Thursday makes it a year that “regular” life came to an end here in New Mexico. Not knowing what I know now, I rather welcomed it. No meetings for the foreseeable future! Remember – we never thought the crisis would go on for sooooo long, and Zoom wasn’t a BIG THING yet. I figured I’d have time to work on my own projects and actually get a chance to explore other ideas percolating in the back of my brain, maybe even move them to the front.
Some of that happened. I certainly had ample time to “play” with the Ribbon Rug Journal. In fact, without Covid, I’m not sure how I would’ve been able to log each day’s entry. (Now if I can only get to writing the magazine article on the damn thing!) I managed, too, to finish “Holes,” a rug about the effects of motherhood on women. But then Karen Miller came up with the idea for In the Studio with its presentations and two! online Workshop Weeks (keep watch; the third will be coming), my own class offerings, and, of course, rugs to make (I do have an Etsy shop). The forced time at home was not quite so restful. Such is our new reality.
A one-line, mirror sketching from 2019. Sadly, a self-portrait.
But some things didn’t change. This March, as I did in 2019 and 2020, I will participate in Sketchbook Revivalpresented by artist Karen Abend. It’s a free, online event whereby each day for a couple of weeks a different instructor presents a a different approach to filling up your sketchbook or journal. As much as I used to be good at that, I’m not anymore. Sketchbook Revival gives me a do-over each year and a way to learn new techniques. As Karen says:
Some sketches are colorful. A “creature” rug perhaps?
“Imagine waking up each day brimming with ideas, excitement, and confidence to open up your sketchbook and start creating, no matter what.”
As far as I’m concerned, sketching can be relaxing and enjoyable on its own, but more importantly, better sketching leads to more and better better hooked pieces. Click on the link above to join. While there are social media pages to share your work and to see that of others’, I generally prefer to keep to myself. And you don’t have to attend every session. I pick and choose. One comes out every day, but the videos stay up for a few weeks.
This was perhaps my favorite sketching session from last year. Who knew? Architectural drawing.
Day-hooking. I mentioned it last post. It’s not necessarily what you think. But it is another benefit of being stuck at home. I generally hook in the evening. Like many of you, if I don’t work with my hands after 8:00 p.m. or so, I’ll fall asleep. That’s when I catch up on TV and movies. But sometimes – like right now – I’m hooking a piece that needs: 1) good light, specifically, the light of day and 2) concentration. Like I said before, in another world in other years, my guild, AWAG, held three retreats and had a teacher visit us, usually for an open workshop. Each event gave me three whole days to work on more challenging rugs. And a multitude of folks to ask for advice when it was needed. Or even when it wasn’t. LOL
While I tend to do other tasks during the day, lately I’ve been trying to carve out some time for day hooking to get through this one difficult project. I feel guilty sitting on my ass, but the work happens, and I can even get some of those year-old NOVAs out of my DVR queue. So, day-hooking, yeah, it’s a thing.
Meanwhile, the night-hooking continues. Which is exactly what the boys bring to you today in the pic. I’ve started on the fourth of what I’m calling my #happyrugseries. I realized that after such a negative year, I’d prefer to mostly focus on the brighter aspects of life. For this one, I’m trying to really just go with the flow; there’s little advance planning in it. Other than the holes, which the rug dictated to me as I sewed on his tape.
“What’s on the Frame.” Bowyn takes being a High on Hooking dog very seriously while Tynan is quite blasé about it these days.
Nancy Hart of AWAG created a rug a couple of years ago that I really loved. I miss you, Nancy, but you’re here with me in spirit, and your rug is my inspiration for this project. Tom’s going to kill me as parked in the living room is a large shopping bag AND a laundry basket filled with all kinds of fiber to pick and choose from as I go. (Plus the day-hooking paraphernalia.) But I’m enjoying working on it all!
What’s got you’re attention these days as we head into the final stretch of the Coronacootie’s reign?
Join Textile Artist Anastasia Tiller as she discusses
her work and process on ‘In the Studio’!
Anastasia Tiller is a multidisciplinary artist based in Lethbridge, Newfoundland and Labrador. Her work ranges from monochromatic figurative referencing photographic imagery, gestural flat acrylic works on paper, and colourful landscapes. Her textile works move in a different direction altogether. Anastasia is actively involved in the provincial visual arts community as an art teacher, as well as a member of the Visual Artists Newfoundland and Labrador Board of Directors.
