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WILL RUG HOOKING SURVIVE?

The other day  I read an email sent to reps on the Education Committee of the Albuquerque Fiber Arts Council regarding the potential of online education and the purposes of today’s guilds. This is something my own guild regularly discusses.

I ask because the answers might drive our educational goals in different directions.  And perhaps show us a source of inspiration to promote the continuation of the arts we all love. 
-Kathy Jackson

Earlier in the week and given current events, Beth Miller of Parris House Wool Works started a discussion on her business Facebook page. I urge you to go to her page and read the comments.

Why do we see so few BIPOC and LGBTQ people in rug hooking? Other textile arts are starting to increase in diversity, but I don’t think we are seeing that in rug hooking. Why is that?
For that matter, why are we seeing so few people under 40, or even under 50, hooking rugs? Or men?
What would it take to attract more people to rug hooking?
This is not rhetorical or academic. This is existential.
If rug hooking does not become inclusive, starting with young people, people of color, LGBTQ people, no one will be talking about rug hooking at all in a short fifty years.
-Beth Miller

I just turned 56 and am the youngest person, I believe, in my guild. This is not an anomaly among ATHA guilds. We’re aging. All you had to do was look around at last year’s Biennial in Denver to see that.

On the subject of ATHA guilds, I was amazed to read in Beth’s comments that some guilds aren’t even accepting members any more. WTF?

I also have it on pretty good authority that the circulation of Rug Hooking Magazine has been declining for the last number of years.

So what are we to do if we want to ensure that this tradition sticks around for another 200 years?

Personally, I’m really impressed by the buzz that is punch needle rug hooking these last few years.Those mostly young mostly ladies are all over Instagram, the current social media of choice, especially for artists. They’ve got online and in-shop classes going. They’ve got rock star celebrities like Arounna Khounnoraj of BOOKHOU and Rose Pearlman. No, I don’t necessarily care for all of their designs; in fact, I find many of them simplistic, but perhaps that’s what it takes to get the “youngsters” to sign up and learn the skill. All art and artists evolve with time, and they’re just starting.

Traditional rug hookers are on Instagram too, but, frankly, it’s not the same. We sometimes lack…the panache. Our projects can seem almost…fuddy duddy, I’m sorry to say. Not that there’s anything wrong with primitive rugs or traditional patterns, but, let’s be honest, is a finely shaded rose – and especially all the “rules” that go with that finely shaded rose – going to draw the attention of a typical 28 or 38-year old who’s got a full time job and maybe a baby taking up her time? What we have to do is show EVERYTHING that rug hooking can be, that is has the potential to be a rose and a 3-D sculpture à la Liz Alpert Fay or Rachelle LeBlanc.

In reading the responses to Beth’s questions and thoughts above, a few things stand out.

DIVERSITY
I don’t have to tell you that this is a HUGE topic today. And I mean this very day in June, 2020, not something theoretical. And society is hopefully starting to examine how a lack of diversity and acceptance pervades almost everything making up our society. I don’t feel qualified at the moment to pontificate on how we can draw other groups into our very white, older woman rug hooking demographic. And BTW, I am not apologizing for being a white, middle-aged rug hooker. But any group can grow staid after a hundred years or so. Change is good. Fresh ideas and perspectives are to be welcomed. Again, it’s about evolution.

TIME
A number of folks mentioned how the “young” are busy with: school; jobs and career-building; families and all they entail; and so on. Yes, this is undeniable. I started hooking when my kid was around seven years old. I was working part time as an environmental manager in a manufacturing plant. I was busy too. But I also knew that I wanted to create. Something. Rug hooking was something I could do in the evening when I watched television after the kid was in bed. And I wasn’t on a schedule. If a rug took a year, it took a year. Canadian hooker Karen Miller spoke about this just yesterday on Instagram and Facebook. She’s got a couple of kids, a fiber art business, and writes books! If something appeals enough to an individual, they will make the time for it. Ask Amy Oxford; she sells a lot of punch needles to people like me who are teaching beginners. Again, how do we make rug hooking appealing enough to gain more of our own beginners?

EXPENSE
This is a big one. And it certainly appears that rug hooking is an expensive sport what with the hand-dyed wool, the linen, the cutters, the patterns, the workshops and teachers. I’m sure I missed something. Here’s the thing, though, that’s just bullshit. The Canadian and New England ladies back in the 1800s didn’t have all those things, did they?

