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The work of summer

Summer arrived just this week along with the kind of “work” that seems tailor made for her. Ah, but what is the work of summer?

Photo by ghostranch.org.

 

By rights – thinking back to when we were kids having escaped school for two months – there should be less work in summer. For High on Hooking, that will indeed be the case in some respect. Unfortunately, Ghost Ranch (see this post) postponed our workshop there till the spring. Boo to you, Covid! I was really looking forward to it, but there is a silver lining. It’s been SIZZLING here in New Mexico for a few weeks. Last week we hit 108 degrees here on the West Side of Albuquerque! Hiking will be better in the spring. I’ll post more information as we get closer to the workshop. In the meantime, think of how fabulous it will be to do fiber art in Georgia O’Keeffe‘s special milieu, her querencia.

The place where one’s strength is drawn from; where one feels at home; the place where you are your most authentic self.

 

There have been a few places in my life when I’ve felt what the Spanish call querencia. In fact, it’s why I wanted to move to the Southwest. It’s definitely something I understand about O’Keeffe.

Given the change of plans, I find that I have more time on my hands to do my own work. Frankly, this calls for some serious rejoicing as this year I’ve been working A LOT on things that I’ve HAD TO DO. I haven’t even put many new items into the Etsy shop! Sure, I chose to teach and to make the New Mexico cushion for the USA50 project. The latter took longer than anticipated, working with all wool yarn. Beautiful, but itchy wool yarn after a while. Friend Ruth has the piece at the moment as she’s converting it from the hooking to the actual cushion. Pics in the next post; I promise. It’s beautiful, and even better, it has a good story.

To me the work of summer is “lighter” than that that I think to do come October and as winter starts to blow in. Fortunately, that coincides well with the “happy rug series” (#happyrugseries) I informally started earlier in the year to combat the “heaviness” of Covid and the entire year of 2020. Sadly, between gun violence and the continued stupidity of US politics, 2021 hasn’t been much happier. BUT, given our vaccination rates here in New Mexico, life is looking much more “normal” than it did a year ago. WOOHOO!

Current projects…

Hooked rug, work of summer
ABUNDANCE, part of the #happyrugseries.

Still finishing up ABUNDANCE, the latest and largest so far in the #happyrugseries. I’ve hit a little snag, as she’s hooked with all kinds of fibers that aren’t the easiest to put a needle and thread into. Worse, there are holes built into her, so a lot of perimeter work to do. Worst, Bowyn was going crazy for rabbit scents on a walk last night so I let him run in the park. Unfortunately, my right ring finger got caught in the leash as he took off. Ouch! I won’t be wearing any rings on that finger for awhile. Fortunately, if I take the little brace off, I can still hook.

Friday, as soon as I finished hooking the NM cushion, I drew up a small, geomtric-ish pattern so that I’d have something to work on that evening while Tom ran a summertime, “Arnold” action movie for us to watch on the TV. Given all the environmental issues we’re facing these days – drought, climate change, wildfires, plastic in the ocean – I decided to hook the piece with old plastic bags. Having already hooked a larger such piece, I’d kept the most colorful bags I had. Despite the heavy environmental theme, I’m hoping the piece will still make me – and others – smile. And just maybe curb our use of plastic bags some.

I’m also getting ready to tackle some new-to-me techniques, that is, NOT rug hooking! I’ll let you know how that goes, but right now I aim to explore a bit on my own. Then there’s an article or two that need writing. While the work might be lighter in summer, there’s no lack of it!

July also brings a road trip back East. Various folks were supposed to come visit here last fall, but…you guessed it…stupid Covid. So, having not seen family in a couple of years, it’s time. Bring on the seafood! This time around, Bowyn will man the Instagram account. Tynan, 13, will stay home and keep the hearth fires warm.

Hooked rug and Bowyn a Welsh Springer spaniel
Tynan let Bowyn handle WHAT’S ON THE FRAME today. (Nonetheless, he demanded a treat as a finder’s fee.) No name yet, but it’s being hooked with plastic bags that WILL NEVER SEE THE OCEAN!

 

 

 

What’s your work this summer? Perhaps it’s to concentrate on family and friends, the return to life with others? YES! Enjoy.

 

 

 

 

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We’re going to shows – in-person!

In-person events. Can you imagine it after over a year of hiding out from each other? But it’s starting to happen!

