Workshop Week 3 classes announced; registration is open!
Thanks to Covid, a new type of “camp” was born last year, one that lets folks from all over come together without worrying about the high costs (in money and germs!) of travel and hotels. Those of us involved in In the Studio – brought together by Karen Miller – had such success and fun, that we did it all over again in Februaryand even invited a couple of other artists to join us. We’ve come full circle and are now planning WW3 for the last week of October, 2021. But this time we’ve got FOUR NEW TEACHERS!
Again, all Workshop Week 3 classes will be conducted on Zoom. I know, I know, it’s not the same as being there in person, but how else could you be part of this fabulous line-up? And we’ll have the two bonus sessions again during the week – an evening gathering and a panel discussion.
There’s a wide array of workshops available; some having to do with just rug hooking, others not so much. Scroll through the document below to find your favorite(s). Feel free to take more than one. Email individual instructors for registration and more info. Don’t tarry, as classes filled up pretty quickly last time.
BTW: If you see a workshop that you’d love to take with your guild or other social group, most of us are happy to run our classes again.
WORKSHOP WEEK 3 – Enlarge image by clicking on bottom right symbol.
I liked this eight-point star superimposed on the blue sky and angles of the building. It’s found in Germany’s Black Forest.
I bet a whole bunch of you spend a fair amount of time looking around, see things, and wonder, “That looks cool; can I make a rug out of it?” I do. Even Tom has started asking me if I can use a particular design that he spies in nature, in the store, in the clouds…
My vacation is long gone now that summer is churning forward and August is just around the corner. Sigh… Sure, it’s freaking hot here in New Mexico, but I love the vibe of summer. So, I thought that I’d try go back to Germany in June – it was chilly – and share some of the “artistic elements” that I discovered there.
Okay, less an artistic element than a piece of art itself. I really liked these metal yard birds. Also in the Black Forest .These roof shingles were on many of the houses of Breisach, Germany, a little town on the Rhine. As old as the town looked, it was almost completely rebuild after WW2. Besides the scalloped shape, I like the variation in color.
Just check out the lines and the reflections of these homes in Strasbourg, France.
If only my own flower pots has this kind of artistry! Found this at Heidelberg Castle in Germany.
I loved the individual artistic elements incorporated into this sign, I think for a cafe. It was in Rüdesheim, Germany. The sun, the grapes, and the tea- or coffee pot caught up in the leafy grapevine.
Never mind the steepness of the hill that these grapevines have been planted upon (though workers do have to tie up to a bar at the top and repel down to tend to the vines). Note the rows and rows of straight lines. The ones that go off at a bit of an angle are owned by a different farmer.Kitchens – even in castles – are full of artistic elements. Here we have circular plates, cylindrical cups and vessels, and the horizontals of the shelving. Saw this in Marskburg Castle near Koblenz, Germany.
Spoons on a rack provide us with more circles and lines. They look like pewter lollipops!
Marksburg Castle had some interesting slate roof tiles.
And incredible woodwork!
Both Tom and I looked at this and the other wall panels and thought RUG!Dog? Sheep? You be the judge.Maybe snakes are more your thing… Seen in Koblenz.This window in the Cathedral in Cologne was made of colorful, glass squares. Being that I love to hook geometrics, I was quite taken by it. Wish the pic was clearer, but the camera on my phone bit it soon after this.
What have you recently seen during your travels that might make it into a rug?
The rug that generates the most talk when folks come into my booth at the Rail Yards Market is the one I call “Welcome to New Mexico.” Many of you already know its story; that I started it right before I left Massachusetts late last July to move to Albuquerque. In my mind I’d work on it while the child and I crossed the country on our new adventure. I pictured myself contentedly hooking in motels each night as I decompressed after a day of driving. That didn’t happen once, not even when the kid spontaneously combusted in Scranton, Pennsylvania, when she thought her cell phone died. (I swear that I left at least a year of my life on the side of the highway there…)
No, I didn’t hook at all on the road. First of all, it was difficult just getting our things in and out of my Honda Fit each day. If you haven’t seen one, it’s a tiny car, and I’d packed it to the gills. Truthfully, it was enough every evening to find some dinner, catch up with important emails, call Tom (who was still back in Mass waiting for the movers), and brush my teeth before I fell asleep over my magazines.
