Category: Native American

September 30, 2022

Why aren’t we all wearing an orange shirt today?

Logo for Orange Shirt Day I’m wearing an orange shirt today, but only because I have so many Canadian friends on social media. If I didn’t, I’d be clueless to the fact that September 30 is Orange Shirt Day up north. Its other name is the National Day for Truth and Reconciliation, but again, it’s only “celebrated” in Canada. My question is why don’t we have that or something similar here in the US?

For those of you who don’t have a plethora of Canadian fiber arts friends, you can read about the day and its origins HERE.

Each year, September 30 marks the National Day for Truth and Reconciliation.

The day honours the children who never returned home and Survivors of residential schools, as well as their families and communities. Public commemoration of the tragic and painful history and ongoing impacts of residential schools is a vital component of the reconciliation process.
-From the website canada.ca

I get that I live somewhere – New Mexico – that allows me the chance to be aware of our indigenous populations pretty much every day. That “s” making “populations” plural is not an error. Not much more than a mile from my house in Albuquerque, across the Rio Grande, is the Indian Pueblo Cultural Center (IPCC). There visitors can take in the museum, buy jewelry and pottery, watch Native dances, eat really kick-ass food, and do a host of other things that help to educate those of us who grew up without learning much of America’s early history. You know, before the British, French, Spanish, and other European nations came on the scene and decided the land was ripe for the taking and “clearly” not owned by anyone. At least anyone “civilized.”

The IPCC is run and owned by nineteen New Mexico Pueblo communities. Nineteen. And they’re all sovereign nations. And they don’t include the likes of the Apache and Navajo and others who also abide, at least in part, in New Mexico. My point today is that all nineteen came together to create the IPCC on this particular piece of land:

It is located at the heart of nearly 80 acres of land owned by the 19 Pueblos and governed by the 19 Pueblos District (a sovereign government formed by the Tribal Councils of the 19 New Mexico Pueblo Communities) at the former location of the Albuquerque Indian School (1881-1982).
-From the IPPC website

Again, I ask, why aren’t we here in the US wearing orange today in a spirit of solidarity and reconciliation? The same atrocities that happened up in Canda’s schools happened here. And we had more schools!

Last year I wrote about a rug hooking project that was a collaboration between myself, friend and guildmate Ruth Simpson, and Acoma Pueblo artist Patricia Lowden. You can read about it HERE. You can also read about the cushion and our collaboration with Patricia in the current issue of Rug Hooking Magazine (RHM). Unfortunately, I was prompted to write the article after I read another RHM article in which an artist/author indicated that indigenous art is ripe (word used on purpose) for using in rug hooking patterns because: The images of art from indigenous peoples are always ancient, copyright free, and so beautiful. Yes, that is a direct quote, and it went right up my ass sideways. (Pardon my French.)

And people think cultural appropriation isn’t a real thing. How can you if you think all the Natives are dead?

Again, I ask, why aren’t we here in the US wearing orange today along with the Canadians?

July 6, 2021

New Mexico’s contribution to the USA50 project

So, maybe a year and a half or two ago, I offered to hook New Mexico’s contribution to the USA50 project. I finally started to hook it in April. As many worthwhile endeavors do, it took longer than expected.

USA50 Poster — USA50 poster courtesy of https://remileves.myportfolio.com/usa50.

For those not familiar with the USA50 project, it originated with another big, creative venture, the hooked cushion collection at the Barachois Historic Church in New Brunswick, Canada. The church, “the old whitewashed building on New Brunswick Road 133, will be 200 years old in 2026. This small church is among the oldest Acadian buildings still standing on its original site.” In order to celebrate the anniversary…“the committee thought then that a collection of 50 hooked cushions [on the church benches] would probably be feasible and would certainly arouse the interest of the population.” (Quotes from https://remileves.myportfolio.com/bonjourwelcome.)

The Barachois Historic Church is an ancient wooden building, which first opened its doors in 1826, and is still standing after nearly 200 years. The building was disaffected in the late 1970s, and reprieved from demolition in 1980. It has since been transformed into a local Museum, art gallery and summer classical concert venue. For over 40 years a wide variety of cultural events have been presented there. In order to be more comfortable on the old wooden pews, many event goers took too bringing a cushion to cultural presentations, and leaving it on the bench. Over time, this developed into a sort of tradition. This has inspired the Historic Church Preservation Committee. The “200 hooked cushions for my 200th” public art collection became the first permanent collection of the visual arts in the historic church. We cordially invite you to be part of the “USA50” collection to seal indefinitely our countries friendship and give the two collections the international destination status it deserves.
(From the USA50 Facebook page.)

