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IN THE STUDIO – Kris McDermet on Dec. 8

Join Vermont Textile Artist Kris McDermet as she discusses Textiles and Threads Reimagined – combining rug braiding and rug hooking using silk, wool, tafetta, and wool/silk yarn.

 

Poster of Kris McDermet

Kris learned to braid and hook in 1979, and she’s been combining the two art forms since then. Driving around Boston and the mountains of Vermont as a home care occupational therapist gave her lots of time to dream about career number two as a maker and teacher. She is passionate about both techniques and feels they set each other off to give a richness in depth, color, and design in each finished piece.

Learn more about Kris and see her work at www.krismcdermet.com.

Get your tickets HERE.


IMPORTANT PLEASE READ:

The Zoom link for this presentation will be emailed to you the day before the talk (or after you purchase your ticket, if you purchase on the day of the event).  If you don’t receive it, you can contact the organizer at info@karendmillerstudio.com.  

Tickets will be on sale until 10 am the day of the event.  After that time you will no longer be able to purchase tickets.

Please note that the time of the talk is 1:00 pm EASTERN.

FAQ’s

* Will this talk be recorded for viewing later?

Unfortunately, no. Due to the logistics involved, we decided some time ago to keep these events live. Hopefully if you can’t make it to this talk, you’ll be able to make it to a future talk.

* It’s the day of the talk and I’m having trouble finding or using the link for the talk. How can I find help?

It is very advisable to LOG INTO THE EVENT A FEW MINUTES EARLY to be sure that you have no trouble with the link, and if you are having trouble the organizer can help you out. You can email or message the event organizer up until one hour before the talk on the day of the talk for help. ONCE THE EVENT STARTS, however, messages and emails are not able to be monitored.

* I’m finding it distracting during the talk seeing all of the other participants on my screen. What can I do?

During the event the organizer will put the screen setting on “spotlight view” so that the presenter is the focus on your screen. Depending on your device, you may still see audience members on your screen and changing your setting from “gallery view” to “speaker view” should help with that.

* What Time Zone is the time of the talk in?

The time indicated on all ‘In the Studio’ talks is the EASTERN (EST) time zone.  If you live in a different time zone, be sure to check what time you should tune in to ensure you don’t miss the talk.

*I can no longer make it to the talk.  Or, I missed the talk.  Can I get a refund?

Unfortunately no- the price of the ticket is so low that it is not cost-effective to refund those amounts.  If you are unable to make it to the talk and you already have a ticket, or you forget to attend, please do contact me at info@karendmillerstudio.com.  I always offer a ticket to the next talk to make up for it.  All of the artist speakers receive a portion of the ticket proceeds so we very much appreciate your contribution to supporting artists!

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Change coming this fall

Change is good. I really believe that. Most of the time. Unfortunately, occasionally it’s painful.

Photo of neon sign reading "Change."
“Change”: Photo by Ross Findon on Unsplash.

 

Case in point: The US Post Office and other shipping companies announced that they’ll be instituting a surcharge on shipments come October 1. That is not a good change. Worse, this means that I’ll have to change, that is, raise some of my prices slightly to compensate. I don’t anticipate having to do it for small items – like mug rugs and the sunflower wall hangings and similarly sized items – but the shipping costs for larger items are WICKED these days even without a surcharge.

Please be advised that I won’t do anything till October 1, so if you’re interested in something, order it on Etsy NOW! Or message me to let me know your concerns. I’m sure we can get a rug to you somehow. In fact, if you wish to purchase anything in the shop before or after October 1, contact me directly rather than going through Etsy. You’ll get a bit of a price break anyway as then Etsy won’t take their bite out of it.

Also note that I’m reviewing options to Etsy, including WooCommerce and other such apps. If you have any words of wisdom or other advice for me, please, please share!

