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IN THE STUDIO – October is our month!

In the Studio Online logoIn the Studio is having quite the month! Make sure you’re caught up with all that’s going on so that you don’t miss anything.

 

#showingupinthestudio2021

Search Instagram using this hashtag. We at In the Studio are urging folks to jump into our new daily “challenge” that’s not so much a challenge as it is a gift to yourself. As Meryl Cook put it: “Just do something to stretch yourself creatively for the rest of 2021.” And, hey, if you can only do it every other day or weekly, do that. Just do it for yourself. Because I had a show this past weekend to prep for, I only got to join in the fun yesterday. I started an improv stitching mini-project that I’ll work on a little each evening because I haven’t been good at starting a stitching PROJECT earlier in the year like I wanted to. This will put me on a path of exploration so that I can really get into something come 2022. There are almost two months to see where this takes me. Find more examples at @artwools and @karenmillerstudio .

Workshop Weeks 3 and 4In the Studio Workshop Week logo

Last year the In the Studio artists began Workshop Week (WW) to fill a hole that Covid dug. Sure, we couldn’t attend workshops and classes in person, but we put our heads together and technology to work and managed to come together anyway. It stuck! We’ve realized that getting together via Zoom allows students and teachers (most of us have played both roles) to meet one another and learn new techniques for a fraction of the cost of traditional schools. (Not that we’re giving up on those, but WW is a nice complement and the only thing available to many of us.) We don’t limit ourselves to rug hooking, but encourage the presentation of other arts and complementary techniques and subject matter. If you haven’t perused the WW3 options, check them now as classes have been filling. Personally, I have room in my October 23 session of Hooking with T-Shirts. Contact me at Laura@highonhooking.com if interested. We are currently soliciting proposals for this winter’s WW4. Teachers, find more info here.

In the Studio Online with JESS STEPONAITIS – October 22

Join Nova Scotia textile artist, Jess Steponaitis, as she discusses how she uses bold colours and unique designs to approach the traditional craft of rug hooking with a fresh perspective! You can find tickets for this online talk HERE.

In the Studio presents Jess Steponaitis October 22.About Jessica Steponaitis:

Born and raised in Nova Scotia, Jessica has been designing and crafting hooked rugs since 2002.  Her work is best described as “contemporary folk art” or “folk art meets pop art,” and she frequently creates work inspired by her proximity to the ocean and all of its creatures.  All of Jessica’s work is created using linen foundation cloth.  She cuts all of her wool by hand and frequently dyes wool to create custom colors.  The edges of each rug are carefully finished using locally sourced wool yarn.

Jessica’s work was featured in Rug Hooking Magazine in 2020 and she has been invited to participate in the Nova Scotia Folk Art Festival.  She is also a member of the Rug Hooking Guild of Nova Scotia.

To learn more about Jessica and to see her work, you can find her on Facebook and on Instagram @rughookerjess.

IMPORTANT PLEASE READ FOR ALL IN THE STUDIO TALKS:
The Zoom link for this presentation will be emailed to you the day before the talk (or after you purchase your ticket, if you purchase on the day of the event).  If you don’t receive it, you can contact the organizer at info@karendmillerstudio.com.  
Tickets will be on sale until 10 am the day of the event.  After that time you will no longer be able to purchase tickets.
Please note that the time of the talk is 1:00 pm EASTERN (EST).
FAQ’s
* Will this talk be recorded for viewing later?
Unfortunately, no. Due to the logistics involved, we decided some time ago to keep these events live. Hopefully if you can’t make it to this talk, you’ll be able to make it to a future talk.
* It’s the day of the talk and I’m having trouble finding or using the link for the talk. How can I find help?
It is very advisable to LOG INTO THE EVENT A FEW MINUTES EARLY to be sure that you have no trouble with the link, and if you are having trouble the organizer can help you out. You can email or message the event organizer up until one hour before the talk on the day of the talk for help. ONCE THE EVENT STARTS, however, messages and emails are not able to be monitored.
* I’m finding it distracting during the talk seeing all of the other participants on my screen. What can I do?
During the event the organizer will put the screen setting on “spotlight view” so that the presenter is the focus on your screen. Depending on your device, you may still see audience members on your screen and changing your setting from “gallery view” to “speaker view” should help with that.
* What Time Zone is the time of the talk in?
The time indicated on all ‘In the Studio’ talks is the EASTERN (EST) time zone.  If you live in a different time zone, be sure to check what time you should tune in to ensure you don’t miss the talk.
*I can no longer make it to the talk.  Or, I missed the talk.  Can I get a refund?
Unfortunately no- the price of the ticket is so low that it is not cost-effective to refund those amounts.  If you are unable to make it to the talk and you already have a ticket, or you forget to attend, please do contact me at info@karendmillerstudio.com.  I always offer a ticket to the next talk to make up for it.  All of the artist speakers receive a portion of the ticket proceeds so we very much appreciate your contribution to supporting artists!

