Will you be at Mountainair’s Sunflower Festival Saturday?
Bowyn will be sad if he doesn’t get to meet you at Saturday’s Sunflower Festival.
Unfortunately, last weekend’s textile art sale in Santa Fe was a bit of a logistical bust. But is it really a loss when you spend time hanging with a bunch of other talented fiber artists here in New Mexico or anywhere. NO! Fortunately, Cathy, my partner in crime, and I have the Sunflower Festival in just a few days. It’s always a fun time what with the arts, the music, the food… And Mountainairis a cool, little mountain town, very BIG sky country.
As you can see, I’m ready for the Sunflower Festival. Sunflowers are truly one of my favorite flowers, and if you’ve been following me for at least a year, you know that I like to hook some version of them annually. This year I went small, three wall hangings. And instead of keeping it all t-shirt all the time, I mixed it up. Each one has some amount of t-shirt, bed sheet, wool strips, and wool yarn. The variegated backgrounds were dyed by my own little hands during my “retreat week” back in June. Oh, and I included itty-bitty glass seed beads in the – what else? – sunflower seed heads!
Sunflower wall hanging. (Old t-shirts and bed sheets; wool strips and yarn; glass seed beads.)
It’s the end of summer here in New Mexico, and while the sunflowers are blooming and it’s still warm, you can see that fall’s on its way. Kids have been in school a couple of weeks. (Being from the East Coast, that’s still weird for me.) Already I’ve spied some turning leaves here and there. The Hatch chiles are roasting in the grocery store parking lots. That heavenly aroma!
Fall is a looking forward time for me. How to change up the house decor – pumpkins and candles, of course. The holidays! We just rented a house for a week’s vacation in Arizona (which lets us be self-sufficient in this unnecessarily continued time of Covid, but I digress). New rugs and other textile projects. Workshops.
On that workshop note, I want to remind everyone that In the Studio Workshop Week 3 will be here in two months. Less than that, actually. I’ll be teaching two sessions of Hooking with T-Shirts. The first will be Saturday, October 23. There are a few places still open in each class, so if you’re interested, email me at Laura@highonhooking.com. Some workshops are full but may have a waiting list available. Others still have room. Just contact the teacher of the class you’re interested in.
Lastly, a gentle reminder. The rug hooking week at Sauder Village just wrapped up. Trolling Facebook, I’ve seen wonderful photos of the gorgeous rugs that were on display. One thing, though, that I noticed about many of the posts was the lack of attribution. We need to remember that when we post pics of others’ artwork, we need to give the artists their due and provide their names. An easy way to get that info is to take a quick pic of the little card that’s invariably right next to or just below the rug, painting, quilt, or other piece of art you’re photographing. Then you’ll have everything together when you go to share the art porn.
As summer winds down here in the northern hemisphere, what plans are you making in order to really appreciate and enjoy the autumn? Maybe you’ll head out to Mountainair!
Textile work by Deirdre Pinnock intersects with her advocacy for mental health and diversity.
Deirdre Pinnock is a talented rug hooker, ardent mental health advocate, aspiring entrepreneur, and self-identified “woman of colour” based in Vancouver, BC. She is passionate about fusing different materials, vivid colors, and therapeutic qualities into her work along with a dash of playfulness.
She is best known for yarn-bombing positive and uplifting messages such as “be kind” and “you are enough” into public fences around the city. You can also find her performing stand-up comedy about being Black in Vancouver. Her work expands to hosting workshops, guest speaking on the issue of diversity through art, and creating memorial pieces known as Hearts of Honour, which act as living memories to allow families to grieve their loss. Courtesy of CTV, she is publicly known as the Vancouver Yarnbomber.
The purpose behind Deirdre’s art revolves around self-healing and empowering one to battle through grief, anxiety, and pain. She also weaves the current political climate into her fiber art, confronting issues in a whimsical and humorous way.