High on Hooking and friend Catherine Kelly will be vending our first in-person show since November of 2019! We’ll be at the SPRING & FIBER FESTIVAL at EL RANCHO DE LAS GOLONDRINAS June 5/6. It’s an outdoor venue, so if you’re vaccinated, you probably won’t even need a mask! If you’re in the area then, please stop by to chat and fondle the rugs. Mention this blog post and get a 5% discount on anything you purchase from High on Hooking. (See our other events in the Calendar.)

Spring’s just busting out all over! It’s been a big week here in the HoH house. We entered the modern age when we traded our 2003 Honda Accord in for a much newer “old” car, a 2019 CR-V. All those freaking electronics! Fortunately, I still have my little Fit to tool about town in and keep my gas usage and emissions to a minimum.

Wednesday, Cathy (above) and I took the new vehicle for a spin up to Santa Fe’s Museum of International Folk Art. Other than the need for a mask, it was like pre-Covid times! An in-person museum visit! I was so excited early last year when the museum announced that they’d be having an exhibit of the Afghan War Rugs from summer through the fall. And then the Coronacootie struck! No fears – they were able to extend the exhibit through September of this year. Since I had my second Moderna vaccine last week, it was finally time. And the carpets did not disappoint. Unfortunately, I couldn’t take any pics, so I stole the one below from the museum’s website.

Photograph of Afghan War Rug; we were able to go to the museum in person.
Photograph from Museum of International Folk Art

For those who aren’t familiar with the Afghan War Rugs, at first glance some of them look like typical, traditional rugs woven in Afghan and other areas of the Middle East, but when you take a second look, you realize that the Cypress tree motif is a…missile. A “boteh” (paisley) is really a helicopter. Look a little harder and you’ll find pistols, machine guns and grenades. In some of the rugs, though, the artisans went full on war-rug. You can’t miss the tanks.

Afghanistan is known for its rugs, though many of these rugs were created by Afghan refugees in Pakistan and Iran after Russia and then the US waged war in the country. They offer, certainly, an artistic commentary on what’s happened in (primarily) the last 40 or so years. (Russia invaded in 1979.) But they also demonstrate a commercial response to war in Afghanistan and the effect on its people. The carpets have proven popular with journalists, military personnel, foreign aid workers, and such.

The emergence of war-related imagery in Afghan rug design has clearly aided the economic survival of area weavers and displaced craftspeople through years of armed conflict and cultural disruption. What war rugs mean to individual weavers is less understood. Are war rugs a celebration of modernity or a rejection of war? Are they a witness to shared trauma or a commercialization of violence? Are they testaments to ingenuity and a spirit of survival? Perhaps they are all of these things at once.
(Museum of International Folk Art)

Over 40 rugs hang in the exhibit. Some look brand new; others have clearly been used as…rugs. All are fascinating to view. And, of course, being textiles, we desperately wanted to touch them. To turn them over and examine them. Yeah, that would’ve gotten us booted out. Unfortunately, too, there’s no real info about individual rugs or artists. Though this isn’t surprising.

If you ever get a chance to see this exhibit, make sure that you do. If you’d like to read more about the War Rugs, there’s a great article here.  The Museum of International Folk Art has a virtual exhibit available here.

Dogs on hooked rug
This is what happens when you try to take the WHAT’S ON THE FRAME pic too close to the boys’ dinner hour. Just getting them both in the frame was tough enough, then they kept looking over their shoulders as if Daddy was about to make and eat their meals. Still working on the newest in the happy rug series. Her name will be “Abundance.”

 

 

What events are you excited to get back to in-person this year?

 

 

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“Automatic” hooking

 

Example of automatic drawing.
Example of automatic drawing done by moi during Sketchbook Revival.

 

 

Automatic hooking – it sounds like a machine is involved. Or worse! Wink, wink! But when I typed automatic hooking, I was actually referencing the art technique developed by the Surrealists. For a quick idea of what I’m talking about, the following comes from Wikipedia:

 

Automatic drawing was developed by the surrealists, as a means of expressing the subconscious. In automatic drawing, the hand is allowed to move “randomly” across the paper… Hence the drawing produced may be attributed in part to the subconscious and may reveal something of the psyche, which would otherwise be repressed…

Most of the surrealists’ automatic drawings were illusionistic, or more precisely, they developed into such drawings when representational forms seemed to suggest themselves. In the 1940s and 1950s the French-Canadian group called Les Automatistes pursued creative work (chiefly painting) based on surrealist principles. They abandoned any trace of representation in their use of automatic drawing. This is perhaps a more pure form of automatic drawing since it can be almost entirely involuntary – to develop a representational form requires the conscious mind to take over the process of drawing…

You’re probably wondering why I might be providing this art history lesson when I am in no possible way an authority on art or art techniques (except, perhaps rug hooking, of course, and then only certain aspects of rug hooking). It’s because, as I mentioned a few weeks ago, I’ve been participating in Sketchbook Revival 2021, and one of the workshops was about automatic drawing.

