Thursday makes it a year that “regular” life came to an end here in New Mexico. Not knowing what I know now, I rather welcomed it. No meetings for the foreseeable future! Remember – we never thought the crisis would go on for sooooo long, and Zoom wasn’t a BIG THING yet. I figured I’d have time to work on my own projects and actually get a chance to explore other ideas percolating in the back of my brain, maybe even move them to the front.
Some of that happened. I certainly had ample time to “play” with the Ribbon Rug Journal. In fact, without Covid, I’m not sure how I would’ve been able to log each day’s entry. (Now if I can only get to writing the magazine article on the damn thing!) I managed, too, to finish “Holes,” a rug about the effects of motherhood on women. But then Karen Miller came up with the idea for In the Studio with its presentations and two! online Workshop Weeks (keep watch; the third will be coming), my own class offerings, and, of course, rugs to make (I do have an Etsy shop). The forced time at home was not quite so restful. Such is our new reality.
A one-line, mirror sketching from 2019. Sadly, a self-portrait.
But some things didn’t change. This March, as I did in 2019 and 2020, I will participate in Sketchbook Revivalpresented by artist Karen Abend. It’s a free, online event whereby each day for a couple of weeks a different instructor presents a a different approach to filling up your sketchbook or journal. As much as I used to be good at that, I’m not anymore. Sketchbook Revival gives me a do-over each year and a way to learn new techniques. As Karen says:
Some sketches are colorful. A “creature” rug perhaps?
“Imagine waking up each day brimming with ideas, excitement, and confidence to open up your sketchbook and start creating, no matter what.”
As far as I’m concerned, sketching can be relaxing and enjoyable on its own, but more importantly, better sketching leads to more and better better hooked pieces. Click on the link above to join. While there are social media pages to share your work and to see that of others’, I generally prefer to keep to myself. And you don’t have to attend every session. I pick and choose. One comes out every day, but the videos stay up for a few weeks.
This was perhaps my favorite sketching session from last year. Who knew? Architectural drawing.
Day-hooking. I mentioned it last post. It’s not necessarily what you think. But it is another benefit of being stuck at home. I generally hook in the evening. Like many of you, if I don’t work with my hands after 8:00 p.m. or so, I’ll fall asleep. That’s when I catch up on TV and movies. But sometimes – like right now – I’m hooking a piece that needs: 1) good light, specifically, the light of day and 2) concentration. Like I said before, in another world in other years, my guild, AWAG, held three retreats and had a teacher visit us, usually for an open workshop. Each event gave me three whole days to work on more challenging rugs. And a multitude of folks to ask for advice when it was needed. Or even when it wasn’t. LOL
While I tend to do other tasks during the day, lately I’ve been trying to carve out some time for day hooking to get through this one difficult project. I feel guilty sitting on my ass, but the work happens, and I can even get some of those year-old NOVAs out of my DVR queue. So, day-hooking, yeah, it’s a thing.
Meanwhile, the night-hooking continues. Which is exactly what the boys bring to you today in the pic. I’ve started on the fourth of what I’m calling my #happyrugseries. I realized that after such a negative year, I’d prefer to mostly focus on the brighter aspects of life. For this one, I’m trying to really just go with the flow; there’s little advance planning in it. Other than the holes, which the rug dictated to me as I sewed on his tape.
“What’s on the Frame.” Bowyn takes being a High on Hooking dog very seriously while Tynan is quite blasé about it these days.
Nancy Hart of AWAG created a rug a couple of years ago that I really loved. I miss you, Nancy, but you’re here with me in spirit, and your rug is my inspiration for this project. Tom’s going to kill me as parked in the living room is a large shopping bag AND a laundry basket filled with all kinds of fiber to pick and choose from as I go. (Plus the day-hooking paraphernalia.) But I’m enjoying working on it all!
What’s got you’re attention these days as we head into the final stretch of the Coronacootie’s reign?
Hooking With and Beyond the Wool Workshop running again.
Interested in hooking with things you can find in your home? Want to try fibers other than or in addition to wool? Maybe help the environment a little? Then join High on Hooking for an online workshop in March. Information is below. Note that the class is limited to 10.
HOOKING WITH AND BEYOND THE WOOL – Online Workshop
“Journey” (hooked with old bed sheets and t-shirts)
Get ready to experiment with new and different fibers in your rug hooking. Working on a “sampler” pattern, we’ll explore how different types of fibers hook up and how they “play” with wool and each other.
