Tag: textile arts

October 5, 2021

IN THE STUDIO – October is our month!

In the Studio is having quite the month! Make sure you’re caught up with all that’s going on so that you don’t miss anything.

#showingupinthestudio2021

Search Instagram using this hashtag. We at In the Studio are urging folks to jump into our new daily “challenge” that’s not so much a challenge as it is a gift to yourself. As Meryl Cook put it: “Just do something to stretch yourself creatively for the rest of 2021.” And, hey, if you can only do it every other day or weekly, do that. Just do it for yourself. Because I had a show this past weekend to prep for, I only got to join in the fun yesterday. I started an improv stitching mini-project that I’ll work on a little each evening because I haven’t been good at starting a stitching PROJECT earlier in the year like I wanted to. This will put me on a path of exploration so that I can really get into something come 2022. There are almost two months to see where this takes me. Find more examples at @artwools and @karenmillerstudio .

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A post shared by MerylCook Engagement by Design (@merylcook)

Workshop Weeks 3 and 4 In the Studio Workshop Week logo

Last year the In the Studio artists began Workshop Week (WW) to fill a hole that Covid dug. Sure, we couldn’t attend workshops and classes in person, but we put our heads together and technology to work and managed to come together anyway. It stuck! We’ve realized that getting together via Zoom allows students and teachers (most of us have played both roles) to meet one another and learn new techniques for a fraction of the cost of traditional schools. (Not that we’re giving up on those, but WW is a nice complement and the only thing available to many of us.) We don’t limit ourselves to rug hooking, but encourage the presentation of other arts and complementary techniques and subject matter. If you haven’t perused the WW3 options, check them now as classes have been filling. Personally, I have room in my October 23 session of Hooking with T-Shirts. Contact me at Laura@highonhooking.com if interested. We are currently soliciting proposals for this winter’s WW4. Teachers, find more info here.

In the Studio Online with JESS STEPONAITIS – October 22

Join Nova Scotia textile artist, Jess Steponaitis, as she discusses how she uses bold colours and unique designs to approach the traditional craft of rug hooking with a fresh perspective! You can find tickets for this online talk HERE.

About Jessica Steponaitis:

Born and raised in Nova Scotia, Jessica has been designing and crafting hooked rugs since 2002. Her work is best described as “contemporary folk art” or “folk art meets pop art,” and she frequently creates work inspired by her proximity to the ocean and all of its creatures. All of Jessica’s work is created using linen foundation cloth. She cuts all of her wool by hand and frequently dyes wool to create custom colors. The edges of each rug are carefully finished using locally sourced wool yarn.

Jessica’s work was featured in Rug Hooking Magazine in 2020 and she has been invited to participate in the Nova Scotia Folk Art Festival. She is also a member of the Rug Hooking Guild of Nova Scotia.

To learn more about Jessica and to see her work, you can find her on Facebook and on Instagram @rughookerjess.

IMPORTANT PLEASE READ FOR ALL IN THE STUDIO TALKS:
The Zoom link for this presentation will be emailed to you the day before the talk (or after you purchase your ticket, if you purchase on the day of the event). If you don’t receive it, you can contact the organizer at info@karendmillerstudio.com.
Tickets will be on sale until 10 am the day of the event. After that time you will no longer be able to purchase tickets.
Please note that the time of the talk is 1:00 pm EASTERN (EST).
FAQ’s
* Will this talk be recorded for viewing later?
Unfortunately, no. Due to the logistics involved, we decided some time ago to keep these events live. Hopefully if you can’t make it to this talk, you’ll be able to make it to a future talk.
* It’s the day of the talk and I’m having trouble finding or using the link for the talk. How can I find help?
It is very advisable to LOG INTO THE EVENT A FEW MINUTES EARLY to be sure that you have no trouble with the link, and if you are having trouble the organizer can help you out. You can email or message the event organizer up until one hour before the talk on the day of the talk for help. ONCE THE EVENT STARTS, however, messages and emails are not able to be monitored.
* I’m finding it distracting during the talk seeing all of the other participants on my screen. What can I do?
During the event the organizer will put the screen setting on “spotlight view” so that the presenter is the focus on your screen. Depending on your device, you may still see audience members on your screen and changing your setting from “gallery view” to “speaker view” should help with that.
* What Time Zone is the time of the talk in?
The time indicated on all ‘In the Studio’ talks is the EASTERN (EST) time zone. If you live in a different time zone, be sure to check what time you should tune in to ensure you don’t miss the talk.
*I can no longer make it to the talk. Or, I missed the talk. Can I get a refund?
Unfortunately no- the price of the ticket is so low that it is not cost-effective to refund those amounts. If you are unable to make it to the talk and you already have a ticket, or you forget to attend, please do contact me at info@karendmillerstudio.com. I always offer a ticket to the next talk to make up for it. All of the artist speakers receive a portion of the ticket proceeds so we very much appreciate your contribution to supporting artists!

