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Annual High Desert Studio Tour

Poster for High Desert Studio Tour

 

 

 

…and just in case you can’t make the New Mexico Arts & Crafts Festival on November 19, High on Hooking will also be participating in the 12th Annual High Desert Studio Tour. Of course, you can come to both. In fact, you should.

 

For the past several years, New Mexican hand-dyer and knitter extraordinaire, Dagmar Beinenz-Byrd of ZiaWoolz has generously invited me to join her at her home and studio for the High Desert Studio Tour (click to download the brochure). We won’t talk about the past couple of years that Covid screwed us out of such things. It’s an intimate venue rather than one filled with all kinds of vendors and activities, allowing one the chance to  get in some good conversations with makers, letting you learn more about my work as well as Dagmar’s. In addition, Sarah Lovell of Southwest Sunflower Pottery will have all kinds of things that you didn’t even realize you need. (I know. I have some, LOL.)

 

Dagmar Beinenz Byrd of ZiaWoolz
Dagmar wearing her own work. (If only she was my size…

 

 

To be sure, there are other arts and artists on the tour. They include painters, sculptors, jewelers and more spread out over seven different studios. More info is available in the brochure. And, certainly, if you have any questions, please email me at Laura@highonhooking.com.

 

 

Mugs by Sarah Lovell
Her Rio Grande mugs provide just a taste of Sarah’s pottery.

If you’re looking to find holiday gifts for family and friends (and yourself!), please come see us at the New Mexico Arts & Crafts Festival in November AND at the High Desert Studio Tour in December.

 

 

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New Mexico Arts & Crafts Festival – Nov. 19

The New Mexico Arts & Crafts Festival:

It’s a brand new holiday market, and High on Hooking is participating. The festival is local – here in Albuquerque, and it’s free! The parking too!

 

The Art of Gifting: New MExico Arts & Crafts Festival

WHAT’S INCLUDED:

  • More than 80 unique artists and vendors from the area  – perfect for buying holiday gifts for friends and family (and yourself, of course).
  • Live entertainment.
  • Food trucks!
  • Workshops and demos like knitting and crocheting, belly dancing, and free-motion quilting. Kids can make their own crafty gifts too.

WHAT YOU’LL FIND IN HIGH ON HOOKING’S BOOTH:

  • Fabulous hand-hooked art in the form of rugs, bench covers, table runners, wall hangings, and so on.
  • Dog on hooked rug
    Tynan bids you all a WONDERFUL FALL and we hope to see you at the New Mexico Arts & Crafts Festival November 19. This hooked art would look marvelous in your house on Thanksgiving!

    Hand-dyed yarn.

  • Oxford punch needles.
  • info regarding hooking/pinching classes and the Adobe Wool Arts Guild, NM’s only hooking guild.

More information HERE.

So get thee to the UNM Continuing Education Conference Center at 1634 University Blvd. NE, on Saturday, November 19. Mention High on Hooking’s blog or other social media and get 10% off anything we’re offering.

PS – See our CALENDAR page to keep up to date on where you’ll find High on Hooking.

Hope to see you in a couple of weeks at the New Mexico Arts & Crafts Festival!

 

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The artists are angry; they’re PROTESTING!

Of course, they’re angry; they’re protesting!

That’s what I told a friend last Friday night at the opening reception for PROTEST: SEE Something, Say Something at Fusion in downtown Albuquerque. (More info HERE.) It’s a good, meaningful show, filled with all kinds of media and messages. Rightly so, with protesting as a theme, they aren’t always pretty.

Sheela Na Gig, hooked art piece
Sheela Na Gig is a Celtic symbol. I’ll let you read about her and how she was and now is used for protests HERE. (Hooked on cotton monk’s cloth with mostly old t-shirts and a bit of silk sari ribbon; embellished with glass beads.)

 

As I mentioned on social media after posting pics of my two pieces, I was sorry not to get more and better photographs, but I had to leave early. All Friday I’d battled a migraine; finally, the nausea and fatigue got the best of me. I didn’t feel better till Monday/Tuesday. Nonetheless, I encourage all the local readers to make their way to Fusion one afternoon or evening to see what the (protesting) artwork really looks like and to see it all.

 

Hooked art, THE MIGHTY ONE, THE ANGEL OF @)@@
Later every year, I create an angel for the following year. This was THE MIGHTY ONE, THE ANGEL OF 2022. (Hooked with old t-shirts, repurposed gold lamé, and plastic bags.)

 

 

Felted artwork for PROTEST show
TURTLE ISLAND SIEGE by Patricia Halloran  (Patricia had some cool things in the FABRIC OF NEW MEXICO SHOW.)

 

 

 

TORN BUT STILL WAVING by Elizabeth Potter (paper art)

 

 

 

 

 

 

 

 

 

 

 

WHOSE BODY IS THIS? artwork for Protest show
WHOSE BODY IS THIS? by Maria Jonsson (vintage dress form and acrylic paint)

 

BIG PHARMA SERIES #4, 5, 6
BIG PHARMA SERIES #4,5,6 by Martin Terry. Martin is also the curator of this show.

