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Yearlong Environmental Stitching Project

Celebrating Earth Month with the Yearlong Environmental Stitching Project!

Stitching - beginning the Yearlong Environmental Stitching Project
First day’s work on the Yearlong Environmental Stitching Project. January 1, 2023.

As many know, a main focus in my artwork, particularly hooking, is to bring attention to the state of our shared environment. Globally, locally too, it’s not in great shape. Between crazy-ass storms, drought, rising temperatures, air and water pollution, too much trash and waste, etc., etc., we’re suffocating ourselves and other forms of life here on earth. (Though I understand that cockroaches and kudzu are still doing quite well.)

If you’re reading this, I won’t bother preaching to the choir. You’re already aware of the problems. And you’ve probably heard me pontificate or at least share various posts on my social media. A note, my initial career was in environmental regulatory management for industry. I’ve had plenty of time to think about what we put in and on this planet of ours.

Honey bee - Yearlong Environmental Stitching Project
On January 14 I stitched about how the US Department of Agriculture approved the first ever vaccine to prevent the bacterial disease that destroys honey bee colonies. This is GOOD NEWS!

 

More than wool, I create hooked art using different types of old textiles that I find in Savers (my local thrift store) and am gifted. They can include old t-shirts and other clothing, curtains and bedsheets, and so on. It makes me feel good to tell people what the art they’re fondling is made of. Kids especially love to see and touch recycled t-shirt rugs.

 

In 2020, I spent the WHOLE YEAR hooking and stitching the Ribbon Rug Journal (RRJ). Not familiar with it? You can read about it HERE. Given the nature of 2020, I had plenty of time to sit down every single night to log in that day’s entry. Still I was psyched that I made it to December 31. And really ready to move on from the project given the time and energy it took. It’s since been the subject of an article I wrote for Rug Hooking Magazine and hung in two exhibits.

Fast forward to late 2022. Surprisingly, I was itching for another yearlong endeavor, preferably something with meaning from the get-go. (When I started the RRJ, I had no idea that 2020 would be the “special” year that it became.) I wasn’t looking to hook something every day; that’s what my regular projects are for. Besides, Tom begged me not to have to work on something every night. So, I pondered…

Brown widow spider - Yearlong Environmental Stitching Project
On March 13, I started the Brown Widow Spider after reading about how the aggressive Browns are “slaughtering” the more docile Blacks (spiders!) in the US Southwest and South. Then they eat them! Meanwhile the Black Widows are expanding their range northward, even into Ontario and Quebec.

Meanwhile, like most everyone else, during 2020 and 2021, I took online classes and became more interested specifically in hand-stitching. In fact, I incorporated stitching into the RRJ because some things, like letters, were easier to do on the burlap ribbon than hooking. I made a Kawandi quilt and was pretty proud of myself. I also did more sketching with the likes of Sketchbook Revival.

 

I’m not interested in fine drawing or fussy embroidery, but something more basic. To share a thought, make a memory, the stuff of journaling.

Last year too, while on a hunting trip to Savers, I came across a large, linen curtain panel from Ikea. It’s a beautiful, pale green. Come the end of the year, it was just sitting there, waiting for me to formulate an idea. Which I finally did. The color is a great earth color. And I kept seeing and reading more and more environmental stories. Ah ha! I decided on the Yearlong Environmental Stitching Project (YESP): I’d stitch using an environmental theme throughout 2023.

Safety was derailed along with the train in Palestine, Ohio, in February.
After the Norfolk Southern train derailed in Ohio in February, we learned more about how the last administration dismantled railroad safety rules. as the railroads requested. This accident and subsequent environmental and health disaster didn’t have to happen.

 

I’m still not enthused by the title so that might change. And to avoid burnout – my own and the husband’s – I don’t work on it every day. In fact, throughout Sketchbook Revival 2023, the whole thing has sat on the dining room table. Really, it could also be a tablecloth; it’s big enough! As I scan the newspaper and news online each day, I collect stories. Some are pretty horrific, I’m not going to lie. Like the recent report from the UN about humanity’s closing window of opportunity to affect climate change, that our current investment and funding for adaptation to that change are completely insufficient, especially in and for developing countries. Never mind that the US electrical grid is heading for a total meltdown. But there’s good news too. Biden created two new national monuments here in the Southwest. Then there’s the woman in Britain who got so fed up with her town’s lack of recycling that she decoded to take care of it herself. And all kinds of folks joined her. I need those kinds of stories; otherwise the whole project would depress the crap out of me.

