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Of sketching and day-hooking

Thursday makes it a year that “regular” life came to an end here in New Mexico. Not knowing what I know now, I rather welcomed it. No meetings for the foreseeable future! Remember – we never thought the crisis would go on for sooooo long, and Zoom wasn’t a BIAd for Sketchbook Revival 2021; sketchingG THING yet. I figured I’d have time to work on my own projects and actually get a chance to explore other ideas percolating in the back of my brain, maybe even move them to the front.

Some of that happened. I certainly had ample time to “play” with the Ribbon Rug Journal. In fact, without Covid, I’m not sure how I would’ve been able to log each day’s entry. (Now if I can only get to writing the magazine article on the damn thing!) I managed, too, to finish “Holes,” a rug about the effects of motherhood on women. But then Karen Miller came up with the idea for In the Studio with its presentations and two! online Workshop Weeks (keep watch; the third will be coming), my own class offerings, and, of course, rugs to make (I do have an Etsy shop). The forced time at home was not quite so restful. Such is our new reality.

Sketching
A one-line, mirror sketching from 2019. Sadly, a self-portrait.

But some things didn’t change. This March, as I did in 2019 and 2020, I will participate in Sketchbook Revival presented by artist Karen Abend. It’s a free, online event whereby each day for a couple of weeks a different instructor presents a a different approach to filling up your sketchbook or journal. As much as I used to be good at that, I’m not anymore. Sketchbook Revival gives me a do-over each year and a way to learn new techniques. As Karen says:

Sketching
Some sketches are colorful. A “creature” rug perhaps?

“Imagine waking up each day brimming with ideas, excitement, and confidence to open up your sketchbook and start creating, no matter what.”

As far as I’m concerned, sketching can be relaxing and enjoyable on its own, but more importantly, better sketching leads to more  and better better hooked pieces. Click on the link above to join. While there are social media pages to share your work and to see that of others’, I generally prefer to keep to myself. And you don’t have to attend every session. I pick and choose. One comes out every day, but the videos stay up for a few weeks.

Sketching
This was perhaps my favorite sketching session from last year. Who knew? Architectural drawing.

Day-hooking. I mentioned it last post. It’s not necessarily what you think. But it is another benefit of being stuck at home. I generally hook in the evening. Like many of you, if I don’t work with my hands after 8:00 p.m. or so, I’ll fall asleep. That’s when I catch up on TV and movies. But sometimes – like right now – I’m hooking a piece that needs: 1) good light, specifically, the light of day and 2) concentration. Like I said before, in another world in other years, my guild , AWAG, held three retreats and had a teacher visit us, usually for an open workshop. Each event gave me three whole days to work on more challenging rugs. And a multitude of folks to ask for advice when it was needed. Or even when it wasn’t. LOL

While I tend to do other tasks during the day, lately I’ve been trying to carve out some time for day hooking to get through this one difficult project. I feel guilty sitting on my ass, but the work happens, and I can even get some of those year-old NOVAs out of my DVR queue. So, day-hooking, yeah, it’s a thing.

Meanwhile, the night-hooking continues. Which is exactly what the boys bring to you today in the pic. I’ve started on the fourth of what I’m calling my #happyrugseries. I realized that after such a negative year, I’d prefer to mostly focus on the brighter aspects of life. For this one, I’m trying to really just go with the flow; there’s little advance planning in it. Other than the holes, which the rug dictated to me as I sewed on his tape.

Dogs with hooked rug
“What’s on the Frame.” Bowyn takes being a High on Hooking dog very seriously while Tynan is quite blasé about it these days.

 

Nancy Hart of AWAG created a rug a couple of years ago that I really loved. I miss you, Nancy, but you’re here with me in spirit, and your rug is my inspiration for this project. Tom’s going to kill me as parked in the living room is a large shopping bag AND a laundry basket filled with all kinds of fiber to pick and choose from as I go. (Plus the day-hooking paraphernalia.) But I’m enjoying working on it all!

 

 

What’s got you’re attention these days as we head into the final stretch of the Coronacootie’s reign?

 

Workshop reminder:  Hooking With and Beyond the Wool happens this Saturday. Contact me if you’re interested.

 

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Public Service Announcements

Public service announcements, odd from an art blog, I know. But still genuine.