The Zoom link for this presentation will be emailed to you the day before the talk (or after you purchase your ticket, if you purchase on the day of the event). If you don’t receive it, you can contact the organizer at info@karendmillerstudio.com.
Tickets will be on sale until 10:00 am Eastern the day of the event. After that time you will no longer be able to purchase tickets.
Please note that the time of the talk is 1:00 pm EASTERN.
Unfortunately, no. Due to the logistics involved, we decided some time ago to keep these events live. Hopefully if you can’t make it to this talk, you’ll be able to make it to a future talk.
* It’s the day of the talk and I’m having trouble finding or using the link for the talk. How can I find help?
It is very advisable to LOG INTO THE EVENT A FEW MINUTES EARLY to be sure that you have no trouble with the link, and if you are having trouble the organizer can help you out. You can email or message the event organizer up until one hour before the talk on the day of the talk for help. ONCE THE EVENT STARTS, however, messages and emails are not able to be monitored.
* I’m finding it distracting during the talk seeing all of the other participants on my screen. What can I do?
During the event the organizer will put the screen setting on “spotlight view” so that the presenter is the focus on your screen. Depending on your device, you may still see audience members on your screen and changing your setting from “gallery view” to “speaker view” should help with that.
* What Time Zone is the time of the talk in?
The time indicated on all ‘In the Studio’ talks is the EASTERN (EST) time zone. If you live in a different time zone, be sure to check what time you should tune in to ensure you don’t miss the talk.
*I can no longer make it to the talk. Or, I missed the talk. Can I get a refund?
Unfortunately no- the price of the ticket is so low that it is not cost-effective to refund those amounts. If you are unable to make it to the talk and you already have a ticket, or you forget to attend, please do contact me at info@karendmillerstudio.com. I always offer a ticket to the next talk to make up for it. All of the artist speakers receive a portion of the ticket proceeds so we very much appreciate your contribution to supporting artists!
Summer’s been flying by, and I was gone for part of July. But the work of summer, first mentioned back in June – that’s been ongoing. Enjoy the project porn.
ABUNDANCE, the latest of the #happyrugseries rugs. Mixed fibers, many recycled. (15″x48″)
#happyrugseries
I started the #happyrugseries back at the end of last year so that I could concentrate on something other than all the overwhelmingly DOWNER news that we were (and continue to be) subject to. These pieces have to have a certain joy to them, most of which can be seen in their riot of colors. In June I finished a large-ish happy rug ABUNDANCE. She was hooked using a variety of fibers, mostly what I had on hand, in an “automatic” or stream of consciousness style. And, yes, she has holes!
New Mexico Cushion
In late June, Ruth and I finished New Mexico’s contribution to the USA50 project. You can find more about that HERE. It was a relief to get it into the mail and up to Canada. I could finally work on my own projects and start adding to the Etsy shop.
New Mexico’s contribution to the USA50 project. Design by Patricia Lowden. Hooed by Laura Salamy. All put together by Ruth Simpson. Thank you, ladies!
Retreat Week
You might remember that I claimed the last week in June for my personal retreat week after a class I was to teach at had to be postponed. I had a lot on tap for that week.
Write an article on 2020’s Ribbon Rug Journal. Check! It’s written, but I need to take some photographs and submit it. At least the words are done!
Yarn destined for punching.
DYEING! I know, you don’t hear much about dyeing from me, especially given that I hook with so many old bed sheets and t-shirts which come in all sorts of vivid colors. Nonetheless, I’ve been planning to dye some wool yarn for quite a while. I’ll use the bulk of it to punch with or sell/share with punch needle rug hooking students when I can host an in-person class. Had a great time doing it and will definitely do some more.
My first Kawandi project. Quilt scraps and recycled linens.