The artists of In the Studio – Karen Miller, Susan Feller, Beth Miller, Meryl Cook, and myself – hope that you’ll join us for at least one of these events in October!

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Happy New Year – celebrate at the Harvest Festival!

Happy New Year! Shanah Tovah!

New Year's lithograph
You know that’s how we feel about 2020 and now 2021. Trade cards from the “New Years 1890 Cards” series (N227), a set of 50 cards issued in 1889-90 to promote Kinney Tobacco Company. (Metropolitan Museum of Art; in the public domain)

Happy New Year to all of our Jewish friends! And to everyone else as well – more about that below.

High on Hooking is headed up to Santa Fe again the first weekend of October. Because it’s more fun to play with others, Cathy and I will again share a booth up at the Harvest Festival at Las Golondrinas. Amazingly, I’ve never been there, but everyone says it’s a wonderful place the visit. Being from New England, I figure it’s kind of like Sturbridge Village or Plimouth. (Never ever fall for that Plymouth Rock thing!) Perhaps you’d like to check the Harvest Festival and the hooked art out too…on October 2 and 3, of course.

El Rancho de las Golondrinas is a living history museum located on 200 acres in a rural farming valley just south of Santa Fe, New Mexico. The Museum, dedicated to the history, heritage and culture of 18th and 19th century New Mexico, opened in 1972. Original colonial buildings on the site date from the early 1700s. In addition, historic buildings from other parts of northern New Mexico have been reconstructed at Las Golondrinas. Villagers clothed in the styles of the times show how life was lived on the frontier in early New Mexico. Special festivals and weekend events offer visitors an in-depth look into the celebrations, music, dance and many other aspects of life in the Spanish, Mexican and Territorial periods of the Southwest.

I’m not gonna lie, the last two vendings weren’t particularly lucrative. Between Covid and logistics and Covid… Someday maybe we’ll get back to some kind of normal. Someday…

In the meantime, there’s plenty to keep us busy. For instance, there are always a rug or three to hook and projects to crochet. There are classes to prep. (Remember that I’ve added a session to WW3 on October 23!) And I need to get ready for an improv hand-quilting workshop with Heidi Parkes. Unfortunately, I’m in another class the exact same time Heidi’s runs, but she’s taping it, so I’ll use the video. Not quite the same, but for 50 bucks, I’m not complaining, especially for one of her classes. More on that later.

In other news, next week we’ll be looking at four new walls. Keep your eyes on the Instagram and Facebook feeds for that. Hoping it’s good for my journaling/sketching practice which need a jump start. And hiking and just getting away from…people.

There’s a LOT going on these days. So much so that I’ve really got to post more. And I will when I get the chance. A hint: Next June, look for HoH in Tennessee! (More on that later too.)

Lastly – besides the pic of the boys and WHAT’S ON THE FRAME – for me, while I’m not Jewish, September’s always been about the NEW YEAR as much as January 1. If you have kids or you were a kid, you understand. But now that Tom and I are on our own and summer in the desert isn’t even close to ending come August 31, the school year isn’t really a thing for us. And yet, September, maybe because it’s such a time of change (or at least potential change), marks a passage for me much as New Year’s does. It’s time to think about winter and being indoors more and how we’ll pass that time. It’s about taking stock and considering how we’ll face the future. But it’s definitely forward-thinking, not sad. It’s about potential.

Bowyn and Tynan bid you all a HAPPY NEW YEAR! Make the best of it. We intend to. This rug is hooked with all reclaimed t-shirts on monk’s cloth. If you want to try hooking with old t-shirts, check out my WW3 class.)