Poster for initial cushio project — Poster for the Barachois Church’s 200th Anniversary and hooked cushions exhibit opening.

This [initial 200 cushions] collection, like others across America, proudly celebrates the volunteer work of artists in hooking. The project lives up to their community spirit and helping others, their creativity, their energy to work towards a common goal to meet the challenge. These artists, mostly women, gave in order to realize our dream. What is even more fascinating is that for many, our dream has become theirs too. Everyone had a reason to embark. That’s what created magic. Many artists pay tribute to their ancestors, a family member, Acadian friends, a colleague hooker, history, the art of hooking or just the cause.

(Quote from https://remileves.myportfolio.com/bonjourwelcome.)

The official opening of the cushion exhibit was on August 18, 2019. Over 1000 people came to view the cushions that day. American hookers were in attendance. They suggested the USA50 project, one cushion from each state.

One cushion per state representing memorabilia, landscape, bird, flower, or other representation particular to that state. Already rug hookers from all over the United-States have shown interest…
(From the USA50 Facebook page.)

Hence my participation in the project. But, while a Hatch chile pepper or a hot air balloon would’ve been good representations for New Mexico, I preferred something more authentic. Something, perhaps, Native American as they were here long before the Spanish showed up in the 1500s.

A few years ago, during a visit to the Indian Pueblo Cultural Center here in Albuquerque, I purchased a travel mug with artwork by potter Patricia Lowden, a member of the Acoma Pueblo about 40 miles west of the city. I use the mug all the time and thought that a design like hers might best represent New Mexico. Long story short, I was able to contact Patricia through the Cultural Center. After explaining the project and how I would NOT monetarily benefit from the cushion, she generously offered not to let me use the mug design but to send me a similar design! That made my life a LOT easier.

"Rainbird" travel mug; design by Patricia lowden. — “Rainbird” travel mug; design by Patricia Lowden. They’re ceramic now. You can find it **HERE**.

I hooked it using different wool yarns. Ruth Simpson, friend and fellow member of the Adobe Wool Arts Guild, graciously put the whole thing together.

A little about Patricia:

I am full Acoma. My great grandmother is Lupe Chavez who lived to be 105 yo. She was a potter, piki maker. Both my grandmother’s on my mom and dad’s side were potters as well. …My mother was Anita Lowden. She was a famous potter in the Indian market and won a lot of blue ribbons for her work. She made pots, animals and pitchers. She and grandmother Jesse have pottery in the Smithsonian. My oldest sister and I do the pottery making now. We learned from our grandma Andrea as we grew up closer to this side of the family. I am a 4th generation potter. I use the coil method to build my pottery. I grind my clay after soaking it. There are several steps to making and painting the pottery. I use a yucca brush to outline n paint my pieces. I make water jars, seed pots, canteens, vases, and wedding vases. I make various sizes. When people order they usually tell me how much they want to spend or I make a variety if they want more than one piece. I use traditional paints. I have been painting and making since I was 15 yo when my grandmother asked if I would outline for her, but I played with the clay when I was younger like 8 when my grandmother asked if I would like to make something to sell as she was getting ready for a feast to sell her pottery. I helped my grandmother as she was getting older and couldn’t see very well but she could still make pottery. My grandmother always encouraged me to try new designs… I love what I do and now I have a 14 year old daughter, Destiny, who I am teaching. She has made a few pieces and has sold them on her own. I am very proud of her because she will carry on my designs and the old style of making pottery.

New Mexico USA%) cushion. Design by Patricia lowden. — “Rainbird,” New Mexico’s contribution to the USA50 project. All wool yarn on monk’s cloth. Design by Patricia Lowden. Hooked by Laura Salamy. All put together by Ruth Simpson. Thank you ladies!

Patricia has seen the cushion and told me that she and her family really love how it turned out. I’m hoping to hook up a smaller version for her to hang in her home.

Make sure you go onto Remi’s site and the Facebook page to see pics of the various cushions created for both projects. There are still a few states that are unaccounted for. As of May, they included: Alabama, Arkansas, Iowa, Montana, Nevada, Oklahoma, Oregon, and Utah. Do you live in or are you from one of these? Perhaps you can help finish up the USA50 Collection. Contact Remi Levesque through his website or the Facebook page.

Note: Please respect Patricia’s traditional design. Do not copy.

October 9, 2018

Seeing New Mexico with new eyes

Wayne in Old Town Albuquerque, New Mexico — Wayne in front of the Old Town Hat Shop & Accessory Boutique. Nice hat!

