It starts next Thursday, April 14, and runs through Saturday. Make sure you stop by the Adobe Wool Arts Guild booth to say hello and check out the hooked art made by our members.
If you’re a fiber arts teacher of any kind, you’re in luck. In the Studio (Online) has just put out an Instructor Call for Entry for our next two online Workshop Weeks (WW). The dates are:
Workshop Week 5 October 23-30, 2022
Workshop Week 6 February 18-23, 2023
The original teachers of In the Studio (Online) include: Susan Feller, Karen Miller, Meryl Cook, Beth Miller, and myself. In order to keep our class offerings fresh, before WW2 we began looking for others to join us. We’ve had workshops in: rug hooking with alternative fibers; braiding; finishing your art; combining paints and hooking; design; felting wool sachets; weaving; Chakra color play; pet portraits; needle punch rug hooking; abstract work; landscapes; watercolors;and so on. We are NOT looking for all hooking classes; rather we’d like to see most any type of fiber art and creativity workshops (that work well online) in addition to subject matter and skills that can inform our hooking and other art practices.
While we began WW to fill a need during Covid lock-downs, we’ve found that they remain popular and that our students want us to continue. Workshops Weeks have allowed students to take classes without the expenses of travel. As well, students get the chance to work with teachers and artists who might otherwise be unavailable to them. Workshop Week 4 happened in mid-winter. There were nine classes. Eighty students participated with many taking more than one workshop.
(If you search using the words “Workshop Week” here on site, you can see what classes we’ve provided in the past.)
Our first In the Studio Workshop Week poster.
If you think you might be interested in joining our group of teachers for WW 5 and/or 6, we invite you to submit a proposal. If you have any questions about the coming or past events, please email me at Laura@highonhooking.com. We’ll be accepting proposals until May 15. You can find the prospectus below. We look forward to hearing from you.
Teacher Proposals for In the Studio
Workshop Weeks 5 and 6
Deadline: May 15, 2022
In the Studio (Online) announces that its next two workshop weeks will be held:
Workshop Week 5 October 23-30, 2022
Workshop Week 6 February 18-23, 2023
As the last two years have shown, affordable, online instruction is here to stay. In the Studio’s online Workshop Weeks (WWs) have allowed students the chance to take classes without the expense of travel. The students are also able to work with teachers and artists who might otherwise be unavailable to them.
Starting with 2021’s WW2, we began to bring in additional instructors who could offer something – not necessarily rug hooking or even a textile art – beyond the expertise of the original In the Studio artists. We look for complimentary/ancillary/supporting arts and skills.
We are now planning WW5 and 6 and again looking to diversify our workshop offerings. We are specifically looking for teachers who conform to our overarching tenet:
Art by artists responding to contemporary events in the world. We invite you to reflect on these responses and consider creating your own art that reacts to our current times.
FYI WW1 attracted 36 students in five classes. Eighty participated in WW4’s nine workshops. Many took advantage of our non-overlapping schedule to take multiple classes. They “come from” the US, Canada, and even Europe.
PLEASE READ BEFORE APPLYING
Workshop sessions typically last 2-4 hours but are set by individual instructors.
Workshops are standardized to begin at 1:00 PM or 6:00 PM Eastern.
Fees for all classes are: $50 US for one-session classes and $75 US for two-session classes. Teachers may set additional costs for kits, other materials, etc.
Teachers are responsible for collecting payment from their students and keeping in contact with them regarding classes and other WW information.
Teachers are required to submit their class lists to the WW administrator.
All teachers are required to promote all WW classes in their social media, newsletters, etc. Promotion by every teacher is what makes the week successful. Each teacher will also be required to take over In the Studio’s Instagram account for a day in the weeks leading up to WW5 and/or 6.
There are two additional bonus events (a social gathering midweek evening and a panel discussion) that teachers are expected to attend (dates to be determined).
Teachers must have their own Zoom account to use to hold their class.
New for WW5 and 6! An administrative fee of $50 US will be collected once a teacher agrees to teach with In the Studio (Online). We’ve realized that there’s a need for one person to coordinate social media announcements and calendars, send out group emails, maintain the mailing list, etc.
Participation in one WW does not guarantee that one will teach in subsequent WWs.
WHAT YOU WILL RECEIVE
The benefit of promotion amongst a collection of well-known teachers. Instructors will receive a “brochure” detailing the WW and all classes that should be shared to their networks.