The artists of In the Studio – Karen Miller, Susan Feller, Beth Miller, Meryl Cook, and myself – hope that you’ll join us for at least one of these events in October!

September 7, 2021

Change coming this fall

Change is good. I really believe that. Most of the time. Unfortunately, occasionally it’s painful.

Photo of neon sign reading "Change." — “Change”: Photo by Ross Findon on Unsplash.

Case in point: The US Post Office and other shipping companies announced that they’ll be instituting a surcharge on shipments come October 1. That is not a good change. Worse, this means that I’ll have to change, that is, raise some of my prices slightly to compensate. I don’t anticipate having to do it for small items – like mug rugs and the sunflower wall hangings and similarly sized items – but the shipping costs for larger items are WICKED these days even without a surcharge.

Please be advised that I won’t do anything till October 1, so if you’re interested in something, order it on Etsy NOW! Or message me to let me know your concerns. I’m sure we can get a rug to you somehow. In fact, if you wish to purchase anything in the shop before or after October 1, contact me directly rather than going through Etsy. You’ll get a bit of a price break anyway as then Etsy won’t take their bite out of it.

Also note that I’m reviewing options to Etsy, including WooCommerce and other such apps. If you have any words of wisdom or other advice for me, please, please share!

Unfortunately, our two forays this year into public sales (one outdoor, one indoor) haven’t had the best results. Damn you, Covid! While we usually do the Fall Fiber Fiesta in Santa Fe, I’m just not that sure it’s a good bet given the virus and its mutations. It’s indoors and three days and a lot of driving or hotel rooms. I usually love this event, but maybe next year. Another bad change…

Now that the unpleasant stuff is out of the way, I’m reminding everyone of the coming In the Studio Workshop Week 3 in October. I’m teaching two sessions of Hooking with T-Shirts. I have a few spots left in each class (both on Saturdays, October 23 and 30). Some workshops are full or almost full, while others have some room. Contact each teacher if you’re interested in their class. More info HERE. Besides myself, teachers include the very cool and fabulous: Susan Feller; Karen Miller; Beth Miller; Meryl Cook, Carmen Bohn, Charlie Dalton; Anastasia Tiller; and Lisa Meecham.

No change here, two dogs on hooked rug. — No change here – Tynan and Bowyn bring you the current WHAT’S ON THE FRAME. It’s the rug that I started while traveling and have finally gotten back to (repurposed t-shirts on monk’s cloth).

So, how’s your fall shaping up? Are you back to the usual stuff or is Covid still cramping your style too?

June 1, 2021

June is already a WHIRLWIND!

Orange whirlwind — Whirlwind pic courtesy of Author: PixelAnarchy / pixabay.com.

WHIRLWIND: a small rotating windstorm of limited extent. At least according to the Merriam-Webster’s online dictionary.

Welcome the whirlwind that is June. So much is going on! But it will be of a limited extent for the most part. In July, we’ll pack up the CR-V and head back east for a couple of weeks. Till then, though…

Unfortunately, Cathy Kelly and I won’t be heading to our first show to vend as expected this coming weekend. When Covid numbers weren’t quite as low as they are now, the Spring & Fiber Festival at El Rancho de las Golondrinas near Santa Fe was canceled for 2021. Bummer, I know. But we subsequently applied for the Harvest Festival in October (during the big Balloon Fiesta here in Albuquerque); hopefully, that will pan out. The weather will be cooler then too!

CREATE DIY
Thursday, June 11, will find me back on Zoom to lead a Introduction to Rug Hooking – Not so Traditional. This workshop is part of CREATE DIY, an online textile festival from Quiltfest. Would-be students have until June 3 to register! More info can be found by following either of the links above.

Adobe Wool Arts Guild members holding hooked rugs. — Ah, the good. olde days when AWAG could hold our retreats and workshops 3 or 4 times per year. In this pic you’ll find, Liz, myself, Melinda, and Mary R. with our works in progress a few years back.