Anastasia also has an upcoming exhibit, “Room for Happiness” or “Welcome to my Bubble” at the Craft Council of Newfoundland and Labrador in St. John’s Newfoundland from March-April, 2021.
IMPORTANT – PLEASE READ:
The Zoom link for this presentation will be emailed to you the day before the talk (or after you purchase your ticket, if you purchase on the day of the event). If you don’t receive it, you can contact the organizer at info@karendmillerstudio.com.
Tickets will be on sale until 10:00 am the day of the event. After that time you will no longer be able to purchase tickets.
Please note that the time of the talk is 1:00 pm EASTERN.
Unfortunately, no. Due to the logistics involved, we decided some time ago to keep these events live. Hopefully if you can’t make it to this talk, you’ll be able to make it to a future talk.
* It’s the day of the talk and I’m having trouble finding or using the link for the talk. How can I find help?
It is very advisable to LOG INTO THE EVENT A FEW MINUTES EARLY to be sure that you have no trouble with the link, and if you are having trouble the organizer can help you out. You can email or message the event organizer up until 12:30pm Eastern on the day of the talk for help. ONCE THE EVENT STARTS, however, messages and emails are not able to be monitored.
* I’m finding it distracting during the talk seeing all of the other participants on my screen. What can I do?
During the event the organizer will put the screen setting on “spotlight view” so that the presenter is the focus on your screen. Depending on your device, you may still see audience members on your screen and changing your setting from “gallery view” to “speaker view” should help with that.
I’m calling it “Pat’s Rug” for now. It was influenced by another artist, my aunt.
I’ve finally finished the rug that my aunt, another artist, last year asked me to hook for her. She gave me no guidelines other than that she likes reds, blues, and gold. What to do? Pat works in paint, pens, and pencils and such. More abstract stuff. Fortunately, I’ve got a few of her pieces, so I thought, why not go to a source, her own work.
Artwork by Pat Croke, my aunt.
Will she be able to tell that I used her drawing to inform my hooked art? Hell, if I know. I’ll tell her though. (And about the African bark cloth influence as well.) Lines and colors. Being a textile piece, though, I get the benefit of texture too: loops of old t-shirts and the sparkly sharpness of the two gold ribbon types that I used.
Close-up of the rug that currently has no name. Hand-hooked with old t-shirts and ribbon.
Monika Kinner is a professional artist specializing in freestyle embroidery (since 2009) and soft pastel paintings (since 2018). More recently, she has started experimenting with saori weaving. Her creations are expressions of love for the prairie where she lives and originate from her own personal photographs of and experiences in Saskatchewan, Canada. She is constantly amazed at the texture and intricate beauty that can be achieved by working with threads and other fibres.
About Monika Kinner:
Monika is a juried member of the Saskatchewan Craft Council and a former member of the Embroiderers’ Association of Canada. Her award winning work is cherished in private collections around the world including Canada, the UK, USA, Australia, New Zealand, Western and Eastern Europe and South America.
The Zoom link for this presentation will be emailed to you the day before the talk (or after you purchase your ticket, if you purchase on the day of the event). If you don’t receive it, you can contact the organizer at info@karendmillerstudio.com.
Tickets will be on sale until 10:00 a.m. the day of the event. After that time you will no longer be able to purchase tickets.
Unfortunately, no. Due to the logistics involved, we decided some time ago to keep these events live. Hopefully if you can’t make it to this talk, you’ll be able to make it to a future talk.
* It’s the day of the talk and I’m having trouble finding or using the link for the talk. How can I find help?
It is very advisable to LOG INTO THE EVENT A FEW MINUTES EARLY to be sure that you have no trouble with the link, and if you are having trouble the organizer can help you out. You can email or message the event organizer up until 12:30pm Eastern on the day of the talk for help. ONCE THE EVENT STARTS, however, messages and emails are not able to be monitored.
* I’m finding it distracting during the talk seeing all of the other participants on my screen. What can I do?
During the event the organizer will put the screen setting on “spotlight view” so that the presenter is the focus on your screen. Depending on your device, you may still see audience members on your screen and changing your setting from “gallery view” to “speaker view” should help with that.