Early rug hooking was a make-do affair using feed bags, old clothes, and other “used” fabrics. Those pioneering hookers were practical to a fault and threw nothing away; they couldn’t afford to. Today that’s less of a problem for most rug hookers using both virgin and recycled wools. But why limit ourselves to just wool strips?
Hooking with materials other than wool allows us:
The chance to create new and different effects in our rug hooking;
To work with what we may already have in our homes;
To go back to the thrift store to source some of our fiber (now that quality wool’s often scarce there); and
To potentially do some good for the environment.
This class is designed for a student proficient at rug hooking basics, particularly the mechanics of pulling loops through a backing.
Because this is an online workshop, students will supply their own materials. You may draw up your own sampler pattern or enlarge one electronically supplied by teacher.
DETAILS
Class will run Saturday, March 20, 1:00 PM Eastern.
This class will be held online through Zoom. Upon registration and payment, the Zoom link and password will be sent via email (after March 1).
Class will be limited to 10 people.
The class is ONE SESSION, approximately 2.5-3 HOURS in length.
The COST of this class is $45 US.
Student will supply:
Hooks;
Backing, preferably linen or monk’s cloth rather than rug warp;
A frame;
A variety of “alternative fibers,” list to be supplied upon registration; and
Laura Salamy is the hooker behind High on Hooking.
I’ve never been a “traditional” hooker, preferring to color outside of hooking’s more “typical lines.” Instead of limiting myself to wool, I prefer to use most any material I can get my hands on. Often that means cutting strips from old t-shirts and bed sheets. Up-cycling throw-aways to art is a priority for me. Our landfills are filling up. Or they’re already full. While certain projects benefit from virgin wools or other fibers, I like to do my little part to slow that process and make something lovely at the same time.
I’m calling it “Pat’s Rug” for now. It was influenced by another artist, my aunt.
I’ve finally finished the rug that my aunt, another artist, last year asked me to hook for her. She gave me no guidelines other than that she likes reds, blues, and gold. What to do? Pat works in paint, pens, and pencils and such. More abstract stuff. Fortunately, I’ve got a few of her pieces, so I thought, why not go to a source, her own work.
Artwork by Pat Croke, my aunt.
Will she be able to tell that I used her drawing to inform my hooked art? Hell, if I know. I’ll tell her though. (And about the African bark cloth influence as well.) Lines and colors. Being a textile piece, though, I get the benefit of texture too: loops of old t-shirts and the sparkly sharpness of the two gold ribbon types that I used.
Close-up of the rug that currently has no name. Hand-hooked with old t-shirts and ribbon.
High on Hooking’s Winter Teaching Schedule (thus far)
I thought that, as we close out 2020, perhaps it would be a good thing to summarize our winter teaching schedule as it currently stands. We do plan on adding more workshops. Unfortunately, Covid still requires that classes occur online, but that just means no hotel reservations needed, lower costs, and the ability to take workshops anywhere with all kinds of new people!
You too can “Build a Baby Boucherouite” or, as I like to call it, Barbies Magic Carpet. New class coming January 16, 2021. See the winter teaching schedule.
BUILD A BABY BOUCHEROUITE Saturday, January 16, 1:00 p.m. Eastern
Boucherouites are having their day! They’re so trendy that you can’t look at a Better Home and Gardensmagazine or watch an HGTVshow without seeing them. The Berber tribe of Morocco has been creating Boucherouites, one-of-a-kind, hand-knotted rugs, since the mid-20th century. Traditionally, they’re made using old clothes and other textile scraps. They’re a pretty freestyle form of expression often looking as if the weaver started with one color scheme and pattern, got bored, and moved onto something else. They’re fun in a colorful, spontaneous way and are easily adaptable to rug hooking.
In this workshop you’ll design your own “Baby Boucherouite” rug and start to hook it with textile scraps you have on hand be they cotton clothing, old bedsheets, and/or leftover wool noodles. The sky’s the limit! We’ll also discuss how to prepare, cut, and hook with non-wool materials. This class is designed for a student proficient at rug hooking basics, particularly the mechanics of pulling loops through a backing. You need not own a cutter to participate (or even to hook rugs!).
