It starts next Thursday, April 14, and runs through Saturday. Make sure you stop by the Adobe Wool Arts Guild booth to say hello and check out the hooked art made by our members.
You know that’s how we feel about 2020 and now 2021. Trade cards from the “New Years 1890 Cards” series (N227), a set of 50 cards issued in 1889-90 to promote Kinney Tobacco Company. (Metropolitan Museum of Art; in the public domain)
Happy New Year to all of our Jewish friends! And to everyone else as well – more about that below.
High on Hooking is headed up to Santa Fe again the first weekend of October. Because it’s more fun to play with others, Cathyand I will again share a booth up at the Harvest Festival at Las Golondrinas. Amazingly, I’ve never been there, but everyone says it’s a wonderful place the visit. Being from New England, I figure it’s kind of like Sturbridge Village or Plimouth. (Never ever fall for that Plymouth Rock thing!) Perhaps you’d like to check the Harvest Festival and the hooked art out too…on October 2 and 3, of course.
I’m not gonna lie, the last two vendings weren’t particularly lucrative. Between Covid and logistics and Covid… Someday maybe we’ll get back to some kind of normal. Someday…
In the meantime, there’s plenty to keep us busy. For instance, there are always a rug or three to hook and projects to crochet. There are classes to prep. (Remember that I’ve added a session to WW3 on October 23!) And I need to get ready for an improv hand-quilting workshop with Heidi Parkes. Unfortunately, I’m in another class the exact same time Heidi’s runs, but she’s taping it, so I’ll use the video. Not quite the same, but for 50 bucks, I’m not complaining, especially for one of her classes. More on that later.
In other news, next week we’ll be looking at four new walls. Keep your eyes on the Instagram and Facebook feeds for that. Hoping it’s good for my journaling/sketching practice which need a jump start. And hiking and just getting away from…people.
There’s a LOT going on these days. So much so that I’ve really got to post more. And I will when I get the chance. A hint: Next June, look for HoH in Tennessee! (More on that later too.)
Lastly – besides the pic of the boys and WHAT’S ON THE FRAME – for me, while I’m not Jewish, September’s always been about the NEW YEAR as much as January 1. If you have kids or you were a kid, you understand. But now that Tom and I are on our own and summer in the desert isn’t even close to ending come August 31, the school year isn’t really a thing for us. And yet, September, maybe because it’s such a time of change (or at least potential change), marks a passage for me much as New Year’s does. It’s time to think about winter and being indoors more and how we’ll pass that time. It’s about taking stock and considering how we’ll face the future. But it’s definitely forward-thinking, not sad. It’s about potential.
Bowyn and Tynan bid you all a HAPPY NEW YEAR! Make the best of it. We intend to. This rug is hooked with all reclaimed t-shirts on monk’s cloth. If you want to try hooking with old t-shirts, check out my WW3 class.)
How about you? Do you see September as a “new year” or is it just bittersweet as we say goodbye to sun and warm weather? (Which one starts to really look at differently living in the desert, let me tell you!)
Will you be at Mountainair’s Sunflower Festival Saturday?
Bowyn will be sad if he doesn’t get to meet you at Saturday’s Sunflower Festival.
Unfortunately, last weekend’s textile art sale in Santa Fe was a bit of a logistical bust. But is it really a loss when you spend time hanging with a bunch of other talented fiber artists here in New Mexico or anywhere. NO! Fortunately, Cathy, my partner in crime, and I have the Sunflower Festival in just a few days. It’s always a fun time what with the arts, the music, the food… And Mountainairis a cool, little mountain town, very BIG sky country.
As you can see, I’m ready for the Sunflower Festival. Sunflowers are truly one of my favorite flowers, and if you’ve been following me for at least a year, you know that I like to hook some version of them annually. This year I went small, three wall hangings. And instead of keeping it all t-shirt all the time, I mixed it up. Each one has some amount of t-shirt, bed sheet, wool strips, and wool yarn. The variegated backgrounds were dyed by my own little hands during my “retreat week” back in June. Oh, and I included itty-bitty glass seed beads in the – what else? – sunflower seed heads!