Kawandi Quilting – It’s a form of kantha-like quilting. While I have plenty of friends who are quilters, I am not. At all. Mostly, I don’t like how much room it takes and that you need a machine. But I’ve always loved kantha quilts and stitching by hand is more to my liking. After doing some research online about what I might actually be able to make, I was happy to find these Indian quilts which are pieced together using scraps of fabrics. Another form of recycling – yay! I had plenty of quilt scraps from Ruth; plus there are all kinds of old sheets in my “stable” that I can hook with. But I wasn’t done: I have a lot of old cloth napkins that have seen better days. Cut everything up and…I had a quilt. Sure I made some errors, but I was pretty happy with it in the end.
VOYAGE PLASTIQUE was hooked using plastic bags that might have otherwise made their way to the ocean.
#ECOHOOKING – Given all the wildfires, the melting tundras, violent storms, and ocean pollution, I decided to do my own little part and hook a piece with plastic bags that otherwise might have ended up caught in a tree. Having already hooked a larger such piece, I’d kept the most colorful bags I didn’t used. Despite the heavy environmental theme, I was hoping she might make some folks smile given her sunny disposition. It worked! Tom mailed VOYAGE PLASTIQUE off to her forever home in New Hampshire just this morning.
July travels
Last month Tom, Bowyn, and I saddled up the CR-V for a 2200-mile trip or so back East to see friends and family. (There were another 2200 miles to drive back, of course.) Tynan got a staycation with Ruth. Sitting in a car for several days does call for some handwork, and I was prepared.
Personal best crocheting project – I prefer not to hook in the car, but I will crochet. Before we left, I decided on a project that was NOT a shawl, my usual travel go-to. Nope, I searched and searched online for something.
Finished! “Easy crochet top down” by Modessa.
Some tops looked interesting, but I couldn’t deal with having to crochet up two identical halves. (Mostly because I doubt my ability to do that, especially on a distracting trip). I finally came upon the cool EASY (emphasis on easy) CROCHET TOP DOWN. Reading it, the syntax and directions are off a bit as the chick who created the pattern isn’t a native English speaker. If you choose to crochet the pattern, I’d advise that you watch the video. I did. Many times. Oh, and there’s not a lot of counting in this piece. A big bonus. BEST: I finished the top last week, and it even fits me. I’ll block it this week then post me wearing it on Instagram.
New rug – While I don’t hook in the car, if I’ve driven to my destination, I will hook when I get there. Usually more than I did on this particular journey. But before I left, I drew up a new pattern, sewed on my tape, and gathered up and stripped some old t-shirts. I find that hooking with t-shirts works best when I’m on the go. That wool allergy isn’t going anywhere, and bed sheets shed thread like the dickens.
Bowyn sharing the floor with the “travel” rug. He’s happy to be out of the car.
What’s on my plate at the moment
Since I like to crochet all patterns twice so that I know I’m proficient, that I didn’t just get lucky, I’m planning to do up the top in another color. It helped that JoAnn’s has a summer yarn clearance going on. (I spent a lovely hour there yesterday picking up some bamboo and hemp yarns. I hope to do a bag with the latter. All those colorful yarns; I couldn’t help myself.)
And because I have two sales coming up very soon, I decided to put the travel rug away and do a few small wall hangings. Sunflowers! I love sunflowers and try to hook at least one each year. Plus, one of the sales is the Sunflower Festival down in Mountainair, a mountain town south of Albuquerque.
Bowyn takes this chance to have a treat and bring you the sunflowers in this week’s WHAT’S ON THE FRAME.
All in all I’ve been pretty productive this summer. And there are still a few weeks left! Perhaps it’s a byproduct of the pandemic; I realize that I’ve become a little less social. I like having more time to myself to create, to concentrate on projects that I deem worthwhile, whether they’re for my shop or my own growth. The challenge will be how to keep at least some of that time for myself once the Delta variant disappears and we can move back out into the world for real.
Hope you’ve enjoyed the project porn. How has Covid affected your art practice?