I keep all the stories in a file folder and pull one out when I’m ready for a new entry. Having learned from the RRJ, once I finish a stitching, I record it and pertinent info in a written journal. I photograph it too. That way, in January, I won’t wonder what the hell I stitched. Also, the only thing I can purchase for this project is embroidery floss. Everything else has to come from what I already have or am given.

While this won’t be quite as entertaining as the nightly RRJ postings were, I hope that you join me on this yearlong journey. Hey, it’s less than nine months now. Somehow busy-ness and my own winter inertia kept me from getting this all written up, though I have been posting on my Instagram and Facebook accounts all along. Sadly, it’s a constant fight against the cult of busy-ness in this culture. Even when your kids have left home and you don’t have a regular paying job. Also my ability to multitask isn’t as honed as it used to be. (Thank goodness!)

 

Toadzilla - Yearlong Environmental Stitching Project
Toadzilla, the fierce, burly Cane toad from Australia. He was 6 pounds, the biggest Cane toad ever found! I’ll let you Google him to see why he was in the news in mid-February. This is his outline. I still haven’t finished filling him in. It’s a good lesson to me to sketch more, color and detail less.

 

How do you cope with climate change and all that the environment’s throwing at us these days? Any good plans for Earth Day?

 

 

 

 

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IN THE STUDIO – Kirsten Chursinoff on April 13

Kirsten Chusinoff talks art quilts

Kirsten Chursinoff to talk art quilts on In the Studio

Take a colourful journey with textile artist Kirsten Chursinoff as she shares the inspiration, creativity, and design, behind her art quilts that have appeared in galleries and magazines.  Celebrating the beauty of the world through stitching, the quilts combine embroidery, felting, beadwork, and quilting.

You can find tickets for this talk HERE.

About Kirsten Chursinoff:

Kirsten Chursinoff is a textile artist working in Vancouver, BC, Canada. Her main focus is creating art by combining embroidery and quilting techniques. Some of her recent themes include marine life and colourful garden embroideries.

Kirsten holds a Diploma in Textile Art from Capilano University. She has written articles for magazines such as Quilting Arts and Art Quilting Studio. She receives invitations to lecture at quilting and embroidery guilds, and has exhibited in solo and group shows. In 2006 she received the Visual Arts Development Award (VADA) presented by the Contemporary Art Gallery and the Vancouver Foundation. She is a member of the Craft Council of British Columbia.

Learn more about Kirsten and her work at www.chursinoff.com, or find her on Instagram @kirsten_chursinoff, or on Facebook at Kirsten Chursinoff, Textile Artist.


IMPORTANT PLEASE READ:

The Zoom link for this presentation will be emailed to you the day before the talk (or after you purchase your ticket, if you purchase on the day of the event).  If you don’t receive it, you can contact the organizer at info@karendmillerstudio.com.  

Tickets will be on sale until 10 am the day of the event.  After that time you will no longer be able to purchase tickets.

Please note that the time of the talk is 1:00 pm EASTERN.

FAQ’s

* Will this talk be recorded for viewing later?

Unfortunately, no. Due to the logistics involved, we decided some time ago to keep these events live. Hopefully if you can’t make it to this talk, you’ll be able to make it to a future talk.

* It’s the day of the talk and I’m having trouble finding or using the link for the talk. How can I find help?

It is very advisable to LOG INTO THE EVENT A FEW MINUTES EARLY to be sure that you have no trouble with the link, and if you are having trouble the organizer can help you out. You can email or message the event organizer up until one hour before the talk on the day of the talk for help. ONCE THE EVENT STARTS, however, messages and emails are not able to be monitored.

* I’m finding it distracting during the talk seeing all of the other participants on my screen. What can I do?

During the event the organizer will put the screen setting on “spotlight view” so that the presenter is the focus on your screen. Depending on your device, you may still see audience members on your screen and changing your setting from “gallery view” to “speaker view” should help with that.

* What Time Zone is the time of the talk in?

