Tag: recycled art

April 19, 2021

“Automatic” hooking

Example of automatic drawing. — Example of automatic drawing done by moi during Sketchbook Revival.

Automatic hooking – it sounds like a machine is involved. Or worse! Wink, wink! But when I typed automatic hooking, I was actually referencing the art technique developed by the Surrealists. For a quick idea of what I’m talking about, the following comes from Wikipedia:

Automatic drawing was developed by the surrealists, as a means of expressing the subconscious. In automatic drawing, the hand is allowed to move “randomly” across the paper… Hence the drawing produced may be attributed in part to the subconscious and may reveal something of the psyche, which would otherwise be repressed…

Most of the surrealists’ automatic drawings were illusionistic, or more precisely, they developed into such drawings when representational forms seemed to suggest themselves. In the 1940s and 1950s the French-Canadian group called Les Automatistes pursued creative work (chiefly painting) based on surrealist principles. They abandoned any trace of representation in their use of automatic drawing. This is perhaps a more pure form of automatic drawing since it can be almost entirely involuntary – to develop a representational form requires the conscious mind to take over the process of drawing…

You’re probably wondering why I might be providing this art history lesson when I am in no possible way an authority on art or art techniques (except, perhaps rug hooking, of course, and then only certain aspects of rug hooking). It’s because, as I mentioned a few weeks ago, I’ve been participating in Sketchbook Revival 2021, and one of the workshops was about automatic drawing.

That workshop was presented by Shelley Klammer of Expressive Art Workshops:

Shelley Klammer is an online therapist who supports creative women to heal “unfinished emotional business” from the past. She is also an educator with the International Expressive Arts Therapy Association. Shelley supports women to authentically self-express through spontaneous art and writing practices as a way to anchor self-safety, self-confidence and self-love.
-Karen Abend of Sketchbook Revival

To be honest, I wondered how much my drawings were really made without conscious thought. Wikipedia mentioned that too when I was exploring more about automatism..

…surrealist artists often found that their use of “automatic drawing” was not entirely automatic, rather it involved some form of conscious intervention to make the image or painting visually acceptable or comprehensible…”

Artist Stephen Berry was also a bit skeptical, but he could appreciate it regardless:

It was very liberating and thoughtful. It was also an interesting way to explore different shapes, to watch myself as an artist from “the outside” and see what shapes I’m predisposed to, where I’m reverting to certain habits that are lazy, what was exciting and interesting to explore that surprised me, etc.

He had more interesting stuff to say about the technique. Click on his name above.

Hooked rug; example of automatic hooking — Close-up of my current happy rug, “Abundance.” Lots of recycled textiles. I think I like my automatic hooking better than my automatic drawing.

Scintillating as all this is, you’re undoubtedly wondering how it relates to hooking. In that aforementioned post of mine, which I wrote before I started Sketchbook Revival, I mentioned my night-hooking project, the one the boys are pictured with. It’s part of my “happy rug” series in which I’m trying to focus on the brighter aspects of life after such a crappy last year. And I wrote:

For this one, I’m trying to really just go with the flow; there’s little advance planning in it. Other than the holes, which the rug dictated to me as I sewed on his tape.

See the SYNCHRONICITY that’s happened?!!? I was already kind of doing automatic hooking before I even learned about the drawing technique. Each evening I sit down and hook whatever comes to mind at that moment with whatever I have in the two big bag and one laundry baskets of fibers I have next to me. (Yes, there’s a LOT of hooking stuff in my family room at the moment.)

Both the automatic hooking and drawing efforts are fun to try if you’re so inclined to experiment. For the latter, just Google “automatic drawing,” and a slew of options will come up in your feed. As far as rug hooking goes, just throw some hooking materials into a bag and go to town. I’m using all kinds of fibers: wool strips, wool yarns, novelty yarns, a plethora of fabrics, ribbons, and so on. There’s lots of textile recycling going on!

Dogs on example of automatic hooking — Tynan and Bowyn bring you another view of “What’s on the frame.” Obviously, someone is not completely clear on the concept of his job. It should’ve been an overview of the newest happy rug, “Abundance,” an example of automatic hooking. (Let’s imagine Tynan’s thoughts for a moment…)

What have you done lately to spice up your regular practices be it hooking, painting, writing, or even working out?

April 7, 2021

Teaching at CREATE DIY in June

CREATE DIY High on Hooking will be teaching at CREATE DIY in June.

I really do miss – and prefer – teaching in person, but one of the Coronacootie’s most pernicious side effects is how it’s kept us all from one another. From family members, from friends, from students and teachers, you get the idea. But humans do adapt, and makers still gotta make, so Zoom entered all our lives. Truthfully, I think that we all understand that that hasn’t necessarily been a bad thing. Many more folks were able to “get together” through Zoom talks and workshops than would’ve been possible pre-Corona. And Zoom will continue well into our futures even when we’re all vaccinated up and, hopefully, have achieved herd immunity and get back to meeting each other in real life. But till then…

If you or someone you know would like to learn how to rug hook, in June I’ll be teaching a class through the online textile arts festival CREATE DIY. In fact, there will be several workshops and a couple of lectures going on during the event. General info can be found HERE. Topics include:

Quiltfest presents … Create DIY, a comprehensive journey into the magical world of the textile arts. Indulge yourself with Create DIY! This online festival includes educational workshops, studio tours, live presentations, and more.

