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Why aren’t we all wearing an orange shirt today?

 

Logo for Orange Shirt DayI’m wearing an orange shirt today, but only because I have so many Canadian friends on social media. If I didn’t, I’d be clueless to the fact that September 30 is Orange Shirt Day up north. Its other name is the National Day for Truth and Reconciliation, but again, it’s only “celebrated” in Canada. My question is why don’t we have that or something similar here in the US?

For those of you who don’t have a plethora of Canadian fiber arts friends, you can read about the day and its origins HERE.

Each year, September 30 marks the National Day for Truth and Reconciliation.

The day honours the children who never returned home and Survivors of residential schools, as well as their families and communities. Public commemoration of the tragic and painful history and ongoing impacts of residential schools is a vital component of the reconciliation process.
-From the website canada.ca

I get that I live somewhere – New Mexico – that allows me the chance to be aware of our indigenous populations pretty much every day. That “s” making “populations” plural is not an error. Not much more than a mile from my house in Albuquerque, across the Rio Grande, is the Indian Pueblo Cultural Center (IPCC). There visitors can take in the museum, buy jewelry and pottery, watch Native dances, eat really kick-ass food, and do a host of other things that help to educate those of us who grew up without learning much of America’s early history. You know, before the British, French, Spanish, and other European nations came on the scene and decided the land was ripe for the taking and “clearly” not owned by anyone. At least anyone “civilized.”

The IPCC is run and owned by nineteen New Mexico Pueblo communities. Nineteen. And they’re all sovereign nations. And they don’t include the likes of the Apache and Navajo and others who also abide, at least in part, in New Mexico. My point today is that all nineteen came together to create the IPCC on this particular piece of land:

It is located at the heart of nearly 80 acres of land owned by the 19 Pueblos and governed by the 19 Pueblos District (a sovereign government formed by the Tribal Councils of the 19 New Mexico Pueblo Communities) at the former location of the Albuquerque Indian School (1881-1982)
-From the IPPC website

Again, I ask, why aren’t we here in the US wearing orange today in a spirit of solidarity and reconciliation? The same atrocities that happened up in Canda’s schools happened here. And we had more schools!

Last year I wrote about a rug hooking project that was a collaboration between myself, friend and guildmate Ruth Simpson, and Acoma Pueblo artist Patricia Lowden. You can read about it HERE. You can also read about the cushion and our collaboration with Patricia in the current issue of Rug Hooking Magazine (RHM). Unfortunately, I was prompted to write the article after I read another RHM article in which an artist/author indicated that indigenous art is ripe (word used on purpose) for using in rug hooking patterns because: The images of art from indigenous peoples are always ancient, copyright free, and so beautiful. Yes, that is a direct quote, and it went right up my ass sideways. (Pardon my French.)

And people think cultural appropriation isn’t a real thing. How can you if you think all the Natives are dead?

Again, I ask, why aren’t we here in the US wearing orange today along with the Canadians?

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Happy New Year!

 

Happy New Year art
Courtesy of clipart-library.com.

I’ve always maintained that September 1 is just as much a new year as January 1. You have a holiday and then you give yourself permission to start over. Maybe it’s a school year, your health, a job, or just a way of looking at life. In my case this September of 2022, it’s health and working on a new perspective. (And don’t get me wrong, I think renewal goes on all through the year, it’s just more celebrated in January and September.)

It’s no secret that I have autoimmune issues. Fibromyalgia was just added to the mix. I shouldn’t have been surprised; it explains so much. But so often when you’re busy, you work with the data that you have. When you’re in your late 50s, you don’t go looking for more things to go wrong with the chasse. Actually, I’m in pretty good shape, I think. Nonetheless, I could be doing better, especially regarding stress and sleep. I need more of one and less of the other. Bet you can guess which is which. LOL

I decided, therefore, that I’m taking a bit of a sabbatical from many of my local responsibilities for two whole months! I’d like to say that I’m making the months all about Laura all the time, but that’s not the case. It would also be très boring. Even to me! No, in less than a week my parents are making their second trip in six years to New Mexico from Connecticut. They’ll be here for 16 days. We’ll be doing some touristy things and even heading up to Colorado for a few days. They’ve never been there. After they leave, I’ll be teaching hooking and punching at the Mountain and Valley Wool Festival in Santa Fe. That takes us into October when Tom and I and a dog or two will take to the open road for Seattle. The kid’s now been there for three months; it’s time for a visit. And while I once spent a weekend in that area years and years ago, I never got a chance to really see it. This is an opportunity, too, to add a few missing states to my repertoire. I’ve never been to Utah (other than Four Corners), Idaho, Nevada, and Oregon.