The time indicated on all ‘In the Studio’ talks is the EASTERN (EST) time zone.  If you live in a different time zone, be sure to check what time you should tune in to ensure you don’t miss the talk.

*I can no longer make it to the talk.  Or, I missed the talk.  Can I get a refund?

Unfortunately no- the price of the ticket is so low that it is not cost-effective to refund those amounts.  If you are unable to make it to the talk and you already have a ticket, or you forget to attend, please do contact me at info@karendmillerstudio.com.  I always offer a ticket to the next talk to make up for it.  All of the artist speakers receive a portion of the ticket proceeds so we very much appreciate your contribution to supporting artists!

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IN THE STUDIO – February 17 with Monika Kinner

Monika Kinner leads us through her art journey.

Monika Kinner event poster

 

Monika Kinner is a professional artist specializing in freestyle embroidery (since 2009) and soft pastel paintings (since 2018).  More recently, she has started experimenting with saori weaving.  Her creations are expressions of love for the prairie where she lives and originate from her own personal photographs of and experiences in Saskatchewan, Canada.  She is constantly amazed at the texture and intricate beauty that can be achieved by working with threads and other fibres.

About Monika Kinner:

Monika is a juried member of the Saskatchewan Craft Council and a former member of the Embroiderers’ Association of Canada.  Her award winning work is cherished in private collections around the world including Canada, the UK, USA, Australia, New Zealand, Western and Eastern Europe and South America.

You can learn more about Monika and see her work at www.mysweetprairie.ca and on Instagram @monika_kinner (her textile work) or @monika_kinner_painting_pastel_ (her pastel work).

 

IMPORTANT – PLEASE READ:

The Zoom link for this presentation will be emailed to you the day before the talk (or after you purchase your ticket, if you purchase on the day of the event).  If you don’t receive it, you can contact the organizer at info@karendmillerstudio.com.

Tickets will be on sale until 10:00 a.m. the day of the event.  After that time you will no longer be able to purchase tickets.

Find tickets for this event at Ticketscene.


FAQ’s

* Will this talk be recorded for viewing later?

Unfortunately, no. Due to the logistics involved, we decided some time ago to keep these events live. Hopefully if you can’t make it to this talk, you’ll be able to make it to a future talk.

* It’s the day of the talk and I’m having trouble finding or using the link for the talk. How can I find help?

It is very advisable to LOG INTO THE EVENT A FEW MINUTES EARLY to be sure that you have no trouble with the link, and if you are having trouble the organizer can help you out. You can email or message the event organizer up until 12:30pm Eastern on the day of the talk for help. ONCE THE EVENT STARTS, however, messages and emails are not able to be monitored.

* I’m finding it distracting during the talk seeing all of the other participants on my screen. What can I do?

During the event the organizer will put the screen setting on “spotlight view” so that the presenter is the focus on your screen. Depending on your device, you may still see audience members on your screen and changing your setting from “gallery view” to “speaker view” should help with that.

Share

Spinning out of control!

Spinning top
My life is spinning… (Photo by Fons Reijsbergen.)

 

Given Covid, I’m amazed at how busy my world’s been these past months – some days are spinning out of control! Besides hosting events, I’ve been attending plenty of others. And then there’s the literal spinning, as in vertigo. For over a month, I’ve had days feeling as if I’m walking on the deck of a boat. Sometimes the waves are just little ripples, like in a pond. Other times, there’s a big, old storm coming! While I suffer a completely unmerited hangover! The ENT says it’s not an ear or sinus infection, and the chiropractor says I’m well aligned. That leaves those pesky calcium crystals that reside in our inner ears sensing gravity. They need to be re-positioned which is why I’m off for a physical therapy evaluation tomorrow. Here’s hoping they can find a way to end the spinning.

Bowyn the Welsh Springer spaniel is sick.
Bowyn on our surprise snow day last month.

Meanwhile, poor, little Bowyn is ailing with a wicked double ear infection and mouth sores that make eating difficult. Dude’s really looking hangdog. Yesterday we saw Dr. Forsyth (of the Taylor Ranch Veterinary Clinic here in ABQ). Now we have new meds and more ear-washing; I am not Bowyn’s favorite person at the moment. Praying he feels better in a few days.

