HOLES to be part of STORIES ARE MADE LOOP BY LOOP, curated by Susan Feller
Stories Are Made Loop By Loop is all about contemporary rug hooking being done with fabric, yarn, and plastic and how an “old” technique is still being used to tell stories and for self expression. Susan premiered the exhibit last year in Virginia. A few months ago, I shipped Holes(hooked in 2020) to Susan in West Virginia, so it could join in at this traveling show’s second stop.
“Holes,” 68″ x 33″, monk’s cloth hooked with recycled textiles and silk sari ribbon. See her in Stories Are Made Loop By Loop in WV.
If you’re like me and can’t get to Charleston, Susan has generously made the catalog available HERE. Topics taken up in the various pieces of art include: healing; cancer and mental health issues; motherhood and how it changes a woman; homelessness and addiction; environmental destruction and loss of natural resources; one’s sense of identity and finding a voice; and veterans’ advocacy.
Like many fiber arts, rug hooking is enjoying a bit of a renaissance, with artists applying more modern sensibilities and trying to bring attention to today’s social causes and passions. See the show, peruse the catalog, and observe how we’re all taking an old art form and using new/old techniques and materials to tell our stories. But like the artists who came before us, we’re still appreciating the colors and textures of this slow, meditative form of loop-making.
Celebrating Earth Month with the Yearlong Environmental Stitching Project!
First day’s work on the Yearlong Environmental Stitching Project. January 1, 2023.
As many know, a main focus in my artwork, particularly hooking, is to bring attention to the state of our shared environment. Globally, locally too, it’s not in great shape. Between crazy-ass storms, drought, rising temperatures, air and water pollution, too much trash and waste, etc., etc., we’re suffocating ourselves and other forms of life here on earth. (Though I understand that cockroaches and kudzu are still doing quite well.)
If you’re reading this, I won’t bother preaching to the choir. You’re already aware of the problems. And you’ve probably heard me pontificate or at least share various posts on my social media. A note, my initial career was in environmental regulatory management for industry. I’ve had plenty of time to think about what we put in and on this planet of ours.
On January 14 I stitched about how the US Department of Agriculture approved the first ever vaccine to prevent the bacterial disease that destroys honey bee colonies. This is GOOD NEWS!
More than wool, I create hooked art using different types of old textiles that I find in Savers (my local thrift store) and am gifted. They can include old t-shirts and other clothing, curtains and bedsheets, and so on. It makes me feel good to tell people what the art they’re fondling is made of. Kids especially love to see and touch recycled t-shirt rugs.
In 2020, I spent the WHOLE YEAR hooking and stitching the Ribbon Rug Journal (RRJ). Not familiar with it? You can read about it HERE. Given the nature of 2020, I had plenty of time to sit down every single night to log in that day’s entry. Still I was psyched that I made it to December 31. And really ready to move on from the project given the time and energy it took. It’s since been the subject of an article I wrote for Rug Hooking Magazine and hung in two exhibits.
Fast forward to late 2022. Surprisingly, I was itching for another yearlong endeavor, preferably something with meaning from the get-go. (When I started the RRJ, I had no idea that 2020 would be the “special” year that it became.) I wasn’t looking to hook something every day; that’s what my regular projects are for. Besides, Tom begged me not to have to work on something every night. So, I pondered…
On March 13, I started the Brown Widow Spider after reading about how the aggressive Browns are “slaughtering” the more docile Blacks (spiders!) in the US Southwest and South. Then they eat them! Meanwhile the Black Widows are expanding their range northward, even into Ontario and Quebec.
Meanwhile, like most everyone else, during 2020 and 2021, I took online classes and became more interested specifically in hand-stitching. In fact, I incorporated stitching into the RRJ because some things, like letters, were easier to do on the burlap ribbon than hooking. I made a Kawandi quiltand was pretty proud of myself. I also did more sketching with the likes of Sketchbook Revival.
I’m not interested in fine drawing or fussy embroidery, but something more basic. To share a thought, make a memory, the stuff of journaling.
Last year too, while on a hunting trip to Savers, I came across a large, linen curtain panel from Ikea. It’s a beautiful, pale green. Come the end of the year, it was just sitting there, waiting for me to formulate an idea. Which I finally did. The color is a great earth color. And I kept seeing and reading more and more environmental stories. Ah ha! I decided on the Yearlong Environmental Stitching Project (YESP): I’d stitch using an environmental theme throughout 2023.
After the Norfolk Southern train derailed in Ohio in February, we learned more about how the last administration dismantled railroad safety rules. as the railroads requested. This accident and subsequent environmental and health disaster didn’t have to happen.