 

 

From BIG PHARM SERIES #1, 2, 3 #
Close-up of part of BIG PHARMA SERIES #1, 2, 3 by Martin Terry

 

 

 

 

 

 

 

 

 

 

 

GET WOKE artwork in PROTEST show
GET WOKE by Paula Steinberg (upcycled chair, acrylic/oil on wood and vinyl)

 

 

SHE PERSISTED
SHE PERSISTED by Betty Busby (Dunicel, felt)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

THE HISTORY OF BEARING CHILDREN
THE HISTORY OF BEARING CHILDREN, text by Jacqueline Murray Long, visual art by Martin Terry

 

 

 

 

Poem in PROTEST show
This is a more easily read photo of the text by Jacqueline Murray Loring. Another piece by a different artist accompanied this artwork. Visit the show to see it. (My photo didn’t come out.)

 

 

 

 

 

 

 

 

 

 

 

 

 

If you’re looking for a thought-provoking show, one that will let you see the outrage, the anger about so many things going on in our world today, come see the work by artists who are protesting at Fusion in Albuquerque.  Maybe we all need to start protesting.

 

Protest Art show poster

 

 

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PROTEST show opens October 7

 

PROTEST: See Something, Say Something

Please Join Us For The Two Moons Exhibit Series Opening Reception

Art show poster for Protest

 

Friday, October 7, 5:30 pm to 8 pm
at FUSION 700-708 1st St., NW – Downtown ABQ

Part of the Two Moons exhibit series curated by artist Martin Terry, this contemporary exhibition – PROTEST, See Something, Say Something – will focus on a select group of artists whose works speak to a social consciousness. Included are fiber arts, sculpture, painting, graphite, mixed media, written word, video, song, and other new and innovative means of communicating social commentary. Work in a wide range of styles matches the breadth of subjects addressed, including racism, sexism, economic inequality, climate change, violence, political upheaval, war, disease, and hatred.

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Why aren’t we all wearing an orange shirt today?

 

Logo for Orange Shirt DayI’m wearing an orange shirt today, but only because I have so many Canadian friends on social media. If I didn’t, I’d be clueless to the fact that September 30 is Orange Shirt Day up north. Its other name is the National Day for Truth and Reconciliation, but again, it’s only “celebrated” in Canada. My question is why don’t we have that or something similar here in the US?

For those of you who don’t have a plethora of Canadian fiber arts friends, you can read about the day and its origins HERE.

Each year, September 30 marks the National Day for Truth and Reconciliation.

The day honours the children who never returned home and Survivors of residential schools, as well as their families and communities. Public commemoration of the tragic and painful history and ongoing impacts of residential schools is a vital component of the reconciliation process.
-From the website canada.ca

I get that I live somewhere – New Mexico – that allows me the chance to be aware of our indigenous populations pretty much every day. That “s” making “populations” plural is not an error. Not much more than a mile from my house in Albuquerque, across the Rio Grande, is the Indian Pueblo Cultural Center (IPCC). There visitors can take in the museum, buy jewelry and pottery, watch Native dances, eat really kick-ass food, and do a host of other things that help to educate those of us who grew up without learning much of America’s early history. You know, before the British, French, Spanish, and other European nations came on the scene and decided the land was ripe for the taking and “clearly” not owned by anyone. At least anyone “civilized.”

The IPCC is run and owned by nineteen New Mexico Pueblo communities. Nineteen. And they’re all sovereign nations. And they don’t include the likes of the Apache and Navajo and others who also abide, at least in part, in New Mexico. My point today is that all nineteen came together to create the IPCC on this particular piece of land:

It is located at the heart of nearly 80 acres of land owned by the 19 Pueblos and governed by the 19 Pueblos District (a sovereign government formed by the Tribal Councils of the 19 New Mexico Pueblo Communities) at the former location of the Albuquerque Indian School (1881-1982)
-From the IPPC website

Again, I ask, why aren’t we here in the US wearing orange today in a spirit of solidarity and reconciliation? The same atrocities that happened up in Canda’s schools happened here. And we had more schools!

Last year I wrote about a rug hooking project that was a collaboration between myself, friend and guildmate Ruth Simpson, and Acoma Pueblo artist Patricia Lowden. You can read about it HERE. You can also read about the cushion and our collaboration with Patricia in the current issue of Rug Hooking Magazine (RHM). Unfortunately, I was prompted to write the article after I read another RHM article in which an artist/author indicated that indigenous art is ripe (word used on purpose) for using in rug hooking patterns because: The images of art from indigenous peoples are always ancient, copyright free, and so beautiful. Yes, that is a direct quote, and it went right up my ass sideways. (Pardon my French.)

And people think cultural appropriation isn’t a real thing. How can you if you think all the Natives are dead?

Again, I ask, why aren’t we here in the US wearing orange today along with the Canadians?

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