A few folks who follow High on Hooking’s Instagram account, got a peek at my offering to The Violet Protest last week. Today I packaged my 8″ x 8″ square up and mailed it off to Phoenix where it will be part of an exhibit and then sent on to lawmakers in Washington.
For those in the dark who have never heard of the Violet Protest, it’s a project that was conceived of by Ann Morton, a textile artist, educator, and “social practitioner” in Phoenix, Arizona.
“Driven by a desire to make right, the work she does reflects her own handwork, but also orchestrates handwork of interested community members through public interventions that seek to socially engage the hands of many to harness the power of making for social purpose.”
Textile artists across the country have been asked to make these 8″x8″ squares using whatever techniques they wish. My M.O., of course, is hooking. I might have used crochet or embroidery as well, but I opted to commit to only one square (knowing the project and teaching backlog that I’m already juggling). The squares are to be made using pretty much equal parts blue and red. As you know, BLUE + RED = VIOLET/PURPLE. The point is to create an “overall presentation of violet in the final display” of all the squares made.
My hooked square of wool strips and yarn and recycled silk blouse strips.
“The Violet Protest is a public effort to send 50 hand-made textile squares to each and every member of Congress
in support of these core American values:
•Respect for the other •Citizenship •Compromise •Country over party and corporate influence •Courage •Candor •Compassion •Creativity
Whether we weave, knit, crochet, quilt, or embroider all 26,750 of these squares — through this social action, and from every corner of America; we as makers of all political persuasions, believe we can employ our willing spirit and our talents to contribute to healing divisions that threaten our country. This collection of textile squares will be first displayed at Phoenix Art Museum, in the Spring of 2021, before they are sent to the new 117th Congress by late 2021.
Focused on the values we hold dear as Americans, rather than any political beliefs, the color violet symbolizes the literal combination of red and blue, long held as symbols of our nation’s differing ideologies. Our common goal is to send a physical message of friendly protest through this colossal visual expression to demonstrate that if we as citizens are willing to come together, so then must our elected officials.”
There’s still plenty of time for you to get involved with this project. In fact, Ann could use a lot more squares, all total 26,750! Maybe your rug queue isn’t as long as mine is, and you’re looking for away to resist the winter doldrums. These squares hardly take any time to hook…or crochet…or sew…or whatever. While there is a February 1 deadline for squares to be exhibited in the Phoenix Art Museum, you’ve got plenty of time – till August 1! – to get some to Ann to be sent to members of Congress later in 2021. I’m hoping that I might be able to do some more once High on Hooking’s rug obligations are fulfilled.
The tag attached to my square.
Getting involved in the Violet Protest is easy, really. Ann mails out a tag to you. You attach it to your square(s) and mail it all back. Done! For more info click HERE. You can see examples of squares on the Violet Protest Instagram page.
In other news, we had another fine Zoom gathering last Saturday for the Build a Baby Boucherouite workshop. There were five of us. If you’re interested in the class, please contact me. I will say that this is one that works better and is more fun with the energy of a small group of folks working together and bringing all kinds of ideas. If you think your guild or a klatch of friends might want to get together to explore hooking some BBs, give a yell.
A reminder, that there are a few more spaces left in In the Studio’s WORKSHOP WEEK 2. I believe that Karen Miller, Beth Miller, and Meryl Cook have a couple of “seats.” Contact them directly. (To do that follow the WW2 link above) I have some more room in my second Intro to Punch Needle Rug Hooking session on February 20. Let me know if you’d like to be join us.
Tynan and Bowyn bring you this week’s “What’s on the frame.” (Mostly because they want the Beggin’ Strips BAD.)
And lastly, Tynan and Bowyn bring you “What’s on the frame” this week. If you remember, they showed what this rug looked like when I started hooking it back in December. It’s almost done. Hope my aunt likes it. It was inspired by her color choices and a drawing she made. More on that when I finish it. Till then, be warm and stay safe. May our Covid vaccine shot(s) happen soon!
Might you be able to make a square for THE VIOLET PROTEST?
G THING yet. I figured I’d have time to work on my own projects and actually get a chance to explore other ideas percolating in the back of my brain, maybe even move them to the front.
e in the dark who have never heard of the Violet Protest, it’s a project that was conceived of by 
