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The artists are angry; they’re PROTESTING!

Of course, they’re angry; they’re protesting!

That’s what I told a friend last Friday night at the opening reception for PROTEST: SEE Something, Say Something at Fusion in downtown Albuquerque. (More info HERE.) It’s a good, meaningful show, filled with all kinds of media and messages. Rightly so, with protesting as a theme, they aren’t always pretty.

Sheela Na Gig, hooked art piece
Sheela Na Gig is a Celtic symbol. I’ll let you read about her and how she was and now is used for protests HERE. (Hooked on cotton monk’s cloth with mostly old t-shirts and a bit of silk sari ribbon; embellished with glass beads.)

 

As I mentioned on social media after posting pics of my two pieces, I was sorry not to get more and better photographs, but I had to leave early. All Friday I’d battled a migraine; finally, the nausea and fatigue got the best of me. I didn’t feel better till Monday/Tuesday. Nonetheless, I encourage all the local readers to make their way to Fusion one afternoon or evening to see what the (protesting) artwork really looks like and to see it all.

 

Hooked art, THE MIGHTY ONE, THE ANGEL OF @)@@
Later every year, I create an angel for the following year. This was THE MIGHTY ONE, THE ANGEL OF 2022. (Hooked with old t-shirts, repurposed gold lamé, and plastic bags.)

 

 

Felted artwork for PROTEST show
TURTLE ISLAND SIEGE by Patricia Halloran  (Patricia had some cool things in the FABRIC OF NEW MEXICO SHOW.)

 

 

 

TORN BUT STILL WAVING by Elizabeth Potter (paper art)

 

 

 

 

 

 

 

 

 

 

 

WHOSE BODY IS THIS? artwork for Protest show
WHOSE BODY IS THIS? by Maria Jonsson (vintage dress form and acrylic paint)

 

BIG PHARMA SERIES #4, 5, 6
BIG PHARMA SERIES #4,5,6 by Martin Terry. Martin is also the curator of this show.

 

 

From BIG PHARM SERIES #1, 2, 3 #
Close-up of part of BIG PHARMA SERIES #1, 2, 3 by Martin Terry

 

 

 

 

 

 

 

 

 

 

 

GET WOKE artwork in PROTEST show
GET WOKE by Paula Steinberg (upcycled chair, acrylic/oil on wood and vinyl)

 

 

SHE PERSISTED
SHE PERSISTED by Betty Busby (Dunicel, felt)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

THE HISTORY OF BEARING CHILDREN
THE HISTORY OF BEARING CHILDREN, text by Jacqueline Murray Long, visual art by Martin Terry

 

 

 

 

Poem in PROTEST show
This is a more easily read photo of the text by Jacqueline Murray Loring. Another piece by a different artist accompanied this artwork. Visit the show to see it. (My photo didn’t come out.)

 

 

 

 

 

 

 

 

 

 

 

 

 

If you’re looking for a thought-provoking show, one that will let you see the outrage, the anger about so many things going on in our world today, come see the work by artists who are protesting at Fusion in Albuquerque.  Maybe we all need to start protesting.

 

Protest Art show poster

 

 

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PROTEST show opens October 7

 

PROTEST: See Something, Say Something

Please Join Us For The Two Moons Exhibit Series Opening Reception

Art show poster for Protest

 

Friday, October 7, 5:30 pm to 8 pm
at FUSION 700-708 1st St., NW – Downtown ABQ

Part of the Two Moons exhibit series curated by artist Martin Terry, this contemporary exhibition – PROTEST, See Something, Say Something – will focus on a select group of artists whose works speak to a social consciousness. Included are fiber arts, sculpture, painting, graphite, mixed media, written word, video, song, and other new and innovative means of communicating social commentary. Work in a wide range of styles matches the breadth of subjects addressed, including racism, sexism, economic inequality, climate change, violence, political upheaval, war, disease, and hatred.

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Seeing New Mexico with new eyes

 

Wayne in Old Town Albuquerque, New Mexico
Wayne in front of the Old Town Hat Shop & Accessory Boutique. Nice hat!

This is the time every year that New Mexico is rocking. The Balloon Fiesta is happening, and the state is filled with folks laying eyes on it for the first time. Last week those folks included my college friend Wayne. He arrived late Tuesday, took some down time Wednesday, but was up and at’em come Thursday. Time for me to slip into my tour guide hat.

Thursday we met another New Mexican friend of his in Old Town. We chatted, shopped a little, toured the Rattlesnake Museum, and had lunch of yummy posole. Afterwards we headed over to the Indian Pueblo Cultural Center on the other side of Interstate 40.

 

 

Turtle in Old Town Albuquerque, New Mexico
Meet George. He was running away from the Rattlesnake Museum manager when we got there. You know, he could be an excellent model. I sold my last turtle rug. Maybe it’s time for a “George” rug.