Support from the other teachers in how to run an online class particularly if this is your first time.
The Workshop Week administrator will send out links to all students for bonus events.
TO APPLY
Applicants should indicate if they prefer to teach during WW5 or WW6. If you don’t, we will assume that you are available for either. (We will plan classes for each WW depending on both subject matter and teacher availability.) Because we schedule WW classes so that they don’t overlap, also indicate if you are unavailable on certain days of the week or dates. Let us know too if you have a preference regarding a 1:00 or 6:00 start time. We strive to schedule everyone to their liking.
Provide a detailed class description of the online class you propose to teach. Please include the following: title; length of class; minimum and maximum numbers of students; materials that students will need (will they have to purchase from you?); what will be covered in the class, experience level of students required; and anything else pertinent to the class. Will it require more than one session?
Include a short bio that includes your experience teaching (if any) and any references.
We’re in workshop heaven here at High on Hooking. Let me explain.
Your Boucherouite will be your own pattern. It can be small just to try it all out in the workshop or as large as you’d like. (Original design.)
MARCH 12: BUILD A BABY BOUCHEROUITE
Because of interest during Workshop Week 4, we added another session for those who couldn’t make it in January. (The class was getting a little large too.) If you’re interested and available on Saturday, March 12, at 1:00 p.m. Eastern, give me a yell. We’re at six right now, so there’s a little more room. For info about the class, see HERE. (Also, watch for coming announcements regarding Workshop Weeks 5 and 6!)
APRIL 15: INTRODUCTION TO PUNCH NEEDLE RUG HOOKING
For the workshop – punch needle by Amy Oxford. Original design.
Albuquerque’s BIG, BIENNIAL FIBER ARTS FIESTA, postponed from last year, will be open for business Thursday – Saturday, April 14-15. There’s a superb line-up of classes including my own punch needle workshop on Friday at 10:00 a.m. It is in person, and you’ll need to be vaccinated, but masks will be optional at this point. Yay! You can contact me here or see WORKSHOPS LISTING.
JUNE 19-25: HOOK RUGS, SAVE THE PLANET
This is a week-long residency workshop in Sewanee, Tennessee, as part of the SHAKERAG WORKSHOPS. We’ll be doing
Table runner/wall hanging hooked with recycled textiles (old tshirts and bedsheets). (Original design.)
both rug hooking and punch needle rug hooking. In addition, though we’ll still have wool to work with, we’ll strive to look beyond the wool to materials that otherwise might end up in landfills. You know, old textiles you probably have in your house this very moment: ripped t-shirts, stained tablecloths, clothing and scarves that have seen better days… If you’re looking to pair vacation and fiber art therapy, this one’s for you. More workshop information can be found HERE and below.
Shakerag Workshops is a group of arts classes for adults held in June each year on the St. Andrew’s-Sewanee campus, in Sewanee, Tennessee. Instructors from around the world offer classes in a variety of media – knitting, basketry, book arts, clay, digital arts, felting, fiber, mixed media, jewelry, wood working, sculpture, and painting. Most participants, faculty, and staff stay on the campus, eating and working together for the week. After classes, participants enjoy hiking on the campus trails, swimming in the stream-fed mountain lake, and relaxing in yoga classes. Meals feature locally grown and organic foods served in historic Robinson Dining Hall. In the evenings, faculty members show slides and talk about their work. The studios are open throughout the night. The week culminates with a Tennessee meal on Friday evening for faculty and participants.
-from Shakerag’s website
As you can see, we’re busy these days here in the New Mexican desert. Covid’s waning, and folks are slowly getting back into the swing of things. More good news came in the mail yesterday in the form of Rug Hooking Magazine. If you recall that, during 2020, I spent much time on a yearlong project, the RIBBON RUG JOURNAL. If you turn to page 50 in RHM, you can read all about it! I also urge you to peruse Pretext Studio Rug Hooking’s Nadine Flagel‘s article on page 40. We share attitudes about the growing textile waste crisis. Her website slogan is Making Art out of Making Do: Reclaimed Text & Textiles. “Boucherouite” is a Moroccan-Arabic word for “torn” or “reused clothing.”
The High on Hooking Dogs, Bowyn and Tynan, bring you WOOLLEY MAT HORSE by Woolley Fox.
