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IN THE STUDIO – Valerie Carew on May 13

IN THE STUDIO TALKS ON HIATUS AFTER THIS EVENT! DON’T MISS VALERIE CAREW AND KAREN MILLER CHATTING!

PPoster for Valerie Carew on In the Studio

Join Toronto artist Valerie Carew as she discusses how she animates household objects such as rugs using photography and performance and how she uses the craft of hand-hooking to express relationships with the natural world.

Engagement with land is a big motivation in Valerie’s artwork. She makes textile wearables and engages with natural environments using immersive role-play. Valerie is interested in exploring the “what ifs” in art making; she tries to use the language of rug fabrication and textile craft to communicate memories and human experience. Her family history and relationships with land are rooted in the settler cultures of Newfoundland and New Brunswick, Canada. Hand hooking rugs is part of the fabric of these cultures. Traditional aspects of rug making, such as material reuse, storytelling, and folklore are referenced and re-configured in her contemporary practice.

You can find tickets for this talk HERE.

About Valerie Carew:
Valerie Carew, she/her (Toronto, Ontario) is an interdisciplinary artist who explores human/land relationships through performance, body based sculpture, installation, painting, and fibre craft practice. Immersive role-play and biomimicry are combined with sculptural rug making to express experiences with land and identity. Valerie’s sculptural works are designed for interplay and physical contact with the human body. She incorporates nostalgia, myth-making, and material transformation to imagine new futures defined by a greater connection to the wild.

You can learn more about Valerie and see her work at www.valeriecarew.com or on Instagram @valerie_carew.


IMPORTANT PLEASE READ:

The Zoom link for this presentation will be emailed to you the day before the talk (or after you purchase your ticket, if you purchase on the day of the event).  If you don’t receive it, you can contact the organizer at info@karendmillerstudio.com.  

Tickets will be on sale until 10 am the day of the event.  After that time you will no longer be able to purchase tickets.

Please note that the time of the talk is 1:00 pm EASTERN.

FAQ’s

* Will this talk be recorded for viewing later?

Unfortunately, no. Due to the logistics involved, we decided some time ago to keep these events live. Hopefully if you can’t make it to this talk, you’ll be able to make it to a future talk.

* It’s the day of the talk and I’m having trouble finding or using the link for the talk. How can I find help?

It is very advisable to LOG INTO THE EVENT A FEW MINUTES EARLY to be sure that you have no trouble with the link, and if you are having trouble the organizer can help you out. You can email or message the event organizer up until one hour before the talk on the day of the talk for help. ONCE THE EVENT STARTS, however, messages and emails are not able to be monitored.

* I’m finding it distracting during the talk seeing all of the other participants on my screen. What can I do?

During the event the organizer will put the screen setting on “spotlight view” so that the presenter is the focus on your screen. Depending on your device, you may still see audience members on your screen and changing your setting from “gallery view” to “speaker view” should help with that.

* What Time Zone is the time of the talk in?

The time indicated on all ‘In the Studio’ talks is the EASTERN (EST) time zone.  If you live in a different time zone, be sure to check what time you should tune in to ensure you don’t miss the talk.

*I can no longer make it to the talk.  Or, I missed the talk.  Can I get a refund?

Unfortunately no- the price of the ticket is so low that it is not cost-effective to refund those amounts.  If you are unable to make it to the talk and you already have a ticket, or you forget to attend, please do contact me at info@karendmillerstudio.com.  I always offer a ticket to the next talk to make up for it.  All of the artist speakers receive a portion of the ticket proceeds so we very much appreciate your contribution to supporting artists!

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Fiber Arts Fiesta is almost upon us!

Poster for Albuquerque Fiber Arts Fiesta 2022

A few reminders about the Albuquerque Fiber Arts Fiesta!

  • It starts next Thursday, April 14, and runs through Saturday. Make sure you stop by the Adobe Wool Arts Guild booth to say hello and check out the hooked art made by our members.

  • I have two spots in my Introduction to Punch Needle Rug Hooking workshop on Friday. Contact me directly if interested, or you can go through the Fiesta online registration.

  • Parking at Expo only takes cash now, so don’t try to hand them a credit card. Vendors, of course, will take pretty much anything. Bring a tote bag!

See you next week at Fiber Arts Fiesta!