How about you? Do you see September as a “new year” or is it just bittersweet as we say goodbye to sun and warm weather? (Which one starts to really look at differently living in the desert, let me tell you!)

 

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Take time to smell the sunflower!

Will you be at Mountainair’s Sunflower Festival Saturday?

 

Dog with hooked sunflower wall hangings.
Bowyn will be sad if he doesn’t get to meet you at Saturday’s Sunflower Festival.

 

Unfortunately, last weekend’s textile art sale in Santa Fe was a bit of a logistical bust. But is it really a loss when you spend time hanging with a bunch of other talented fiber artists here in New Mexico or anywhere. NO! Fortunately, Cathy, my partner in crime, and I have the Sunflower Festival in just a few days. It’s always a fun time what with the arts, the music, the food… And Mountainair is a cool, little mountain town, very BIG sky country.

As you can see, I’m ready for the Sunflower Festival. Sunflowers are truly one of my favorite flowers, and if you’ve been following me for at least a year, you know that I like to hook some version of them annually. This year I went small, three wall hangings. And instead of keeping it all t-shirt all the time, I mixed it up. Each one has some amount of t-shirt, bed sheet, wool strips, and wool yarn. The variegated backgrounds were dyed by my own little hands during my “retreat week” back in June. Oh, and I included itty-bitty glass seed beads in the – what else? – sunflower seed heads!

Sunflower wall hanging.
Sunflower wall hanging. (Old t-shirts and bed sheets; wool strips and yarn; glass seed beads.)

It’s the end of summer here in New Mexico, and while the sunflowers are blooming and it’s still warm, you can see that fall’s on its way. Kids have been in school a couple of weeks. (Being from the East Coast, that’s still weird for me.) Already I’ve spied some turning leaves here and there. The Hatch chiles are roasting in the grocery store parking lots. That heavenly aroma!

Fall is a looking forward time for me. How to change up the house decor – pumpkins and candles, of course. The holidays! We just rented a house for a week’s vacation in Arizona (which lets us be self-sufficient in this unnecessarily continued time of Covid, but I digress). New rugs and other textile projects. Workshops.

On that workshop note, I want to remind everyone that In the Studio Workshop Week 3 will be here in two months. Less than that, actually. I’ll be teaching two sessions of Hooking with T-Shirts. The first will be Saturday, October 23. There are a few places still open in each class, so if you’re interested, email me at Laura@highonhooking.com. Some workshops are full but may have a waiting list available. Others still have room. Just contact the teacher of the class you’re interested in.

Lastly, a gentle reminder. The rug hooking week at Sauder Village just wrapped up. Trolling Facebook, I’ve seen wonderful photos of the gorgeous rugs that were on display. One thing, though, that I noticed about many of the posts was the lack of attribution. We need to remember that when we post pics of others’ artwork, we need to give the artists their due and provide their names. An easy way to get that info is to take a quick pic of the little card that’s invariably right next to or just below the rug, painting, quilt, or other piece of art you’re photographing. Then you’ll have everything together when you go to share the art porn.

 

Flyer for another one of the August in-person events.

 

As summer winds down here in the northern hemisphere, what plans are you making in order to really appreciate and enjoy the autumn? Maybe you’ll head out to Mountainair!

 

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New Mexico’s contribution to the USA50 project

So, maybe a year and a half or two ago, I offered to hook New Mexico’s contribution to the USA50 project. I finally started to hook it in April. As many worthwhile endeavors do, it took longer than expected.

USA50 Poster
USA50 poster courtesy of https://remileves.myportfolio.com/usa50.

For those not familiar with the USA50 project, it originated with another big, creative venture, the hooked cushion collection at the Barachois Historic Church in New Brunswick, Canada. The church, “the old whitewashed building on New Brunswick Road 133, will be 200 years old in 2026. This small church is among the oldest Acadian buildings still standing on its original site.” In order to celebrate the anniversary…“the committee thought then that a collection of 50 hooked cushions [on the church benches] would probably be feasible and would certainly arouse the interest of the population.” (Quotes from https://remileves.myportfolio.com/bonjourwelcome.)