Bowyn actually calmed down enough to be in this week’s WHAT’S ON THE FRAME. This is a pattern I inherited when a member of the Adobe Wool Arts Guild passed away a few years ago. As a guild, we’ll be highlighting Pat’s rugs in a special exhibit at Fiber Arts Fiesta in April. The pattern, as I received it, was not identified.
You might remember, I hooked it a couple years back after receiving it. Because it sold, I needed to make another for the exhibit. Patti on Instagram was able to identify the pattern this week; she hooked it herself awhile back. LOL It’s from Woolley Fox and is called Woolley Mat Horse. As before, I’m hooking it with old t-shirts. Because we believed it to be Pat’s design, not a purchased pattern (also based on an antique rugs by Magdalena Briner Eby), I won’t hook the design again after I finish this iteration.
LASTLY, PLEASE KEEP THE PEOPLE OF UKRAINE IN YOUR THOUGHTS AND PRAYERS. IF YOU’RE LOOKING TO HELP OUT IN A SMALL WAY, SEE THIS DIGITAL DOWNLOAD ON ETSY, BY A UKRAINIAN ARTIST. (THERE ARE OTHER ARTISTS AND PRODUCTS AVAILABLE; JUST USE THE SHOP LOCATION FILTER UNDER SEARCH.) IT PUTS $5 IN HER POCKET, AND GOD KNOWS SHE AND ALL OF UKRAINE NEED IT.
We’re offering a second session of Build a Baby Boucherouite in March.
The current Boucherouite I’m working on is all hooked and steamed. Just some hemming to do on it now.
In the Studio’s Workshop Week 4 is in the books now as is my Build a Baby Boucherouite class. We had an excellent turnout too, about 80 students, the most we’ve ever fielded. They came from all over: the US, Canada, and even Ireland! As usual, many took more than just one class, thereby ensuring they have a pile of UFOs sitting in their project baskets to last them the rest of winter. Besides teaching, at least three of us from In the Studio joined the watercolor workshop taught by Jane M. Mason. Now, besides my unfinished fiber (crocheting and hooking) objects, I’m looking at the the kick-ass paints I bought for the class. Must make time, must make time…
The Boucherouite workshop went well. In fact, you can track student Jean Ottosen of Jean Ottosen Studios on her blog as she finishes the piece she created. And it’s not a baby Boucherouite either. Jean went full table runner size. Woohoo, Jean!
There were 15 of us in that class, but others have expressed an interest in another session. Yay! That will take place at 1:00 pm Eastern, Saturday, March 12. Also on Zoom. If you’re interested, please contact me at Laura@highonhooking.com. The workshop typically lasts between two and three hours, but if you need to duck out after two, no problem. Any issues, I’m just an email or phone call away. More info below.
BUILD A BABY BOUCHEROUITE With Laura Salamy
Saturday, March 12 at 1:00 p.m. Eastern
Your Boucherouite can be small just to try it out or as large as you’d like.
Course description
Boucherouites are having their day! They’re so trendy that you can’t look at a Better Home and Gardens magazine or watch an HGTV show without seeing them.
The Berber tribe of Morocco have been creating Boucherouites, one-of-a-kind, hand-knotted rugs since the mid-20th century. Traditionally, they’re made using old clothes and other textile scraps. They’re a pretty freestyle form of expression often looking as if the weaver started with one color scheme and pattern, got bored, and moved onto something else. They’re fun in a colorful, spontaneous way and are easily adaptable to rug hooking.
In this workshop you’ll design your own hooked “Baby Boucherouite” rug and start to hook it with textile scraps you have on hand be they cotton clothing, old bed-sheets, and/or leftover wool noodles. The sky’s the limit! We’ll also discuss how to prepare, cut, and hook with non-wool materials.
Length of class: 2-3 hours
Who should take this course This class is designed for a student proficient at rug hooking basics, particularly the mechanics of pulling loops through a backing.
Materials needed Because this is an online workshop, students will supply their own materials. Materials will include those one usually uses to hook a rug as well as a few others. More information will be provided to students upon registration.
Class fee: $45 US For more information or to register, please contact Laura at Laura@highonhooking.com.