 

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Instructor Call for Entry

If you’re a fiber arts teacher of any kind, you’re in luck. In the Studio (Online) has just put out an Instructor Call for Entry for our next two online Workshop Weeks (WW). The dates are:

Workshop Week 5          October 23-30, 2022

Workshop Week 6           February 18-23, 2023

In the Studio (Online) Workshop Week Instructor Call for EntryThe original teachers of In the Studio (Online) include: Susan Feller, Karen Miller, Meryl Cook, Beth Miller, and myself. In order to keep our class offerings fresh, before WW2 we began looking for others to join us. We’ve had workshops in: rug hooking with alternative fibers; braiding; finishing your art; combining paints and hooking; design; felting wool sachets; weaving; Chakra color play; pet portraits; needle punch rug hooking; abstract work; landscapes; watercolors;and so on. We are NOT looking for all hooking classes; rather we’d like to see most any type of fiber art and creativity workshops (that work well online) in addition to subject matter and skills that can inform our hooking and other art practices.

While we began WW to fill a need during Covid lock-downs, we’ve found that they remain popular and that our students want us to continue. Workshops Weeks have allowed students to take classes without the expenses of travel. As well, students get the chance to work with teachers and artists who might otherwise be unavailable to them. Workshop Week 4 happened in mid-winter. There were nine classes. Eighty students participated with many taking more than one workshop.

(If you search using the words “Workshop Week” here on site, you can see what classes we’ve provided in the past.)

 

Advertising photo for Workshop Week
Our first In the Studio Workshop Week poster.

If you think you might be interested in joining our group of teachers for WW 5 and/or 6, we invite you to submit a proposal. If you have any questions about the coming or past events, please email me at Laura@highonhooking.com. We’ll be accepting proposals until May 15. You can find the prospectus below. We look forward to hearing from you.

Laura, Susan, Karen, Meryl, and Beth

 

Click to see In the Studio’s Facebook and Instagram pages.


INSTRUCTOR CALL FOR ENTRY

Teacher Proposals for In the Studio
Workshop Weeks 5 and 6

Deadline:  May 15, 2022

In the Studio (Online) announces that its next two workshop weeks will be held:

Workshop Week 5           October 23-30, 2022
Workshop Week 6           February 18-23, 2023

As the last two years have shown, affordable, online instruction is here to stay. In the Studio’s online Workshop Weeks (WWs) have allowed students the chance to take classes without the expense of travel. The students are also able to work with teachers and artists who might otherwise be unavailable to them.

Starting with 2021’s WW2, we began to bring in additional instructors who could offer something – not necessarily rug hooking or even a textile art – beyond the expertise of the original In the Studio artists. We look for complimentary/ancillary/supporting arts and skills.

We are now planning WW5 and 6 and again looking to diversify our workshop offerings. We are specifically looking for teachers who conform to our overarching tenet:

Art by artists responding to contemporary events in the world. We invite you to reflect on these responses and consider creating your own art that reacts to our current times.

FYI
WW1 attracted 36 students in five classes. Eighty participated in WW4’s nine workshops. Many took advantage of our non-overlapping schedule to take multiple classes. They “come from” the US, Canada, and even Europe.

PLEASE READ BEFORE APPLYING

  • Workshop sessions typically last 2-4 hours but are set by individual instructors.
  • Workshops are standardized to begin at 1:00 PM or 6:00 PM Eastern.
  • Fees for all classes are: $50 US for one-session classes and $75 US for two-session classes. Teachers may set additional costs for kits, other materials, etc.
  • Teachers are responsible for collecting payment from their students and keeping in contact with them regarding classes and other WW information.
  • Teachers are required to submit their class lists to the WW administrator.
  • All teachers are required to promote all WW classes in their social media, newsletters, etc. Promotion by every teacher is what makes the week successful. Each teacher will also be required to take over In the Studio’s Instagram account for a day in the weeks leading up to WW5 and/or 6.
  • There are two additional bonus events (a social gathering midweek evening and a panel discussion) that teachers are expected to attend (dates to be determined).
  • Teachers must have their own Zoom account to use to hold their class.
  • New for WW5 and 6! An administrative fee of $50 US will be collected once a teacher agrees to teach with In the Studio (Online). We’ve realized that there’s a need for one person to coordinate social media announcements and calendars, send out group emails, maintain the mailing list, etc.
  • Participation in one WW does not guarantee that one will teach in subsequent WWs.

WHAT YOU WILL RECEIVE

  • The benefit of promotion amongst a collection of well-known teachers. Instructors will receive a “brochure” detailing the WW and all classes that should be shared to their networks.
  • Support from the other teachers in how to run an online class particularly if this is your first time.
  • The Workshop Week administrator will send out links to all students for bonus events.