I’ll repeat that: High on Hooking will be participating in not just one, but two in-person art events in August! The last time we got to do anything in person was when we taught a punch needle rug hooking class up at the New Mexico Fiber Arts Center (Española, NM) in late February, 2020. Before the stupid Coronacootie struck and absconded with over a year of our lives.
One of the honest to goodness August in-person art events!
The first event is the UNDERFOOT AND ALL AROUND Rag Rug and Textile Arts Sale in Santa Fe. It’s presented by Art Through the Loom (ATTL), a textile arts guild that I recently joined.
Art Through The Loom promotes weaving and fiber arts in Northern New Mexico. The ATTL members are fiber artists with a strong commitment to weaving and all fiber arts.
Art Through the Loom Guild members are a diverse community of fiber artists who come together from primarily northern New Mexico to access markets and learn from one another as textile professionals.
SALE INFO:
Date: August 20,21
Time: 10 a.m. – 5 p.m.
Location: Montezuma Lodge, 431 Paseo de Peralta, Santa Fe, NM
One of the August in-person art events.
The weekend after Underfoot and All Around, Sturday, August 28, we’re heading back to Mountainair, NM, after a 2-year hiatus. The SUNFLOWER FESTIVAL is one of my favorite events. Sure, I have to drive an hour-and-a-half to get there, but it’s beautiful with all kinds of NM art! And who doesn’t love sunflowers? That’s reminding me; I have to hook a small sunflower mat for the silent auction. Must get on that now that I’m home.
We’ve been silent here on the website for a few weeks as we’ve been back East (Connecticut, Massachusetts, and Rhode Island) to visit family and friends. Because it’s such a L-O-N-G ride in the car, Tynan stayed here in Albuquerque with Ruth. He thanks Ruth for her hospitality and homemade doggie treats AND Mary R. for taking him on walks in the Bosque. Bowyn and Tom and I are recovering from the trip today. We got in last night, and our backs are telling us all about those three 10-hour day drives coming home. I anticipate another round of yoga this evening…
I need to get this post up, but we’ll chat more about what we’ve been doing and making next week. I hope that we’ll see you at one of the August in-person art events. Or both!
And a public service announcement: Those covid numbers are going up again. If we want to keep our scheduled, in-person events from being cancelled, make sure you and yours get vaccinated.
So, maybe a year and a half or two ago, I offered to hook New Mexico’s contribution to the USA50 project. I finally started to hook it in April. As many worthwhile endeavors do, it took longer than expected.
USA50 poster courtesy of https://remileves.myportfolio.com/usa50.
For those not familiar with the USA50 project, it originated with another big, creative venture, the hooked cushion collection at the Barachois Historic Church in New Brunswick, Canada. The church, “the old whitewashed building on New Brunswick Road 133, will be 200 years old in 2026. This small church is among the oldest Acadian buildings still standing on its original site.” In order to celebrate the anniversary…“the committee thought then that a collection of 50 hooked cushions [on the church benches] would probably be feasible and would certainly arouse the interest of the population.” (Quotes from https://remileves.myportfolio.com/bonjourwelcome.)
The Barachois Historic Church is an ancient wooden building, which first opened its doors in 1826, and is still standing after nearly 200 years. The building was disaffected in the late 1970s, and reprieved from demolition in 1980. It has since been transformed into a local Museum, art gallery and summer classical concert venue. For over 40 years a wide variety of cultural events have been presented there. In order to be more comfortable on the old wooden pews, many event goers took too bringing a cushion to cultural presentations, and leaving it on the bench. Over time, this developed into a sort of tradition. This has inspired the Historic Church Preservation Committee. The “200 hooked cushions for my 200th” public art collection became the first permanent collection of the visual arts in the historic church. We cordially invite you to be part of the “USA50” collection to seal indefinitely our countries friendship and give the two collections the international destination status it deserves. (From the USA50 Facebook page.)
Poster for the Barachois Church’s 200th Anniversary and hooked cushions exhibit opening.