The start of 2022’s been a little hazy with pain. On December 19, preparing for company and the holidays, something happened to my hip/back. Initially, we thought it had to do with a new med I’d just started for migraines, which would’ve been really sad as it seems to be working. No daily headaches can really brighten your day, let me tell you! Long story short, I tried my usual yoga and the chiropractor, no real relief. But friends and family and sparkly Christmas lights (and good bottles of
“Pierrot in Pain,” albumen silver print from glass negative by Adrien Tournachon, person in photograph = Jean-Charles Deburau, 1854-55, from the Metropolitan Museum of Art, in the public domain.
wine) go a long way to distract one from the pain. Unfortunately, last week, it all went south, and we headed to the ER located conveniently up the hill from the house. Thought we found the answer there (after 7 hours of possible Covid exposure!), but NO. Talked to a number of my providers over a couple of days, but in the end, because medical practices of all kinds are overrun by the Coronacootie, I had to settle for an appointment later in the month with my rheumatologist.
But then there was Saturday and Dr…YouTube! While I’m always cautioning Tom and the kid about relying on and trusting Dr. Google, I was desperate. I was also starting to think that it was actually more of a mechanical problem rather than something internal. Long story longer, it looks like a really bad case of sciatica, much worse than anything I dealt with when I was pregnant all those years ago. (The kid’ll be 25 this year.) Did the right exercises and some targeted yoga, more ice, then fired up the hot tub. Life was much better by Saturday evening. I slept well for the first time in weeks. A couple of days later and I’ve backslid, but I think I’ve turned the first BIG corner. It’ll take awhile, but soon Bowyn and I hope to be back to our early morning walks in the Bosque.
What bothered me most – besides the pain and limited mobility, of course – was losing so much time making, creating. After all the holiday hoopla, by New Year’s I’m ready to hunker down with my journal/sketchbook and supplies to make new stuff. There’s a stitching project I’ve been mulling on for 2022; it needed more fleshing out. That didn’t happen. I wanted to start a new “Baby Boucherouite” to use in my In the Studio Workshop Week 4 class on January 30. Getting to draw that out today. Finally.
I did manage to finish the Angel of 2022, but haven’t gotten her up to the Etsy shop. Photographed her just yesterday. During that demoralizing Patriots game.
THE MIGHTY ONE, THE ANGEL OF 2022. Hooked with old t-shirts, plastic bags, gold lamé, and a wee bit of wool.
But I had a little epiphany in the hot tub Saturday evening. Maybe it was just the chardonnay whispering in a picture-perfect New Mexico sunset and a bubbly 103º, but it did tell me how great life is and can be when you stop and rest for a bit. Sure, there’s Omicron and all, but the folks in my bubble are all vaxxed and boosted, so it’s unlikely any of us will die if/when we catch Covid. The world won’t end if my yearlong project doesn’t start till February. Or because I haven’t hit 10,000 steps in three weeks.
Why is it that we need a crisis to remind us that we can’t control everything? And while we’re dealing with sed crisis, the rest of our lives rarely fall apart. Completely at least. The reality is that having time off from working out every morning has let me linger at breakfast reading the paper and having another cup of tea. Not racing onto the next rug has given me more time to practice crocheting. And Tom’s been taking good care of me, though I’m not sure if that’ll extend to encouraging the purchase of a pair of “pity shoes.” (I’ll let you know.)
“Acute Pain,” by Thomas Rowlandson, 1800, from the Metropolitan Museum of Art, in the public domain.
I beg you to learn from my pain-filled experience. Or don’t; feel free to enjoy your own. LOL. In this new year, take a little time to slow down before you break down. Remember that you cannot control the world, not even your own little part necessarily. You definitely can’t control people, not the ones on TV or Facebook or even the ones in your family. Just do what you need to do for you. Because if you don’t put that oxygen mask on first, you certainly can’t help someone else with theirs.
Bowyn implores you: ” For the love of God, take care of yourself. Who the hell else will walk us?” Meanwhile, for a price, he shows off the things I’ve worked on in the past couple of weeks.
Which leads us into an advertisement for WORKSHOP WEEK 4 kicking off Sunday January with a class and panel discussion led by Susan Feller. Classes are filling, some are to capacity. Now is the time to do something for yourself. At home; no Covid exposure needed! We’ve got nine workshops running, all very different, not all involving hooking. Find more INFO HERE or send an email to me at Laura@highonhooking.com.
In the meantime, take a look at our Instagram page. The various artists/teachers have been taking over the account these past few weeks in order that you might get to know us. If you’re interested in a class or just someone’s pics, take the time to message or email them. You never know where a new skill or just a new contact might take you in 2022…
The original teachers of In the Studio (Online) include: 
