Every year – usually in the late fall – I create an angel for the coming year. See 2022, 2021, but not 2020; not sure where she went.) This year I was a little tardy and finished her up on January 1. Given everything HOLIDAY going on and the passing of another year, I’m thinking that I’ll keep this schedule from now on. It gives me a break after festivals, sales, and late fall teaching.
THE ANGEL OF 2023, SHE PRAYS FOR RAIN Hooked (various fibers) and embroidered (bamboo yarn and cotton embroidery floss) on 4×4 monk’s cloth; mounted on a black canvas.
In my fiber art practice, I focus on reuse and repurposing, especially of textiles of all kinds. Better to use something than let it fall into landfills. Sadly, this is particularly the case in this time of fast fashion and its concomitant waste. I will never run out of raw materials for my work.
At the same time, I live in the American Southwest, a land still wildly beautiful but suffering from a megadrought. You’ve all seen the pics of Lakes Mead and Powell. No need to repeat it here. Our uncompromising thirst for water and other resources has brought us here. Truthfully, I don’t think that much will change, but if it’s going to, WE better get to it right quickly to help with water and all of our other environmental crises.
Happy 2023! FIREWORKS (repurposed t-shirts and sparkly ribbon on monk’s cloth)
My plan for this week between Christmas and the New Year has been to do the things I WANT to do rather than HAVE to do. (The last couple of months planning Workshop Week 6 and handling some other things – like LIFE – were exhausting.) Things I wanted to do include the usual end of the year review and, more importantly, making plans for the coming 2023.
Gotta say I’ve been a little lazy on all accounts. Also, the final holiday rush took its toll physically. I’ve been mostly lying low the past few days: started a novel, doing Sudokus, and working on a new hooking project. Going through my piles and drawers and closets to organize and dispossess hasn’t happened. Yet. I still have a couple of days, especially given that it’s a long weekend. Watch for that ANGEL OF 2023! She’s a little late this year, but she’ll make an appearance by January 1.
I didn’t feel up to a detailed post mortem on 2022. Sadly, the end of the year brought with it a flurry of deaths in my little part of the universe. Nonetheless, like everyone, my 2022 brought some downers and some nice pluses. Teaching in Tennessee at the Shakerag Workshops was right up there. If you have a chance to participate – as a teacher or a student – I highly recommend the experience. A couple of articles I wrote were published in Rug Hooking Magazine. There were art shows and festivals here in Albuquerque and in Other Places, New Mexico. In the fall I made it out to Seattle to visit the kid. With a little luck, Tom and Bowyn, and I will make a road trip there in 2023.
What about the coming year? In 2023, I’d really like more time to myself, time to explore my making. Certainly, I look forward to teaching and sharing how others can get in on this calling of rug hooking and other fiber arts, but I need to carve out time for myself to sit in one place and ponder and experiment without distraction. I find it really easy to administer, to volunteer, to vacuum (ew!), to do anything but make the things I’ve seen in my imagination. Busy-ness, a need to feel needed, and the concomitant exhaustion – they can kill an art practice. I see it in others, and all it leads to is regret.
What I’m losing myself in tonight. NO NAME as of yet (repurposed t-shirts on monk’s cloth)
So, my big goal in 2023 is: SOLITUDE. Not that I plan on blowing anyone off. I’m a très social being who has a hard time saying NO. But it’s time for a little me-time. (Being Catholic and Irish, I know I’ll apologize for that all year.)
My New Year’s wish is that you too carve out some solitude for yourself and your art, your gaming, your reading, whatever it is that you can lose yourself in. Happy 2023!
High on Hooking dogs Tynan and Bowyn wish you a joyous and restful holiday season. WOOF! (Meanwhile they await their gifts from Santa Paws – very serious business indeed.)
The gifts are wrapped; it’s Christmas for real now. I look forward to taking a week off from things I HAVE to do so I can accomplish some things I WANT to do. Like working on a new hooking project and planning some new ones for 2023. (More on those in a few weeks.)
If you’re still looking to fill a creative’s stocking or or even gifting yourself, HoH has a few ideas. Our winter teaching schedule is filling – for both in person and online events. Yay! After the holidays, I’ll give more info, but find the salient info below.
IN THE STUDIO ONLINE WORKSHOP WEEK 6 – Various Fiber Arts
February 16-26, 2023
Nationally known teachers! 9 workshops and 5 lectures plus 2 bonus events!
More info HERE.
FULLER LODGE ART CENTER / LOS ALAMOS ARTS COUNCIL Introduction to Rug Hooking – Saturday, February 25, 2023 Introduction to Punch Needle Rug Hooking – Saturday, March 4, 2023
Fuller Lodge Art Center, Los Alamos, NM
More info HERE.
We here at High on Hooking thank you for all your support this past year – students, festival organizers, schools, and customers. We wish you the best of Hanukkah, Christmas, Kwanzaa, whatever winter holidays you might celebrate. Here’s hoping for a joyful and peaceful 2023.