Quilting ■ Needle Felting ■ Stampwork ■ Crochet ■ Wearable Art Japanese Boro Stitching ■ Jewelry ■ Paper Weaving ■ Dollmaking ■ Dyeing ■
Thread Painting ■ Dorset Buttons ■ Embroidery ■ Rug Hooking■ Macrame ■ Knitting ■
Modern Weaving ■ and more!

Join us online:
Thursday through Saturday, June 10-12, 2021

Introduction to Rug Hooking – Not So Traditional
Friday, June 11
Half-Day Workshop
12 pm – 3 pm EDT, Friday, June 11

Learn the basics of traditional rug hooking with a bit of a twist. Not only will we use the usual wool fabric strips (more about that in class), but we’ll also try old t-shirts, yarn, ribbon, and anything else you might have in your house that you can pull a loop with. We will:

Discuss the history of rug hooking and where it is today, including its various forms;
Learn how to prep our materials;
Begin hooking a “mug rug,” a small table mat, or wall hanging; and
Discuss the ways we can finish the piece when the hooking is done.

Welsh Springer spaniel on hooked rug — While big brother Tynan snoozes, Bowyn brings you “What’s on the frame.” “Abundance,” part of the #happyrugseries, is an adventure in mark-making with all kinds of fibers. And she has three holes!

There’s more info online HERE. Kits are optional, but participants need to contact me to make sure they have everything. Contact me at Laura@highonhooking.com if you have any questions.

Hoping to have a new and very special venue announcement in the next week or so. Stay tuned!

So, after a year, what’s your stance on Zoom workshops?

March 16, 2021

Of sketching and day-hooking

Thursday makes it a year that “regular” life came to an end here in New Mexico. Not knowing what I know now, I rather welcomed it. No meetings for the foreseeable future! Remember – we never thought the crisis would go on for sooooo long, and Zoom wasn’t a BI Ad for Sketchbook Revival 2021; sketching G THING yet. I figured I’d have time to work on my own projects and actually get a chance to explore other ideas percolating in the back of my brain, maybe even move them to the front.

Some of that happened. I certainly had ample time to “play” with the Ribbon Rug Journal. In fact, without Covid, I’m not sure how I would’ve been able to log each day’s entry. (Now if I can only get to writing the magazine article on the damn thing!) I managed, too, to finish “Holes,” a rug about the effects of motherhood on women. But then Karen Miller came up with the idea for In the Studio with its presentations and two! online Workshop Weeks (keep watch; the third will be coming), my own class offerings, and, of course, rugs to make (I do have an Etsy shop). The forced time at home was not quite so restful. Such is our new reality.

Sketching — A one-line, mirror sketching from 2019. Sadly, a self-portrait.

But some things didn’t change. This March, as I did in 2019 and 2020, I will participate in Sketchbook Revival presented by artist Karen Abend. It’s a free, online event whereby each day for a couple of weeks a different instructor presents a a different approach to filling up your sketchbook or journal. As much as I used to be good at that, I’m not anymore. Sketchbook Revival gives me a do-over each year and a way to learn new techniques. As Karen says:

Some sketches are colorful. A “creature” rug perhaps?

“Imagine waking up each day brimming with ideas, excitement, and confidence to open up your sketchbook and start creating, no matter what.”

As far as I’m concerned, sketching can be relaxing and enjoyable on its own, but more importantly, better sketching leads to more and better better hooked pieces. Click on the link above to join. While there are social media pages to share your work and to see that of others’, I generally prefer to keep to myself. And you don’t have to attend every session. I pick and choose. One comes out every day, but the videos stay up for a few weeks.

Day-hooking. I mentioned it last post. It’s not necessarily what you think. But it is another benefit of being stuck at home. I generally hook in the evening. Like many of you, if I don’t work with my hands after 8:00 p.m. or so, I’ll fall asleep. That’s when I catch up on TV and movies. But sometimes – like right now – I’m hooking a piece that needs: 1) good light, specifically, the light of day and 2) concentration. Like I said before, in another world in other years, my guild , AWAG, held three retreats and had a teacher visit us, usually for an open workshop. Each event gave me three whole days to work on more challenging rugs. And a multitude of folks to ask for advice when it was needed. Or even when it wasn’t. LOL

While I tend to do other tasks during the day, lately I’ve been trying to carve out some time for day hooking to get through this one difficult project. I feel guilty sitting on my ass, but the work happens, and I can even get some of those year-old NOVAs out of my DVR queue. So, day-hooking, yeah, it’s a thing.

