That’s what I told a friend last Friday night at the opening reception for PROTEST: SEE Something, Say Something at Fusionin downtown Albuquerque. (More info HERE.) It’s a good, meaningful show, filled with all kinds of media and messages. Rightly so, with protesting as a theme, they aren’t always pretty.
Sheela Na Gig is a Celtic symbol. I’ll let you read about her and how she was and now is used for protests HERE. (Hooked on cotton monk’s cloth with mostly old t-shirts and a bit of silk sari ribbon; embellished with glass beads.)
As I mentioned on social media after posting pics of my two pieces, I was sorry not to get more and better photographs, but I had to leave early. All Friday I’d battled a migraine; finally, the nausea and fatigue got the best of me. I didn’t feel better till Monday/Tuesday. Nonetheless, I encourage all the local readers to make their way to Fusion one afternoon or evening to see what the (protesting) artwork really looks like and to see it all.
Later every year, I create an angel for the following year. This was THE MIGHTY ONE, THE ANGEL OF 2022. (Hooked with old t-shirts, repurposed gold lamé, and plastic bags.)
TURTLE ISLAND SIEGE by Patricia Halloran (Patricia had some cool things in the FABRIC OF NEW MEXICO SHOW.)
THE HISTORY OF BEARING CHILDREN, text by Jacqueline Murray Long, visual art by Martin Terry
This is a more easily read photo of the text by Jacqueline Murray Loring. Another piece by a different artist accompanied this artwork. Visit the show to see it. (My photo didn’t come out.)
If you’re looking for a thought-provoking show, one that will let you see the outrage, the anger about so many things going on in our world today, come see the work by artists who are protesting at Fusion in Albuquerque. Maybe we all need to start protesting.
If you’re in Albuquerque this summer and can get thee to the Fabric of New Mexico textile arts exhibit, get thee there for sure! It’s a très classy show. Below you’ll find some highlights from the opening night reception.
“This exhibit stretches the limits of fiber art to celebrate the full range of innovative creativity in fabric, including quilting, macramé, embroidery, rug hooking, and work with plastics, paper, metal, and wire. Curated by artist Martin Terry as part of the Two Moons exhibit series, the Fabric of New Mexico [includes] over 20 contemporary fiber artists working in New Mexico today.”
Find the full schedule of related events including fiber art workshops and demos at FUSIONnm.org. More info HERE.
Three of my pieces are in the Fabric of New Mexico show: WHIMSY up above, HOLES, and a couple of segments from the RIBBON RUG JOURNAL.
Several mixed media pieces by Kathryn Lazier.Kathryn Lazier’s GREENMAN (felt; fabrics; yarn; dyed, moldable batting; machine and hand stitching; fabric stiffener)
BALLET FOLKLORICO OUTFIT / TRADITIONAL CHIAPAS TOP AND SKIRT provided by Sally Moon of W!ild Moon; handmade in Chiapas, Mexico.
LA CHURRITA with maker Vivienne Riggio. (Papier mache head and horns; raw churro sheep’s wool; upcycled textiles and necklace.)
MISSING by Carol Sullivan (Wooden disc; milk carton with typing; wooden stick with smooth, multicolored cotton; twine; beige suede; red permanent marker; crystals; bone mutton; various findings; red suede; metal wolf; black permanent marker on white cotton; feathers; gold pin; red bandana; gold pin; acrylic batting.)
WEAVING THROUGH TIME by Sara Miller. (Acrylic paint; wool felt; cotton fabric; wool and silk roving; rayon thread.)
DAY by Mika Maloney. (Merino wool yarn (with cotton/poly cord); scrap leather; dried flowers on driftwood.)
AUTUMN LEAVES by Terri Lagerway. (Weaving on branch.)
BEE PEACEFUL by Patricia Halloran. (Wire; wet and needle felted wool felt; embroidery floss; recycled cotton backing and stuffing.)
WAVES by Maria Jonsson. (Recycled metal; magnet wire.)
SIPHONOPHORE by Betty Busby. (Artit overpainted cotton batik; machine stitching; artist painted linen; cotton knit; EVA foam; paint marker; hand stitchin with perle cotton thread.)
FANTASY GARDEN, freeform crochet, by members of the New Mexico Crochet Guild.ALCHEMY (part of a pair) by Laurie McCann. (Wire grid and wire mesh; Chinese pot lids; yarn; coins.)JELLIES (part of a pair) by Laurie McCann. (Wire grid and wire mesh; Chinese pot lids; yarn; coins.)
And lastly, WHY NOT GO OUT ON A LIMB by Molly Mooney. Tom and I liked this one soooo much that we’re purchasing it. It’s going to look perfect in our living room, currently dominated by a large TV. (Found tree branch; hand-dyed wool fiber; found and repurposed bells; beads and ceramic pieces; sari fabrics; ribbons.)
“Holes” – mostly repurposed textiles hand-hooked on monk’s cloth; 68″x33″x0.75″
The Fabric of New Mexico exhibit opens Friday, July 1 at Fusion in downtown Albuquerque. All are cordially invited to the opening reception, 5:30-8:00 p.m.
This exhibit stretches the limits of fiber art to celebrate the full range of innovative creativity in fabric, including quilting, macramé, embroidery, rug hooking, and work with plastics, paper, metal, and wire. Curated by artist Martin Terry, the show includes work by twenty New Mexico artists including Sara Miller, Larry Schulte, Betty Busby and Judith Roderick.
More information about Fusion can be found HERE. Also, the gallery will be open for the Summer Sundays Markets, Last Fridays (of each month), theater events, and concerts. See EVENTS. If you can’t make it to the gallery any of those days, please contact High on Hooking, and we can have the gallery opened up for a private viewing.
Note: Parking is available just across the street in the city parking lot.
