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New Mexico’s contribution to the USA50 project

So, maybe a year and a half or two ago, I offered to hook New Mexico’s contribution to the USA50 project. I finally started to hook it in April. As many worthwhile endeavors do, it took longer than expected.

USA50 Poster
USA50 poster courtesy of https://remileves.myportfolio.com/usa50.

For those not familiar with the USA50 project, it originated with another big, creative venture, the hooked cushion collection at the Barachois Historic Church in New Brunswick, Canada. The church,the old whitewashed building on New Brunswick Road 133, will be 200 years old in 2026. This small church is among the oldest Acadian buildings still standing on its original site.” In order to celebrate the anniversary…“the committee thought then that a collection of 50 hooked cushions [on the church benches] would probably be feasible and would certainly arouse the interest of the population.” (Quotes from https://remileves.myportfolio.com/bonjourwelcome.)

The Barachois Historic Church is an ancient wooden building, which first opened its doors in 1826, and is still standing after nearly 200 years. The building was disaffected in the late 1970s, and reprieved from demolition in 1980. It has since been transformed into a local Museum, art gallery and summer classical concert venue. For over 40 years a wide variety of cultural events have been presented there. In order to be more comfortable on the old wooden pews, many event goers took too bringing a cushion to cultural presentations, and leaving it on the bench. Over time, this developed into a sort of tradition. This has inspired the Historic Church Preservation Committee. The “200 hooked cushions for my 200th” public art collection became the first permanent collection of the visual arts in the historic church. We cordially invite you to be part of the “USA50” collection to seal indefinitely our countries friendship and give the two collections the international destination status it deserves.
(From the USA50 Facebook page.)

 

Poster for initial cushio project
Poster for the Barachois Church’s 200th Anniversary and hooked cushions exhibit opening.
This [initial 200 cushions] collection, like others across America, proudly celebrates the volunteer work of artists in hooking. The project lives up to their community spirit and helping others, their creativity, their energy to work towards a common goal to meet the challenge. These artists, mostly women, gave in order to realize our dream. What is even more fascinating is that for many, our dream has become theirs too. Everyone had a reason to embark. That’s what created magic. Many artists pay tribute to their ancestors, a family member, Acadian friends, a colleague hooker, history, the art of hooking or just the cause.

 

The official opening of the cushion exhibit was on August 18, 2019. Over 1000 people came to view the cushions that day. American hookers were in attendance. They suggested the USA50 project, one cushion from each state.

One cushion per state representing memorabilia, landscape, bird, flower, or other representation particular to that state. Already rug hookers from all over the United-States have shown interest…
(From the USA50 Facebook page.)

Hence my participation in the project. But, while a Hatch chile pepper or a hot air balloon would’ve been good representations for New Mexico, I preferred something more authentic. Something, perhaps, Native American as they were here long before the Spanish showed up in the 1500s.

A few years ago, during a visit to the Indian Pueblo Cultural Center here in Albuquerque, I purchased a travel mug with artwork by potter Patricia Lowden, a member of the Acoma Pueblo about 40 miles west of the city. I use the mug all the time and thought that a design like hers might best represent New Mexico. Long story short, I was able to contact Patricia through the Cultural Center. After explaining the project and how I would NOT monetarily benefit from the cushion, she generously offered not to let me use the mug design but to send me a similar design! That made my life a LOT easier.

"Rainbird" travel mug; design by Patricia lowden.
“Rainbird” travel mug; design by Patricia Lowden. They’re ceramic now. You can find it HERE.

I hooked it using different wool yarns. Ruth Simpson, friend and fellow member of the Adobe Wool Arts Guild, graciously put the whole thing together.