Meanwhile, the night-hooking continues. Which is exactly what the boys bring to you today in the pic. I’ve started on the fourth of what I’m calling my #happyrugseries. I realized that after such a negative year, I’d prefer to mostly focus on the brighter aspects of life. For this one, I’m trying to really just go with the flow; there’s little advance planning in it. Other than the holes, which the rug dictated to me as I sewed on his tape.

Dogs with hooked rug — “What’s on the Frame.” Bowyn takes being a High on Hooking dog very seriously while Tynan is quite blasé about it these days.

Nancy Hart of AWAG created a rug a couple of years ago that I really loved. I miss you, Nancy, but you’re here with me in spirit, and your rug is my inspiration for this project. Tom’s going to kill me as parked in the living room is a large shopping bag AND a laundry basket filled with all kinds of fiber to pick and choose from as I go. (Plus the day-hooking paraphernalia.) But I’m enjoying working on it all!

What’s got you’re attention these days as we head into the final stretch of the Coronacootie’s reign?

Workshop reminder: Hooking With and Beyond the Wool happens this Saturday. Contact me if you’re interested.

February 13, 2021

Hooking With and Beyond the Wool Workshop – March 20

Hooking With and Beyond the Wool Workshop running again.

Interested in hooking with things you can find in your home? Want to try fibers other than or in addition to wool? Maybe help the environment a little? Then join High on Hooking for an online workshop in March. Information is below. Note that the class is limited to 10.

HOOKING WITH AND BEYOND THE WOOL – Online Workshop

hooked rug like will hook in Hooking With and Beyond the Wool Workshop — “Journey” (hooked with old bed sheets and t-shirts)

Get ready to experiment with new and different fibers in your rug hooking. Working on a “sampler” pattern, we’ll explore how different types of fibers hook up and how they “play” with wool and each other.

Early rug hooking was a make-do affair using feed bags, old clothes, and other “used” fabrics. Those pioneering hookers were practical to a fault and threw nothing away; they couldn’t afford to. Today that’s less of a problem for most rug hookers using both virgin and recycled wools. But why limit ourselves to just wool strips?

Hooking with materials other than wool allows us:

The chance to create new and different effects in our rug hooking;
To work with what we may already have in our homes;
To go back to the thrift store to source some of our fiber (now that quality wool’s often scarce there); and
To potentially do some good for the environment.

This class is designed for a student proficient at rug hooking basics, particularly the mechanics of pulling loops through a backing.

Because this is an online workshop, students will supply their own materials. You may draw up your own sampler pattern or enlarge one electronically supplied by teacher.

DETAILS

Class will run Saturday, March 20, 1:00 PM Eastern.

This class will be held online through Zoom. Upon registration and payment, the Zoom link and password will be sent via email (after March 1).

Class will be limited to 10 people.

The class is ONE SESSION, approximately 2.5-3 HOURS in length.

The COST of this class is $45 US.

Student will supply:

Hooks;
Backing, preferably linen or monk’s cloth rather than rug warp;
A frame;
A variety of “alternative fibers,” list to be supplied upon registration; and
A mind and spirit open to experimenting.

For more information or to register, please email me at Laura@highonhooking.com.

Laura Salamy is the hooker behind High on Hooking.

I’ve never been a “traditional” hooker, preferring to color outside of hooking’s more “typical lines.” Instead of limiting myself to wool, I prefer to use most any material I can get my hands on. Often that means cutting strips from old t-shirts and bed sheets. Up-cycling throw-aways to art is a priority for me. Our landfills are filling up. Or they’re already full. While certain projects benefit from virgin wools or other fibers, I like to do my little part to slow that process and make something lovely at the same time.

Laura’s work has been seen in various exhibits as well as Rug Hooking Magazine; ATHA Art of Rug Hooking magazine; Karen Miller’s book Eyes Open to the World: Memories of Travel in Wool; and Judy Taylor’s T-Shirt Treasures: Creating Heirloom Hooked Rugs from the Humble T-Shirt. She currently serves as President of the Adobe Wool Art’s Guild, New Mexico’s only rug hooking guild.

Learn more about her work at https://highonhooking.com.

February 1, 2021

A rug influenced by another artist

Hooked art influenced by another artist — I’m calling it “Pat’s Rug” for now. It was influenced by another artist, my aunt.

I’ve finally finished the rug that my aunt, another artist, last year asked me to hook for her. She gave me no guidelines other than that she likes reds, blues, and gold. What to do? Pat works in paint, pens, and pencils and such. More abstract stuff. Fortunately, I’ve got a few of her pieces, so I thought, why not go to a source, her own work.

Work by another artist — Artwork by Pat Croke, my aunt.

Will she be able to tell that I used her drawing to inform my hooked art? Hell, if I know. I’ll tell her though. (And about the African bark cloth influence as well.) Lines and colors. Being a textile piece, though, I get the benefit of texture too: loops of old t-shirts and the sparkly sharpness of the two gold ribbon types that I used.

Close-up of the rug that currently has no name. Hand-hooked with old t-shirts and ribbon.

I just hope she likes it.