Public service announcement 1: Don't let blepharitis happen to you.
PSA 1: Blepharitis, don’t let it happen to you.

PSA 1

You know when they say that you should throw out old makeup? Eye makeup, in particular? Yeah, it’s true. You go almost a whole year NOT going out, NOT needing to wear the usual make up (because God was cruel to redheads and caused our eyes and eyelashes to recede as we age). Who cared? No one was going to see you. And then you finally get a date early-bird-special evening/afternoon with your husband. You put on some mascara to go with your best yoga pants to have truly excellent gluten-free pizza at Farina Alto (in Albuquerque). You plan on, even try sitting on the patio, but the freaking wind is too strong. It’s 4:00 pm; there’s barely anyone in the restaurant, so you chance it and move inside. The pizza, the wine, they’re all great! And then a day later, your eye starts to twinge, then redden, then swell. Where’s an pyrate’s eye patch when you need it? By early Tuesday morning you’re in the urgent care located conveniently up the street. BLEPHARITIS, they say. WTF? Swelling of the eyelid. Who knew? The people who say to change out your old mascara knew. Stupid blepharitis, stupid coronacootie.
Public service announcement 1: Chuck all makeup from 2020 and before; buy new shit even if you rarely wear it (and it looks practically new)!

 

PSA 2

If you’re working on a particularly difficult rug or painting or short story or other piece of artwork, always have something else requiring less concentration that you can work on in the evening.

Rug needing less concentration
PSA2 : Always have a rug that needs less concentration.

I typically work at night while I watch television or Netflix or whatever. Otherwise I’ll fall asleep. (I know you get this.) A couple of weeks ago, I started a piece, a wall hanging, that requires good light and my full attention. That means day-hooking. Not that I’m against day-hooking; actually, I love it. In fact, I really miss the Adobe Wool Arts Guild‘s three annual retreats, one of which usually happens at this time of year. I can hook all day long for three days in a row and get assistance when I need it from all my AWAG peeps. Sadly, our last retreat was in February of last year. Again, stupid Covid. Now I have to deal with this rug on my own. I miss you guys…
Public service announcement 2: Work on your more difficult pieces during the day; save the fun, easier stuff for evening.

 

Whimsy, a rug needing a forever home
PSA 3: All rugs need a good forever home, including “Whimsy” (approximately 15″x36″).

 

PSA 3

Some rugs need a home. Yeah, this is completely self-serving. “Whimsy” is finished and looking for her forever home. And yes, in the pre-pictures on Instagram and Facebook, I did hide that she has a hole built into her. But that’s just part of her charm. Consider giving “Whimsy” a home.
Public service announcement 3: All rugs need a home. Don’t let them suffer.

 

 

 

That brings us to the end of the PSAs. Though don’t forget that on March 20, High on Hooking is holding another online workshop: Hooking With and Beyond the Wool. If you’re interested in playing with fibers other than wool (much like those original rug hookers), contact me at Laura@highonhooking.com. It’ll be fun; I promise. Now keep hooking, or otherwise playing, and stay safe! We’re so close to being able to achieve herd immunity. Vaccinate!

 

An extra public service announcement, crazy dog
Instead of “What’s on the frame,” we have a public service announcements corollary. Never ask Bowyn to be serious in the evening. His concentration, like my own, is shot. Tynan, meanwhile, is properly aghast.

 

 

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October events: Are you going?

OCTOBER EVENTS

Hooked rug
October’s here, the pumpkin time of year! This little guy was hooked using wool strips and yarn and recycled t-shirts. The background is primarily cotton batik.

October started at a run right out of the gate. Not sure how that can be in these days of Covid, but I suppose it shows that we’re all adapting to our new reality. And, hey, it’s not all bad. Because of Zoom, many of us are seeing each other on a pretty regular basis, which would NOT have been the case if we had to travel any distance to get together.

So, exactly what’s up in October?

 

Photo for one of the October events
IN THE STUDIO WITH JUDI MILLER – wEDNESDAY, 2020; 1-2 PM EASTERN (11-NOON MOUNTAIN

Wednesday, October 7:
IN THE STUDIO WITH JUDI MILLER

 

Canadian artist Judi Miller joins moderator Karen Miller of Karen D. Miller Studios to discuss artist residencies. Maybe you’ve considered one? There’s still time to purchase a ticket today to get the scoop. Info can be found here. Starts at 1:00 PM Eastern.