Sunflower wall hanging. (Old t-shirts and bed sheets; wool strips and yarn; glass seed beads.)
It’s the end of summer here in New Mexico, and while the sunflowers are blooming and it’s still warm, you can see that fall’s on its way. Kids have been in school a couple of weeks. (Being from the East Coast, that’s still weird for me.) Already I’ve spied some turning leaves here and there. The Hatch chiles are roasting in the grocery store parking lots. That heavenly aroma!
Fall is a looking forward time for me. How to change up the house decor – pumpkins and candles, of course. The holidays! We just rented a house for a week’s vacation in Arizona (which lets us be self-sufficient in this unnecessarily continued time of Covid, but I digress). New rugs and other textile projects. Workshops.
On that workshop note, I want to remind everyone that In the Studio Workshop Week 3 will be here in two months. Less than that, actually. I’ll be teaching two sessions of Hooking with T-Shirts. The first will be Saturday, October 23. There are a few places still open in each class, so if you’re interested, email me at Laura@highonhooking.com. Some workshops are full but may have a waiting list available. Others still have room. Just contact the teacher of the class you’re interested in.
Lastly, a gentle reminder. The rug hooking week at Sauder Village just wrapped up. Trolling Facebook, I’ve seen wonderful photos of the gorgeous rugs that were on display. One thing, though, that I noticed about many of the posts was the lack of attribution. We need to remember that when we post pics of others’ artwork, we need to give the artists their due and provide their names. An easy way to get that info is to take a quick pic of the little card that’s invariably right next to or just below the rug, painting, quilt, or other piece of art you’re photographing. Then you’ll have everything together when you go to share the art porn.
As summer winds down here in the northern hemisphere, what plans are you making in order to really appreciate and enjoy the autumn? Maybe you’ll head out to Mountainair!
Thursday makes it a year that “regular” life came to an end here in New Mexico. Not knowing what I know now, I rather welcomed it. No meetings for the foreseeable future! Remember – we never thought the crisis would go on for sooooo long, and Zoom wasn’t a BIG THING yet. I figured I’d have time to work on my own projects and actually get a chance to explore other ideas percolating in the back of my brain, maybe even move them to the front.
Some of that happened. I certainly had ample time to “play” with the Ribbon Rug Journal. In fact, without Covid, I’m not sure how I would’ve been able to log each day’s entry. (Now if I can only get to writing the magazine article on the damn thing!) I managed, too, to finish “Holes,” a rug about the effects of motherhood on women. But then Karen Miller came up with the idea for In the Studio with its presentations and two! online Workshop Weeks (keep watch; the third will be coming), my own class offerings, and, of course, rugs to make (I do have an Etsy shop). The forced time at home was not quite so restful. Such is our new reality.
A one-line, mirror sketching from 2019. Sadly, a self-portrait.
But some things didn’t change. This March, as I did in 2019 and 2020, I will participate in Sketchbook Revivalpresented by artist Karen Abend. It’s a free, online event whereby each day for a couple of weeks a different instructor presents a a different approach to filling up your sketchbook or journal. As much as I used to be good at that, I’m not anymore. Sketchbook Revival gives me a do-over each year and a way to learn new techniques. As Karen says:
Some sketches are colorful. A “creature” rug perhaps?
“Imagine waking up each day brimming with ideas, excitement, and confidence to open up your sketchbook and start creating, no matter what.”
As far as I’m concerned, sketching can be relaxing and enjoyable on its own, but more importantly, better sketching leads to more and better better hooked pieces. Click on the link above to join. While there are social media pages to share your work and to see that of others’, I generally prefer to keep to myself. And you don’t have to attend every session. I pick and choose. One comes out every day, but the videos stay up for a few weeks.
This was perhaps my favorite sketching session from last year. Who knew? Architectural drawing.