I learned how to hook in a community education class maybe 15 years ago. I did have to pay for that and a kit. The experience cost maybe $100. But I knew virtually nothing about hooking. Nor did I know anyone to teach me.

When my class ended, the teacher didn’t offer any additional lessons or mention a guild or anything. She did suggest a quilter’s hoop for finishing the project. Beyond that I was on my own. Thank goodness for the Internet, used books from Amazon, and Rug Hooking Magazine. With those resources I learned that:

  • I could get monk’s cloth for a lot cheaper than linen. (And no one talk to me about hating monk’s cloth and how it “stretches.” I learned on it and have always loved it. Pull in the opposite direction and it’s good as new.)
  • About rug yarn and punching, which I learned on my own. (Caveat: a few years later I took a class with Amy.);
  • How to draw a pattern;
  • How to finish a rug; and
  • Any number of tips which all you ladies have generously shared over the years especially as rug hooking groups proliferated on Facebook.

For years I used the student hook that came with my initial kit. My husband repaired that quilter’s hoop a few times when I over-tightened it. Once it was apparent I was in rug hooking for the long haul, he bought me a Puritan frame for Christmas. I still use it. I didn’t get a cutter until a couple of years ago; it was a guild hand-me-down that I purchased for less than $100.

Having no real rug hooking shop anywhere near me, I initially used wool yarn I found in a local shop. It was pretty thin. Sorry, I’m not good at yarn nomenclature. It took a really long time to hook up the two mats I made with that stuff. Later I bought old wool suit jackets from the thrift store. When I realized that it often wasn’t good wool, I came up with the idea of hooking with recycled t-shirts. They were plentiful, cheap, and came in lots of colors. Silk bouses and scarves and then bedsheets followed. If you can make a strip out of it, you can hook it. And don’t forget the yarn. To this day, so called “alternative fibers” make up the bulk of my work. And I get them at Savers or as gifts from folks looking to unload stuff.

I will admit that when I finally found a guild that sprouted up near me, I had a hard time. Or shall I say they had a hard time with me and my t-shirt rugs. I didn’t feel particularly welcome, though I’m sure some of the problem was my own sense of not fitting in and even inadequacy. I don’t know what it is about Albuquerque, but when I moved and  joined the Adobe Wool Arts Guild, I knew I was home. (See last week’s post.) They might not have wanted to hook with bed sheets, but they thought my rugs were pretty cool. I felt welcome.

During non-Covid years I teach a class to beginners called “Hook a Rug, Save the Environment.” It’s pretty much always filled with ladies who have never hooked and, therefore, have no pre-concieved ideas about beautiful wool or rug hooking rules. BTW, I am not a certified McGown teacher. I have nothing against them; hey, we have four or five in our guild! There’s room for all of us. My career in environmental management was all about rules and regulations. Rug hooking is where I can let it all out, do whatever I want. It’s art and it’s personal. There are no wrong answers. I am the boss of my rug, as we say in our guild.

The punch hookers have grabbed onto that idea and run with it. They use whatever yarn they want. No one cares if it’s acrylic or wool. They keep their pieces small to fit within a hoop or whatever they use to hold the piece; no cumbersome moving of the rug on a frame. Many of them see the back of the rug as the front! (The loops are on the back.) Or, better, they switch it all up and have flat and loops on the front! Sure, I think that loops on the back is a waste of yarn, but who cares? They are the bosses of their rugs. They’re having a great time, and their rugs are new and different.

So, how do we as the “old guard” re-excite our sisterhood (and our brothers) enough so that we can share this marvelous art with the “youngsters”? It’s gonna take technology, I fear. Damn, I’m still not all that excited by Zoom. When “they” let us, we need to get out into our communities and do a lot of demonstrations. And leave the expensive equipment at home. I’m not saying we should all start using bent nails instead of hooks, but maybe have some hoops and burlap or monk’s cloth on hand to let a kid try pulling some Lion brand bulky acrylic yarn. Most get it pretty quickly.