The Barachois Historic Church is an ancient wooden building, which first opened its doors in 1826, and is still standing after nearly 200 years. The building was disaffected in the late 1970s, and reprieved from demolition in 1980. It has since been transformed into a local Museum, art gallery and summer classical concert venue. For over 40 years a wide variety of cultural events have been presented there. In order to be more comfortable on the old wooden pews, many event goers took too bringing a cushion to cultural presentations, and leaving it on the bench. Over time, this developed into a sort of tradition. This has inspired the Historic Church Preservation Committee. The “200 hooked cushions for my 200th” public art collection became the first permanent collection of the visual arts in the historic church. We cordially invite you to be part of the “USA50” collection to seal indefinitely our countries friendship and give the two collections the international destination status it deserves.
(From the USA50 Facebook page.)

 

Poster for initial cushio project
Poster for the Barachois Church’s 200th Anniversary and hooked cushions exhibit opening.
This [initial 200 cushions] collection, like others across America, proudly celebrates the volunteer work of artists in hooking. The project lives up to their community spirit and helping others, their creativity, their energy to work towards a common goal to meet the challenge. These artists, mostly women, gave in order to realize our dream. What is even more fascinating is that for many, our dream has become theirs too. Everyone had a reason to embark. That’s what created magic. Many artists pay tribute to their ancestors, a family member, Acadian friends, a colleague hooker, history, the art of hooking or just the cause.

 

The official opening of the cushion exhibit was on August 18, 2019. Over 1000 people came to view the cushions that day. American hookers were in attendance. They suggested the USA50 project, one cushion from each state.

One cushion per state representing memorabilia, landscape, bird, flower, or other representation particular to that state. Already rug hookers from all over the United-States have shown interest…
(From the USA50 Facebook page.)

Hence my participation in the project. But, while a Hatch chile pepper or a hot air balloon would’ve been good representations for New Mexico, I preferred something more authentic. Something, perhaps, Native American as they were here long before the Spanish showed up in the 1500s.

A few years ago, during a visit to the Indian Pueblo Cultural Center here in Albuquerque, I purchased a travel mug with artwork by potter Patricia Lowden, a member of the Acoma Pueblo about 40 miles west of the city. I use the mug all the time and thought that a design like hers might best represent New Mexico. Long story short, I was able to contact Patricia through the Cultural Center. After explaining the project and how I would NOT monetarily benefit from the cushion, she generously offered not to let me use the mug design but to send me a similar design! That made my life a LOT easier.

"Rainbird" travel mug; design by Patricia lowden.
“Rainbird” travel mug; design by Patricia Lowden. They’re ceramic now. You can find it HERE.

I hooked it using different wool yarns. Ruth Simpson, friend and fellow member of the Adobe Wool Arts Guild, graciously put the whole thing together.

A little about Patricia:

I am full Acoma. My great grandmother is Lupe Chavez who lived to be 105 yo. She was a potter, piki maker. Both my grandmother’s on my mom and dad’s side were potters as well. …My mother was Anita Lowden. She was a famous potter in the Indian market and won a lot of blue ribbons for her work. She made pots, animals and pitchers. She and grandmother Jesse have pottery in the Smithsonian. My oldest sister and I do the pottery making now. We learned from our grandma Andrea as we grew up closer to this side of the family. I am a 4th generation potter. I use the coil method to build my pottery. I grind my clay after soaking it. There are several steps to making and painting the pottery. I use a yucca brush to outline n paint my pieces. I make water jars, seed pots, canteens, vases, and wedding vases. I make various sizes. When people order they usually tell me how much they want to spend or I make a variety if they want more than one piece. I use traditional paints. I have been painting and making since I was 15 yo when my grandmother asked if I would outline for her, but I played with the clay when I was younger like 8 when my grandmother asked if I would like to make something to sell as she was getting ready for a feast to sell her pottery. I helped my grandmother as she was getting older and couldn’t see very well but she could still make pottery. My grandmother always encouraged me to try new designs… I love what I do and now I have a 14 year old daughter, Destiny, who I am teaching. She has made a few pieces and has sold them on her own. I am very proud of her because she will carry on my designs and the old style of making pottery. 