 

 

Wednesday, October 14:     ALT FIBERS HOOK-IN

This is a chance to just sit and hook together – okay, on Zoom – for an evening. If you’ve been wondering about hooking with something other than wool, this is the place to come and discuss. Grab a beverage and a project and join us. More info can be found here. Starts at 5:00 PM Eastern. And, yes, wool’s invited as well.

 

Wednesday, October 21:     ADOBE WOOL ARTS GUILD MEETING

If you’re a fiber artist in New Mexico and interested in joining AWAG, the only rug hooking guild in the state, please give a yell to attend. We’re not officially meeting in person yet, but Zoom has let folks meet and talk to one another. Please contact moi at Laura@highonhooking.com for more info. (That’s because I’m the guild president.) Starts at 1:00 PM Mountain time.

 

Monday-Friday, October 26-30:     IN THE STUDIO’S FIRST WORKSHOP WEEK

Who says we can’t have classes during Covid? Not only can we, but people from all over Canada and the US and even beyond can participate!

Photo for one of the October events

 

Teachers include: Karen Miller, Susan Feller, Meryl Cook, Beth Miller, and moi. Workshops by Susan and myself are full, but, if you hurry, you might grab a place in the others. (There are waiting lists.) BTW, not only are there classes, but bonus evening sessions include a hook-in and a panel discussion. More info here.

 

 

With all these October events, I don’t want to hear that you’re bored or you have nothing to do. You are cordially invited to pretty much…everything! Until we get a Coronacootie vaccine in place and working, this is how we’ll be getting together. But I suspect we’ll keep Zooming at least part of the time because, you know, it works! Hope to see you online!

Dogs present "What's on the frame" this today.
Aren’t they playing nice? Tynan and Bowyn both bring you “What’s on the frame” today. It’s a Boucherouite-inspired rug hooked with t-shirts. I started it on vacation last week. Right now it’s got kind of an October vibe going with those Halloweenish colors.

 

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WILL RUG HOOKING SURVIVE?

The other day  I read an email sent to reps on the Education Committee of the Albuquerque Fiber Arts Council regarding the potential of online education and the purposes of today’s guilds. This is something my own guild regularly discusses.

I ask because the answers might drive our educational goals in different directions.  And perhaps show us a source of inspiration to promote the continuation of the arts we all love. 
-Kathy Jackson

Earlier in the week and given current events, Beth Miller of Parris House Wool Works started a discussion on her business Facebook page. I urge you to go to her page and read the comments.

Why do we see so few BIPOC and LGBTQ people in rug hooking? Other textile arts are starting to increase in diversity, but I don’t think we are seeing that in rug hooking. Why is that?
For that matter, why are we seeing so few people under 40, or even under 50, hooking rugs? Or men?
What would it take to attract more people to rug hooking?
This is not rhetorical or academic. This is existential.
If rug hooking does not become inclusive, starting with young people, people of color, LGBTQ people, no one will be talking about rug hooking at all in a short fifty years.
-Beth Miller

I just turned 56 and am the youngest person, I believe, in my guild. This is not an anomaly among ATHA guilds. We’re aging. All you had to do was look around at last year’s Biennial in Denver to see that.

On the subject of ATHA guilds, I was amazed to read in Beth’s comments that some guilds aren’t even accepting members any more. WTF?

I also have it on pretty good authority that the circulation of Rug Hooking Magazine has been declining for the last number of years.

So what are we to do if we want to ensure that this tradition sticks around for another 200 years?

Personally, I’m really impressed by the buzz that is punch needle rug hooking these last few years.Those mostly young mostly ladies are all over Instagram, the current social media of choice, especially for artists. They’ve got online and in-shop classes going. They’ve got rock star celebrities like Arounna Khounnoraj of BOOKHOU and Rose Pearlman. No, I don’t necessarily care for all of their designs; in fact, I find many of them simplistic, but perhaps that’s what it takes to get the “youngsters” to sign up and learn the skill. All art and artists evolve with time, and they’re just starting.