I’ll close my rant with something that the editor of Rug Hooking Magazine wrote in the March/April/May,1993 issue:

I hope the new people we introduce to rug hooking will find in it a totally fascinating art. Let us be welcome to newcomers. Let us teach beginners patiently. …Let us encourage and inspire.

We need new people in rug hooking. …I hope we find many of them. Please welcome them with all your talented, warm and wonderful hearts…
-Mary Ellen Cooper

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I AM THE BOSS OF MY RUG

 

“You are the boss of your rug.”

Linda Towle was the founder of the Adobe Wools Arts Guild, New Mexico’s only rug hooking guild. We miss you, Linda!

This is perhaps the anthem of the Adobe Wool Arts Guild of New Mexico of which I am the current president. You will hear it whenever any one of us is working a rug and asks the others for advice. That means you and anyone within hearing distance will hear these words:

  • at guild meetings and retreats;
  • at Albuquerque’s Botanic Garden in the BioPark where we demonstrate twice a month (in non-Covid 19 months, that is);
  • whenever and wherever any of us gather together to hook; and
  • whenever any of us teach – formally or informally.

The guidance can be in regard to most anything involved in rug making.

  • What color(s) would look best ?
  • Monk’s cloth, linen, or rug warp?
  • Wool strips or alternative fibers?
  • Which frame is best?
  • How high should my loops be?
  • Should I use quillies*?
  • Did I draw this right?
  • What do you think about _______?

If you’re a rug hooker, you know that the list is endless. Although our rugs are generally solo works of art, we often seek input from others, often those more experienced than ourselves.

We are a small and close-knit group. We are also not shy about expressing ourselves or our opinions. This means that when a hooker asks how he or she should finish their rug, they will often receive 10 or 15 differing opinions. Strident opinions. Discussion will ensue. The poor hooker might be overwhelmed. (We made someone cry once; it wasn’t our finest moment.) But, in the end, it all comes down to the same thing every time: “You are the boss of your rug.”

Being the boss of your rug  – or your painting or your quilt or poem or whatever type of art you might make – means that you ultimately choose a design, colors, techniques, and so on. You make the piece with your own hands. And when you’re done with it, it is yours. Hopefully, you share it with the rest of us.

And we are proud of that person’s efforts.

Individually, I might think the rug needs improvement. Maybe blue would’ve worked better than black. Perhaps some of the loops fell out. Hell, maybe I hate the whole design. But it is NOT my rug. It is someone else’s rug, and I respect everything that he or she put into that rug. Or that short story or that piece of pottery.

We are proud that the person cared enough to make a rug. We are proud that he or she put themselves and their ego out there. That they felt safe enough to express themselves artistically in front of us. That they were able to say no to even the most vociferous of us and create their own rug.

Maybe you’re wondering why I bring this up.

Hooked rug
March 1: “Costco shopping trip pre-coronavirus. This was extreme hooking even for me. The TP roll was hooked with actual toilet paper. Not the easiest to work with but better than anticipated. Maybe if I spun it… Also wool yarn and strips.

In March, I wrote about my yearlong #RibbonRugJournal project. Basically, every day I hook an entry on a 3-inch or so length of a burlap ribbon roll. The image – more like a sketch – has to do with something from my day. It’s not a Picasso by any means. Burlap ribbon, I’ve found, sucks to hook on. Strings often break. It’s also a small space, not good for a lot of design definition, but I’ve made it over five months so I’ll keep going.

Little did I know in January what kind of year 2020 would be. Holy crap, Batman! Hence, in March the Coronacootie started showing up in my journal. And then in the last few weeks, #blacklivesmatter has dominated the news. As it should. And as we all know, that movement’s collision with politics has been cataclysmic for the country. Naturally, this has also made it into the #RibbonRugJournal.

What do I do with the journal? Every evening after I hook an entry, I take a picture and load it onto High on Hooking’s Instagram. This keeps me honest, plus some folks are following it. (Love you guys!) All of my Instagram posts are automatically loaded onto High on Hooking’s Facebook page. From there I  share it on my personal Facebook page.

Embroidered wool on burlap ribbon
#ribbonrugjournal June 2: “ELBIB Abuse.” Did he hold that book, respecting it as the sacred item it is? Or did he heft it up as Exhibit A, “proof” of his love of God and his fellow men? I mean after peaceful protesters and clergy were driven from the church with tear gas. For his photo op. The Bible and the world turned upside down.