This is the time every year that New Mexico is rocking. The Balloon Fiesta is happening, and the state is filled with folks laying eyes on it for the first time. Last week those folks included my college friend Wayne. He arrived late Tuesday, took some down time Wednesday, but was up and at’em come Thursday. Time for me to slip into my tour guide hat.

Thursday we met another New Mexican friend of his in Old Town. We chatted, shopped a little, toured the Rattlesnake Museum, and had lunch of yummy posole. Afterwards we headed over to the Indian Pueblo Cultural Center on the other side of Interstate 40.

Turtle in Old Town Albuquerque, New Mexico — Meet George. He was running away from the Rattlesnake Museum manager when we got there. You know, he could be an excellent model. I sold my last turtle rug. Maybe it’s time for a “George” rug.

You know, guests give you a chance to look at “your place” with fresh eyes. And that’s a very good thing. I hadn’t been to Old Town in a while, had never eaten in the Hacienda del Rio Cantina. Things do change. Wayne purchased a hat at the same shop, the Old Town Hat Shop & Accessory Boutique, that I bought my own – and my father before that! (Being of Celtic heritage, I am skin cancer just waiting to happen. And yet, I did choose to live in the desert at high altitude, yes.) They agreed to visit the Rattlesnake Museum! I love that place, and Tom still refuses to go back with me. After five years I found myself some willing compadres!

Rattlesnake Museum in Old Town Albuquerque, New Mexico — Have absolutely NO idea what this guy’s name is. But he also gives me an idea. I sold my “Bohemian Rattlesnake” rug. Perhaps it’s time for another. Or not.

Like I said, after lunch we decided on the Indian Pueblo Cultural Center for our next venue. Should you make your way to ABQ, this is an excellent place to learn all about the 19 Native

Indian Pueblo Cultural Center, Albuquerque, New Mexico — Poem by Simon J. Ortiz in the Indian Pueblo Culture Center. Tell me that doesn’t affect you.

American pueblos here in New Mexico, something I never learned growing up back in Connecticut:

The Indian Pueblo Cultural Center’s museum is the preeminent place to discover the history, culture, and art of the 19 Pueblos of New Mexico. Our permanent collection houses thousands of rare artifacts and works of art, including a world-renowned collection of historic and contemporary Pueblo pottery, as well as baskets, weaving, painting, murals, jewelry, and photographs.

-Indian Pueblo Cultural Center website

Artwork in Indian Pueblo Cultural Center, Albuquerque, New Mexico — Artwork by Ricardo Caté. And, yes, you’re supposed to be laughing your ass off. And maybe crying. You should’ve seen the others! See more info on **Ricardo Caté** of the **Santo Domingo Pueblo**.

Loretto Chapel in Santa Fe, New Mexico — Famous Loretto Chapel staircase without nails.

Friday was Santa Fe day. Wayne and I had a big breakfast and said “see ya later” to Tom and Tynan who would meet up with us later for a late lunch in Madrid on the Turquoise Trail. Again, I experienced something new. I hadn’t managed to visit the Loretto Chapel with its mysteriously constructed spiral staircase. The story is that when the church was built, they neglected to include a way to get up into the choir loft. The nuns pray and this mysterious stranger comes in and builds the staircase for the nuns then…disappears. Oh, and there are no nails in the thing. You can read more about it here.

Georgia O'Keeffe painting in Santa Fe, New mexico — A Georgia O’Keeffee painting unlike any others we saw. It’s an untitled (Horse) oil on cardboard (1914).

After that, we made our way to the Georgia O’Keeffe Museum which I visited right after moving to New Mexico. It’s always a joy to go there, and this time it was filled with pretty much only the lady’s work. When we went back in 2015, there was a American modernists exhibit. The museum did not disappoint. Afterwards we puttered some, in and out of shops, ending our Santa Fe visit at the Cathedral Basilica of Saint Francis of Assisi which is just a beautiful and very accessible church. By that, I mean it’s understated, not at all stuffy.

Georgia O'Keeffe Museum, Santa Fe, New mexico — “Paul’s Kachina” (1931) is an oil on canvas.

And then we were on our way to Madrid to meet Tom for lunch at our favorite place. (That’s Madrid, New Mexico, pronounced mad – like when you’re angry – rid.) I almost always get the same thing, the seared ahi tuna steak sandwich. Who knew you could get seafood like that in the middle of nowhere (read no cell phone coverage). Best tuna I’ve had in the Southwest, bar none. Plus there’s rustic ambiance, good wine, and even a menu for the doggies! The place is Tynan-approved. I highly recommend the Hollar if you get a hankering for eats in Madrid. And even if you don’t. It’s that good. See the menu!