Example of automatic drawing.
My first attempt at automatic drawing.

That workshop was presented by Shelley Klammer of Expressive Art Workshops:

Shelley Klammer is an online therapist who supports creative women to heal “unfinished emotional business” from the past. She is also an educator with the International Expressive Arts Therapy Association. Shelley supports women to authentically self-express through spontaneous art and writing practices as a way to anchor self-safety, self-confidence and self-love.
-Karen Abend of Sketchbook Revival

To be honest, I wondered how much my drawings were really made without conscious thought. Wikipedia mentioned that too when I was exploring more about automatism..

…surrealist artists often found that their use of “automatic drawing” was not entirely automatic, rather it involved some form of conscious intervention to make the image or painting visually acceptable or comprehensible…”

Example of automatic drawing
This is an automatic drawing by a “professional.” It’s “Untitled” by Morton Schamberg (American, Philadelphia, Pennsylvania 1881–1918 Philadelphia, Pennsylvania) circa 1916. Graphite on paper; 5 3/8 x 4 1/2 in. (13.7 x 11.4 cm). (Info from the Metropolitan Museum of Art; in the public domain.)

 

Artist Stephen Berry was also a bit skeptical, but he could appreciate it regardless:

It was very liberating and thoughtful. It was also an interesting way to explore different shapes, to watch myself as an artist from “the outside” and see what shapes I’m predisposed to, where I’m reverting to certain habits that are lazy, what was exciting and interesting to explore that surprised me, etc.

He had more interesting stuff to say about the technique. Click on his name above.

Hooked rug; example of automatic hooking
Close-up of my current happy rug, “Abundance.” Lots of recycled textiles. I think I like my automatic hooking better than my automatic drawing.

Scintillating as all this is, you’re undoubtedly wondering how it relates to hooking. In that aforementioned post of mine, which I wrote before I started Sketchbook Revival, I mentioned my night-hooking project, the one the boys are pictured with. It’s part of my “happy rug” series in which I’m trying to focus on the brighter aspects of life after such a crappy last year. And I wrote:

For this one, I’m trying to really just go with the flow; there’s little advance planning in it. Other than the holes, which the rug dictated to me as I sewed on his tape.

See the SYNCHRONICITY that’s happened?!!? I was already kind of doing automatic hooking before I even learned about the drawing technique. Each evening I sit down and hook whatever comes to mind at that moment with whatever I have in the two big bag and one laundry baskets of fibers I have next to me. (Yes, there’s a LOT of hooking stuff in my family room at the moment.)

Both the automatic hooking and drawing efforts are fun to try if you’re so inclined to experiment. For the latter, just Google “automatic drawing,” and a slew of options will come up in your feed. As far as rug hooking goes, just throw some hooking materials into a bag and go to town. I’m using all kinds of fibers: wool strips, wool yarns, novelty yarns, a plethora of fabrics, ribbons, and so on. There’s lots of textile recycling going on!

Dogs on example of automatic hooking
Tynan and Bowyn bring you another view of “What’s on the frame.” Obviously, someone is not completely clear on the concept of his job. It should’ve been an overview of the newest happy rug, “Abundance,” an example of automatic hooking. (Let’s imagine Tynan’s thoughts for a moment…)

What have you done lately to spice up your regular practices be it hooking, painting, writing, or even working out?

 

 

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Public Service Announcements

Public service announcements, odd from an art blog, I know. But still genuine.

Public service announcement 1: Don't let blepharitis happen to you.
PSA 1: Blepharitis, don’t let it happen to you.

PSA 1

You know when they say that you should throw out old makeup? Eye makeup, in particular? Yeah, it’s true. You go almost a whole year NOT going out, NOT needing to wear the usual make up (because God was cruel to redheads and caused our eyes and eyelashes to recede as we age). Who cared? No one was going to see you. And then you finally get a date early-bird-special evening/afternoon with your husband. You put on some mascara to go with your best yoga pants to have truly excellent gluten-free pizza at Farina Alto (in Albuquerque). You plan on, even try sitting on the patio, but the freaking wind is too strong. It’s 4:00 pm; there’s barely anyone in the restaurant, so you chance it and move inside. The pizza, the wine, they’re all great! And then a day later, your eye starts to twinge, then redden, then swell. Where’s an pyrate’s eye patch when you need it? By early Tuesday morning you’re in the urgent care located conveniently up the street. BLEPHARITIS, they say. WTF? Swelling of the eyelid. Who knew? The people who say to change out your old mascara knew. Stupid blepharitis, stupid coronacootie.
Public service announcement 1: Chuck all makeup from 2020 and before; buy new shit even if you rarely wear it (and it looks practically new)!

