch needle rug hooking. In addition, though we’ll still have wool to work with, we’ll strive to look beyond the wool to materials that otherwise might end up in landfills. You know, old textiles you probably have in your house this very moment: ripped t-shirts, stained tablecloths, clothing and scarves that have seen better days… If you’re looking to pair vacation and fiber art therapy, this one’s for you. More workshop information can be found HERE and below.
Shakerag Workshops is a group of arts classes for adults held in June each year on the St. Andrew’s-Sewanee campus, in Sewanee, Tennessee. Instructors from around the world offer classes in a variety of media – knitting, basketry, book arts, clay, digital arts, felting, fiber, mixed media, jewelry, wood working, sculpture, and painting. Most participants, faculty, and staff stay on the campus, eating and working together for the week. After classes, participants enjoy hiking on the campus trails, swimming in the stream-fed mountain lake, and relaxing in yoga classes. Meals feature locally grown and organic foods served in historic Robinson Dining Hall. In the evenings, faculty members show slides and talk about their work. The studios are open throughout the night. The week culminates with a Tennessee meal on Friday evening for faculty and participants.
-from Shakerag’s website
As you can see, we’re busy these days here in the New Mexican desert. Covid’s waning, and folks are slowly getting back into the swing of things. More good news came in the mail yesterday in the form of Rug Hooking Magazine. If you recall that, during 2020, I spent much time on a yearlong project, the RIBBON RUG JOURNAL. If you turn to page 50 in RHM, you can read all about it! I also urge you to peruse Pretext Studio Rug Hooking’s Nadine Flagel‘s article on page 40. We share attitudes about the growing textile waste crisis. Her website slogan is Making Art out of Making Do: Reclaimed Text & Textiles. “Boucherouite” is a Moroccan-Arabic word for “torn” or “reused clothing.”
The High on Hooking Dogs, Bowyn and Tynan, bring you WOOLLEY MAT HORSE by Woolley Fox.
Bowyn actually calmed down enough to be in this week’s WHAT’S ON THE FRAME. This is a pattern I inherited when a member of the Adobe Wool Arts Guild passed away a few years ago. As a guild, we’ll be highlighting Pat’s rugs in a special exhibit at Fiber Arts Fiesta in April. The pattern, as I received it, was not identified.
You might remember, I hooked it a couple years back after receiving it. Because it sold, I needed to make another for the exhibit. Patti on Instagram was able to identify the pattern this week; she hooked it herself awhile back. LOL It’s from Woolley Fox and is called Woolley Mat Horse. As before, I’m hooking it with old t-shirts. Because we believed it to be Pat’s design, not a purchased pattern (also based on an antique rugs by Magdalena Briner Eby), I won’t hook the design again after I finish this iteration.
LASTLY, PLEASE KEEP THE PEOPLE OF UKRAINE IN YOUR THOUGHTS AND PRAYERS. IF YOU’RE LOOKING TO HELP OUT IN A SMALL WAY, SEE THIS DIGITAL DOWNLOAD ON ETSY, BY A UKRAINIAN ARTIST. (THERE ARE OTHER ARTISTS AND PRODUCTS AVAILABLE; JUST USE THE SHOP LOCATION FILTER UNDER SEARCH.) IT PUTS $5 IN HER POCKET, AND GOD KNOWS SHE AND ALL OF UKRAINE NEED IT.
The original teachers of In the Studio (Online) include: 
So, because 