I’m still not enthused by the title so that might change. And to avoid burnout – my own and the husband’s – I don’t work on it every day. In fact, throughout Sketchbook Revival 2023, the whole thing has sat on the dining room table. Really, it could also be a tablecloth; it’s big enough! As I scan the newspaper and news online each day, I collect stories. Some are pretty horrific, I’m not going to lie. Like the recent report from the UN about humanity’s closing window of opportunity to affect climate change, that our current investment and funding for adaptation to that change are completely insufficient, especially in and for developing countries. Never mind that the US electrical grid is heading for a total meltdown. But there’s good news too. Biden created two new national monuments here in the Southwest. Then there’s the woman in Britain who got so fed up with her town’s lack of recycling that she decoded to take care of it herself. And all kinds of folks joined her. I need those kinds of stories; otherwise the whole project would depress the crap out of me.
I keep all the stories in a file folder and pull one out when I’m ready for a new entry. Having learned from the RRJ, once I finish a stitching, I record it and pertinent info in a written journal. I photograph it too. That way, in January, I won’t wonder what the hell I stitched. Also, the only thing I can purchase for this project is embroidery floss. Everything else has to come from what I already have or am given.
While this won’t be quite as entertaining as the nightly RRJ postings were, I hope that you join me on this yearlong journey. Hey, it’s less than nine months now. Somehow busy-ness and my own winter inertia kept me from getting this all written up, though I have been posting on my Instagram and Facebook accounts all along. Sadly, it’s a constant fight against the cult of busy-ness in this culture. Even when your kids have left home and you don’t have a regular paying job. Also my ability to multitask isn’t as honed as it used to be. (Thank goodness!)
Toadzilla, the fierce, burly Cane toad from Australia. He was 6 pounds, the biggest Cane toad ever found! I’ll let you Google him to see why he was in the news in mid-February. This is his outline. I still haven’t finished filling him in. It’s a good lesson to me to sketch more, color and detail less.
How do you cope with climate change and all that the environment’s throwing at us these days? Any good plans for Earth Day?
I know I’m late to the party congratulating Karen Miller of Ontario on the release of her new book The Art of Mothering: Our Lives in Colour and Shadow, but I will NOT be the last, I guarantee you.
Karen’s book, published by Rug Hooking Magazine, came out in October. I think I received my copy in early November. Unfortunately, I’ve been très busy the past month, so I’ve only been able to scan through it thus far, but with the holidays almost here, I’m hoping to sit down soon and pore over it – no interruptions!
It’s a beautiful book, certainly, filled with all kinds of art. It’s vivid and colorful as it shines a light on how female artists have dealt with not just the topic of motherhood, but its actuality.
From the back cover:
Motherhood has been the richest experience of Karen Miller’s life. It has also inescapably changed her life trajectory: her career path, her energy levels, her commitments, her time, her marriage. It has affected everything. Join Karen as she and 21 contributing artists lift the lid on motherhood and peer inside to examine the reality of their lives through textile arts.
The Art of Motherhood: Our Lives in Colour and Shadow illuminates the feelings that so few of us talk about – but so many of us feel – as we navigate the journey that is motherhood.
“Rejection,” 14′ x 17.5″, hooked on monk’s cloth with wool strips and yarn, is one of my pieces in Karen’s book.
Karen’s known for a long time that being a mother hasn’t always been the best of experiences for me, so when she asked me to contribute to the book, I jumped at the chance. It’s always stuck up my craw sideways that women rarely feel comfortable being honest about motherhood and what it does to us. Even in a group of just women! How dare we speak up about not feeling quite like the Madonna and her perfect Child. News flash: I’m no Madonna and it took a lot of alcohol to get through my only kid’s high school years. (Those years made the previous 14 look like an f-ing picnic.) But after fertility problems and two miscarriages over two years, no one wanted a kid as much as I did. And I have no regrets. (Most of the time.)
“Holes,” 68″ x 33″, hooked on monk’s cloth with recycled textiles and silk sari ribbon. I’ve talked about this piece before.
That’s the kind of candid crap you’ll find in this book though in a much more eloquent form, LOL. And LOTS OF FIBER ART, hooked and otherwise. If you’re a mom or know a mom or ever had a mom, get thee online to order this book. It’d make a kick-ass and thoughtful Christmas or other type of gift. I promise. You can order from RHM HERE. If you’re in Canada, contact Karen through her website.
PS- Not all moms are biologic. And mother figures count as moms.
FYI-
Below is a list of the Instagram handles of all the artists who, in some way affected by motherhood, contributed work to Karen’s truly excellent book. Check out their work.