Traditional rug hookers are on Instagram too, but, frankly, it’s not the same. We sometimes lack…the panache. Our projects can seem almost…fuddy duddy, I’m sorry to say. Not that there’s anything wrong with primitive rugs or traditional patterns, but, let’s be honest, is a finely shaded rose – and especially all the “rules” that go with that finely shaded rose – going to draw the attention of a typical 28 or 38-year old who’s got a full time job and maybe a baby taking up her time? What we have to do is show EVERYTHING that rug hooking can be, that is has the potential to be a rose and a 3-D sculpture à la Liz Alpert Fay or Rachelle LeBlanc.

In reading the responses to Beth’s questions and thoughts above, a few things stand out.

DIVERSITY
I don’t have to tell you that this is a HUGE topic today. And I mean this very day in June, 2020, not something theoretical. And society is hopefully starting to examine how a lack of diversity and acceptance pervades almost everything making up our society. I don’t feel qualified at the moment to pontificate on how we can draw other groups into our very white, older woman rug hooking demographic. And BTW, I am not apologizing for being a white, middle-aged rug hooker. But any group can grow staid after a hundred years or so. Change is good. Fresh ideas and perspectives are to be welcomed. Again, it’s about evolution.

TIME
A number of folks mentioned how the “young” are busy with: school; jobs and career-building; families and all they entail; and so on. Yes, this is undeniable. I started hooking when my kid was around seven years old. I was working part time as an environmental manager in a manufacturing plant. I was busy too. But I also knew that I wanted to create. Something. Rug hooking was something I could do in the evening when I watched television after the kid was in bed. And I wasn’t on a schedule. If a rug took a year, it took a year. Canadian hooker Karen Miller spoke about this just yesterday on Instagram and Facebook. She’s got a couple of kids, a fiber art business, and writes books! If something appeals enough to an individual, they will make the time for it. Ask Amy Oxford; she sells a lot of punch needles to people like me who are teaching beginners. Again, how do we make rug hooking appealing enough to gain more of our own beginners?

EXPENSE
This is a big one. And it certainly appears that rug hooking is an expensive sport what with the hand-dyed wool, the linen, the cutters, the patterns, the workshops and teachers. I’m sure I missed something. Here’s the thing, though, that’s just bullshit. The Canadian and New England ladies back in the 1800s didn’t have all those things, did they?

I learned how to hook in a community education class maybe 15 years ago. I did have to pay for that and a kit. The experience cost maybe $100. But I knew virtually nothing about hooking. Nor did I know anyone to teach me.

When my class ended, the teacher didn’t offer any additional lessons or mention a guild or anything. She did suggest a quilter’s hoop for finishing the project. Beyond that I was on my own. Thank goodness for the Internet, used books from Amazon, and Rug Hooking Magazine. With those resources I learned that:

  • I could get monk’s cloth for a lot cheaper than linen. (And no one talk to me about hating monk’s cloth and how it “stretches.” I learned on it and have always loved it. Pull in the opposite direction and it’s good as new.)
  • About rug yarn and punching, which I learned on my own. (Caveat: a few years later I took a class with Amy.);
  • How to draw a pattern;
  • How to finish a rug; and
  • Any number of tips which all you ladies have generously shared over the years especially as rug hooking groups proliferated on Facebook.

For years I used the student hook that came with my initial kit. My husband repaired that quilter’s hoop a few times when I over-tightened it. Once it was apparent I was in rug hooking for the long haul, he bought me a Puritan frame for Christmas. I still use it. I didn’t get a cutter until a couple of years ago; it was a guild hand-me-down that I purchased for less than $100.

Having no real rug hooking shop anywhere near me, I initially used wool yarn I found in a local shop. It was pretty thin. Sorry, I’m not good at yarn nomenclature. It took a really long time to hook up the two mats I made with that stuff. Later I bought old wool suit jackets from the thrift store. When I realized that it often wasn’t good wool, I came up with the idea of hooking with recycled t-shirts. They were plentiful, cheap, and came in lots of colors. Silk bouses and scarves and then bedsheets followed. If you can make a strip out of it, you can hook it. And don’t forget the yarn. To this day, so called “alternative fibers” make up the bulk of my work. And I get them at Savers or as gifts from folks looking to unload stuff.