TO APPLY

  • Applicants should indicate if they prefer to teach during WW5 or WW6. If you don’t, we will assume that you are available for either. (We will plan classes for each WW depending on both subject matter and teacher availability.) Because we schedule WW classes so that they don’t overlap, also indicate if you are unavailable on certain days of the week or dates. Let us know too if you have a preference regarding a 1:00 or 6:00 start time. We strive to schedule everyone to their liking.
  • Provide a detailed class description of the online class you propose to teach. Please include the following: title; length of class; minimum and maximum numbers of students; materials that students will need (will they have to purchase from you?); what will be covered in the class, experience level of students required; and anything else pertinent to the class. Will it require more than one session?
  • Include a short bio that includes your experience teaching (if any) and any references.
  • Please send the above information to Laura@highonhooking.com by May 15, 2022.

PLEASE NOTE

If selected, you will be expected to attend at least one online meeting of all teachers (date to be determined).

If you have any questions, please contact Laura Salamy at Laura@highonhooking.com.

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Workshop, workshop, workshop! And more…

We’re in workshop heaven here at High on Hooking. Let me explain.

 

Boucherouite inspired hooked rug
Your Boucherouite will be your own pattern. It can be small just to try it all out in the workshop or as large as you’d like. (Original design.)

MARCH 12: BUILD A BABY BOUCHEROUITE

Because of interest during Workshop Week 4, we added another session for those who couldn’t make it in January. (The class was getting a little large too.) If you’re interested and available on Saturday, March 12, at 1:00 p.m. Eastern, give me a yell. We’re at six right now, so there’s a little more room. For info about the class, see HERE. (Also, watch for coming announcements regarding Workshop Weeks 5 and 6!)

 

APRIL 15: INTRODUCTION TO PUNCH NEEDLE RUG HOOKING

Punch needle rug hooking
For the workshop – punch needle by Amy Oxford. Original design.

Albuquerque’s BIG, BIENNIAL FIBER ARTS FIESTA, postponed from last year, will be open for business Thursday – Saturday, April 14-15. There’s a superb line-up of classes including my own punch needle workshop on Friday at 10:00 a.m. It is in person, and you’ll need to be vaccinated, but masks will be optional at this point. Yay! You can contact me here or see WORKSHOPS LISTING.

 

 

 

JUNE 19-25: HOOK RUGS, SAVE THE PLANET

This is a week-long residency workshop in Sewanee, Tennessee, as part of the SHAKERAG WORKSHOPS. We’ll be doing

Rug hooked with reclaimed textiles (old tshirts and bedsheets).
Table runner/wall hanging hooked with recycled textiles (old tshirts and bedsheets). (Original design.)

both rug hooking and punch needle rug hooking. In addition, though we’ll still have wool to work with, we’ll strive to look beyond the wool to materials that otherwise might end up in landfills. You know, old textiles you probably have in your house this very moment: ripped t-shirts, stained tablecloths, clothing and scarves that have seen better days… If you’re looking to pair vacation and fiber art therapy, this one’s for you. More workshop information can be found HERE and below.

 

Shakerag Workshops is a group of arts classes for adults held in June each year on the St. Andrew’s-Sewanee campus, in Sewanee, Tennessee. Instructors from around the world offer classes in a variety of media – knitting, basketry, book arts, clay, digital arts, felting, fiber, mixed media, jewelry, wood working, sculpture, and painting. Most participants, faculty, and staff stay on the campus, eating and working together for the week. After classes, participants enjoy hiking on the campus trails, swimming in the stream-fed mountain lake, and relaxing in yoga classes. Meals feature locally grown and organic foods served in historic Robinson Dining Hall. In the evenings, faculty members show slides and talk about their work. The studios are open throughout the night. The week culminates with a Tennessee meal on Friday evening for faculty and participants.
-from Shakerag’s website


As you can see, we’re busy these days here in the New Mexican desert. Covid’s waning, and folks are slowly getting back into the swing of things. More good news came in the mail yesterday in the form of Rug Hooking Magazine. If you recall that, during 2020, I spent much time on a yearlong project, the RIBBON RUG JOURNAL. If you turn to page 50 in RHM, you can read all about it! I also urge you to peruse Pretext Studio Rug Hooking’s Nadine Flagel‘s article on page 40. We share attitudes about the growing textile waste crisis. Her website slogan is Making Art out of Making Do: Reclaimed Text & Textiles. “Boucherouite” is a Moroccan-Arabic word for “torn” or “reused clothing.”