Karen Miller: @karendmillerstudio
Nadine Flagel: @pretextstudio
Meryl Cook: @merylcook
Laura Salamy: @highonhooking
Emily van Lidth de Jeude: @emilyvanartist
Jane Smith: @blogginthebay
April Deconick: @aprildeconickart
Linda Friedman Schmidt: @lindafriedmanschmidt
Rachelle Leblanc: @rachelle_leblanc_art
Trish Johnson: @trshjhnsn
Patti Colen: @woollycronedesigns
Alexandrya Eaton: @alexandryaeaton
Michelle Kingdom: @michelle.kingdom
Carmen Bohn: @carmenbohn_art
Elizabeth Miller: @northatlanticfiberarts
Ellen Skea Marshall: @twocatsanddoghooking
Amy Meissner: @amymeissnerartist
Michele Micarelli: @michelepmicarelli
Linda Rae Coughlin: @lindarae_coughlin
Sayward Johnson: @saywardjohnson
Lori Laberge: @lorilabergeart
Karen Larsen: I don’t believe Karen is on Ig but she is on fb
Please Join Us For The Two Moons Exhibit Series Opening Reception
Friday, October 7, 5:30 pm to 8 pm
at FUSION 700-708 1st St., NW – Downtown ABQ
Part of the Two Moons exhibit series curated by artist Martin Terry, this contemporary exhibition – PROTEST, See Something, Say Something – will focus on a select group of artists whose works speak to a social consciousness. Included are fiber arts, sculpture, painting, graphite, mixed media, written word, video, song, and other new and innovative means of communicating social commentary. Work in a wide range of styles matches the breadth of subjects addressed, including racism, sexism, economic inequality, climate change, violence, political upheaval, war, disease, and hatred.
Textile work by Deirdre Pinnock intersects with her advocacy for mental health and diversity.
Deirdre Pinnock is a talented rug hooker, ardent mental health advocate, aspiring entrepreneur, and self-identified “woman of colour” based in Vancouver, BC. She is passionate about fusing different materials, vivid colors, and therapeutic qualities into her work along with a dash of playfulness.
She is best known for yarn-bombing positive and uplifting messages such as “be kind” and “you are enough” into public fences around the city. You can also find her performing stand-up comedy about being Black in Vancouver. Her work expands to hosting workshops, guest speaking on the issue of diversity through art, and creating memorial pieces known as Hearts of Honour, which act as living memories to allow families to grieve their loss. Courtesy of CTV, she is publicly known as the Vancouver Yarnbomber.
The purpose behind Deirdre’s art revolves around self-healing and empowering one to battle through grief, anxiety, and pain. She also weaves the current political climate into her fiber art, confronting issues in a whimsical and humorous way.
The Zoom link for this presentation will be emailed to you the day before the talk (or after you purchase your ticket, if you purchase on the day of the event). If you don’t receive it, you can contact the organizer at info@karendmillerstudio.com.
Tickets will be on sale until 10:00 am Eastern the day of the event. After that time you will no longer be able to purchase tickets.
Please note that the time of the talk is 1:00 pm EASTERN.
Unfortunately, no. Due to the logistics involved, we decided some time ago to keep these events live. Hopefully if you can’t make it to this talk, you’ll be able to make it to a future talk.
* It’s the day of the talk and I’m having trouble finding or using the link for the talk. How can I find help?
It is very advisable to LOG INTO THE EVENT A FEW MINUTES EARLY to be sure that you have no trouble with the link, and if you are having trouble the organizer can help you out. You can email or message the event organizer up until one hour before the talk on the day of the talk for help. ONCE THE EVENT STARTS, however, messages and emails are not able to be monitored.
* I’m finding it distracting during the talk seeing all of the other participants on my screen. What can I do?
During the event the organizer will put the screen setting on “spotlight view” so that the presenter is the focus on your screen. Depending on your device, you may still see audience members on your screen and changing your setting from “gallery view” to “speaker view” should help with that.
* What Time Zone is the time of the talk in?
The time indicated on all ‘In the Studio’ talks is the EASTERN (EST) time zone. If you live in a different time zone, be sure to check what time you should tune in to ensure you don’t miss the talk.
*I can no longer make it to the talk. Or, I missed the talk. Can I get a refund?
Unfortunately no- the price of the ticket is so low that it is not cost-effective to refund those amounts. If you are unable to make it to the talk and you already have a ticket, or you forget to attend, please do contact me at info@karendmillerstudio.com. I always offer a ticket to the next talk to make up for it. All of the artist speakers receive a portion of the ticket proceeds so we very much appreciate your contribution to supporting artists!