 

 

“PLACES” WE’VE BEEN

Okay, less actual places, more Zoom gatherings. Since we last checked in I’ve been to:

  • The Alt Fiber Hook-In with some lovely ladies from Canda and the US. Perhaps we should plan another for one evening or Saturday? Thoughts?
  • The Adobe Wool Arts Guild‘s first actual meeting, albeit it virtual, since March. If you’re located in New Mexico and interested in joining, email me. We’re looking to set up a class or two for next year. (Still virtual, I’m afraid.) Maybe you’d like to join us.
  • In the Studio’s inaugural Workshop Week. This was fun – Karen Miller, Susan Feller, Beth Miller, Meryl Cook, and I each held a workshop; included with “tuition” was a ticket to an evening hook-in and a closing panel discussion. Such was our success, that we’re planning another week this winter. Keep watch for that. There will be all new classes!
  • In the Studio with Nadine Falgel. Nadine spoke about how she she makes “slow art” to combat “fast fashion.” This being one of my own pet issues, I was really interested. But while I like to recycle old or would-be scrapped textiles into my own pieces, thus keeping them out of landfills, Nadine actually uses these “rags” as her subject matter. See more about her work on her Instagram page. And, BTW, she’s got a solo show coming up in the new year.
  • A Vision of Hope & Healing art show at the Santa María de la Vid Abbey in ABQ. My piece “Holes”
    Story cloth from Multicolores
    A story cloth from the artists at Multicolores.

    hung in the show. It ran until just last Friday. Unfortunately, with the Coronacootie spiking, we couldn’t have the usual opening and closing soirées, but you can see the show HERE, just scroll your way down the page when you get there.

  • Guatemala! It’s the farthest I’ve gone courtesy of the Stitching Stories Embroidery Workshop from Multicolores last week. I took that class because 1) I’ve become more interested in embroidery over the last year or so and 2) I’ve been thinking about doing a story rug. The class was kind of a 2-fer for me. I’ve been holding onto some poems that I think will work well. We didn’t start any projects in the three hours, but we practiced some of the stitches the ladies use and spoke about what we might want to do. Consider, taking one of the online Multicolores classes when they offer them again. (It’s easier than going all the way to Central America!) Micaela and Sara were excellent at demonstrating their work and answering questions on their processes. The fact that everything had to be translated both ways didn’t hurt the continuity of the workshop at all. I passed on the hooking class as I already work plenty with t-shirts, but I hear from friends that it was a good experience as well. And the tuition monies go to a great cause!

WHERE ARE WE OFF TO NEXT?

  • Tomorrow evening at 8:30 I’m heading to the Anchorage Museum in Alaska, for Amy Meissner‘s Intersectional Selves Mending Workshop. More info HERE. Like Nadine and myself, Amy’s also interested in how we can counteror at least mitigate the actions of our throw-away culture. And I’ve got some knit items that I’ve not yet tried to mend.
  • On Tuesday the 24th, the calendar on the wall (sue me; I’m a troglodyte) shows an entry for Abstract Art in America from the Whitney Museum.
  • I’m behind in the Textile Talks that happen every Wednesday. They’re mostly presentations and panel discussions about quilts, but you never know what you might pick up. They’re sponsored by the International Quilt Museum, the Modern Quilt Guild, Quilt Alliance, San Jose Museum of Quilts & Textiles, Studio Art Quilt Associates and Surface Design Association. More info HERE. They are recorded, so, if you’re like me, you can catch up on them at a later date.
  • In the Studio with Larry Weyand airs Wednesday, December 2, at 1:00 Eastern. More info on that HERE. A teaser: Through the process of autoethnography, I explore how my work lies in the space where narrative, psychological resilience, mat making and food intersect. Food and rugs! I’ll have more info later.
  • On December 8, I’ll be joining the “CSU Libraries and the Avenir Museum of Design and Merchandising for expert advice on how to preserve your family archives, photos, and textile heirlooms.” It seemed like a good idea. More info HERE. It’s called Caring for Your Family Treasures.

Who knows what else I’ll find to occupy myself in December? As if I wasn’t busy enough hooking and hemming my last rugs of 2020. And don’t even mention the Ribbon Rug Journal! Only a month and a half to go on that…

Small hooked rug
You too can “Build a Baby Boucherouite” or, as I like to call it, Barbies Magic Carpet.