You know, guests give you a chance to look at “your place” with fresh eyes. And that’s a very good thing. I hadn’t been to Old Town in a while, had never eaten in the Hacienda del Rio Cantina. Things do change. Wayne purchased a hat at the same shop, the Old Town Hat Shop & Accessory Boutique, that I bought my own – and my father before that! (Being of Celtic heritage, I am skin cancer just waiting to happen. And yet, I did choose to live in the desert at high altitude, yes.) They agreed to visit the Rattlesnake Museum! I love that place, and Tom still refuses to go back with me. After five years I found myself some willing compadres!

 

 

Rattlesnake Museum in Old Town Albuquerque, New Mexico
Have absolutely NO idea what this guy’s name is. But he also gives me an idea. I sold my “Bohemian Rattlesnake” rug. Perhaps it’s time for another. Or not.

 

Like I said, after lunch we decided on the Indian Pueblo Cultural Center for our next venue. Should you make your way to ABQ, this is an excellent place to learn all about the 19 Native

Indian Pueblo Cultural Center, Albuquerque, New Mexico
Poem by Simon J. Ortiz in the Indian Pueblo Culture Center. Tell me that doesn’t affect you.

American pueblos here in New Mexico, something I never learned growing up back in Connecticut:

The Indian Pueblo Cultural Center’s museum is the preeminent place to discover the history, culture, and art of the 19 Pueblos of New Mexico. Our permanent collection houses thousands of rare artifacts and works of art, including a world-renowned collection of historic and contemporary Pueblo pottery, as well as baskets, weaving, painting, murals, jewelry, and photographs.

-Indian Pueblo Cultural Center website

 

Artwork in Indian Pueblo Cultural Center, Albuquerque, New Mexico
Artwork by Ricardo Caté. And, yes, you’re supposed to be laughing your ass off. And maybe crying. You should’ve seen the others! See more info on Ricardo Caté of the Santo Domingo Pueblo.

 

Loretto Chapel in Santa Fe, New Mexico
Famous Loretto Chapel staircase without nails.

Friday was Santa Fe day. Wayne and I had a big breakfast and said “see ya later” to Tom and Tynan who would meet up with us later for a late lunch in Madrid on the Turquoise Trail. Again, I experienced something new. I hadn’t managed to visit the Loretto Chapel with its mysteriously constructed spiral staircase. The story is that when the church was built, they neglected to include a way to get up into the choir loft. The nuns pray and this mysterious stranger comes in and builds the staircase for the nuns then…disappears. Oh, and there are no nails in the thing. You can read more about it here.

 

 

 

Georgia O'Keeffe painting in Santa Fe, New mexico
A Georgia O’Keeffee painting unlike any others we saw. It’s an untitled (Horse) oil on cardboard (1914).

After that, we made our way to the Georgia O’Keeffe Museum which I visited right after moving to New Mexico. It’s always a joy to go there, and this time it was filled with pretty much only the lady’s work. When we went back in 2015, there was a American modernists exhibit. The museum did not disappoint. Afterwards we puttered some, in and out of shops, ending our Santa Fe visit at the Cathedral Basilica of Saint Francis of Assisi which is just a beautiful and very accessible church. By that, I mean it’s understated, not at all stuffy.

Georgia O'Keeffe Museum, Santa Fe, New mexico
“Paul’s Kachina” (1931) is an oil on canvas.

 

 

 

 

 

 

 

 

 

Georgia O'Keeffe Museum, Santa Fe, New Mexico
My absolute favorite O’Keeffe piece that I saw Friday. “Tan, Orange, Yellow, Lavender” oil on canvas. (1959/60) Guess what it is – or at least what it’s based on – and tell me in the comment section below.

 

 

 

And then we were on our way to Madrid to meet Tom for lunch at our favorite place. (That’s Madrid, New Mexico, pronounced mad – like when you’re angry – rid.) I almost always get the same thing, the seared ahi tuna steak sandwich. Who knew you could get seafood like that in the middle of nowhere (read no cell phone coverage). Best tuna I’ve had in the Southwest, bar none. Plus there’s rustic ambiance, good wine, and even a menu for the doggies! The place is Tynan-approved. I highly recommend the Hollar if you get a hankering for eats in Madrid. And even if you don’t. It’s that good. See the menu!

 

And lastly but not leastly…

Next week we’re off on some travel, our first time back to New England since we moved here. You might remember that we were supposed to do this last year, but there were some, er, technical difficulties. No worries this year. I won’t always have access to my laptop, and I doubt I’ll have time to blog. I will, however, be able to post on Instagram and Facebook, so subscribe to my feeds and keep an eye out for the lovely and leafy (it is fall!) and the weird and wacky. I’ll try to make it entertaining. Happy fall, all! No more AC needed in ABQ! Woohoo!

Hooked rug in Albuquerque, New Mexico
Instead of my “rug on the frame” this week, we have a finished rug by Adobe Wool Arts Guild member Catherine Kelly. She was the featured artist this weekend at Hip Stitch here in Albuquerque. Cathy hooked this Multicolores (Guatemalan rug hookers cooperative) design in old t-shirts. Nice, hm…
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