So, maybe a year and a half or two ago, I offered to hook New Mexico’s contribution to the USA50 project. I finally started to hook it in April. As many worthwhile endeavors do, it took longer than expected.

For those not familiar with the USA50 project, it originated with another big, creative venture, the hooked cushion collection at the Barachois Historic Church in New Brunswick, Canada. The church, “the old whitewashed building on New Brunswick Road 133, will be 200 years old in 2026. This small church is among the oldest Acadian buildings still standing on its original site.” In order to celebrate the anniversary…“the committee thought then that a collection of 50 hooked cushions [on the church benches] would probably be feasible and would certainly arouse the interest of the population.” (Quotes from https://remileves.myportfolio.com/bonjourwelcome.)

The Barachois Historic Church is an ancient wooden building, which first opened its doors in 1826, and is still standing after nearly 200 years. The building was disaffected in the late 1970s, and reprieved from demolition in 1980. It has since been transformed into a local Museum, art gallery and summer classical concert venue. For over 40 years a wide variety of cultural events have been presented there. In order to be more comfortable on the old wooden pews, many event goers took too bringing a cushion to cultural presentations, and leaving it on the bench. Over time, this developed into a sort of tradition. This has inspired the Historic Church Preservation Committee. The “200 hooked cushions for my 200th” public art collection became the first permanent collection of the visual arts in the historic church. We cordially invite you to be part of the “USA50” collection to seal indefinitely our countries friendship and give the two collections the international destination status it deserves.
(From the USA50 Facebook page.)

 

This [initial 200 cushions] collection, like others across America, proudly celebrates the volunteer work of artists in hooking. The project lives up to their community spirit and helping others, their creativity, their energy to work towards a common goal to meet the challenge. These artists, mostly women, gave in order to realize our dream. What is even more fascinating is that for many, our dream has become theirs too. Everyone had a reason to embark. That’s what created magic. Many artists pay tribute to their ancestors, a family member, Acadian friends, a colleague hooker, history, the art of hooking or just the cause.

(Quote from https://remileves.myportfolio.com/bonjourwelcome.)

The official opening of the cushion exhibit was on August 18, 2019. Over 1000 people came to view the cushions that day. American hookers were in attendance. They suggested the USA50 project, one cushion from each state.

One cushion per state representing memorabilia, landscape, bird, flower, or other representation particular to that state. Already rug hookers from all over the United-States have shown interest…
(From the USA50 Facebook page.)

Hence my participation in the project. But, while a Hatch chile pepper or a hot air balloon would’ve been good representations for New Mexico, I preferred something more authentic. Something, perhaps, Native American as they were here long before the Spanish showed up in the 1500s.

A few years ago, during a visit to the Indian Pueblo Cultural Center here in Albuquerque, I purchased a travel mug with artwork by potter Patricia Lowden, a member of the Acoma Pueblo about 40 miles west of the city. I use the mug all the time and thought that a design like hers might best represent New Mexico. Long story short, I was able to contact Patricia through the Cultural Center. After explaining the project and how I would NOT monetarily benefit from the cushion, she generously offered not to let me use the mug design but to send me a similar design! That made my life a LOT easier.

I hooked it using different wool yarns. Ruth Simpson, friend and fellow member of the Adobe Wool Arts Guild, graciously put the whole thing together.

A little about Patricia:

I am full Acoma. My great grandmother is Lupe Chavez who lived to be 105 yo. She was a potter, piki maker. Both my grandmother’s on my mom and dad’s side were potters as well. …My mother was Anita Lowden. She was a famous potter in the Indian market and won a lot of blue ribbons for her work. She made pots, animals and pitchers. She and grandmother Jesse have pottery in the Smithsonian. My oldest sister and I do the pottery making now. We learned from our grandma Andrea as we grew up closer to this side of the family. I am a 4th generation potter. I use the coil method to build my pottery. I grind my clay after soaking it. There are several steps to making and painting the pottery. I use a yucca brush to outline n paint my pieces. I make water jars, seed pots, canteens, vases, and wedding vases. I make various sizes. When people order they usually tell me how much they want to spend or I make a variety if they want more than one piece. I use traditional paints. I have been painting and making since I was 15 yo when my grandmother asked if I would outline for her, but I played with the clay when I was younger like 8 when my grandmother asked if I would like to make something to sell as she was getting ready for a feast to sell her pottery. I helped my grandmother as she was getting older and couldn’t see very well but she could still make pottery. My grandmother always encouraged me to try new designs… I love what I do and now I have a 14 year old daughter, Destiny, who I am teaching. She has made a few pieces and has sold them on her own. I am very proud of her because she will carry on my designs and the old style of making pottery. 

Patricia has seen the cushion and told me that she and her family really love how it turned out. I’m hoping to hook up a smaller version for her to hang in her home.

Make sure you go onto Remi’s site and the Facebook page to see pics of the various cushions created for both projects. There are still a few states that are unaccounted for. As of May, they included: Alabama, Arkansas, Iowa, Montana, Nevada, Oklahoma, Oregon, and Utah. Do you live in or are you from one of these? Perhaps you can help finish up the USA50 Collection. Contact Remi Levesque through his website or the Facebook page.

Note: Please respect Patricia’s traditional design. Do not copy.