Because this is an online workshop, students will supply their own materials. Materials needed:
•Hooks;
•Backing of choice to allow for a rectangular mat at least 12” by 6”;
•A frame;
•A pencil (or “magic” pen) and Sharpie to draw rugs straight onto backing;
•Fibers of choice (wool, yarn,old clothing/textiles, whatever); and
•A mind and spirit open to experimenting and FUN.
Class Fee: $45 US. For more information or to register, please contact me at Laura@highonhooking.com. Class limit of 12 students.
INTRO TO PUNCH NEEDLE RUG HOOKING Sunday, January 31, 1:00 p.m. Eastern
This class is being taught as part of In the Studio’s WORKSHOP WEEK 2 which I wrote about last week. Find the info HERE. Please take a look there to see not just the punch needle class but all seven (yes, you read that right, 7!) workshops going on that week. Seven different instructors offering seven very different classes all through the week! There are also two bonus sessions – an evening gathering to hook, knit, crochet, chat, or just hang AND a panel discussion.
A caveat, my punch needle class appears to be full now. I am taking names in case of cancellations. And if there are enough interested (by that I mean as few as 2 and up to 10), I will be happy to run the class again later in the winter. Just give me a yell!
Other workshops are filling; if you’re interested, please contact the instructors ASAP. I should know; I’m a student in Nadine’s class!
HOW WILL YOU SPEND YOUR WINTER? IT’S TIME TO TRY SOMETHING NEW WHILE WE WAIT FOR THE VACCINES TO KICK COVID’S BUTT.
IN THE STUDIO WITH NADINE FLAGEL – WEDNESDAY, NOVEMBER 4, 2020; 1-2 PM EASTERN (11-NOON MOUNTAIN)
Join Nadine Flagel as she talks about works-in-progress that explore the implications of fast fashion by restaging and reusing post-consumer textiles. Specifically, her works explore the rag yard as a source of crisis and creativity. Learn about moving between ideas and patterns, between technical problem-solving and more abstract concepts. The central concept will be the snag: the emergence of the unexpected, the jolting sensation when your sweater catches on a rusty nail. Whereas others might see snags as imperfections, difficulties, or dangers, we can see moments that require presence, that require the rug hooker’s celebration of discarded, damaged fabric and fibres.
About Nadine Flagel:
Nadine is a self-taught textile and fibre artist whose mission is making art out of “making do.” She holds a Ph.D. in English Literature from Dalhousie University and teaches literature. Early next year Flagel will hold a solo exhibition at the BC Craft Council. She has written about textile art, created textile art for public art commission, and received grants to make art with youth. She is also a member of the Vancouver Guild of Fibre Artists and CARFAC. As a settler, Nadine lives and works on unceded land of the Sḵwx̱wú7mesh (Squamish), səl̓ilwətaɁɬ (Tsleil-Waututh), and xʷməθkʷəy̓əm (Musqueam) peoples.
IMPORTANT PLEASE READ: The Zoom link for this presentation will be emailed to you the day before the talk (or after you purchase your ticket, if you purchase on the day of the event). If you don’t receive it, you can contact the organizer at info@karendmillerstudio.com.
Tickets will be on sale until 10am the day of the event. After that time you will no longer be able to purchase tickets.
FAQ’s * Will this talk be recorded for viewing later? Unfortunately, no. Due to the logistics involved, we decided some time ago to keep these events live. Hopefully if you can’t make it to this talk, you’ll be able to make it to a future talk.
* It’s the day of the talk and I’m having trouble finding or using the link for the talk. How can I find help? It is very advisable to LOG INTO THE EVENT A FEW MINUTES EARLY to be sure that you have no trouble with the link, and if you are having trouble the organizer can help you out. You can email or message the event organizer up until 12:30pm Eastern on the day of the talk for help. ONCE THE EVENT STARTS, however, messages and emails are not able to be monitored.
* I’m finding it distracting during the talk seeing all of the other participants on my screen. What can I do? During the event the organizer will put the screen setting on “spotlight view” so that the presenter is the focus on your screen. Depending on your device, you may still see audience members on your screen and changing your setting from “gallery view” to “speaker view” should help with that.
G THING yet. I figured I’d have time to work on my own projects and actually get a chance to explore other ideas percolating in the back of my brain, maybe even move them to the front.