This [initial 200 cushions] collection, like others across America, proudly celebrates the volunteer work of artists in hooking. The project lives up to their community spirit and helping others, their creativity, their energy to work towards a common goal to meet the challenge. These artists, mostly women, gave in order to realize our dream. What is even more fascinating is that for many, our dream has become theirs too. Everyone had a reason to embark. That’s what created magic. Many artists pay tribute to their ancestors, a family member, Acadian friends, a colleague hooker, history, the art of hooking or just the cause.
The official opening of the cushion exhibit was on August 18, 2019. Over 1000 people came to view the cushions that day. American hookers were in attendance. They suggested the USA50 project, one cushion from each state.
One cushion per state representing memorabilia, landscape, bird, flower, or other representation particular to that state. Already rug hookers from all over the United-States have shown interest… (From the USA50 Facebook page.)
Hence my participation in the project. But, while a Hatch chile pepper or a hot air balloon would’ve been good representations for New Mexico, I preferred something more authentic. Something, perhaps, Native American as they were here long before the Spanish showed up in the 1500s.
A few years ago, during a visit to the Indian Pueblo Cultural Center here in Albuquerque, I purchased a travel mug with artwork by potter Patricia Lowden, a member of the Acoma Pueblo about 40 miles west of the city. I use the mug all the time and thought that a design like hers might best represent New Mexico. Long story short, I was able to contact Patricia through the Cultural Center. After explaining the project and how I would NOT monetarily benefit from the cushion, she generously offered not to let me use the mug design but to send me a similar design! That made my life a LOT easier.
“Rainbird” travel mug; design by Patricia Lowden. They’re ceramic now. You can find it HERE.
I hooked it using different wool yarns. Ruth Simpson, friend and fellow member of the Adobe Wool Arts Guild, graciously put the whole thing together.
A little about Patricia:
I am full Acoma. My great grandmother is Lupe Chavez who lived to be 105 yo. She was a potter, piki maker. Both my grandmother’s on my mom and dad’s side were potters as well. …My mother was Anita Lowden. She was a famous potter in the Indian market and won a lot of blue ribbons for her work. She made pots, animals and pitchers. She and grandmother Jesse have pottery in the Smithsonian. My oldest sister and I do the pottery making now. We learned from our grandma Andrea as we grew up closer to this side of the family. I am a 4th generation potter. I use the coil method to build my pottery. I grind my clay after soaking it. There are several steps to making and painting the pottery. I use a yucca brush to outline n paint my pieces. I make water jars, seed pots, canteens, vases, and wedding vases. I make various sizes. When people order they usually tell me how much they want to spend or I make a variety if they want more than one piece. I use traditional paints. I have been painting and making since I was 15 yo when my grandmother asked if I would outline for her, but I played with the clay when I was younger like 8 when my grandmother asked if I would like to make something to sell as she was getting ready for a feast to sell her pottery. I helped my grandmother as she was getting older and couldn’t see very well but she could still make pottery. My grandmother always encouraged me to try new designs… I love what I do and now I have a 14 year old daughter, Destiny, who I am teaching. She has made a few pieces and has sold them on her own. I am very proud of her because she will carry on my designs and the old style of making pottery.
“Rainbird,” New Mexico’s contribution to the USA50 project. All wool yarn on monk’s cloth. Design by Patricia Lowden. Hooked by Laura Salamy. All put together by Ruth Simpson. Thank you ladies!
Patricia has seen the cushion and told me that she and her family really love how it turned out. I’m hoping to hook up a smaller version for her to hang in her home.
Make sure you go onto Remi’s site and the Facebook page to see pics of the various cushions created for both projects. There are still a few states that are unaccounted for. As of May, they included: Alabama, Arkansas, Iowa, Montana, Nevada, Oklahoma, Oregon, and Utah. Do you live in or are you from one of these? Perhaps you can help finish up the USA50 Collection. Contact Remi Levesque through his website or the Facebook page.
Note: Please respect Patricia’s traditional design. Do not copy.