Plans for early 2021 include the second In the Studio Workshop Week as I mentioned. I’ll also be running Building a Baby Boucherouite on my own for those who missed it in October. Keep an eye out for scheduling if you’re interested.

And although this class is scheduled and up online, I don’t believe that our proliferating Covid problem will allow it to run. Or that I’ll be comfortable leaving home for it so soon after the holidays when it’s clear that so many germs will be shared. (In which case, I can cancel…if there are even any students!) It is, however, just an honor being able to offer a class with Ghost Ranch here in New Mexico.

Just one of the views from Ghost Ranch. Sunsets in New Mexico. Its about the light.

For those not familiar with it, artist Georgia O’Keeffe‘s home in Abiquiú, New Mexico, sits at the edge of the 21,000-Ghost Ranch property, named as such because cattle rustlers trying to keep their stolen cows a secret said the ranch was haunted by evil spirits. Hopefully, the vaccines we keep talking about will work, and we’ll be able to get to this or a similar class sometime sooner than later.

Dizzy? Head spinning? Have I given you vertigo to go with mine? I hope not, especially with Thanksgiving right around the corner. We’ll have a quiet one here, much like the first holidays when we moved to Albuquerque in 2015, before we knew anyone well enough to share our bad habits and proclivities. (We had to go all Siren-like and lure people in before that could happen.) The kid is scheduled to come down for the first time since this whole mess began in March. We can’t put her off any more. Unfortunately, masks, social distancing, and a 2-week quarantine after she leaves are all on the docket. Thank goodness I have so many things to do!

 

Gobble, gobble!

If I don’t make it back here next week, I wish you all a wonderful and TINY Thanksgiving. Remember, you can stay small yet still have all the trimmings. And there will be less dishes to wash!

 

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IN THE STUDIO – October 7 with Judi Miller

 

Judi Miller – On Artist Residencies

 

Judi Miller, textile artist
IN THE STUDIO WITH JUDI MILLER – WEDNESDAY, OCTOBER 7, 2020; 1-2 PM EASTERN (11-NOON MOUNTAIN)

 

Join Canadian Textile Artist, Judi Miller, as she discusses her experiences with artist residencies and answers the questions: What is a residency? What are the expectations? And are you ready to attend?

Judi is a textile artist specializing in free motion embroidery. Using a variety a threads, colour, and weights, she creates pieces with finely stitched details on a painted, fabric base. She uses her sewing machine as her choice of artist’s tool, no different from a paint brush or pencil.

Her inspiration springs from so many sources, but most often she explores the natural landscape of the Ottawa area. Her embroidery technique lends itself to capturing light, colour, and movement that all help to create a strong sense of memory and place.

Judi Miller has exhibited and taught workshops across Ontario and has had a number of solo exhibits of her work. She did her first artist residency in 2017 at Stiwdio Maelor in Corris, Wales. Her second artist residency was at Artscape Gibraltar Point, Toronto Island, in 2019.

Learn more about Judi and her work at www.judimiller.ca

Purchase tickets here: https://www.ticketscene.ca/events/32319/

Please Note: This is an ONLINE event, and the Zoom link that you will need to attend will be on the e-ticket that you receive after purchase.


FAQ’s: PLEASE READ
* Will this talk be recorded for viewing later?
Unfortunately, no. Due to the logistics involved, we decided some time ago to keep these events live. Hopefully if you can’t make it to this talk, you’ll be able to make it to a future talk.

* It’s the day of the talk and I’m having trouble finding or using the link for the talk. How can I find help?
It is very advisable to LOG INTO THE EVENT A FEW MINUTES EARLY to be sure that you have no trouble with the link, and if you are having trouble the organizer can help you out. You can email or message the event organizer up until 12:30pm Eastern on the day of the talk for help. ONCE THE EVENT STARTS, however, messages and emails are not able to be monitored.

* I’m finding it distracting during the talk seeing all of the other participants on my screen. What can I do?
During the event the organizer will put the screen setting on “spotlight view” so that the presenter is the focus on your screen. Depending on your device, you may still see audience members on your screen and changing your setting from “gallery view” to “speaker view” should help with that.

Share