The sanity-saving, hit-or-miss rug.
Hence, I started the rug in earnest when the kid and I arrived at the house we were renting till we found our New Mexican castle. (Therapy!) It was designed to be a rug of convenience in that I was using t-shirts in the colors of the high desert and no set design. Old t-shirts in reds, browns, greens, and such are pretty ubiquitous; better, I’d found that Albuquerque had Savers stores. Savers has for years been my thrift shop of choice for used clothing to deconstruct and then hook with.
The hooking was done right quick – by the beginning of September. The finishing would have to wait until we moved (again) and I had more table room. To me it was an alright rug; it served its purpose, certainly, but I didn’t love it. Imagine my surprise when I put it up for sale at the Rail Yards this June. It was the mat that everyone pointed to when they perused my stuff. “Love that!” “Look, it’s got a Zia!” Even, “Hey, Sue, you should buy this one for your office.”
An aside: For those who don’t know about the Zia sun symbol, here is a description from Pueblo of Zia:
The Zia logo is used by the state of New Mexico on both the flag and license plates.
The symbol originated with the Indians of Zia Pueblo in ancient times. It’s design reflects their tribal philosophy, with its wealth of pantheistic spiritualism teaching the basic harmony of all things in the universe. (http://zia.com/home/zia_info.html)
Maybe I shouldn’t have been surprised by its popularity. Zia suns are all over the place here: on our license plates, on t-shirts, worked into company logos, and so on. Silly me for thinking it would be seen as touristy or, at best, kind of kitschy. I mean, I’m from New England, but I didn’t have photos of sailboats or lobster statues throughout my colonial home.
A few weeks back a woman came through my booth; she had a marketing background and did a lot of work with arts and/or craft shows. The first thing she told me (after saying that she loved my work, that is) was that I needed to have more Zias. that people would eat them up. And that my mug rug concept should be “expanded,” that I should hook a larger rug, big enough to hold four mugs. That “if I hook it, they will come.” (And, concomitantly, they will pay more.)
What the hell, I thought, Let’s try it. Tom and I ran to Savers a couple of days later (if I go on Tuesdays, he gets me a senior discount of 30%!). There weren’t four matching mugs that would fit the New Mexican bill, but I did find two colored turquoise. Fine, we’d start small-ish. Below is what I came up with (minus one mug for the pic).
“Coffee for Two, NM Style” really came with two mugs. Sold!
Fast-forward to this past Sunday. Everyone loves the “Welcome to New Mexico” rug, but, of course, no one wants to pay for it. (I know the owner-to-be is out there…) Lady comes in, is looking for a gift for her mother. Takes her a while to decide on one with the “perfect” colors that will match her mom’s home. I realize suddenly that I don’t have my Square, that I left it in the car. Tom makes a run for it. Lady walks around the market with her husband while we wait. Tom and she arrive back at the same time. I start to input the info into Square. “Wait!” she says excitedly. “Can I have this one instead? I think she’ll really love this one.” The Zia rug with its matching mugs is $10 more. Of course, you can!
So, I’m about to start making a lot more New Mexican-themed rugs and mats. That’s okay. I find it an interesting challenge to come up with different designs that don’t bore me, that have some panache beyond the typical tourist crap you find in Old Town Albuquerque. But I’m not one to design according to others’ preferences – unless they’re paying for a custom rug, of course. Fortunately, these will tend to be smaller rugs. For myself and my own “artistic sense,” I usually have another rug running, something that’s less work and more…therapy. Right now that’s a bedsheet rug. Pictures will soon be available.
“Desert Gone Wild” is a rug that sold two weeks ago. Color, for me it’s all about the colors.
What about you? What do you like to hook? Landscapes? Geometrics? Portraits? Florals? Realistic versus stylized renderings? I know many love to do seasonal pieces. Me, I love pumpkins and other things fall, but I’m not a lover of Christmas rugs. It takes so long to make one, how can I put it out for six weeks at the most? Weigh in below!
Again, all Workshop Week 3 classes will be conducted on Zoom. I know, I know, it’s not the same as being there in person, but how else could you be part of this fabulous line-up? And we’ll have the two bonus sessions again during the week – an evening gathering and a panel discussion.
