Bowyn’s been cooped up during these Covid weeks, scoring only a few short walks around the neighborhood. Still, he wanted in on the sweater photo. And a treat. This dog is a whore!
Sadly, the day after Easter, Covid darkened the Salamy home. Unfortunately, that also meant that three of our holiday dinner guests received a “souvenir,” and I’m not talking leftovers. Thankfully, they’ve all tested negative again this week. Tom and I, however, are still stuck at home with a case of rebound Covid. Seems like double jeopardy to me. At least, this week’s been more like a bad cold with congestion and runny noses rather than the sore throat, chills, and terrible fatigue of earlier in the duration.
The worst thing was that first week when I couldn’t really concentrate on anything. Forget hooking and the Yearlong Environmental Stitching project (YESP). Because I thought I had plenty of time till Sketchbook Revival 2023 closed on April 20, I’d held off doing all the sessions, planning on a leisurely pace. Yeah, that didn’t happen either. The sweater I’ve been crocheting. Nope. No books started or finished either.
But this week’s been different. I’ve actually gotten some things done and even attended a meeting on Zoom. I started a new novel and am almost halfway through it. I’ll finish the second sleeve on the sweater tonight. The Sketchbook Revival workshop I was most looking forward to didn’t involve a sketchbook at all but was about stitching! Emma Freeman presented MAKE SLOW STITCHED WABI SABI FABRIC SCROLLS. Most happily, mark-making comes in many forms as does experimentation.
No hooking’s happened in two weeks, but not just because of Covid. The reality is that I was bogged down on a project that wasn’t working the way I anticipated, so it’s back to the drawing board to rethink it or another design.
Although I’m still finishing up with some beads and maybe more stitching, here’s the wabi sabi scroll I started in Sketchbook Revival 2023.
Meanwhile tomorrow is Earth Day, something I always try to celebrate in some fashion or another. Taking environmental care is one of the main bases of my artwork be it upcycling all kinds of textiles for hooking or scavenging the news for stories to represent in the YESP. What I find saddest about our troubled natural environment is that we have the technology to do something about it; we just lack the communal and political will. And for that coming generations will suffer. USA Today had a article about what 2050 could be like. Sadly, I fear it’s more of a pipedream than anything else.
Nonetheless, a girl can hope even if she lives in the desert during a prolonged, 30-year drought. In the meantime, I’ll try to take shorter showers and use less paper towels. Some habits are difficult to break, I know. But till this Covid thing exits my house, I guarantee that the tissues will keep piling up .
Celebrating Earth Month with the Yearlong Environmental Stitching Project!
First day’s work on the Yearlong Environmental Stitching Project. January 1, 2023.
As many know, a main focus in my artwork, particularly hooking, is to bring attention to the state of our shared environment. Globally, locally too, it’s not in great shape. Between crazy-ass storms, drought, rising temperatures, air and water pollution, too much trash and waste, etc., etc., we’re suffocating ourselves and other forms of life here on earth. (Though I understand that cockroaches and kudzu are still doing quite well.)
If you’re reading this, I won’t bother preaching to the choir. You’re already aware of the problems. And you’ve probably heard me pontificate or at least share various posts on my social media. A note, my initial career was in environmental regulatory management for industry. I’ve had plenty of time to think about what we put in and on this planet of ours.
On January 14 I stitched about how the US Department of Agriculture approved the first ever vaccine to prevent the bacterial disease that destroys honey bee colonies. This is GOOD NEWS!
More than wool, I create hooked art using different types of old textiles that I find in Savers (my local thrift store) and am gifted. They can include old t-shirts and other clothing, curtains and bedsheets, and so on. It makes me feel good to tell people what the art they’re fondling is made of. Kids especially love to see and touch recycled t-shirt rugs.
In 2020, I spent the WHOLE YEAR hooking and stitching the Ribbon Rug Journal (RRJ). Not familiar with it? You can read about it HERE. Given the nature of 2020, I had plenty of time to sit down every single night to log in that day’s entry. Still I was psyched that I made it to December 31. And really ready to move on from the project given the time and energy it took. It’s since been the subject of an article I wrote for Rug Hooking Magazine and hung in two exhibits.
Fast forward to late 2022. Surprisingly, I was itching for another yearlong endeavor, preferably something with meaning from the get-go. (When I started the RRJ, I had no idea that 2020 would be the “special” year that it became.) I wasn’t looking to hook something every day; that’s what my regular projects are for. Besides, Tom begged me not to have to work on something every night. So, I pondered…
On March 13, I started the Brown Widow Spider after reading about how the aggressive Browns are “slaughtering” the more docile Blacks (spiders!) in the US Southwest and South. Then they eat them! Meanwhile the Black Widows are expanding their range northward, even into Ontario and Quebec.