I will admit that when I finally found a guild that sprouted up near me, I had a hard time. Or shall I say they had a hard time with me and my t-shirt rugs. I didn’t feel particularly welcome, though I’m sure some of the problem was my own sense of not fitting in and even inadequacy. I don’t know what it is about Albuquerque, but when I moved and  joined the Adobe Wool Arts Guild, I knew I was home. (See last week’s post.) They might not have wanted to hook with bed sheets, but they thought my rugs were pretty cool. I felt welcome.

During non-Covid years I teach a class to beginners called “Hook a Rug, Save the Environment.” It’s pretty much always filled with ladies who have never hooked and, therefore, have no pre-concieved ideas about beautiful wool or rug hooking rules. BTW, I am not a certified McGown teacher. I have nothing against them; hey, we have four or five in our guild! There’s room for all of us. My career in environmental management was all about rules and regulations. Rug hooking is where I can let it all out, do whatever I want. It’s art and it’s personal. There are no wrong answers. I am the boss of my rug, as we say in our guild.

The punch hookers have grabbed onto that idea and run with it. They use whatever yarn they want. No one cares if it’s acrylic or wool. They keep their pieces small to fit within a hoop or whatever they use to hold the piece; no cumbersome moving of the rug on a frame. Many of them see the back of the rug as the front! (The loops are on the back.) Or, better, they switch it all up and have flat and loops on the front! Sure, I think that loops on the back is a waste of yarn, but who cares? They are the bosses of their rugs. They’re having a great time, and their rugs are new and different.

So, how do we as the “old guard” re-excite our sisterhood (and our brothers) enough so that we can share this marvelous art with the “youngsters”? It’s gonna take technology, I fear. Damn, I’m still not all that excited by Zoom. When “they” let us, we need to get out into our communities and do a lot of demonstrations. And leave the expensive equipment at home. I’m not saying we should all start using bent nails instead of hooks, but maybe have some hoops and burlap or monk’s cloth on hand to let a kid try pulling some Lion brand bulky acrylic yarn. Most get it pretty quickly.

I’ll close my rant with something that the editor of Rug Hooking Magazine wrote in the March/April/May,1993 issue:

I hope the new people we introduce to rug hooking will find in it a totally fascinating art. Let us be welcome to newcomers. Let us teach beginners patiently. …Let us encourage and inspire.

We need new people in rug hooking. …I hope we find many of them. Please welcome them with all your talented, warm and wonderful hearts…
-Mary Ellen Cooper

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I AM THE BOSS OF MY RUG

 

“You are the boss of your rug.”

Linda Towle was the founder of the Adobe Wools Arts Guild, New Mexico’s only rug hooking guild. We miss you, Linda!

This is perhaps the anthem of the Adobe Wool Arts Guild of New Mexico of which I am the current president. You will hear it whenever any one of us is working a rug and asks the others for advice. That means you and anyone within hearing distance will hear these words:

  • at guild meetings and retreats;
  • at Albuquerque’s Botanic Garden in the BioPark where we demonstrate twice a month (in non-Covid 19 months, that is);
  • whenever and wherever any of us gather together to hook; and
  • whenever any of us teach – formally or informally.

The guidance can be in regard to most anything involved in rug making.

  • What color(s) would look best ?
  • Monk’s cloth, linen, or rug warp?
  • Wool strips or alternative fibers?
  • Which frame is best?
  • How high should my loops be?
  • Should I use quillies*?
  • Did I draw this right?
  • What do you think about _______?

If you’re a rug hooker, you know that the list is endless. Although our rugs are generally solo works of art, we often seek input from others, often those more experienced than ourselves.

We are a small and close-knit group. We are also not shy about expressing ourselves or our opinions. This means that when a hooker asks how he or she should finish their rug, they will often receive 10 or 15 differing opinions. Strident opinions. Discussion will ensue. The poor hooker might be overwhelmed. (We made someone cry once; it wasn’t our finest moment.) But, in the end, it all comes down to the same thing every time: “You are the boss of your rug.”

Being the boss of your rug  – or your painting or your quilt or poem or whatever type of art you might make – means that you ultimately choose a design, colors, techniques, and so on. You make the piece with your own hands. And when you’re done with it, it is yours. Hopefully, you share it with the rest of us.