A little about Patricia:

I am full Acoma. My great grandmother is Lupe Chavez who lived to be 105 yo. She was a potter, piki maker. Both my grandmother’s on my mom and dad’s side were potters as well. …My mother was Anita Lowden. She was a famous potter in the Indian market and won a lot of blue ribbons for her work. She made pots, animals and pitchers. She and grandmother Jesse have pottery in the Smithsonian. My oldest sister and I do the pottery making now. We learned from our grandma Andrea as we grew up closer to this side of the family. I am a 4th generation potter. I use the coil method to build my pottery. I grind my clay after soaking it. There are several steps to making and painting the pottery. I use a yucca brush to outline n paint my pieces. I make water jars, seed pots, canteens, vases, and wedding vases. I make various sizes. When people order they usually tell me how much they want to spend or I make a variety if they want more than one piece. I use traditional paints. I have been painting and making since I was 15 yo when my grandmother asked if I would outline for her, but I played with the clay when I was younger like 8 when my grandmother asked if I would like to make something to sell as she was getting ready for a feast to sell her pottery. I helped my grandmother as she was getting older and couldn’t see very well but she could still make pottery. My grandmother always encouraged me to try new designs… I love what I do and now I have a 14 year old daughter, Destiny, who I am teaching. She has made a few pieces and has sold them on her own. I am very proud of her because she will carry on my designs and the old style of making pottery. 

New Mexico USA%) cushion. Design by Patricia lowden.
“Rainbird,” New Mexico’s contribution to the USA50 project. All wool yarn on monk’s cloth. Design by Patricia Lowden. Hooked by Laura Salamy. All put together by Ruth Simpson. Thank you ladies!

 

 

Patricia has seen the cushion and told me that she and her family really love how it turned out. I’m hoping to hook up a smaller version for her to hang in her home.

 

 

 

 

Make sure you go onto Remi’s site and the Facebook page to see pics of the various cushions created for both projects. There are still a few states that are unaccounted for. As of May, they included: Alabama, Arkansas, Iowa, Montana, Nevada, Oklahoma, Oregon, and Utah. Do you live in or are you from one of these? Perhaps you can help finish up the USA50 Collection. Contact Remi Levesque through his website or the Facebook page.

 

Note: Please respect Patricia’s traditional design. Do not copy.

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Retreat week

Supplies for being on retreat.
Retreat supplies: journal; pen; colored pencils; String Felt Thread by Elissa Auther; watercolor brush pens; iced tea; and great weather.

I’m officially on retreat.

As mentioned last week, my workshop up north at Ghost Ranch was postponed which was a pretty big bummer for me. But then I realized I had a whole week of days I’d kept unscheduled, thinking I’d be away. What to do with that time??? Given how distracted I’ve found myself these last few months (okay, really the last year+), I find that I need to step back and redefine what it is I want and need out of life. Sure, I’m hooking and teaching, but my attention has…wandered. My daily routine isn’t working, and productivity has been affected.

It’s not at all helped by so many local, national, and even global crises. The collapsed Maimi condo, race and gender issues, folks refusing to get vaccinated thereby prolonging the whole Covid thing, some family health difficulties, climate change which really hits home here in the desert Southwest… I seem to be catching my kid’s anxieties. That we spent over a week with temps in the 100s certainly didn’t enhance my mood. But you – I – can’t live like that, in dread all the time.

Last week after deciding on a couple of new projects – not hooking!!! – I grabbed my coupons and started out for Jo-Ann Fabrics to get supplies. It occurred again to me that it’s summer. A time for lighter things, as I also said last week. But this time I really heard myself. Remember how we used to feel in summer? Even when bad things were happening around the world? (The reality is that good and bad things are always happening.) I put some Jimmy Buffett on the Fit’s stereo and off we went.

Hooked rug
ABUNDANCE (15″ x 48″) is finished! As part of my retreat efforts to shake things up, I sewed yesterday morning rather than during the evening, my usual MO. She’s the newest in 2021’s #happyrugseries and was hooked with all kinds of fibers. And, yes, those are holes in her. Life takes from us, but we still have so much to share.

 

Friday evening Tom and I had a lovely time sipping wine at a local winery, Casa Rodeña here in Albuquerque. They have a pond. It was cool and calming. I realized that I could take the next week to change up my routine, get some things done that I’ve been planning but been too paralyzed to do. In short, get myself out of this funk.

I started yesterday by learning a new “trick.” Okay, a new fiber art medium. I’m very excited and will share down the road. I even used YouTube to learn how to do it. Generally, I prefer to learn in person, not via a video. Again, it’s about getting out of the comfort zone, something I used to do without thinking too much about it.