 

PSA 2

If you’re working on a particularly difficult rug or painting or short story or other piece of artwork, always have something else requiring less concentration that you can work on in the evening.

Rug needing less concentration
PSA2 : Always have a rug that needs less concentration.

I typically work at night while I watch television or Netflix or whatever. Otherwise I’ll fall asleep. (I know you get this.) A couple of weeks ago, I started a piece, a wall hanging, that requires good light and my full attention. That means day-hooking. Not that I’m against day-hooking; actually, I love it. In fact, I really miss the Adobe Wool Arts Guild‘s three annual retreats, one of which usually happens at this time of year. I can hook all day long for three days in a row and get assistance when I need it from all my AWAG peeps. Sadly, our last retreat was in February of last year. Again, stupid Covid. Now I have to deal with this rug on my own. I miss you guys…
Public service announcement 2: Work on your more difficult pieces during the day; save the fun, easier stuff for evening.

 

Whimsy, a rug needing a forever home
PSA 3: All rugs need a good forever home, including “Whimsy” (approximately 15″x36″).

 

PSA 3

Some rugs need a home. Yeah, this is completely self-serving. “Whimsy” is finished and looking for her forever home. And yes, in the pre-pictures on Instagram and Facebook, I did hide that she has a hole built into her. But that’s just part of her charm. Consider giving “Whimsy” a home.
Public service announcement 3: All rugs need a home. Don’t let them suffer.

 

 

 

That brings us to the end of the PSAs. Though don’t forget that on March 20, High on Hooking is holding another online workshop: Hooking With and Beyond the Wool. If you’re interested in playing with fibers other than wool (much like those original rug hookers), contact me at Laura@highonhooking.com. It’ll be fun; I promise. Now keep hooking, or otherwise playing, and stay safe! We’re so close to being able to achieve herd immunity. Vaccinate!

 

An extra public service announcement, crazy dog
Instead of “What’s on the frame,” we have a public service announcements corollary. Never ask Bowyn to be serious in the evening. His concentration, like my own, is shot. Tynan, meanwhile, is properly aghast.

 

 

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A very Merry and Tiny Christmas to all!

We here at High on Hooking wish a very Merry Christmas to all who celebrate. Enjoy your holidays with those in your social bubbles. The kid will be down from Colorado tomorrow, so we’ll be celebrating a couple of days early here. Sadly, she has to work on the 24th and 26th, but roast beast and bubbly, here we come!

Before I let you go, though, a few dates in early 2021 to remember. Click on them for more info, and email me if interested or with questions.

  • Wednesday, January 13, 1:00 p.m. Eastern – IN THE STUDIO WITH TRACY JAMAR. If you haven’t heard Tracy speak, register. She’s terrific. And she does not-so-traditional hooking too!

 

  • Saturday, January 16, 1:00 p.m. Eastern – BUILD A BABY BOUCHEROUITE. Spaces are still available. Give yourself the gift of creativity in the New Year.

 

Dogs under Christmas tree
Bowyn and Tynan, the High on Hooking Dogs, bring you the final “what’s on the frame” for 2021. We all wish you a happy, happy Christmas and New Year!
  • Sunday, January 31, 1:00 p.m. Eastern – INTRO TO PUNCH NEEDLE RUG HOOKING WORKSHOP. This In the Studio WORKSHOP WEEK 2 class is full, but I’ve decided to open another session on Saturday, February 20, also at 1:00 p.m. Eastern. Give a yell if you’d like to get in on it. You will receive all benefits of WW2, including the bonus sections and coupons.

 

  • January 31 – February 5 – IN THE STUDIO WORKSHOP WEEK 2 – There are six workshops running this time around. Karen Miller, Beth Miller, and Meryl Cook still have openings. Susan Feller is taking names for a possible second session. Nadine Flagel, Donna Mulhollland, and I are offering second sessions. Contact individual teachers for more info. Emails in above WW2 link.

And that takes us into the time of putting work away and lighting candles and enjoying the season. Here’s to a MUCH IMPROVED NEW YEAR and some real peace and good will towards men all people (and dogs).

 

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