I know I’m late to the party congratulating Karen Miller of Ontario on the release of her new book The Art of Mothering: Our Lives in Colour and Shadow, but I will NOT be the last, I guarantee you.
Karen’s book, published by Rug Hooking Magazine, came out in October. I think I received my copy in early November. Unfortunately, I’ve been très busy the past month, so I’ve only been able to scan through it thus far, but with the holidays almost here, I’m hoping to sit down soon and pore over it – no interruptions!
It’s a beautiful book, certainly, filled with all kinds of art. It’s vivid and colorful as it shines a light on how female artists have dealt with not just the topic of motherhood, but its actuality.
From the back cover:
Motherhood has been the richest experience of Karen Miller’s life. It has also inescapably changed her life trajectory: her career path, her energy levels, her commitments, her time, her marriage. It has affected everything. Join Karen as she and 21 contributing artists lift the lid on motherhood and peer inside to examine the reality of their lives through textile arts.
The Art of Motherhood: Our Lives in Colour and Shadow illuminates the feelings that so few of us talk about – but so many of us feel – as we navigate the journey that is motherhood.
“Rejection,” 14′ x 17.5″, hooked on monk’s cloth with wool strips and yarn, is one of my pieces in Karen’s book.
Karen’s known for a long time that being a mother hasn’t always been the best of experiences for me, so when she asked me to contribute to the book, I jumped at the chance. It’s always stuck up my craw sideways that women rarely feel comfortable being honest about motherhood and what it does to us. Even in a group of just women! How dare we speak up about not feeling quite like the Madonna and her perfect Child. News flash: I’m no Madonna and it took a lot of alcohol to get through my only kid’s high school years. (Those years made the previous 14 look like an f-ing picnic.) But after fertility problems and two miscarriages over two years, no one wanted a kid as much as I did. And I have no regrets. (Most of the time.)
“Holes,” 68″ x 33″, hooked on monk’s cloth with recycled textiles and silk sari ribbon. I’ve talked about this piece before.
That’s the kind of candid crap you’ll find in this book though in a much more eloquent form, LOL. And LOTS OF FIBER ART, hooked and otherwise. If you’re a mom or know a mom or ever had a mom, get thee online to order this book. It’d make a kick-ass and thoughtful Christmas or other type of gift. I promise. You can order from RHM HERE. If you’re in Canada, contact Karen through her website.
PS- Not all moms are biologic. And mother figures count as moms.
FYI-
Below is a list of the Instagram handles of all the artists who, in some way affected by motherhood, contributed work to Karen’s truly excellent book. Check out their work.
Karen Miller: @karendmillerstudio
Nadine Flagel: @pretextstudio
Meryl Cook: @merylcook
Laura Salamy: @highonhooking
Emily van Lidth de Jeude: @emilyvanartist
Jane Smith: @blogginthebay
April Deconick: @aprildeconickart
Linda Friedman Schmidt: @lindafriedmanschmidt
Rachelle Leblanc: @rachelle_leblanc_art
Trish Johnson: @trshjhnsn
Patti Colen: @woollycronedesigns
Alexandrya Eaton: @alexandryaeaton
Michelle Kingdom: @michelle.kingdom
Carmen Bohn: @carmenbohn_art
Elizabeth Miller: @northatlanticfiberarts
Ellen Skea Marshall: @twocatsanddoghooking
Amy Meissner: @amymeissnerartist
Michele Micarelli: @michelepmicarelli
Linda Rae Coughlin: @lindarae_coughlin
Sayward Johnson: @saywardjohnson
Lori Laberge: @lorilabergeart
Karen Larsen: I don’t believe Karen is on Ig but she is on fb
…and just in case you can’t make the New Mexico Arts & Crafts Festival on November 19, High on Hooking will also be participating in the 12th Annual High Desert Studio Tour. Of course, you can come to both. In fact, you should.
For the past several years, New Mexican hand-dyer and knitter extraordinaire, Dagmar Beinenz-Byrd of ZiaWoolz has generously invited me to join her at her home and studio for the High Desert Studio Tour (click to download the brochure). We won’t talk about the past couple of years that Covid screwed us out of such things. It’s an intimate venue rather than one filled with all kinds of vendors and activities, allowing one the chance to get in some good conversations with makers, letting you learn more about my work as well as Dagmar’s. In addition, Sarah Lovell of Southwest Sunflower Pottery will have all kinds of things that you didn’t even realize you need. (I know. I have some, LOL.)
Dagmar wearing her own work. (If only she was my size…
To be sure, there are other arts and artists on the tour. They include painters, sculptors, jewelers and more spread out over seven different studios. More info is available in the brochure. And, certainly, if you have any questions, please email me at Laura@highonhooking.com.
Her Rio Grande mugs provide just a taste of Sarah’s pottery.
If you’re looking to find holiday gifts for family and friends (and yourself!), please come see us at the New Mexico Arts & Crafts Festival in November AND at the High Desert Studio Tour in December.