And lastly but not leastly…

Next week we’re off on some travel, our first time back to New England since we moved here. You might remember that we were supposed to do this last year, but there were some, er, technical difficulties. No worries this year. I won’t always have access to my laptop, and I doubt I’ll have time to blog. I will, however, be able to post on Instagram and Facebook, so subscribe to my feeds and keep an eye out for the lovely and leafy (it is fall!) and the weird and wacky. I’ll try to make it entertaining. Happy fall, all! No more AC needed in ABQ! Woohoo!

Hooked rug in Albuquerque, New Mexico — Instead of my “rug on the frame” this week, we have a finished rug by **Adobe Wool Arts Guild** member **Catherine Kelly**. She was the featured artist this weekend at **Hip Stitch** here in Albuquerque. Cathy hooked this **Multicolores** (Guatemalan rug hookers cooperative) design in old t-shirts. Nice, hm…

November 7, 2016

Thank you to ZiaWoolz!

Aren't these fingerless gloves yummy? Dag made them, and I had to have a pair. Actually, she spun and dyed the wool and then knitted them. My only problem was which color to buy! — Aren’t these fingerless gloves yummy? Dag made them, and I had to have a pair. Actually, she spun and dyed the wool, then knitted them with the resulting yarn. My only problem was which color to buy! If you’re a knitter, check out ZiaWoolz now!

I need to say a big thank you to Dagmar Beinenz-Byrd of ZiaWoolz and her family. They hosted me at Dag’s home studio for the High Desert Studio Tour this past weekend. I managed to sell at least half of my mug rug sets and a wall hanging.

After voting Tuesday, I’ll stop at Savers (with Tom, of course, who ensures that I get the 30% senior citizen discount!) to find an appropriate mug for the sister of the girl receiving my “Sparkly Snowman” rug and matching mug. “Grandma” purchased it Saturday and can’t show any favors, you know. That has to be done in time to shop for Christmas. Best to do it now…

The "Sparkly Snowman" has left the building. He was made with wool strips and yarns as well as sparkly netting. (Tom's threatened me about using that sparkly stuff again, It got all over the house.) — The “Sparkly Snowman” has left the building. He was made with wool strips and yarns as well as sparkly netting. (Tom’s threatened me about using that sparkly stuff again; it got all over the house.)

Because I’ve only got a few left, I’ll be making more mug rug sets the rest of November, at least. A setback, I learned I was wait-listed for the Rail Yards Holiday Market on December 11. After everyone heard there were 10,000 patrons last year, local artists understandably came out of the virtual woodwork. I’m a little down that I can’t count on vending at the market, but I’ll be able to use any inventory I make this month for next year and the Etsy shop that I’m planning to finally get to this winter. The only positive is that I might not have to stand in the cold for four hours much as I’d like to vend. The Rail Yards isn’t heated. Hell, there are scads of windows missing too which is part of the charm in warm weather. But I’ll definitely be there to shop all the other great artists!

The wide, wonderful world of Navajo rugs!

For those who remember my post last November on the Maxwell Museum Navajo Rug Auction, if you’re in the Albuquerque/Santa Fe area on November 19, all are invited to this year’s auction. It’s at the Prairie Star Restaurant in Bernalillo. Preview starts at 11:00 a.m. and the auction itself at 1:00. I’ve included a couple of pics from last year.

Have you been to any interesting fiber arts events lately?

Thanks again, Dag and Wyatt!

Without doubt, the most spectacular rug we saw. It would've looked perfect under my dining room table. Unfortunately for us, the starting bid was $7500. No one bid on it, but all rugs not auctioned off were available for purchase after the auction at the starting bid prices. Maybe someone picked it up then. — Without doubt, the most spectacular rug we saw last year. I hope that someone’s enjoying it. I would!

August 17, 2016

If I hook it, they will come. Really?

"Welcome to New Mexico", 29.5"x20", $225, Recycled t-shirts — “Welcome to New Mexico”

The rug that generates the most talk when folks come into my booth at the Rail Yards Market is the one I call “Welcome to New Mexico.” Many of you already know its story; that I started it right before I left Massachusetts late last July to move to Albuquerque. In my mind I’d work on it while the child and I crossed the country on our new adventure. I pictured myself contentedly hooking in motels each night as I decompressed after a day of driving. That didn’t happen once, not even when the kid spontaneously combusted in Scranton, Pennsylvania, when she thought her cell phone died. (I swear that I left at least a year of my life on the side of the highway there…)

No, I didn’t hook at all on the road. First of all, it was difficult just getting our things in and out of my Honda Fit each day. If you haven’t seen one, it’s a tiny car, and I’d packed it to the gills. Truthfully, it was enough every evening to find some dinner, catch up with important emails, call Tom (who was still back in Mass waiting for the movers), and brush my teeth before I fell asleep over my magazines.