Unfortunately, our two forays this year into public sales (one outdoor, one indoor) haven’t had the best results. Damn you, Covid! While we usually do the Fall Fiber Fiesta in Santa Fe, I’m just not that sure it’s a good bet given the virus and its mutations. It’s indoors and three days and a lot of driving or hotel rooms. I usually love this event, but maybe next year. Another bad change…

Now that the unpleasant stuff is out of the way, I’m reminding everyone of the coming In the Studio Workshop Week 3 in October. I’m teaching two sessions of Hooking with T-Shirts. I have a few spots left in each class (both on Saturdays, October 23 and 30). Some workshops are full or almost full, while others have some room. Contact each teacher if you’re interested in their class. More info HERE. Besides myself, teachers include the very cool and fabulous: Susan Feller; Karen Miller; Beth Miller; Meryl Cook, Carmen Bohn, Charlie Dalton; Anastasia Tiller; and Lisa Meecham.

 

No change here, two dogs on hooked rug.
No change here – Tynan and Bowyn bring you the current WHAT’S ON THE FRAME. It’s the rug that I started while traveling and have finally gotten back to (repurposed t-shirts on monk’s cloth).

So, how’s your fall shaping up? Are you back to the usual stuff or is Covid still cramping your style too?

 

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Retreat week

Supplies for being on retreat.
Retreat supplies: journal; pen; colored pencils; String Felt Thread by Elissa Auther; watercolor brush pens; iced tea; and great weather.

I’m officially on retreat.

As mentioned last week, my workshop up north at Ghost Ranch was postponed which was a pretty big bummer for me. But then I realized I had a whole week of days I’d kept unscheduled, thinking I’d be away. What to do with that time??? Given how distracted I’ve found myself these last few months (okay, really the last year+), I find that I need to step back and redefine what it is I want and need out of life. Sure, I’m hooking and teaching, but my attention has…wandered. My daily routine isn’t working, and productivity has been affected.

It’s not at all helped by so many local, national, and even global crises. The collapsed Maimi condo, race and gender issues, folks refusing to get vaccinated thereby prolonging the whole Covid thing, some family health difficulties, climate change which really hits home here in the desert Southwest… I seem to be catching my kid’s anxieties. That we spent over a week with temps in the 100s certainly didn’t enhance my mood. But you – I – can’t live like that, in dread all the time.

Last week after deciding on a couple of new projects – not hooking!!! – I grabbed my coupons and started out for Jo-Ann Fabrics to get supplies. It occurred again to me that it’s summer. A time for lighter things, as I also said last week. But this time I really heard myself. Remember how we used to feel in summer? Even when bad things were happening around the world? (The reality is that good and bad things are always happening.) I put some Jimmy Buffett on the Fit’s stereo and off we went.

Hooked rug
ABUNDANCE (15″ x 48″) is finished! As part of my retreat efforts to shake things up, I sewed yesterday morning rather than during the evening, my usual MO. She’s the newest in 2021’s #happyrugseries and was hooked with all kinds of fibers. And, yes, those are holes in her. Life takes from us, but we still have so much to share.

 

Friday evening Tom and I had a lovely time sipping wine at a local winery, Casa Rodeña here in Albuquerque. They have a pond. It was cool and calming. I realized that I could take the next week to change up my routine, get some things done that I’ve been planning but been too paralyzed to do. In short, get myself out of this funk.

I started yesterday by learning a new “trick.” Okay, a new fiber art medium. I’m very excited and will share down the road. I even used YouTube to learn how to do it. Generally, I prefer to learn in person, not via a video. Again, it’s about getting out of the comfort zone, something I used to do without thinking too much about it.

An article about the Ribbon Rug Journal is on the retreat’s to-do list. Planning my next rug for when I’ll be on the road in a couple of weeks. More sketching and journaling. Reading for pleasure and “work.” Getting back to morning yoga for my arthritis. Not on the list: vacuuming, cleaning the kitchen, meetings, a lot of social media, worrying…

_________________________________________________

But life does still go on. To that effect – note that In the Studio’s Workshop Week 3 classes are filling.  Sure, it’s not till October, and we have more events and teachers than ever, but folks want in. Also, my own workshop, Hooking with T-Shirts, on October 30, had enough interest that I opened a second session for Saturday, October 23, also at 1:00 PM Eastern. Email me if you’re interested.