And we are proud of that person’s efforts.

Individually, I might think the rug needs improvement. Maybe blue would’ve worked better than black. Perhaps some of the loops fell out. Hell, maybe I hate the whole design. But it is NOT my rug. It is someone else’s rug, and I respect everything that he or she put into that rug. Or that short story or that piece of pottery.

We are proud that the person cared enough to make a rug. We are proud that he or she put themselves and their ego out there. That they felt safe enough to express themselves artistically in front of us. That they were able to say no to even the most vociferous of us and create their own rug.

Maybe you’re wondering why I bring this up.

Hooked rug
March 1: “Costco shopping trip pre-coronavirus. This was extreme hooking even for me. The TP roll was hooked with actual toilet paper. Not the easiest to work with but better than anticipated. Maybe if I spun it… Also wool yarn and strips.

In March, I wrote about my yearlong #RibbonRugJournal project. Basically, every day I hook an entry on a 3-inch or so length of a burlap ribbon roll. The image – more like a sketch – has to do with something from my day. It’s not a Picasso by any means. Burlap ribbon, I’ve found, sucks to hook on. Strings often break. It’s also a small space, not good for a lot of design definition, but I’ve made it over five months so I’ll keep going.

Little did I know in January what kind of year 2020 would be. Holy crap, Batman! Hence, in March the Coronacootie started showing up in my journal. And then in the last few weeks, #blacklivesmatter has dominated the news. As it should. And as we all know, that movement’s collision with politics has been cataclysmic for the country. Naturally, this has also made it into the #RibbonRugJournal.

What do I do with the journal? Every evening after I hook an entry, I take a picture and load it onto High on Hooking’s Instagram. This keeps me honest, plus some folks are following it. (Love you guys!) All of my Instagram posts are automatically loaded onto High on Hooking’s Facebook page. From there I  share it on my personal Facebook page.

Embroidered wool on burlap ribbon
#ribbonrugjournal June 2: “ELBIB Abuse.” Did he hold that book, respecting it as the sacred item it is? Or did he heft it up as Exhibit A, “proof” of his love of God and his fellow men? I mean after peaceful protesters and clergy were driven from the church with tear gas. For his photo op. The Bible and the world turned upside down.

Tuesday, June 2, I posted a simple image. It was indeed politically motivated. I am not a fan of Mr. Trump and was fairly incensed to see him silently hold a Bible aloft in front of a Church he does not attend after his minions forcibly removed from the church area peaceful protesters and the clergy of that church. You can see that I also made textual comments which you can read.

Later in the evening, I saw that folks had commented on my social media. I’m good with that. But one woman had posted:

Is this the right place for politics? I come here for a break from reality for a bit.

I was taken aback. High on Hooking is my company; it’s Facebook page is my page. While I leave overtly political posts and memes and such for my personal page, this was just an element of another hooked rug project. And I’d posted other occasional political entries before. I explained much of this to the writer. A bit of a dust-up ensued as others came to the defense of my self-expression. I thought that was the end till I turned on my phone Wednesday morning to another comment:

No politics please!

Note the exclamation point. Although I didn’t agree with the first woman, I could understand where she was coming from. But this chick was telling me to not post political content on my own f-ing page! Really! Guess she doesn’t like her rug hooking or her art making her uncomfortable. Or she can’t handle people having a difference of opinion.

My response:

______, this is my page. I don’t compartmentalize my life, especially not my art. Rug hooking allows me to process all of life, not just the easy and good things. Please read responses below.

Lady, and anyone else who didn’t like my #RibbonRugJournal Tuesday night, feel free to pass over my “political” posts or to stop following me if it bothered you that much. You have no right to tell me or to even intimate that I shouldn’t integrate my opinions into my art that I show on my social media. I am the boss of my rugs and my pages!

Beth Miller of Parris House Wool Works wrote a great blog post back in 2017, called “Shut Up and Sing” – A Guide to Why Those in the Humanities Will Not Be Silent. I encourage you to read it if you worry about our rights and needs to self-express.

Whether you paint or hook or write or sing, remember that

YOU ARE THE BOSS OF YOUR ARTWORK.

 

 

 

*I defy anyone to show me when a quillie is a good idea. Just saying.

Wonderful

 

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