ADOBE WOOL ARTS GUILD
AWAG, New Mexico’s only rug hooking guild, will hold its first meeting since March of last year this month on June 16! One of our members has graciously offered her lovely backyard (complete with shade and breezes). If you’re a hooker or puncher in the Albuquerque area who’s been looking for company, please contact me at Laura@highonhooking.com. As the President of the group, I can get you in. Really. Plus, we’re a fun group.

GHOST RANCH
June 27-July 2, I’ll be up at Ghost Ranch north of Santa Fe to teach Hook a Rug, Save the Planet. I especially can’t wait because it appears that cell and Internet coverage are lacking up that way. Bummer…NOT! This promises to be a real get-away! We’ll be hooking and punching during this multi day workshop. And, no worries, there will be plenty of time to explore the ranch. My hiking shoes and camera are ready! There are several art-type classes running in June; find them here. (BTW, if you even think about heading to Ghost Ranch, I have one word: SUNSCREEN.)

Clearly, I’ve got a lot of workshop prepping to do! Meanwhile, for those who follow In the Studio and our Workshop Weeks, very soon we’ll be opening up registration for all workshops running during October’s Workshop Week 3. (Make sure you pen – not pencil – October 24-30 into your calendars!) We have more classes this time around -10! – and four new teachers. And, no, not every class is about rug hooking. Keep an eye out for more information! If you’re wondering what the hell I’m talking about, email me. We’ll chat. You’re definitely missing something good.

Backside of a hooked rug. — “Abundance” (aka the “automatic hooked rug“) freshly steamed. Yes, she’s upside down. She’s the latest in my HAPPY RUG series. “Whimsy,” there on the wall, was one of the first happy rugs. 2021 can’t get enough HAPPY

The boys and I would love to show you “What’s on the frame” this first week of June, but it’s a surprise till it’s pretty much finished. Saturday, though, I steamed “Abundance,” and am hoping to get to finishing her off today. Or at least starting to. She’s pretty big, and she’s got three holes! Summertime and the sewing will NOT be easy. My arthritic hands ache just thinking about it. But she’s well worth it.

SUMMERTIME AND COVID’S ON THE WANE. What are you planning this June that you couldn’t do last June? Tell us in the comments. And stay safe!

April 19, 2021

“Automatic” hooking

Example of automatic drawing. — Example of automatic drawing done by moi during Sketchbook Revival.

Automatic hooking – it sounds like a machine is involved. Or worse! Wink, wink! But when I typed automatic hooking, I was actually referencing the art technique developed by the Surrealists. For a quick idea of what I’m talking about, the following comes from Wikipedia:

Automatic drawing was developed by the surrealists, as a means of expressing the subconscious. In automatic drawing, the hand is allowed to move “randomly” across the paper… Hence the drawing produced may be attributed in part to the subconscious and may reveal something of the psyche, which would otherwise be repressed…

Most of the surrealists’ automatic drawings were illusionistic, or more precisely, they developed into such drawings when representational forms seemed to suggest themselves. In the 1940s and 1950s the French-Canadian group called Les Automatistes pursued creative work (chiefly painting) based on surrealist principles. They abandoned any trace of representation in their use of automatic drawing. This is perhaps a more pure form of automatic drawing since it can be almost entirely involuntary – to develop a representational form requires the conscious mind to take over the process of drawing…

You’re probably wondering why I might be providing this art history lesson when I am in no possible way an authority on art or art techniques (except, perhaps rug hooking, of course, and then only certain aspects of rug hooking). It’s because, as I mentioned a few weeks ago, I’ve been participating in Sketchbook Revival 2021, and one of the workshops was about automatic drawing.

That workshop was presented by Shelley Klammer of Expressive Art Workshops:

Shelley Klammer is an online therapist who supports creative women to heal “unfinished emotional business” from the past. She is also an educator with the International Expressive Arts Therapy Association. Shelley supports women to authentically self-express through spontaneous art and writing practices as a way to anchor self-safety, self-confidence and self-love.
-Karen Abend of Sketchbook Revival

To be honest, I wondered how much my drawings were really made without conscious thought. Wikipedia mentioned that too when I was exploring more about automatism..

…surrealist artists often found that their use of “automatic drawing” was not entirely automatic, rather it involved some form of conscious intervention to make the image or painting visually acceptable or comprehensible…”

Artist Stephen Berry was also a bit skeptical, but he could appreciate it regardless:

It was very liberating and thoughtful. It was also an interesting way to explore different shapes, to watch myself as an artist from “the outside” and see what shapes I’m predisposed to, where I’m reverting to certain habits that are lazy, what was exciting and interesting to explore that surprised me, etc.