Day-hooking. I mentioned it last post. It’s not necessarily what you think. But it is another benefit of being stuck at home. I generally hook in the evening. Like many of you, if I don’t work with my hands after 8:00 p.m. or so, I’ll fall asleep. That’s when I catch up on TV and movies. But sometimes – like right now – I’m hooking a piece that needs: 1) good light, specifically, the light of day and 2) concentration. Like I said before, in another world in other years, my guild, AWAG, held three retreats and had a teacher visit us, usually for an open workshop. Each event gave me three whole days to work on more challenging rugs. And a multitude of folks to ask for advice when it was needed. Or even when it wasn’t. LOL
While I tend to do other tasks during the day, lately I’ve been trying to carve out some time for day hooking to get through this one difficult project. I feel guilty sitting on my ass, but the work happens, and I can even get some of those year-old NOVAs out of my DVR queue. So, day-hooking, yeah, it’s a thing.
Meanwhile, the night-hooking continues. Which is exactly what the boys bring to you today in the pic. I’ve started on the fourth of what I’m calling my #happyrugseries. I realized that after such a negative year, I’d prefer to mostly focus on the brighter aspects of life. For this one, I’m trying to really just go with the flow; there’s little advance planning in it. Other than the holes, which the rug dictated to me as I sewed on his tape.
“What’s on the Frame.” Bowyn takes being a High on Hooking dog very seriously while Tynan is quite blasé about it these days.
Nancy Hart of AWAG created a rug a couple of years ago that I really loved. I miss you, Nancy, but you’re here with me in spirit, and your rug is my inspiration for this project. Tom’s going to kill me as parked in the living room is a large shopping bag AND a laundry basket filled with all kinds of fiber to pick and choose from as I go. (Plus the day-hooking paraphernalia.) But I’m enjoying working on it all!
What’s got you’re attention these days as we head into the final stretch of the Coronacootie’s reign?
Hooking With and Beyond the Wool Workshop running again.
Interested in hooking with things you can find in your home? Want to try fibers other than or in addition to wool? Maybe help the environment a little? Then join High on Hooking for an online workshop in March. Information is below. Note that the class is limited to 10.
HOOKING WITH AND BEYOND THE WOOL – Online Workshop
“Journey” (hooked with old bed sheets and t-shirts)
Get ready to experiment with new and different fibers in your rug hooking. Working on a “sampler” pattern, we’ll explore how different types of fibers hook up and how they “play” with wool and each other.
Early rug hooking was a make-do affair using feed bags, old clothes, and other “used” fabrics. Those pioneering hookers were practical to a fault and threw nothing away; they couldn’t afford to. Today that’s less of a problem for most rug hookers using both virgin and recycled wools. But why limit ourselves to just wool strips?
Hooking with materials other than wool allows us:
The chance to create new and different effects in our rug hooking;
To work with what we may already have in our homes;
To go back to the thrift store to source some of our fiber (now that quality wool’s often scarce there); and
To potentially do some good for the environment.
This class is designed for a student proficient at rug hooking basics, particularly the mechanics of pulling loops through a backing.
Because this is an online workshop, students will supply their own materials. You may draw up your own sampler pattern or enlarge one electronically supplied by teacher.
DETAILS
Class will run Saturday, March 20, 1:00 PM Eastern.
This class will be held online through Zoom. Upon registration and payment, the Zoom link and password will be sent via email (after March 1).
Class will be limited to 10 people.
The class is ONE SESSION, approximately 2.5-3 HOURS in length.
The COST of this class is $45 US.
Student will supply:
Hooks;
Backing, preferably linen or monk’s cloth rather than rug warp;
A frame;
A variety of “alternative fibers,” list to be supplied upon registration; and
Laura Salamy is the hooker behind High on Hooking.
I’ve never been a “traditional” hooker, preferring to color outside of hooking’s more “typical lines.” Instead of limiting myself to wool, I prefer to use most any material I can get my hands on. Often that means cutting strips from old t-shirts and bed sheets. Up-cycling throw-aways to art is a priority for me. Our landfills are filling up. Or they’re already full. While certain projects benefit from virgin wools or other fibers, I like to do my little part to slow that process and make something lovely at the same time.
I’m not gonna lie, the last two vendings weren’t particularly lucrative. Between Covid and logistics and Covid… Someday maybe we’ll get back to some kind of normal. Someday…
G THING yet. I figured I’d have time to work on my own projects and actually get a chance to explore other ideas percolating in the back of my brain, maybe even move them to the front.