The sanity-saving, hit-or-miss rug. Wonder where the inspiration for the color scheme came from? Hoping to put it on the floor in the new house. — The sanity-saving, hit-or-miss rug.

Hence, I started the rug in earnest when the kid and I arrived at the house we were renting till we found our New Mexican castle. (Therapy!) It was designed to be a rug of convenience in that I was using t-shirts in the colors of the high desert and no set design. Old t-shirts in reds, browns, greens, and such are pretty ubiquitous; better, I’d found that Albuquerque had Savers stores. Savers has for years been my thrift shop of choice for used clothing to deconstruct and then hook with.

The hooking was done right quick – by the beginning of September. The finishing would have to wait until we moved (again) and I had more table room. To me it was an alright rug; it served its purpose, certainly, but I didn’t love it. Imagine my surprise when I put it up for sale at the Rail Yards this June. It was the mat that everyone pointed to when they perused my stuff. “Love that!” “Look, it’s got a Zia!” Even, “Hey, Sue, you should buy this one for your office.”

New Mexican flag courtesy of flags-to-print.com.

An aside: For those who don’t know about the Zia sun symbol, here is a description from Pueblo of Zia:

The Zia logo is used by the state of New Mexico on both the flag and license plates.

The symbol originated with the Indians of Zia Pueblo in ancient times. It’s design reflects their tribal philosophy, with its wealth of pantheistic spiritualism teaching the basic harmony of all things in the universe. (http://zia.com/home/zia_info.html)

Maybe I shouldn’t have been surprised by its popularity. Zia suns are all over the place here: on our license plates, on t-shirts, worked into company logos, and so on. Silly me for thinking it would be seen as touristy or, at best, kind of kitschy. I mean, I’m from New England, but I didn’t have photos of sailboats or lobster statues throughout my colonial home.

A few weeks back a woman came through my booth; she had a marketing background and did a lot of work with arts and/or craft shows. The first thing she told me (after saying that she loved my work, that is) was that I needed to have more Zias. that people would eat them up. And that my mug rug concept should be “expanded,” that I should hook a larger rug, big enough to hold four mugs. That “if I hook it, they will come.” (And, concomitantly, they will pay more.)

What the hell, I thought, Let’s try it. Tom and I ran to Savers a couple of days later (if I go on Tuesdays, he gets me a senior discount of 30%!). There weren’t four matching mugs that would fit the New Mexican bill, but I did find two colored turquoise. Fine, we’d start small-ish. Below is what I came up with (minus one mug for the pic).

"Coffee for Two, NM Style" really came with two mugs. Sold! — “Coffee for Two, NM Style” really came with two mugs. Sold!

Fast-forward to this past Sunday. Everyone loves the “Welcome to New Mexico” rug, but, of course, no one wants to pay for it. (I know the owner-to-be is out there…) Lady comes in, is looking for a gift for her mother. Takes her a while to decide on one with the “perfect” colors that will match her mom’s home. I realize suddenly that I don’t have my Square, that I left it in the car. Tom makes a run for it. Lady walks around the market with her husband while we wait. Tom and she arrive back at the same time. I start to input the info into Square. “Wait!” she says excitedly. “Can I have this one instead? I think she’ll really love this one.” The Zia rug with its matching mugs is $10 more. Of course, you can!

So, I’m about to start making a lot more New Mexican-themed rugs and mats. That’s okay. I find it an interesting challenge to come up with different designs that don’t bore me, that have some panache beyond the typical tourist crap you find in Old Town Albuquerque. But I’m not one to design according to others’ preferences – unless they’re paying for a custom rug, of course. Fortunately, these will tend to be smaller rugs. For myself and my own “artistic sense,” I usually have another rug running, something that’s less work and more…therapy. Right now that’s a bedsheet rug. Pictures will soon be available.

"Desert Gone Wild"; 23"x9.5"; $90; Recycled t-shirts, SOLD — “Desert Gone Wild” is a rug that sold two weeks ago. Color, for me it’s all about the colors.

What about you? What do you like to hook? Landscapes? Geometrics? Portraits? Florals? Realistic versus stylized renderings? I know many love to do seasonal pieces. Me, I love pumpkins and other things fall, but I’m not a lover of Christmas rugs. It takes so long to make one, how can I put it out for six weeks at the most? Weigh in below!