New Mexico USA%) cushion. Design by Patricia lowden.
“Rainbird,” New Mexico’s contribution to the USA50 project. All wool yarn on monk’s cloth. Design by Patricia Lowden. Hooked by Laura Salamy. All put together by Ruth Simpson. Thank you ladies!

 

 

Patricia has seen the cushion and told me that she and her family really love how it turned out. I’m hoping to hook up a smaller version for her to hang in her home.

 

 

 

 

Make sure you go onto Remi’s site and the Facebook page to see pics of the various cushions created for both projects. There are still a few states that are unaccounted for. As of May, they included: Alabama, Arkansas, Iowa, Montana, Nevada, Oklahoma, Oregon, and Utah. Do you live in or are you from one of these? Perhaps you can help finish up the USA50 Collection. Contact Remi Levesque through his website or the Facebook page.

 

Note: Please respect Patricia’s traditional design. Do not copy.

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Retreat week

Supplies for being on retreat.
Retreat supplies: journal; pen; colored pencils; String Felt Thread by Elissa Auther; watercolor brush pens; iced tea; and great weather.

I’m officially on retreat.

As mentioned last week, my workshop up north at Ghost Ranch was postponed which was a pretty big bummer for me. But then I realized I had a whole week of days I’d kept unscheduled, thinking I’d be away. What to do with that time??? Given how distracted I’ve found myself these last few months (okay, really the last year+), I find that I need to step back and redefine what it is I want and need out of life. Sure, I’m hooking and teaching, but my attention has…wandered. My daily routine isn’t working, and productivity has been affected.

It’s not at all helped by so many local, national, and even global crises. The collapsed Maimi condo, race and gender issues, folks refusing to get vaccinated thereby prolonging the whole Covid thing, some family health difficulties, climate change which really hits home here in the desert Southwest… I seem to be catching my kid’s anxieties. That we spent over a week with temps in the 100s certainly didn’t enhance my mood. But you – I – can’t live like that, in dread all the time.

Last week after deciding on a couple of new projects – not hooking!!! – I grabbed my coupons and started out for Jo-Ann Fabrics to get supplies. It occurred again to me that it’s summer. A time for lighter things, as I also said last week. But this time I really heard myself. Remember how we used to feel in summer? Even when bad things were happening around the world? (The reality is that good and bad things are always happening.) I put some Jimmy Buffett on the Fit’s stereo and off we went.

Hooked rug
ABUNDANCE (15″ x 48″) is finished! As part of my retreat efforts to shake things up, I sewed yesterday morning rather than during the evening, my usual MO. She’s the newest in 2021’s #happyrugseries and was hooked with all kinds of fibers. And, yes, those are holes in her. Life takes from us, but we still have so much to share.

 

Friday evening Tom and I had a lovely time sipping wine at a local winery, Casa Rodeña here in Albuquerque. They have a pond. It was cool and calming. I realized that I could take the next week to change up my routine, get some things done that I’ve been planning but been too paralyzed to do. In short, get myself out of this funk.

I started yesterday by learning a new “trick.” Okay, a new fiber art medium. I’m very excited and will share down the road. I even used YouTube to learn how to do it. Generally, I prefer to learn in person, not via a video. Again, it’s about getting out of the comfort zone, something I used to do without thinking too much about it.

An article about the Ribbon Rug Journal is on the retreat’s to-do list. Planning my next rug for when I’ll be on the road in a couple of weeks. More sketching and journaling. Reading for pleasure and “work.” Getting back to morning yoga for my arthritis. Not on the list: vacuuming, cleaning the kitchen, meetings, a lot of social media, worrying…

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But life does still go on. To that effect – note that In the Studio’s Workshop Week 3 classes are filling.  Sure, it’s not till October, and we have more events and teachers than ever, but folks want in. Also, my own workshop, Hooking with T-Shirts, on October 30, had enough interest that I opened a second session for Saturday, October 23, also at 1:00 PM Eastern. Email me if you’re interested.

 

Dogs, hooked rug
Both boys bring you WHAT’S ON THE FRAME today. No title for it yet, but it’s the #ecohooking rug in recycled plastic bags. I should’ve added Static Guard to my list of retreat supplies!

Is it just me or do I sense many stepping back a bit to reevaluate as we move back into a post-pandemic world?

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