Tuesday, June 2, I posted a simple image. It was indeed politically motivated. I am not a fan of Mr. Trump and was fairly incensed to see him silently hold a Bible aloft in front of a Church he does not attend after his minions forcibly removed from the church area peaceful protesters and the clergy of that church. You can see that I also made textual comments which you can read.

Later in the evening, I saw that folks had commented on my social media. I’m good with that. But one woman had posted:

Is this the right place for politics? I come here for a break from reality for a bit.

I was taken aback. High on Hooking is my company; it’s Facebook page is my page. While I leave overtly political posts and memes and such for my personal page, this was just an element of another hooked rug project. And I’d posted other occasional political entries before. I explained much of this to the writer. A bit of a dust-up ensued as others came to the defense of my self-expression. I thought that was the end till I turned on my phone Wednesday morning to another comment:

No politics please!

Note the exclamation point. Although I didn’t agree with the first woman, I could understand where she was coming from. But this chick was telling me to not post political content on my own f-ing page! Really! Guess she doesn’t like her rug hooking or her art making her uncomfortable. Or she can’t handle people having a difference of opinion.

My response:

______, this is my page. I don’t compartmentalize my life, especially not my art. Rug hooking allows me to process all of life, not just the easy and good things. Please read responses below.

Lady, and anyone else who didn’t like my #RibbonRugJournal Tuesday night, feel free to pass over my “political” posts or to stop following me if it bothered you that much. You have no right to tell me or to even intimate that I shouldn’t integrate my opinions into my art that I show on my social media. I am the boss of my rugs and my pages!

Beth Miller of Parris House Wool Works wrote a great blog post back in 2017, called “Shut Up and Sing” – A Guide to Why Those in the Humanities Will Not Be Silent. I encourage you to read it if you worry about our rights and needs to self-express.

Whether you paint or hook or write or sing, remember that

YOU ARE THE BOSS OF YOUR ARTWORK.

 

 

 

*I defy anyone to show me when a quillie is a good idea. Just saying.

Wonderful

 

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Hemming, Hooking, and Punching, oh my!

Here in Albuquerque, we’re hemming, hooking, and punching, oh my!

 

The hemming part of hemming, and hooking, and sewing, oh my!
The hemming part of hemming, and hooking, and sewing, oh my!

HEMMING
The secret project is almost done. The hooking’s complete, but there’s a LOT of hemming to be done, rug binding to be sewn down. It’s been taking a LOT of my time. But if I can finish that and figure how to hang it, I think that I’ll enter it into a fiber show up in Santa Fe to run during the New Mexico Fiber Arts Center (formerly Española Valley Fiber Arts Center) Fiber Crawl in May. Check out the info whether you’d like to be a participant or would prefer to check out the festivities this year.

 

HOOKING
Cathy and I have one more evening in Santa Fe as artists in residence at the Inn on the Alameda. There’s not been all that much action, but we usually get in a few good chats with a guest or two. Two weeks ago we met a group of ladies who came from all over the US to take a workshop that would teach them how to make clothes from the cloth that they’d woven back at home. They were really into the tactile nature of our hooked rugs. One woman had inherited hooking paraphernalia from a relative and got all hyped visiting us. Another loved the idea of using used clothing, especially t-shirts, and wants to give hooking a try. Alas, she isn’t from here, so she’ll have to find a teacher on her own.

Meanwhile, Friday, a friend of a LeeAnne, an AWAG guild mate of mine, came here for an intro lesson Friday. (Bowyn was a BEAR, wanting desperately to become her new best friend. Ideas of what to do with a dog when you teach in your home? Till he’s trained, that is.) Barbara came last week so that she could attend AWAG’s first hooking retreat of the new year. If you’re in the area of Hope Church on Juan Tabo in Albuquerque Wednesday or Friday, 10-3, we cordially invite you to stop by. If hooking’s your thing, bring that. Knitting, embroidery, whatever, we’re happy to have you. (FYI, Thursday, we’ll be holding an in-guild miniature punch needle class, so our hospitality will be “compromised.”)

Dog on hooked rug
Tynan brings you this post’s “what’s on the frame”!