An article about the Ribbon Rug Journal is on the retreat’s to-do list. Planning my next rug for when I’ll be on the road in a couple of weeks. More sketching and journaling. Reading for pleasure and “work.” Getting back to morning yoga for my arthritis. Not on the list: vacuuming, cleaning the kitchen, meetings, a lot of social media, worrying…

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But life does still go on. To that effect – note that In the Studio’s Workshop Week 3 classes are filling.  Sure, it’s not till October, and we have more events and teachers than ever, but folks want in. Also, my own workshop, Hooking with T-Shirts, on October 30, had enough interest that I opened a second session for Saturday, October 23, also at 1:00 PM Eastern. Email me if you’re interested.

 

Dogs, hooked rug
Both boys bring you WHAT’S ON THE FRAME today. No title for it yet, but it’s the #ecohooking rug in recycled plastic bags. I should’ve added Static Guard to my list of retreat supplies!

Is it just me or do I sense many stepping back a bit to reevaluate as we move back into a post-pandemic world?

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Time to register for Workshop Week 3!

 

Workshop Week 3 classes announced; registration is open!

 

Thanks to Covid, a new type of “camp” was born last year, one that lets folks from all over come together without worrying about the high costs (in money and germs!) of travel and hotels. Those of us involved in In the Studio – brought together by Karen Miller – had such success and fun, that we did it all over again in February and even invited a couple of other artists to join us. We’ve come full circle and are now planning WW3 for the last week of October, 2021. But this time we’ve got FOUR NEW TEACHERS!

Artists participating this time include the usual suspects: Karen; Elizabeth (Beth) Miller; Meryl Cook; Susan Feller, and myself. Guest teachers are: Charlie Dalton (you might know him by his Instagram handle @thehookingcolonel); Lisa Meecham (@woolly_good_hooking); Carmen Bohn (@intheply); and Anastasia Tiller (@frozenpartridgeberry).

Again, all Workshop Week 3 classes will be conducted on Zoom. I know, I know, it’s not the same as being there in person, but how else could you be part of this fabulous line-up? And we’ll have the two bonus sessions again during the week – an evening gathering and a panel discussion.

There’s a wide array of workshops available; some having to do with just rug hooking, others not so much. Scroll through the document below to find your favorite(s). Feel free to take more than one. Email individual instructors for registration and more info. Don’t tarry, as classes filled up pretty quickly last time.

BTW: If you see a workshop that you’d love to take with your guild or other social group, most of us are happy to run our classes again.


WORKSHOP WEEK 3 – Enlarge image by clicking on bottom right symbol.

 

 

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IN THE STUDIO – May 26 with Courtney Turner

Courtney Turner’s art as a means of healing and coping

 

Poster advertising In the Studio with Courtney Turner

 

Join Canadian Artist Courtney Turner on In the Studio as she discusses her artistic journey thus far as an emerging artist. She’ll give the audience a glimpse into what her creative process looks like and will share how she uses her art practice as means of healing and coping while living with chronic illness.

Courtney Turner is an emerging contemporary artist currently residing in Canning, Nova Scotia. Her unique combination of abstract rug hooking and representational self-portraiture painting is a direct representation of the connections between her current self and her child self, her healing journey of living with chronic illness, and memories of significant familial textiles that have brought her comfort throughout her life. Courtney graduated from NSCAD University in 2020, majoring in Textiles & Fashion.

You can learn more about Courtney Turner and see her work at www.courtneyturnerart.ca and on Instagram @courtneyturnerart.

 

IMPORTANT PLEASE READ:

The Zoom link for this presentation will be emailed to you the day before the talk (or after you purchase your ticket, if you purchase on the day of the event).  If you don’t receive it, you can contact the organizer at info@karendmillerstudio.com.

Tickets will be on sale until 10:00 am Eastern the day of the event.  After that time you will no longer be able to purchase tickets.

Please note that the time of the talk is 1:00 pm EASTERN.

Find tickets for this event at Ticketscene.

 


FAQ’s

* Will this talk be recorded for viewing later?