Dog with hooked rug
The High on Hooking Dogs, Bowyn and Tynan, bring you WOOLLEY MAT HORSE by Woolley Fox.

Bowyn actually calmed down enough to be in this week’s WHAT’S ON THE FRAME. This is a pattern I inherited when a member of the Adobe Wool Arts Guild passed away a few years ago. As a guild, we’ll be highlighting Pat’s rugs in a special exhibit at Fiber Arts Fiesta in April. The pattern, as I received it, was not identified.

You might remember, I hooked it a couple years back after receiving it. Because it sold, I needed to make another for the exhibit. Patti on Instagram was able to identify the pattern this week; she hooked it herself awhile back. LOL It’s from Woolley Fox and is called Woolley Mat Horse. As before, I’m hooking it with old t-shirts. Because we believed it to be Pat’s design, not a purchased pattern (also based on an antique rugs by Magdalena Briner Eby), I won’t hook the design again after I finish this iteration.

LASTLY, PLEASE KEEP THE PEOPLE OF UKRAINE IN YOUR THOUGHTS AND PRAYERS. IF YOU’RE LOOKING TO HELP OUT IN A SMALL WAY, SEE THIS DIGITAL DOWNLOAD ON ETSY, BY A UKRAINIAN ARTIST. (THERE ARE OTHER ARTISTS AND PRODUCTS AVAILABLE; JUST USE THE SHOP LOCATION FILTER UNDER SEARCH.) IT PUTS $5 IN HER POCKET, AND GOD KNOWS SHE AND ALL OF UKRAINE NEED IT.


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Need a Boucherouite fix?

We’re offering a second session of Build a Baby Boucherouite in March.

Boucherouite inspired hooked art
The current Boucherouite I’m working on is all hooked and steamed. Just some hemming to do on it now.

In the Studio’s Workshop Week 4 is in the books now as is my Build a Baby Boucherouite class. We had an excellent turnout too, about 80 students, the most we’ve ever fielded. They came from all over: the US, Canada, and even Ireland! As usual, many took more than just one class, thereby ensuring they have a pile of UFOs sitting in their project baskets to last them the rest of winter. Besides teaching, at least three of us from In the Studio joined the watercolor workshop taught by Jane M. Mason. Now, besides my unfinished fiber (crocheting and hooking) objects, I’m looking at the the kick-ass paints I bought for the class. Must make time, must make time…

The Boucherouite workshop went well. In fact, you can track student Jean Ottosen of Jean Ottosen Studios on her blog as she finishes the piece she created. And it’s not a baby Boucherouite either. Jean went full table runner size. Woohoo, Jean!

There were 15 of us in that class, but others have expressed an interest in another session. Yay! That will take place at 1:00 pm Eastern, Saturday, March 12. Also on Zoom. If you’re interested, please contact me at Laura@highonhooking.com. The workshop typically lasts between two and three hours, but if you need to duck out after two, no problem. Any issues, I’m just an email or phone call away. More info below.


BUILD A BABY BOUCHEROUITE
With Laura Salamy

Saturday, March 12 at 1:00 p.m. Eastern

Boucherouite inspired hooked rug
Your Boucherouite can be small just to try it out or as large as you’d like.

Course description
Boucherouites are having their day! They’re so trendy that you can’t look at a Better Home and Gardens magazine or watch an HGTV show without seeing them.

The Berber tribe of Morocco have been creating Boucherouites, one-of-a-kind, hand-knotted rugs since the mid-20th century. Traditionally, they’re made using old clothes and other textile scraps. They’re a pretty freestyle form of expression often looking as if the weaver started with one color scheme and pattern, got bored, and moved onto something else. They’re fun in a colorful, spontaneous way and are easily adaptable to rug hooking.

In this workshop you’ll design your own hooked “Baby Boucherouite” rug and start to hook it with textile scraps you have on hand be they cotton clothing, old bed-sheets, and/or leftover wool noodles. The sky’s the limit! We’ll also discuss how to prepare, cut, and hook with non-wool materials.

Length of class: 2-3 hours

Who should take this course
This class is designed for a student proficient at rug hooking basics, particularly the mechanics of pulling loops through a backing.

Materials needed
Because this is an online workshop, students will supply their own materials. Materials will include those one usually uses to hook a rug as well as a few others. More information will be provided to students upon registration.

Class fee:            $45 US
For more information or to register, please contact Laura at Laura@highonhooking.com.

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