By the time we get back, it’ll be Workshop Week 5 and even Halloween. Then the holidays and… You see why I need a break?

But I’ll be around online, certainly, and in touch with folks. Being away always lets me refresh, see things in a new way, and be inspired. All of which usually allows for some new and exciting artwork. At least to and for me. Perhaps for others as well.

 

PLACES WHERE YOU DEFINITELY CAN FIND ME THIS FALL INTO WINTER

Mountain and Valley Wool Festival (MAVWA):  September 29 – October 2
The festival is Saturday and Sunday, October 1 and 2, but the workshops happen the Thursday and Friday before. I’m teaching Thursday. Find info HERE. BTW, if you’re thinking of coming for MAVWA, know that it’s the start of Balloon Fiesta in Albuquerque. Think 500 hot air balloons in the air at one time. Pictures and words can’t do it justice.

In the Studio Online Workshop Week 5:  October 23 – 30
While I’m not teaching this time around, I am the general administrator, so if you need a catalog or have questions, please give a yell. We have eight great teachers and workshops scheduled. If you’re just realizing you forgot to register, now’s the time. Some classes have filled, but teachers have waiting lists, and some have already scheduled second sessions. More info HERE.

High Desert Studio Tour – December 3
After missing two or three years, the High Desert Studio Tour is back! As in the past, I’ll be camped out at the home of ZiaWoolz. Dagmar generously invites myself and a few other artists to hang our shingles out with hers for the day. If you’re looking for some gorgeous, hand-dyed yarn, check out her Etsy shop, or better yet, visit us in December.

Dogs sit with hooked art
The boys bring you a HAPPY NEW YEAR WHAT’S ON THE FRAME this week. THE REZ is hooked on monk’s cloth with old t-shirts, wool strips, and wool yarn. So far…

 

View our CALENDAR page to see more dates to be added as we go further into the fall.

 

 

The boys and I wish you all a HAPPY NEW YEAR, a cooler fall, and success with all your efforts at renewal!

 

 

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Punch Needle at Heart of NM Fiber & Art Gathering

Love punch needle? New Mexico or visiting fiber folks, this is for you!

The HEART OF NEW MEXICO FIBER AND ART GATHERING happens in Edgewood at the Wildlife West Nature Park during Labor Day Weekend. If you’ve had a yen to learn punch needle, now’s your chance. WORKSHOP info HERE.

PLUS there will be vendors, other workshops, music, animals, and all kinds of things. Register online or contact me with interest or questions concerning the punch needle class.

PS – If you can’t make this workshop, see the CALENDAR for other class opportunities.

 

Punch Needle workshop info and poster

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UPDATED TEACHING SCHEDULE

Updated Teaching Schedule

High on Hooking is regularly available to teach individuals and groups in the Albuquerque-Santa Fe area. Currently we’ve got workshops scheduled in early and late September at two different events.

HEART OF NM FIBER AND ART GATHERING – Saturday and Sunday, September 3 and 4Wildlife West Nature Park is on High on Hooking's teaching schedule

Held in conjunction with Wildlife West Nature Park’s Harvest Festival in Edgewood. There will be vendors, workshops, live animals, and demonstrations all weekend.

Intro to Punch Needle Rug Hooking
Saturday, September 3, 2:00 – 5:00 PM
Find class info HERE or contact Laura directly.

 

MOUNTAIN AND VALLEY WOOL FESTIVAL (previously known as the Taos Wool Festival) –
Saturday and Sunday, October 3 and 4

Now being held in Santa Fe at the County Fairgrounds. There will be: vendors of all types, artists, a “fiber critter corner,” auctions, demonstrations, hands-on activities for kids and adults, food vendors, and music. NOTE: Workshops are held Thursday and Friday, September 29 and 30.

Intro to Rug HookingMAVWA is on High on Hooking's teaching schedule
Thursday, September 29, 9:00 AM – 12:00 PM
Find class info HERE or contact Laura directly.

Intro to Punch Needle Rug Hooking
Thursday, September 29, 200 – 5:00 PM
Find class info HERE or contact Laura directly.

 

High on Hooking is happy to teach in other locations, on Zoom, or even in our/your home. Just give a yell and tell us what you’re interested in. Topics include:

– Intro to Punch Needle Rug Hooking
– Introduction to Rug Hooking – Not So Traditional
– Hooking With and Beyond the Wool – using materials besides wool strips
– Hooking With T-Shirts
– Build a Baby Boucherouite – create a little mat from old textiles

Keep an eye on our Calendar page for our teaching schedule and upcoming events.