Unfortunately, no. Due to the logistics involved, we decided some time ago to keep these events live. Hopefully if you can’t make it to this talk, you’ll be able to make it to a future talk.

* It’s the day of the talk and I’m having trouble finding or using the link for the talk. How can I find help?

It is very advisable to LOG INTO THE EVENT A FEW MINUTES EARLY to be sure that you have no trouble with the link, and if you are having trouble the organizer can help you out. You can email or message the event organizer up until one hour before the talk on the day of the talk for help. ONCE THE EVENT STARTS, however, messages and emails are not able to be monitored.

* I’m finding it distracting during the talk seeing all of the other participants on my screen. What can I do?

During the event the organizer will put the screen setting on “spotlight view” so that the presenter is the focus on your screen. Depending on your device, you may still see audience members on your screen and changing your setting from “gallery view” to “speaker view” should help with that.

* What Time Zone is the time of the talk in?

The time indicated on all ‘In the Studio’ talks is the EASTERN (EST) time zone.  If you live in a different time zone, be sure to check what time you should tune in to ensure you don’t miss the talk.

*I can no longer make it to the talk.  Or, I missed the talk.  Can I get a refund?

Unfortunately no- the price of the ticket is so low that it is not cost-effective to refund those amounts.  If you are unable to make it to the talk and you already have a ticket, or you forget to attend, please do contact me at info@karendmillerstudio.com.  I always offer a ticket to the next talk to make up for it.  All of the artist speakers receive a portion of the ticket proceeds so we very much appreciate your contribution to supporting artists!

 

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IN THE STUDIO – April 14 with Sayward Johnson

Join Sayward Johnson on In the Studio as she talks about her work and her artistic process!

 

Poster of Sayward Johnson

 

Sayward Johnson is a copper and textile artist whose work explores her fascination with fabrics and sculptures that adhere to the laws of metal-smithing as well as those of textiles and, furthermore, present traditional textile patterns in unexpected contexts. She finds beauty and meaning in natural processes that cannot be controlled, such as decay and the transformation of surfaces through erosion and new growth. In her studio practice, she focuses on weaving, knitting and embroidery.

Originally from Danvers, Massachusetts, Sayward is a graduate of the Nova Scotia College of Art and Design. She currently lives in Chelsea, Quebec, with her husband and young daughter. She is an active member of the Enriched Bread Artists and 44.4 Mothers/Artists collectives in Ottawa. Sayward has exhibited across Canada and sold her work to private collectors in the US, Canada, and Europe. She has received grants from the Ontario Arts Council, the City of Ottawa, Craft Ontario, Arts Ottawa East, and the Canada Council for the Arts.

You can learn more about Sayward and see her work at www.saywardjohnson.com and on Instagram @saywardjohnson.


IMPORTANT – PLEASE READ:

The Zoom link for this presentation will be emailed to you the day before the talk (or after you purchase your ticket, if you purchase on the day of the event).  If you don’t receive it, you can contact the organizer at info@karendmillerstudio.com.

Tickets will be on sale until 10:00 am the day of the event.  After that time you will no longer be able to purchase tickets.

Please note that, unlike other In the Studio presentations, the time of the talk is 7:00 pm EASTERN.

Find tickets for this event at Ticketscene.


FAQ’s

* Will this talk be recorded for viewing later?

Unfortunately, no. Due to the logistics involved, we decided some time ago to keep these events live. Hopefully if you can’t make it to this talk, you’ll be able to make it to a future talk.

* It’s the day of the talk and I’m having trouble finding or using the link for the talk. How can I find help?

It is very advisable to LOG INTO THE EVENT A FEW MINUTES EARLY to be sure that you have no trouble with the link, and if you are having trouble the organizer can help you out. You can email or message the event organizer up until 12:30pm Eastern on the day of the talk for help. ONCE THE EVENT STARTS, however, messages and emails are not able to be monitored.

* I’m finding it distracting during the talk seeing all of the other participants on my screen. What can I do?

During the event the organizer will put the screen setting on “spotlight view” so that the presenter is the focus on your screen. Depending on your device, you may still see audience members on your screen and changing your setting from “gallery view” to “speaker view” should help with that.

Share