 

Dogs, hooked rug
Both boys bring you WHAT’S ON THE FRAME today. No title for it yet, but it’s the #ecohooking rug in recycled plastic bags. I should’ve added Static Guard to my list of retreat supplies!

Is it just me or do I sense many stepping back a bit to reevaluate as we move back into a post-pandemic world?

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IN THE STUDIO – May 26 with Courtney Turner

Courtney Turner’s art as a means of healing and coping

 

Poster advertising In the Studio with Courtney Turner

 

Join Canadian Artist Courtney Turner on In the Studio as she discusses her artistic journey thus far as an emerging artist. She’ll give the audience a glimpse into what her creative process looks like and will share how she uses her art practice as means of healing and coping while living with chronic illness.

Courtney Turner is an emerging contemporary artist currently residing in Canning, Nova Scotia. Her unique combination of abstract rug hooking and representational self-portraiture painting is a direct representation of the connections between her current self and her child self, her healing journey of living with chronic illness, and memories of significant familial textiles that have brought her comfort throughout her life. Courtney graduated from NSCAD University in 2020, majoring in Textiles & Fashion.

You can learn more about Courtney Turner and see her work at www.courtneyturnerart.ca and on Instagram @courtneyturnerart.

 

IMPORTANT PLEASE READ:

The Zoom link for this presentation will be emailed to you the day before the talk (or after you purchase your ticket, if you purchase on the day of the event).  If you don’t receive it, you can contact the organizer at info@karendmillerstudio.com.

Tickets will be on sale until 10:00 am Eastern the day of the event.  After that time you will no longer be able to purchase tickets.

Please note that the time of the talk is 1:00 pm EASTERN.

Find tickets for this event at Ticketscene.

 


FAQ’s

* Will this talk be recorded for viewing later?

Unfortunately, no. Due to the logistics involved, we decided some time ago to keep these events live. Hopefully if you can’t make it to this talk, you’ll be able to make it to a future talk.

* It’s the day of the talk and I’m having trouble finding or using the link for the talk. How can I find help?

It is very advisable to LOG INTO THE EVENT A FEW MINUTES EARLY to be sure that you have no trouble with the link, and if you are having trouble the organizer can help you out. You can email or message the event organizer up until one hour before the talk on the day of the talk for help. ONCE THE EVENT STARTS, however, messages and emails are not able to be monitored.

* I’m finding it distracting during the talk seeing all of the other participants on my screen. What can I do?

During the event the organizer will put the screen setting on “spotlight view” so that the presenter is the focus on your screen. Depending on your device, you may still see audience members on your screen and changing your setting from “gallery view” to “speaker view” should help with that.

* What Time Zone is the time of the talk in?

The time indicated on all ‘In the Studio’ talks is the EASTERN (EST) time zone.  If you live in a different time zone, be sure to check what time you should tune in to ensure you don’t miss the talk.

*I can no longer make it to the talk.  Or, I missed the talk.  Can I get a refund?

Unfortunately no- the price of the ticket is so low that it is not cost-effective to refund those amounts.  If you are unable to make it to the talk and you already have a ticket, or you forget to attend, please do contact me at info@karendmillerstudio.com.  I always offer a ticket to the next talk to make up for it.  All of the artist speakers receive a portion of the ticket proceeds so we very much appreciate your contribution to supporting artists!

 

Share

“Automatic” hooking

 

Example of automatic drawing.
Example of automatic drawing done by moi during Sketchbook Revival.