Lastly, as you can see in the photo, Tynan brings you this week’s “what’s on the frame.” It’s a cheery and color-full rug that I’m hooking with old woven bed sheets. Unlike other on-going projects, it’s highly portable. Each evening, too, I hook my daily entry on the ribbon rug journal. More on that next time.

 

Punch needle rug hooking example
Come punch with me in Santa Fe on February 29.

PUNCHING
And lest anyone forget, Saturday, February 29, I host my first Intro to Punch Needle Rug Hooking class up in Santa Fe, in the New Mexico Fiber Center’s new shop. It opened back in November. Most exciting, doing a class in Santa Fe instead of Española cuts my commute by a full 30 minutes! If you haven’t been there, make sure you make a trip. It’s cute and carries more finished goods than the Española headquarters. And if you’d like to try punching à la Amy Oxford, sign up ASAP. If you can’t make that class, contact me about a class in my home or even yours.

 

Toma nd Bowyn, man and dog
My other two boys, Tom and Bowyn. Like most days in New Mexico, Saturday was sunny, so the four of us piled in the car went off on a jaunt. Have you done any good walks and hikes lately?

 

Okay, things could be a lot worse. Hemming, hooking, and punching are all better than working in an office or shoveling snow or even having a mammogram or dental work. Frankly, they’re better than teaching Bowyn over and over how to be a good canine citizen. He’s stubborn and more than a little crazy, that one. But you have to love him. Or at least Tom and I have to. WHAT ARE YOU UP TO THIS WINTER DAY?

 

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A quick hello

 

welsh springer spaniel with hooked rug.
Tynan here with a quick hello. She’s busy trying to finish the hooked monster, i.e., the “Big Boucherouite,” and prepping for her turn to host the monthly neighborhood Bunco party tomorrow. And, oh, yeah, my sister’s here from Colorado. But then again you always like it better when I host the blog, and we like to give the customers what they want.

Weather’s beautiful here in Albuquerque this week, even hitting the 70s. Condolences to those still victim to winter’s frigid temperatures. May spring come quickly to you. And if you’re in the ABQ area, remember that the Rio Grande Arts and Crafts Spring Show is this weekend! (Not that I get to go…)

Later!

Tynan

 

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Notes from the “Big Boucherouite”

 

“Big Boucherouite” here. Yes, you read that right. I AM the large rug that she’s currerntly hooking. Constantly. At least it feels that way. I hardly ever get alone time. Anyway, as she’s still working on me day and night, I decided to provide a few notes  regarding where she’s at in this project.

Tynan the dog on the Big Boucherouite.
See what I mean about the dog? Oh, and that idea of strategic photography?
  1. She’s been watching a LOT of television during the day. I tried to tell her to get some books on tape, but she goes on and on about having to get through a NOVA back-up, that she’s got to free-up space on the DVR. Fine. Her husband, of course, insists on watching them with her, though I’ve noticed that he tends to use them to catch up on his sleep.
  2. NOVA sounds nice and erudite, sure, but that wasn’t on till midnight last night. No, that would be…Ice Castles. Yes, the Robby Benson movie from 1978, when she was 13. Apparently, she even read the book back then. It was on some TV station for lost movies. Some movies should remain lost…
  3. She does take some breaks. It seems to be rather necessary. Hooking so much woven fabric is taking a toll on the joints. As is sitting under me. I’m rather heavy at this point. I tell her to do some yoga. Does she listen to me? Sometimes.
  4. She’s still going on and on about not having enough orange sheets to fill my background, that she had to breakdown and use t-shirts. Who gives a damn? That they’re used textiles being recycled to a higher purpose – me! – it’s fine. That’s the Boucherouite spirit.
  5. Her dog keeps sitting on me determined to earn a snack. Someone needs to tell him that she’s barely taking any photographs of me. I deserve a BIG REVEAL and not until I’m properly hooked and hemmed.
  6. Lastly, regarding actually finishing me in order to enter me into Albuquerque’s Fiber Arts Fiesta by the March 1 deadline, let’s hear it for the idea of STRATEGIC PHOTOGRAPHY. And you all make sure that your submissions are in by sometime Friday too.

Look for my debut on Instagram and Facebook in the near future, and I’ll see you May 30 and 31 and June 1 at Fiber Fiesta!

The Big Boucherouite

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