Meanwhile, like most everyone else, during 2020 and 2021, I took online classes and became more interested specifically in hand-stitching. In fact, I incorporated stitching into the RRJ because some things, like letters, were easier to do on the burlap ribbon than hooking. I made a Kawandi quiltand was pretty proud of myself. I also did more sketching with the likes of Sketchbook Revival.
I’m not interested in fine drawing or fussy embroidery, but something more basic. To share a thought, make a memory, the stuff of journaling.
Last year too, while on a hunting trip to Savers, I came across a large, linen curtain panel from Ikea. It’s a beautiful, pale green. Come the end of the year, it was just sitting there, waiting for me to formulate an idea. Which I finally did. The color is a great earth color. And I kept seeing and reading more and more environmental stories. Ah ha! I decided on the Yearlong Environmental Stitching Project (YESP): I’d stitch using an environmental theme throughout 2023.
After the Norfolk Southern train derailed in Ohio in February, we learned more about how the last administration dismantled railroad safety rules. as the railroads requested. This accident and subsequent environmental and health disaster didn’t have to happen.
I’m still not enthused by the title so that might change. And to avoid burnout – my own and the husband’s – I don’t work on it every day. In fact, throughout Sketchbook Revival 2023, the whole thing has sat on the dining room table. Really, it could also be a tablecloth; it’s big enough! As I scan the newspaper and news online each day, I collect stories. Some are pretty horrific, I’m not going to lie. Like the recent report from the UN about humanity’s closing window of opportunity to affect climate change, that our current investment and funding for adaptation to that change are completely insufficient, especially in and for developing countries. Never mind that the US electrical grid is heading for a total meltdown. But there’s good news too. Biden created two new national monuments here in the Southwest. Then there’s the woman in Britain who got so fed up with her town’s lack of recycling that she decoded to take care of it herself. And all kinds of folks joined her. I need those kinds of stories; otherwise the whole project would depress the crap out of me.
I keep all the stories in a file folder and pull one out when I’m ready for a new entry. Having learned from the RRJ, once I finish a stitching, I record it and pertinent info in a written journal. I photograph it too. That way, in January, I won’t wonder what the hell I stitched. Also, the only thing I can purchase for this project is embroidery floss. Everything else has to come from what I already have or am given.
While this won’t be quite as entertaining as the nightly RRJ postings were, I hope that you join me on this yearlong journey. Hey, it’s less than nine months now. Somehow busy-ness and my own winter inertia kept me from getting this all written up, though I have been posting on my Instagram and Facebook accounts all along. Sadly, it’s a constant fight against the cult of busy-ness in this culture. Even when your kids have left home and you don’t have a regular paying job. Also my ability to multitask isn’t as honed as it used to be. (Thank goodness!)
Toadzilla, the fierce, burly Cane toad from Australia. He was 6 pounds, the biggest Cane toad ever found! I’ll let you Google him to see why he was in the news in mid-February. This is his outline. I still haven’t finished filling him in. It’s a good lesson to me to sketch more, color and detail less.
How do you cope with climate change and all that the environment’s throwing at us these days? Any good plans for Earth Day?
Welcome to the first day of spring! Not that it’s felt that way here in Albuquerque. It’s been in the 40s and raw the past few days. Very unusual, though we have had some warmer, blustery days for sure this month. And the rain (and snow last week) is always welcome given our drought situation.
You might’ve seen on the WELCOME page of my website, I’ve had a crazy, busy winter. My plan in January had been to extract myself from some of my “busy-ness” so that I could spend more time on my own art and explore the various ideas rolling around my head. I come up with so many plans in the shower (where I think best); then my day starts and the plans are lost. Now winter has come and gone. I refuse to lose the spring too.
Fortunately for me on this first day of spring, of renewal, I get a helping hand. Sketchbook Revival starts today. It’s a FREE, almost two-week long, online program of workshops designed to “help you feel inspired, energized, and revived.” Founder Karen Abend invites artists from all over the world to teach each workshop. Two are offered each day. You can do all of them or skip one here and there as you choose. If like me, you find life interrupts and you miss a class, you can access everything for a couple of weeks after the last workshops are published. That also means that you can join the program after it begins. And if you don’t have all the recommended supplies, no worries. You can wait a day or just use whatever you have on hand. If you’re interested, find info HERE.