 

 

Automatic hooking – it sounds like a machine is involved. Or worse! Wink, wink! But when I typed automatic hooking, I was actually referencing the art technique developed by the Surrealists. For a quick idea of what I’m talking about, the following comes from Wikipedia:

 

Automatic drawing was developed by the surrealists, as a means of expressing the subconscious. In automatic drawing, the hand is allowed to move “randomly” across the paper… Hence the drawing produced may be attributed in part to the subconscious and may reveal something of the psyche, which would otherwise be repressed…

Most of the surrealists’ automatic drawings were illusionistic, or more precisely, they developed into such drawings when representational forms seemed to suggest themselves. In the 1940s and 1950s the French-Canadian group called Les Automatistes pursued creative work (chiefly painting) based on surrealist principles. They abandoned any trace of representation in their use of automatic drawing. This is perhaps a more pure form of automatic drawing since it can be almost entirely involuntary – to develop a representational form requires the conscious mind to take over the process of drawing…

You’re probably wondering why I might be providing this art history lesson when I am in no possible way an authority on art or art techniques (except, perhaps rug hooking, of course, and then only certain aspects of rug hooking). It’s because, as I mentioned a few weeks ago, I’ve been participating in Sketchbook Revival 2021, and one of the workshops was about automatic drawing.

Example of automatic drawing.
My first attempt at automatic drawing.

That workshop was presented by Shelley Klammer of Expressive Art Workshops:

Shelley Klammer is an online therapist who supports creative women to heal “unfinished emotional business” from the past. She is also an educator with the International Expressive Arts Therapy Association. Shelley supports women to authentically self-express through spontaneous art and writing practices as a way to anchor self-safety, self-confidence and self-love.
-Karen Abend of Sketchbook Revival

To be honest, I wondered how much my drawings were really made without conscious thought. Wikipedia mentioned that too when I was exploring more about automatism..

…surrealist artists often found that their use of “automatic drawing” was not entirely automatic, rather it involved some form of conscious intervention to make the image or painting visually acceptable or comprehensible…”

Example of automatic drawing
This is an automatic drawing by a “professional.” It’s “Untitled” by Morton Schamberg (American, Philadelphia, Pennsylvania 1881–1918 Philadelphia, Pennsylvania) circa 1916. Graphite on paper; 5 3/8 x 4 1/2 in. (13.7 x 11.4 cm). (Info from the Metropolitan Museum of Art; in the public domain.)

 

Artist Stephen Berry was also a bit skeptical, but he could appreciate it regardless:

It was very liberating and thoughtful. It was also an interesting way to explore different shapes, to watch myself as an artist from “the outside” and see what shapes I’m predisposed to, where I’m reverting to certain habits that are lazy, what was exciting and interesting to explore that surprised me, etc.

He had more interesting stuff to say about the technique. Click on his name above.

Hooked rug; example of automatic hooking
Close-up of my current happy rug, “Abundance.” Lots of recycled textiles. I think I like my automatic hooking better than my automatic drawing.

Scintillating as all this is, you’re undoubtedly wondering how it relates to hooking. In that aforementioned post of mine, which I wrote before I started Sketchbook Revival, I mentioned my night-hooking project, the one the boys are pictured with. It’s part of my “happy rug” series in which I’m trying to focus on the brighter aspects of life after such a crappy last year. And I wrote:

For this one, I’m trying to really just go with the flow; there’s little advance planning in it. Other than the holes, which the rug dictated to me as I sewed on his tape.

See the SYNCHRONICITY that’s happened?!!? I was already kind of doing automatic hooking before I even learned about the drawing technique. Each evening I sit down and hook whatever comes to mind at that moment with whatever I have in the two big bag and one laundry baskets of fibers I have next to me. (Yes, there’s a LOT of hooking stuff in my family room at the moment.)

Both the automatic hooking and drawing efforts are fun to try if you’re so inclined to experiment. For the latter, just Google “automatic drawing,” and a slew of options will come up in your feed. As far as rug hooking goes, just throw some hooking materials into a bag and go to town. I’m using all kinds of fibers: wool strips, wool yarns, novelty yarns, a plethora of fabrics, ribbons, and so on. There’s lots of textile recycling going on!

Dogs on example of automatic hooking
Tynan and Bowyn bring you another view of “What’s on the frame.” Obviously, someone is not completely clear on the concept of his job. It should’ve been an overview of the newest happy rug, “Abundance,” an example of automatic hooking. (Let’s imagine Tynan’s thoughts for a moment…)

What have you done lately to spice up your regular practices be it hooking, painting, writing, or even working out?

 

 

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