Shakerag studio assistant Claire Nolan
Claire Nolan, Shakerag Workshops studio assistant and student extraordinaire in class learned how to hook and punch with High on Hooking in June. Bravo, Claire! Now everyone be like Claire and take a rug hooking workshop.

 

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Highlights of the Fabric of New Mexico show

 

If you’re in Albuquerque this summer and can get thee to the Fabric of New Mexico textile arts exhibit, get thee there for sure! It’s a très classy show. Below you’ll find some highlights from the opening night reception.

Postcard for the Fabric o New Mexico show

“This exhibit stretches the limits of fiber art to celebrate the full range of innovative creativity in fabric, including quilting, macramé, embroidery, rug hooking, and work with plastics, paper, metal, and wire. Curated by artist Martin Terry as part of the Two Moons exhibit series, the Fabric of New Mexico [includes] over 20 contemporary fiber artists working in New Mexico today.”

Martin Terry, curator (martinartstudios@gmail.com)

Find the full schedule of related events including fiber art workshops and demos at FUSIONnm.org. More info HERE.

My little corner of the Fabric of New Mexico show opening night
Three of my pieces are in the Fabric of New Mexico show: WHIMSY up above, HOLES, and a couple of segments from the RIBBON RUG JOURNAL.

 

aRT BY kATHRYN lAZIER AT THE fABRIC OF nEW mEXICO SHOW
Several mixed media pieces by Kathryn Lazier.
Art by Kathryn Lazier
Kathryn Lazier’s GREENMAN (felt; fabrics; yarn; dyed, moldable batting; machine and hand stitching; fabric stiffener)

 

 

 

 

 

 

 

 

 

 

 

 

Sally Moon's art in Fabric of New MExico show
BALLET FOLKLORICO OUTFIT / TRADITIONAL CHIAPAS TOP AND SKIRT provided by Sally Moon of W!ild Moon; handmade in Chiapas, Mexico.

 

Vivienne Riggio and her art in the Fabric of NewMexico show
LA CHURRITA with maker Vivienne Riggio. (Papier mache head and horns; raw churro sheep’s wool; upcycled textiles and necklace.)

 

Art by Carol Sullivan at Fabric of New MExico show
MISSING by Carol Sullivan (Wooden disc; milk carton with typing; wooden stick with smooth, multicolored cotton; twine; beige suede; red permanent marker; crystals; bone mutton; various findings; red suede; metal wolf; black permanent marker on white cotton; feathers; gold pin; red bandana; gold pin; acrylic batting.)

 

Art by Sara Miller
WEAVING THROUGH TIME by Sara Miller. (Acrylic paint; wool felt; cotton fabric; wool and silk roving; rayon thread.)

 

Art by Mika Maloney in the Fabric of New Mexico show
DAY by Mika Maloney. (Merino wool yarn (with cotton/poly cord); scrap leather; dried flowers on driftwood.)

 

Art by Terri Lagerway
AUTUMN LEAVES by Terri Lagerway. (Weaving on branch.)

 

Art by Patricia Halloran at Fabrics of New Mexico show
BEE PEACEFUL by Patricia Halloran. (Wire; wet and needle felted wool felt; embroidery floss; recycled cotton backing and stuffing.)

 

Art by Maria Jonsson
WAVES by Maria Jonsson. (Recycled metal; magnet wire.)

 

Art by Betty Busby
SIPHONOPHORE by Betty Busby. (Artit overpainted cotton batik; machine stitching; artist painted linen; cotton knit; EVA foam; paint marker; hand stitchin with perle cotton thread.)

 

Crochet by the New Mexico Crochet Guild
FANTASY GARDEN, freeform crochet, by members of the New Mexico Crochet Guild.
Art by Laurie McCann
ALCHEMY (part of a pair) by Laurie McCann. (Wire grid and wire mesh; Chinese pot lids; yarn; coins.)
Art by Laurie McCann
JELLIES (part of a pair) by Laurie McCann. (Wire grid and wire mesh; Chinese pot lids; yarn; coins.)

 

 

 

 

 

 

 

 

 

 

 

 

Art by Molly Mooney at Fabric of New Mexico show
And lastly, WHY NOT GO OUT ON A LIMB by Molly Mooney. Tom and I liked this one soooo much that we’re purchasing it. It’s going to look perfect in our living room, currently dominated by a large TV. (Found tree branch; hand-dyed wool fiber; found and repurposed bells; beads and ceramic pieces; sari fabrics; ribbons.)

GET THEE TO THE FABRIC OF NEW MEXICO SHOW!

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