By the way, I’ve written about Sketchbook Revival before. Find that post HERE. And it goes without saying, the more I play in my sketchbooks, the more likely I am to come up with interesting hooked art.
Tynan and Bowyn present WHAT’S ON THE FRAME this week. And they wish you HAPPY SPRING!
In that vein, I started a new piece the other day. It’s small, as I’m not sure how well it’ll look on the monk’s cloth. Hell, I don’t even have a good picture of it in my head! But it’s all about experimenting and process for me. Well, mostly. Like everyone, I like to like what I create. LOL. Tynan and Bowyn present it in the photo.
A word about Tynan. He’s really slowed down this past fall and winter. His deafness is profound, and he’s rather wobbly, but he’s still enthusiastic about his food, any food really. Thank goodness for doggie diapers, though in his presence they are “man wraps.” The good thing is that next week he celebrates his 15th birthday. Watch for him and his celebration on our social media.
New Mexico peeps! Is stretching creatively one of your New Year’s resolutions? Looking to learn a new technique? Whatever your reasons, the time is now! Or at least on January 21. New Mexico Fiber Arts Center (aka NMFAC/EVFAC) is hosting moi so that YOU can start punch needle rug hooking. The funny thing is that I taught this class for NMFAC/EVFAC just before Covid sent us all home for our extended “vacation.” Who knew it would take soooo long to get back?
Find all pertinent info copied below, but register HERE.
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Introduction to Punch Needle Rug Hookingwith Laura Salamy
January 21st: 10:30am-1:30pm
Members: $70
Non Members: $80
Students (Ages 14-18): $40
Ages 14+
Limit: 10 participants.
All skill levels welcome!
Materials fee (Paid upon arrival directly to instructor): $20
You can learn to punch projects like this at NMFAC!
Students will learn how to use the punch needle to make a small project that can be hung on a wall or used as a “mug rug.” The basic skill set gained will allow students to move on to larger projects like table runners, pillows, and rugs with confidence. During the class, students will: • transfer a simple pattern onto a cotton, monk’s cloth backing • prepare materials • begin punching a mug rug or wall-hanging.
We’ll also discuss various ways you might want to finish your rug after all the punching is done. No experience is necessary; just come prepared to play with all the colors!
Materials Instructor will provide: Handouts, rug yarn and monk’s cloth. An Oxford punch needle and frame will be provided and can be purchased after class, if desired.
Please bring a pair of scissors!
About Laura Salamy: Laura Salamy is the experienced, albeit “not-so-traditional” fiber artist behind High on Hooking (www.highonhooking.com). She serves as President of the Adobe Wool Arts Guild, New Mexico’s only rug hooking guild. Laura teaches locally and on Zoom. Her work can be seen online, in various books, in Rug Hooking Magazine, and in the Association of Traditional Hooking Artists Magazine.
Class cancellation policy: Students will receive a full refund if cancelling up to 7 days prior to the class. If cancelling within one week of the class, students will receive a 50% refund to be used for NMFAC class credit only.
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Finished punch needle rug hooking project.
FYI – If you can’t make this workshop, I’ll be in Los Alamos teaching at Fuller Lodge Art Center in late February and early March. Find info about those classes HERE.
See HoH’s entire calendar of events and classes HERE.
Every year – usually in the late fall – I create an angel for the coming year. See 2022, 2021, but not 2020; not sure where she went.) This year I was a little tardy and finished her up on January 1. Given everything HOLIDAY going on and the passing of another year, I’m thinking that I’ll keep this schedule from now on. It gives me a break after festivals, sales, and late fall teaching.
THE ANGEL OF 2023, SHE PRAYS FOR RAIN Hooked (various fibers) and embroidered (bamboo yarn and cotton embroidery floss) on 4×4 monk’s cloth; mounted on a black canvas.
In my fiber art practice, I focus on reuse and repurposing, especially of textiles of all kinds. Better to use something than let it fall into landfills. Sadly, this is particularly the case in this time of fast fashion and its concomitant waste. I will never run out of raw materials for my work.
At the same time, I live in the American Southwest, a land still wildly beautiful but suffering from a megadrought. You’ve all seen the pics of Lakes Mead and Powell. No need to repeat it here. Our uncompromising thirst for water and other resources has brought us here. Truthfully, I don’t think that much will change, but if it’s going to, WE better get to it right quickly to help with water and all of our other environmental crises.