He had more interesting stuff to say about the technique. Click on his name above.

Hooked rug; example of automatic hooking — Close-up of my current happy rug, “Abundance.” Lots of recycled textiles. I think I like my automatic hooking better than my automatic drawing.

Scintillating as all this is, you’re undoubtedly wondering how it relates to hooking. In that aforementioned post of mine, which I wrote before I started Sketchbook Revival, I mentioned my night-hooking project, the one the boys are pictured with. It’s part of my “happy rug” series in which I’m trying to focus on the brighter aspects of life after such a crappy last year. And I wrote:

For this one, I’m trying to really just go with the flow; there’s little advance planning in it. Other than the holes, which the rug dictated to me as I sewed on his tape.

See the SYNCHRONICITY that’s happened?!!? I was already kind of doing automatic hooking before I even learned about the drawing technique. Each evening I sit down and hook whatever comes to mind at that moment with whatever I have in the two big bag and one laundry baskets of fibers I have next to me. (Yes, there’s a LOT of hooking stuff in my family room at the moment.)

Both the automatic hooking and drawing efforts are fun to try if you’re so inclined to experiment. For the latter, just Google “automatic drawing,” and a slew of options will come up in your feed. As far as rug hooking goes, just throw some hooking materials into a bag and go to town. I’m using all kinds of fibers: wool strips, wool yarns, novelty yarns, a plethora of fabrics, ribbons, and so on. There’s lots of textile recycling going on!

Dogs on example of automatic hooking — Tynan and Bowyn bring you another view of “What’s on the frame.” Obviously, someone is not completely clear on the concept of his job. It should’ve been an overview of the newest happy rug, “Abundance,” an example of automatic hooking. (Let’s imagine Tynan’s thoughts for a moment…)

What have you done lately to spice up your regular practices be it hooking, painting, writing, or even working out?

March 23, 2021

IN THE STUDIO – April 14 with Sayward Johnson

Join Sayward Johnson on In the Studio as she talks about her work and her artistic process!

Poster of Sayward Johnson

Sayward Johnson is a copper and textile artist whose work explores her fascination with fabrics and sculptures that adhere to the laws of metal-smithing as well as those of textiles and, furthermore, present traditional textile patterns in unexpected contexts. She finds beauty and meaning in natural processes that cannot be controlled, such as decay and the transformation of surfaces through erosion and new growth. In her studio practice, she focuses on weaving, knitting and embroidery.

Originally from Danvers, Massachusetts, Sayward is a graduate of the Nova Scotia College of Art and Design. She currently lives in Chelsea, Quebec, with her husband and young daughter. She is an active member of the Enriched Bread Artists and 44.4 Mothers/Artists collectives in Ottawa. Sayward has exhibited across Canada and sold her work to private collectors in the US, Canada, and Europe. She has received grants from the Ontario Arts Council, the City of Ottawa, Craft Ontario, Arts Ottawa East, and the Canada Council for the Arts.

You can learn more about Sayward and see her work at www.saywardjohnson.com and on Instagram @saywardjohnson.

IMPORTANT – PLEASE READ:

The Zoom link for this presentation will be emailed to you the day before the talk (or after you purchase your ticket, if you purchase on the day of the event). If you don’t receive it, you can contact the organizer at info@karendmillerstudio.com.

Tickets will be on sale until 10:00 am the day of the event. After that time you will no longer be able to purchase tickets.

Please note that, unlike other In the Studio presentations, the time of the talk is 7:00 pm EASTERN.

Find tickets for this event at Ticketscene.

FAQ’s

* Will this talk be recorded for viewing later?

Unfortunately, no. Due to the logistics involved, we decided some time ago to keep these events live. Hopefully if you can’t make it to this talk, you’ll be able to make it to a future talk.

* It’s the day of the talk and I’m having trouble finding or using the link for the talk. How can I find help?

It is very advisable to LOG INTO THE EVENT A FEW MINUTES EARLY to be sure that you have no trouble with the link, and if you are having trouble the organizer can help you out. You can email or message the event organizer up until 12:30pm Eastern on the day of the talk for help. ONCE THE EVENT STARTS, however, messages and emails are not able to be monitored.

* I’m finding it distracting during the talk seeing all of the other participants on my screen. What can I do?

During the event the organizer will put the screen setting on “spotlight view” so that the presenter is the focus on your screen. Depending on your device, you may still see audience members on your screen and changing your setting from “gallery view” to “speaker view” should help with that.